the name of the ensemble is a tribute to the composer and inventor peter zinovieff. not only he developed the famous vcs3 synthesizer in the late 1960′s but is also responsible for one of the first concerts played by a computer without a human intervention (»partita for unattended computer« queen elizabeth hall london – 1968). based on the idea of self-controlling music machines sebastian drichelt, felix krüger and konrad behr present sounds generated by prepared modular computer programs. dealing with the question “how does coincidence does sounds like?” computers of the artists get into the position, to “decide” about shape, quality and length of all sounds theirselves.
contact:
performances:
7.07.2011 Altana Galerie - Technischen Universität Dresden
Görgesbau (Sitz Elektrotechnik), Helmholzstr. 9
www.altana-galerie-dresden.de
6.05.2011 Altana Galerie - Technischen Universität Dresden
Görgesbau (Sitz Elektrotechnik), Helmholzstr. 9
www.altana-galerie-dresden.de
9.03.2011 Postgarage Grau (Austria)
Sonntags Abstrakt – die experimentellen zwischenklänge
dreihackengasse 42, 8020 graz
8.10.2010 frappant hamburg
viktoria-kaserne, 22767 hamburg
frappant.org
24.4.2010 at “sicht/beton/ung”
friedrichstadtzentral.de
friedrichstrasse 52, 01067 dresden
22.1.2010 motorenhalle dresden
motorenhalle – projektzentrum für zeitgenössiche kunst
11. dresdner schmalfilmtage
wachsbleichstraße 4a, 01067 dresden
23.10.2009 subterrarium vienna
jörgerstraße 23, 1170 wien
subterrarium
21.10.2009 postgarage graz
sonntags abstrakt – die experimentellen zwischenklänge
dreihackengasse 42, 8020 graz
29.8.2009
organized by trans-media-akademie hellerau e. v.
bärwalder see
transnaturale
studio recordings (excerpts):
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Live recordings:
live recording of performance at altana gallery, 07.07.2011, dresden
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live recording of performance at “SICHT/BETON/UNG” Friedrichstadt Zentral 24.04.10, dresden
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recording of Live Setting Competition at 11. dresdner schmalfilmtage at motorenhalle 22.01.10, dresden
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videos: