sarah rasines – every single girl deserves a song

pyr124

sarah rasines

“every single girl deserves a song”

sarah rasines (burgos, castile and leon, spain) born in 1983, has a degree in fine arts (san carlos faculty of fine arts, valencia polytechnic university, spain). she combines artistic creation with research at the faculty of fine arts at the university of the basque country. she also belongs to a research group called ikersoinu, which is now working on a project called investigación sonora y espacio artístico: nuevas herramientas técnicas y conceptuales para la creación (sound research and artistic space: new technical and conceptual tools for creation). her interdisciplinary work revolves around time processes and experimental media.

experimental electronic music. the culmination of several years’ research in music in burgos, valencia and bilbao – every single girl deserves a song is her latest work in experimentation and sound production. cyclical melodies, hypermusical instrumental tracks, programmed synthesizers and sampled noises overlay the sonic medium.


lauren redhead – entoptic landscape

pyr123

lauren redhead

“entoptic landscape”

lauren redhead is an internationally performed composer and a performer who specialises in experimental music as an organist and a vocalist. she is a founder member of the collective ‘automatronic’ who produce a concert series for organ and electronics in london each autumn and who commission and collaborate with composers to create new works for the combination. her compositional work increasingly focuses on graphic, conceptual, and open approaches to music and performance, and collaboration — with other composers and artists — forms an important part of this approach.

the music on entoptic landscape is “slow moving, partially entering into ‘view’ and then gone again. the attempt to focus has the effect of obscuring it. all of the performances of this music respond in some way to open notation. as such, no two performances of this music are alike, but all hold much in common. open notation has been employed not for reasons of accessibility but as a means of inviting the performers into the specific soundworld of the piece.”


Mixta Sonitus – Lifefactory

PICPACK208

Mixta Sonitus

“Lifefactory”

01-Lifefactory(4:00)

ono – BETRAY

EPV_163

ono

“BETRAY”

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EPV_163
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■ bonus item
artwork (type2),
wallpaper for iMac & iPhone5 & Mac Book Pro
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cover photo by fkhr
http://epv-artists.tumblr.com/post/59673577393/minus
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■ artsit info
http://epv-artists.tumblr.com/post/59677262412/ono
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:: about BETRAY ::
http://betray-epv.tumblr.com/
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Bleak Fiction – Homeless Heart

Bleak Fiction

“Homeless Heart”

“Homeless Heart” is the fourth LP of Bleak Fiction. He returned to dark ambient with some ritual / black ambient influences, mainly in his first songs; and with atmospheric passages at ending the album. The main concepts are about loss and solitude, with titles about suicide and death. “Homeless Heart” is the result of lose something in life, and after that moment our hearts feels alone, trying to find a better place to live.

STFU! Come to Dresden!

STFU DRESDEN 2014
August 1st to 3rd
Altes Wettbüro

It’s festival time! 20 live sets an musicians from over 7 countrys. Free entry! Workshops and talks. A beautiful Sommergarden!

More details: http://stfumusic.org/dresden2014

Friday – start 8pm:
Anna Bolena / lsl / (P.A.)Bries / Eskaei / Piod / A Bad Man / Fat Carrot / Quip / Dämbi (dj set)

Saturday – start 8pm:
Trans Comfort / Credit00 / Peter Prautzsch / Tylth / Cindy Sizer / Jennifer Touch / Deer / Anna Bolena

Sunday – start 4pm:
Shannon Soundquist / [micro:form] aka Stachy / Ghost Radio / Oleg Slonomovich / Wheb / Unknown Forces / Third Mountain / Ben Eyes


Wolfgrowl – Exitus/Reditum

PICPACK207

Wolfgrowl

“Exitus/Reditum”

01-Exitus(4:49)
02-Sailing(5:52)
03-Question(5:29)
04-Rock the Boat(4:42)
05-Push and Pull(4:45)
06-Habitual Relapse(3:52)
07-Are We There Yet?(5:29)
08-Land, ho!(3:52)
09-Morning Sun(5:51)
10-Reditum(4:22)

Daniel Barbiero – after 30 x 12 (for C. Reider)

osg34

Daniel Barbiero

“after 30 x 12 (for C. Reider)”

After 30 x 12 (for C. Reider) by Daniel Barbiero is a gestural composition for double bass and optional electronics. Individual gestures were drawn from a closed vocabulary of actions to be taken in relation to the sound material, and then organized as discrete events. These events were then arranged sequentially into long-period phrases separated by non-actions. C. Reider contributed a layer of electronics based on a reduction of a live performance using the double bass sounds as a filter.
http://danielbarbiero.wordpress.com
http://www.vuzhmusic.com/artists/reider.html

Various – Broken Symmetry

FNet062

Various

“Broken Symmetry”

[FNet062] Various – Broken Symmetry
Our artist community has once again excelled itself with these impressions of the Hadron Collider and Higgs Boson particle.

Boiar – Sete Bóias A Boiar Ao Sábado

EdP067

Boiar

“Sete Bóias A Boiar Ao Sábado”

Peça concebida propositadamente para radiodifusão n’O Arranca Corações.

Este trabalho pretende agarrar o ouvinte para um desafio simples que poderá realizar a partir dum qualquer ponto sonoro exposto; conseguir o auditor desenvolver uma superconsciência auditiva que o leve a emigrar para fora do tempo/espaço usando como meio para tal fim a multiplicidade das formas auditivas expressas. Quanto mais se deixar absorver por elas mais depressa apreende o fluxo e o refluxo das ondas sonoras em presença, assim como a unidade intrínseca destas no todo consciente (superconsciente), a isto chama-se Boiar. Arte nobre hoje em dia quase esquecida e pouco praticada.

This work intends to grab the listener for a simple challenge that (s)he will be able to carry out from any exposed sound point; getting the listener to develop a superconsciousness hearing (awareness) that will lead her/him to emigrate out of time/space, using as a means to this end the multiplicity of hearing expressed forms. The more we let ourselves be absorbed by them the quicker we’ll apprehend the flow and reflow of the existing sound waves, as well as their intrinsic unity in the conscious whole, this is called Boiar, (Boiar is not “to Float”; Boiar is much more than simply floating). Noble art nearly forgotten today and rarely practiced.

Boiar is:

João Ricardo – Synthesizers, guitar, drums, laptop and fx (i.e. small toys difficult to specify);
João Santos – Acoustic bass, electric bass, traps, concertina, hornpipe, synthesised flute, laptop and fx;
José Soares – Keyboards, synthesizers, guitars, drums, cello, anything at hand, laptop and fx;
Paulo Santos – Voice, acoustic and electric guitar, keys, trumpet, percussion, laptop on/off.

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