cheon kim – eat dogs drink cats

0kbps075

cheon kim

“eat dogs drink cats”

cheon kim

eat dogs drink cats [0kbps075]

side a
a1 – Willkommen (synths, drum machine, samples)
a2 – LV (synths, piano, muted drum machine)

side b
b1 – Lautreamont (synths, growls, plug, digital reverb bugs)
b2 – the world means nothing to you (alto sax, fretless bass, guitar, vox)

///ridiculous ridiculous ridiculous enough to be a part of///

cover art by Serko Petrich

september,3 – october,25
MMXIV

MAV [0kbps] Records, November 2014


JM DROWZEE – D E M O W A V E.​.​.​.​. V O L 1

DLR109

JM DROWZEE

“D E M O W A V E.​.​.​.​. V O L 1″

Artist: JM DROWZEE
Title: D E M O W A V E… V O L 1
Genre: Vaporwave; Future
Country: USA
Format: MP3 [320 kbps; stereo; 44,1 kHz]; FLAC; WAV
Released: 26 November 2014

Tracklist:
01 – SEPERATE マイアミのVICE 07:31
02 – FIYA あなたは監視されています 05:10
03 – jpg 続けてくださいカント 06:54
04 – MAX +の% 04:48
05 – COM.INTERNET.WWW 振り返るいけない 04:05


Bad Night Moon Shadow – Bad Night Moon Shadow

ASR010

Bad Night Moon Shadow

“Bad Night Moon Shadow”

All Songs written and recorded by Jared C. Balogh from 1997 to 2005.

Electric Guitar, Acoustic Guitar, Electric Bass, Keyboard, Mini Organ, Sound Effect and Vocals: Jared C. Balogh

Vocals and Lyrics- Lisa A. Farrow and Jared C. Balogh

All Instruments Played By: Jared C. Balogh

Vocals- Pete Pasko on Track 15 “Wonder”

The band name Bad Night Moon Shadow is a play on the opposite wording of The Beatles song “Good Day Sunshine”.

Songs released on Altered State Reflections in 2008 and 2013


Trans Atlantic Rage/Balogh – i::::soul::::ate

Siro056

Trans Atlantic Rage/Balogh

“i::::soul::::ate”

[Siro056] Trans Atlantic Rage & Balogh – ::::i:soul:ate:::: 320kbps – May 2011 Ambient / Dark Ambient

Sirona-Records Website:http://sirona-records.com


Azoora – New Height EP

[sec.084]

Azoora

“New Height EP”

In February 2008, Azoora released their first recordings on 23 Seconds Netlabel. Almost seven years later they are still around on the very same label; which makes us very proud!

The New Height EP features the voice of Jon Partelow, also member of The Flying Blind and former member of Can´t Stop The Daggers. Despite a new lead singer, the group hasn’t lost its unique sound and feeling.
Enjoy another masterpiece by Azoora!


The Flying Blind – Azoora RMX.EP

[sec.084]

The Flying Blind

“Azoora RMX.EP”

The Flying Blind is an American band with a twist—the members all live in different cities, and work together mostly over the internet. Once or twice a year, they converge on a studio outside Chicago for a few weeks of high-octane debauchery and tracking.

In 2013 they released their self titled debut EP The Flying Blind. Now we are proud to present the remixed version, made by John Purcell / Azoora
www.23seconds.org


Pink Hex – Live @ The Old Brick Theater (Scranton, PA) November 23, 2014

ASR107

Pink Hex

“Live @ The Old Brick Theater (Scranton, PA) November 23, 2014″

Pink Hex live @ The Old Brick Theater in Scranton, Pennsylvania (U.S.A) on November 23, 2014.Jamms 1-4

Jared C. Balogh: Drums, Bass Guitar and Bell Kit
Ed Cho- Guitar/Noise and Bass Guitar
Joel Kromer- Guitar/Noise and Cassette Manipulation

http://www.alteredstateofmine.net/pink-hex/

Released on Altered State Reflections (ASR107)


Daniele Ciullini – Resti

EdP068

Daniele Ciullini

“Resti”

Italian electronic music composer, Daniele Ciullini, is back to EdP – Editora do Porto with a full album of “remains”.
In this thought provoking work you’ll find the vestiges of a plausible life story, left in the open, to the winds…

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser.


http://www.insub.org/images/inub43_w.jpg JEAN-LUC GUIONNET – D’INCISE – At Cave12

insub43

JEAN-LUC GUIONNET – D’INCISE

“At Cave12″

Jean-Luc Guionnet: saxophone
d’incise: laptop

Jean-Luc Guionnet: « My musical work subdivides itself into as many ways as occasions arise for me to think and act with sound. Those occasions have always to do with a strong meeting with an outside element: an instrument (saxophone/organ), a theoretical idea (what is « rumour »?), and mainly a collaborating friend (André Almuro, Éric Cordier, Éric La Casa, Lotus Edde Khouri … Seijiro Murayama) … There then follows a collection of themes which, in turn, influence the evolution of the musical work and define the direction of meetings to come: the thickness of the air, the pidgin (language with neither grammar nor vocabulary), the musical instrument considered as affective automaton, listening dark unto itself, the algebra of and in hearing, sound as a signature of space, signature of objects, signature of what it is not… the fact that French uses the same word – le temps – for time and weather, propagation and spread of forms in time etc. Music is, then, a way to test reality.
Conversely, it’s a test whose experience defines a new distribution of the whole body by artificially localizing it in an unknown and purely physical environment, all the while being able to think, count, make relations or understand places, and so forth. The emotion I look for in music is made out of all these strata and the sliding of one over the other during the act of listening »

d’incise, electroacoustic musician, doing both composed and improvised works. He focuses mainly on generation and manipulation of acoustic sound sources and objects, loves feedbacks and digital glitches as well. He tends to extract the most tiny details of the elements, appreciates slowness and obsessive explorations of simple processes. He coordinates the Insub. label and the Insub Meta Orchestra with Cyril Bondi, with whom he also have the Diatribes duo.

Manb – Particle Decelerator

SCM-1409

Manb

“Particle Decelerator”

Manb is here and is ready to twist the laws of phisics as he decided to build his “particle decelerator” in Sucu Music territory. He takes samples, glitches and noises, stirs everything in his subatomic blender, and the result is a beautiful and obviously juicy cocktail.
(It should be noted that “Particle decelerator” sees the light as a video album, and for this reason it should preferably first be seen before being heard.)

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