After his first appearance on sonic moiré Caldera comes along more upfront and driving this time. Though his impulsiveness, he proofs once again a fine sense for accurate vocalsamples, percussive interplay and thrilling musical arrangements.
The center focus is the dance floor. The message clear: movement!
This steadily wandering around, humming club track “let them talk”, which has already been played in KELMHOs SOMO-Mix, is an obvious dance invitation. As well as the B-side track “sunday business” which is to be seen as an ode to housy, tapping rhythms. Straight to the front. From ears, through the heart immediately into the feet. Can’t wait for more!
Formato: EP digital
País/Ciudad: Russia, Krasnodar
Fecha Publicación: Octubre 2014
Estilo: Hard Techno, Drum & Bass …
Esta vez se nos va la olla un poco lejos, allí por los confines europeos, a la Rusia industrializada y ruidosa. PLUS presenta en Soisloscerdos parte de su duro sonido, Hard Techno, Drum and Bass, Techstep, Acid…
Lanzamiento que une el este y el oeste para joder a los acomodados oyentes que piensan que somos diferentes.
Plus (Vladislav Shirshikov) nació en la gran ciudad industrial de Baku durante la URSS. Su amor por la cultura techno viene debido a que creció en medio del paisaje y los sonidos urbanos. Comenzó sus actuaciones como dj en 1999, mezclando estilos como la IDM, Drum & Bass y el Techno. Es parte de la generación de admiradores que se ha criado con los ritmos rotos del techno. Ahora está trabajando en la producción de sus propias canciones y la preparación de actuaciones en directo. Su música es una mezcla de varios estilos, entre Hard Techno, Technoid y Halfstep. Actualmente vive en Krasnodar, Rusia.
Plus (Vladislav Shirshikov) was born in a big industrial city of Baku (USSR). His love for Techno culture grew on the background of urban sceneries and sounds. In 1999 he started his career as a Dj and performed in IDM, Drum & Bass and Techno styles. Raised more than one generation of admirers of broken Techno rhythms. Now he is working on his own tracks and live projects. His music is a compilation of several styles such as Hard Techno, Technoid, Halfstep. Currently lives in Krasnodar, Russia.
Lyand (born January 15, 1989 in Moscow, Russia) is a Brooklyn Techno & Deep House producer and DJ. Lyand is best known for his Groovy Sound that keeps the party in motion and the crowd on the dance floor. It takes specific elements to create a Vibe and Lyand has been experimenting with different styles in the playgrounds of New York City for years.
aitänna77 is the solo project of Spanish musician Mikel Martinez . At the beginning of last decade he began recording songs in his bedroom. Influenced by folk, lo-fi pop, electronica, ambient and a thousand other things in a declaration of love to master musicians such as Joe Meek, Franco Battiato’s music in the first half of the ’70s or Brian Eno, to name a few
Sucusauce Vol. 01 celebrates the first birthday of Sucumusic netlabel with a selection of tracks taken from some of the releases by all the bands and artists on its roster.
It is a companion to the Podcast of the same title and intention, featuring the same artists with a different selection of tracks.
In the sampler we go from the pared-down, stripped-down electronics of Art Electronix to the guitar antics of Claudio Quartarone, the idm of Tkns and soundscapes of guitar maestros Gaetano Fontanazza, Cousin Silas and Stephen Briggs, not to forget the improvised musical chasms of Purple Mountain Peal.
A sampler to celebrate but also a door to enter for whoever has stayed on the outside so far. An invitation to come in and discover the, let us say it, musical wonderland that Sucumusic is.
Have a good listening and don’t forget to download the accompanying Podcast, too.
draußen wird es ungemütlicher, für drinnen liefert photophob mit der “partial plug ep” den programmmusikalischen gegenpart dazu. im grundtenor verströmen die meist gemächlichen vierviertelwalzen mit ihrem raumschaffenden charakter eine mollige kälte, behalten aber auch diese feinen crispen strukturen, die es im vordergrund so spannend machen. was gegensätzlich erscheint, kombiniert sich so zu einem spannenden feld zwischen kondensierendem atem und groovendem unterbau, das immer wieder laune zum erkunden macht.
Tetarise returns! After a break of several months since his first release on Kahvi, Tetarise returns with another fantastic five track ep entitled ‘HeadDown Jam’, this time in a more complex psy-chilled style.
The epic feel of the tracks is still apparent, with the addition of guitar in a couple of the tracks. Think of this ep as a cross between Solar Fields and Boards of Canada and you’ll get an idea of how good it is.
Definately an addition to your permanent playlist, tracks of choice for this avid Tetarise fan are Lucid Dream and Red Yellow Green. They just get better and better! Enjoy this autumn EP from Tetarise.
A libertine is one devoid of most moral restraints, which are seen as unnecessary or undesirable, especially one who ignores or even spurns accepted morals and forms of behaviour sanctified by the larger society. Libertines put value on physical pleasures, meaning those experienced through the senses. As a philosophy, libertinism gained new-found adherents in the 17th, 18th, and 19th centuries, particularly in France and Great Britain. Notable among these were John Wilmot, 2nd Earl of Rochester, and the Marquis de Sade.
The word “Libertine” was originally coined by John Calvin to negatively describe opponents of his policies in Geneva, Switzerland. This group, led by Ami Perrin, argued against Calvin’s “insistence that church discipline should be enforced uniformly against all members of Genevan society”. Perrin and his allies were elected to the town council in 1548, and “broadened their support base in Geneva by stirring up resentment among the older inhabitants against the increasing number of religious refugees who were fleeing France in even greater numbers”. By 1555, Calvinists were firmly in place on the Genevan town council, so the Libertines, led by Perrin, responded with an “attempted coup against the government and called for the massacre of the French. This was the last great political challenge Calvin had to face in Geneva”. Charles-Maurice de Talleyrand wrote that Joseph Bonaparte “sought only life’s pleasures and easy access to libertinism” while on the throne of Naples.
Wrieuw is thrilled to release a collection of loop music by the wonderful Akane Hosaka. After 4 albums of gleeful, quirky electronica Akane dives headlong into experimental territory whilst maintaining the sound that is uniquely hers, using a Korg MS-20 Mini and a loop pedal. Akane has regularly been posting the results of these experimentations to here soundcloud page, and she has kindly collected together an EP of these for Wriuew. To my mind in places it sounds like a lost soundtrack to an Oliver Postgate program, either way, experimental music doesn’t get cuter than this, bleeps, bloops and joyful melodies abound. Wrieuw loves releasing music it loves and we have been fans of Akane for a very long time, we hope you enjoy this collection as much as we do.
Today we open new section called JAMS. Here We will publish audio albums of cut, selected and polished improvisation records. First release of real live experiments by 303 – trio of sound generators. The natural stream of sound vibrations taken from a meditative condition of the improvising shamans – musicians. This album flows like a river. A sound for travel on own consciousness.
Try as you like, it’s doubtful that you can avoid something along the lines of ‘noir’, ‘heaviness’, and in some cases ‘cyberpunk’ when describing this album. We probably can, though. ‘Paradigm Lost’ is uncertain, but not because this contrast between the almost industrial pressure and the usual kind of Engel’s melancholy isn’t organic, it is. And the album is betting on it. It defines its primary mood as uncertainty and confusion. This is a short but memorable road from the most gloomy to the most aspriring moments of Kai’s music.
Music by Kai Engel
Artwork by Лилейный
01. – A Neon Flesh
02. – Cutting To The Chase
03. – Tentative Steps
04. – Past The Lanterns
05. – The Burden Of Empathy
06. – Streets As Friends
07. – Comfort In A Bottle
08. – Transcending Heaven
09. – Junction
Horhos is a two-member ”band” from Hungary. Their music combines ambient, drone, folk and other elements (e.g. natural field recordings) into a unique sound. The band was formed in 2012, their first, untitled album was released in September 2014 via Bandcamp. The album received high publicity in Hungarian internet-based music press and was acclaimed by the critics and listeners. It works best with closed eyes and opened heart!
To be human is possible. In this context, a robot with a human appearance wants to become more manlike, to be part of society, acting in it. The problem arises when his artificial brain will not process some things. He does not understand the behavior, customs, values, decisions and reason of human decadence. Each one of the electronic components that comprise him were programmed to function as an ideal and perfect human being (according to the standard of humanly possible perfection), he understands humanity in this way.
In reality, in human society as such, he does not find anything like himself. The human being IS NOT what has been programmed into his database. The real human being is practically totally the opposite.
The artificial intelligence with which he is equipped permits him to make the best decisions, to continue as what he is, a robot with human appearance, an autonomous and perfect machine, far from humanity, declaring himself, NON-HUMAN.
The characteristic analog sound of Gozne returns, though this time it seems harder and colder, approaching the sound of EBM (electronic body music) and old-school electro. The voice, already roboticized, serious, strange, paraphrases its own language mixture of English, French, German, Italian, Spanish and Mapudungun, not so unintelligible.
Perhaps because of the concept behind the album, 4 x 4 rhythms do not abound, although this does not separate it from the root of Gozne’s work, which carries a sound with experimental characteristics to the dance floor.
Gozne is my father and knowing his musical works since always, and surely because of my metal roots, this is the album that I like most.
Octavio Yáñez Salinas
(Quilpué, Chile, octubre 2014)
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