Vocal experimentation made on April 14th 2018 with family friends and my parents in the next room.
I make lots of music because living in the Borders is really Boring; creativity is essential for staying awake around here. I’ve been obsessively listening to my music until I don’t like it anymore for roughly 7 years. I’m not sure what I want to do with my life but I do plan on making music for the rest of my days.
Fergus McQueenie (aka Eggshell Goblin).Track 1 is all 3 tracks made available as one file.
Natalia Panzer lives in Sunset Park, Brooklyn. She helps run Lynn, Looking at your mint, and Refresh Gallery. “Subway Street and Other Public Music Vol. 3” is the third installment of a series of the series “Street, Subway, and Other Public Music”, where she record street musicians and other public music and sound around New York City. This is the first time she is performing as a “street musician”. Her performance was held at a park by my house called Bush Terminal Park. The last recording of the flute player she made in Chinatown in Manhattan.
Anastatsia Vronski is a versatile experimental musician from Perm, Russia. Since years she has been creating an impressive and quite diverse body of work. Many of her tracks can be classified as “drone “or “noise”, but they always have a specific, often intriguing qualities. Above all, she’s not an artist who will do the same twice, and maybe that’s why some of her pieces are sometimes self-published isolately. Since we thought many of them deserved more exposure, we decided to make a selection of such works in a compilation album : Estrangements, that will be published in two volumes. The first volume gathers tracks composed in 2013 & 2014 (selected with the artist’s approval) that seem to share some kind of minimalist mood, although they are very diverse. For each of them, Vronski has written a few words about the specific methodologies and ideas (see below) involved in the composition. But this doesn’t make her music less mysterious. Each track seems inhabited by a mysterious and poetic spirit whose intrinsic qualities will appear to attentive listeners even without reading anything. The 2nd volume will be published in 2019
Brand new release from Thisco. Walden is the first in the series of collaborative works by Darren McClure, Toni Dimitrov and Boban Ristevski.
Check for more releases by Jarboe, shhh…, Merzbow, Rasalasad, Rapoon, Phil Von, KK Null, Sci Fi Ind,among many others.
MalLabel Music is elated to be welcoming back one of our favourite high end, intelligent producers Aversive with another beautiful expedition of trip hop glory.
Long creating magic in her studio in the misty mountains of British Columbia, a lack of distraction clearly plays to her benefit as she has churned out 12 releases over 3 years, with The Neptune Project being one of the most refined and cerebral productions yet. The decision to pair with another Canadian gem Bvitae has elevated Aversive’s sound to a new range of symphonic mastery.
‘The Neptune Project’ is in essence, a breath of absolute fresh air. Orchestral horns, chilled out snares and soothing, feminine vocals weave through a sultry and mature lounge of modern kaleidoscopic jazz. The EP is decidedly smooth and extremely well produced, a meeting of time and place. How can a sound establish itself at once at the absolute forefront of the west coast’s future scene and in smokey east coast venues of 1990’s Massive Attack mayhem? Aversive and Bvitae have managed to break through to quantum experimental levels that feel familiar and yet so incredibly new.
Goodbye bro-step, later big-room bass; there’s a new movement of gentle, refined electronica arriving and Aversive and Bvitae are sensuously leading the revolution.
“Post-Neo-Pagan Wind Music Live at Ganze Bäckerei in Augsburg, Germany”
Improvised music by Holzkopf using a sampler, MIDI controlled feedback, a pretzel with paper bag and a beer bottle.
live @ Ganze Bäckerei, Augsburg, 07.07.18
recording, mastering, photography and design by EMERGE
Holzkopf is Western Canadian musician Jacob Audrey Revington Taves. A decidedly non-traditional musician, they have mainly used budget bin samplers and drum machines in combination with tape recorders, mixing board feedback and raw data sounds. Varying from deconstructed dance music to harsh rhythmic noise to delicate and soft soundscapes, Holzkopf performances channel influences as diverse as industrial, dub, microsound and gospel musi
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