Emanuele Fais, Stefano Balice, Tommaso Busatto – The unlistenable dub project


Emanuele Fais, Stefano Balice, Tommaso Busatto

“The unlistenable dub project”

Emanuele Fais, Stefano Balice, Tommaso Busatto

The unlistenable dub project [0kbps067]

01 – Once again (Emanuele Fais, Stefano Balice, Tommaso Busatto)
02 – Ti fai le canne di droga (Tommaso Busatto)
03 – Mi si è rotto il funk (Emanuele Fais)
04 – La cosa fatta (Stefano Balice)
05 – Heavy dub cunt destroyer (Tommaso Busatto)
06 – Ansia da dub (Emanuele Fais, Stefano Balice, Tommaso Busatto)
07 – Little Duppy Girl (Emanuele Fais)
08 – Tattilofonia e relativi ornamenti vocali dub (Stefano Balice)
09 – Nigga taught me how to reggae (Tommaso Busatto)

MAV [0kbps] Records, August 2014

lauren redhead – entoptic landscape


lauren redhead

“entoptic landscape”

lauren redhead is an internationally performed composer and a performer who specialises in experimental music as an organist and a vocalist. she is a founder member of the collective ‘automatronic’ who produce a concert series for organ and electronics in london each autumn and who commission and collaborate with composers to create new works for the combination. her compositional work increasingly focuses on graphic, conceptual, and open approaches to music and performance, and collaboration — with other composers and artists — forms an important part of this approach.

the music on entoptic landscape is “slow moving, partially entering into ‘view’ and then gone again. the attempt to focus has the effect of obscuring it. all of the performances of this music respond in some way to open notation. as such, no two performances of this music are alike, but all hold much in common. open notation has been employed not for reasons of accessibility but as a means of inviting the performers into the specific soundworld of the piece.”




“Cinema Rex”

Jonas Kocher: accordion
Gaudenz Badrutt: electronics

Having collaborated for many years now, Badrutt and Kocher play improvised music. Through this practice they explore the relation between the very electronic sounds of the accordion and the instrumental potential of the electronics.
There is no electronic processing of the accordion, more the opposite: the acoustic sounds tend to influence the machine, creating accidents and random behavior of the electronics.
Badrutt and Kocher also take care of the acoustic specificities of the spaces where they play, taking it as a fundamental element of the performance. Through this subtle tuning between the playing and the space, every sound performance becomes site specific.

The concert at Rex was the last of a small tour in the Balkan region. Hours of travelling around on bad roads with old albanian taxis and public buses, fastidious border crossings and concerts in very different venues: a quiet basement in Athens, an old industrial building in a no man’s land area in Tirana, a very small bar in the middle of a fancy bars area in Skopje and the beautiful old cinema REX in Belgrade.
Our music evolved quite a lot during the tour, the context as well as all the people we met and the places we stayed, having definitely an influence on our playing. This recording aims to document our practice in a specific context at a specific time. No concept before playing, no edits or re-composing after. It is just what it is, improvised music.

Sounddog65 – Rouge





Rogue [0kbps066]

01 – Discourse
02 – Golden Ghetto
03 – Descriptivist Perscriptivist
04 – Conversation
05 – Futurosity
06 – Disrupted
07 – The Message
08 – Fettine Panate
09 – The Universe Is Under No Obligation To Make Sense To You

MAV [0kbps] Records, June 2014

I.Z. aka IDzeroNo – Radio


I.Z. aka IDzeroNo


This audio is part of the collection: Onorezdi -Netlabel (sub of Verezani Records)
It also belongs to collection: Netlabels

Artist/Composer: I.Z. aka IDzeroNo
Language: English
Keywords: TheFeeDunk Star; TheDeepr; The Corner; I.Z. aka IDzeroNo; Ames Nick Solder; The Pee Punk BROTHA; D-Ram; Dj RuffShraker; Melvin Clark; The Informers; 95 & Sailaway; D – Ram; hip-hop; media; remix; hip_hop; flyingteam; nyc; classic;
Creative Commons license: Attribution 3.0

Zoran – Meditations




Made with care and dedicated to life itself, floating in spheres of existence while playing with sound, life as it is, there is no secret in this, just a simple sound trip in and between molecular structure, no thought involved, feel free to let go.

Tasos Stamou and Adrian Northover – Mantra Gora


Tasos Stamou and Adrian Northover

“Mantra Gora”

In the second in a series of duo releases, Linear Obsessional brings together Greek improvisor and circuit bender Tasos Stamou with UK free saxophonist Adrian Northover for a series of short interactions. Playful and sometimes startling these pieces run through a surprising series of atmospheres and moods, from modal drone explorations, to far-out collisions of brittle electronics and circular breathing crescendos.

Adrian Northover- Alto and Soprano Saxophones
Tasos Stamou – Prepared Zither, Cassette Loops, Digital Horn and Test Generator

Artwork by Marta Jimenez-Saicedo

Johnny Chang and d’incise – 8CYM / For percussions perhaps, Or… (night)

Johnny Chang and d’incise

“8CYM / For percussions perhaps, Or… (night)”

Two minimalist composistions.

1. 8CYM (d’incise, 2013)
2. For percussions perhaps, Or… (night)(James Tenney, 1971)

Johnny Chang: viola, pre-recorded background (also featuring Derek Shirley, double bass)
d’incise: melodica, objects, pre-recorded background

Recorded in Berlin, november 2013

Max Scordamaglia – Unalog


Max Scordamaglia


Max Scordamaglia

Unalog [0kbps064]

. Unalog – 00
. Unalog – 01 (feat. LiZetta)
. Unalog – 02 – Oh mia Rosina
. Unalog – 03 (feat. LiZetta)
. Unalog – 04 – Wood
. Unalog – 05
. Unalog – 06
. Unalog – 07
. Unalog – 08 (short)
. Unalog – 09
. Unalog – 10
. Unalog – 11
. Unalog – 12

MAV [0kbps] Records, April 2014

rosalind hall and alice hui-sheng chang – embossed tales of throats


rosalind hall and alice hui-sheng chang

“embossed tales of throats”

attending to breathing spaces and mouth details, alice hui-sheng chang and rosalind hall experiment with abstractions of the voice and saxophone. challenging their instruments to produce extreme timbres and intimate textures, they use improvisation as their inspiration for performance and composition. in the six years of their collaboration, the pair has performed locally and internationally, released a cross-continent album and exhibited sound work for video art and multi channel installations.

on embossed tales of throats the duo continues to develop a strong improvised language that pushes and pulls at sound playing in and outside of each other, at the acoustic resonances of their instruments and bodies, at their shared performance histories and at creating electrified playing experiences. the duo also investigates the use of both tape and digital recording technologies and various microphones to create changing impressions of their sounds and inspiration for new gestures.

john collins mccormick – john collins mccormick


john collins mccormick

“john collins mccormick”

ear to the world. repetition without accumulation. trying. activity without beginning or end. selfless. bored confronting boredom. patience. thoughtless. recursive. understanding over stood. annoyance. accidental purpose. inconsiderate. urgency without aim. gentle. sound as material. world to the ear.

the first album from john collins mccormick released under his own name (he has previously released albums as sky thing), is a collection of his sound sculptures that he has created and performed between 2012 and 2014. it is a patient collection. ten pieces, just over two hours of sound. it is released in conjunction with mccormick’s m.f.a. exhibition at herron school of art and design.

Emanuele Fais – SUNSHINE


Emanuele Fais


Emanuele Fais

SUNSHINE [0kbps063]

1. Sunshine Youth
2. Untitled
3. Non vivo senza delay
4. Il rumore delle cose che si deteriorano

MAV [0kbps] Records, April 2014

Various – ∆∆ƒ®01 – Memory : 21-3


“∆∆ƒ®01 – Memory : 2-0-1-3”

Welcome to the very first debut compilation LP from ∆∆agic ƒind ®eco11ec†i0n, a new born star in the vast galaxy of online netlabels.

The Music and Art you find here will ALWAYS be given out completely free of charge…

Now and Forever More.

∆∆ƒ® aims to change the world through Soundwaves…

It aims to Heal this Earth with Waveforms

and it aims to Awaken the creative within YOU using vibrations.

It will set the platform for a new Music Indsutry.

One that is fair. One that treats the artists like the true creative architects they are, not like prisoners the way so many true artists are treated by their current ‘Labels’.

Many of the artists here will be signed to other labels, so if you want to Pay Money for their music, you are perfectly entitled to do so and I hope that you do that, because the arists here deserve every penny they can get for the amazing art their have created and shared with us.

So without further ado, please delve further.

Explore this ∆∆ystical ∆∆agical Wonderland of ∆∆arvellous ∂elights…

And please… tell ALL your friends.. Tell ALL your family…

Good Heavens…. Tell The Entire World

Everyone deserves to Know How To Love Again.

Peace, Light, Love and Blessings to ALL Beings of the UNiverse.


in All Ways.

Yours truly, faithfully, loyally…

∆∆agic ƒind

I.Z. aka IDzeroNo – OVO EP


I.Z. aka IDzeroNo



I.Z. aka IDzeroNo – Final Four


I.Z. aka IDzeroNo

“Final Four”

[onorezdiLP018] Final Four (April 05, 2014)

This audio is part of the collection: Onorezdi -Netlabel (sub of Verezani Records)
It also belongs to collection: Netlabels

Artist/Composer: I.Z. aka IDzeroNo
Language: English
Keywords: I.Z. aka IDzeroNo; TheFeeDunk Star; TheDeepr; The Corner; I.Z. aka IDzeroNo; Ames Nick Solder; The Pee Punk BROTHA; D-Ram; Dj RuffShraker; Melvin Clark; The Informers; 95 & Sailaway; D – Ram; hip-hop; media; remix; hip_hop; flyingteam; nyc; classic;
Creative Commons license: Attribution-Noncommercial-Share Alike 3.0

Klaus Marten – Satiety

Klaus Marten


This album of mine, Satiety, I think is really good for two reasons: 1, each track to me is really great at capturing and even painting a certain mood. Each track is its own world. And yet, it is also incredibly cohesive considering that, as the whole thing seems to combine to form a singular statement, whatever that may be. The largely abstract and open nature of my instrumentals allows the listener to draw his or her own conclusions.

Emanuele Fais – Confusione post-depressiva


Emanuele Fais

“Confusione post-depressiva”

Emanuele Fais

Confusione post-depressiva [0kbps060]

1. Escitalopram
2. Distorsione cognitiva
3. La dispersione del Caos e la quiete che ne consegue

MAV [0kbps] Records, March 2014

Klaus Marten – Take Me With You

Klaus Marten

“Take Me With You”

Klaus Marten was born in Cleveland, Ohio, and lives in Bushwick, Brooklyn, New York, where he spends his days working, hanging out with friends, buying records, and making music on his laptop. The varied influences of My Bloody Valentine, Smashing Pumpkins, Brian Wilson, Animal Collective, The Ventures, The Beatles, Sonic Youth, Deerhunter, and Japancakes (among others) provide a basis for his guitar-based music, which combines shoegaze, rock, surf, country, general experimentation, and other muddled-together genres into broad-ranging tracks as simple as solo guitar works and as complex as lush dream-pop soundscapes…and everything in between.

Uglisse – Trasfusione EP



“Trasfusione EP”


Trasfusione EP [0kbps059]

01 – Stomaco a pezzi
02 – Trasfusione
03 – Un porto sicuro
04 – Fuggo dalle responsabilità
05 – Adotta un artista

MAV [0kbps] Records, March 2014

Aortha, Generation Skweee, Roomdark – Mouskins


Aortha, Generation Skweee, Roomdark


This musical triptych dedicated to the Belarusian group of intuitive improvisation Knyaz Mishkin.

VA – Sound Interpretation: Minsk



“Sound Interpretation: Minsk”

Let’s go for a walk through Minsk!

This release is the first from Sound Interpretation series dedicated to cities.
We believe that each city has its own unique air. But anyone who works with the sound knows that every city has a inimitable soundscape and rhythm. So let’s make a musical journey through the cities. Cities you’ve been or would like to visit.

Szaman Cheh – Documents


Szaman Cheh


Sound experiments

23RedAnts & pablo orza – .escap.ism


23RedAnts & pablo orza


founded in april 2012 by macarena montesinos and niet f-n and based in spain, 23RedAnts is a cello/electronics duo who try to explore new territories between free improvisation, glitch music, and noise.in their first two years they have collaborated with different musicians and released four digital albums available for free download. they also collaborate with other artists such as dancers, visual artists as well as performing live during art exhibitions.

pablo orza is a self taught multi-instrumentalist from galicia, spain, primarily working in free improvisation. in 2003, he collaborated with parto duo to create the centro de novas tecnoloxías do pico sacro (TPS) – an artist collective interested in real time creation.

their first album for pyr consists of conversations that took place between cello, electronics and guitar. macarena, niet and pablo documented the conversations in 2012 and organized them into three volumes that all relate. the sound is micro, patient and highly fluid.

Free Variety Theatre – Galactic Anatomy


Free Variety Theatre

“Galactic Anatomy”

Free Variety Theatre was founded in early 2013 by Alexander Cutteridge and Daniel Moschopoulos as a vehicle for online collaboration—initially non-realtime distance collaborations with likeminded artists on SoundCloud. We have already established working relationships through attentive offline collaboration with musicians and producers in North and South America, Australia and throughout Europe, and have recently extended our outlook into the realm of tele-musical internet performance.

In parallel to our collaborative efforts, we have, over the last year or so, been developing and refining more conventional modes of improvising (namely playing in the same space and time). “Galactic Anatomy” is FVT’s first collection of recordings featuring the two of us playing alone. We have cautiously defined the genre as “techneurotic jazz”. The main intrigue/challenge from the outset has been to convincingly integrate improvised performance on traditional acoustic instruments (piano, electric guitar, trumpet) with digital electronic devices (laptop, samplers, analogue modelling).

I.Z. aka IDzeroNo – Asteroid


I.Z. aka IDzeroNo


[onorezdiLP017] Asteroid (Feb. 21. 2014)
You can buy my music here much appreciated : https://onerpm.com/#/disco/profile&album_number=221304477

bristophe – die ersten zwei kirchen



“die ersten zwei kirchen”

bristophe is an improvising duo that consists of brice catherin (from france, based in geneva) and christophe schweizer (from switzerland, based in germany). between them they play instruments like: cello, trombone, a bit of electronics, tuba, a touch of clarinet, plus e.g. recorder and other flutes, double bass, alpine horn, voice, bird calls, a few toys, etc. occasionally the two meet in one place, and that’s when sound happens.

their second album for pyr, die ersten zwei kirchen, is another two disc set – this time documenting two sessions of improvisations that took place in two different churches in germany and switzerland. to explore these spaces, the duo used: strings, brass, church organ, piano, harpsichord, clavichord, and the alphorn as well as their voices, electronics, birdcalls, and little instruments. as always, listen carefully.

Tommaso Busatto – Education


Tommaso Busatto


Tommaso Busatto

Education [0kbps057]

01 – Outro
02 – Sorry Patty, I’m busy
03 – Hey rusty! don’t need ya education
04 – Registrazione boh
05 – Stumpy reggae party
06 – Il mio non rapporto con la droga
07 – Cione was a gabber
08 – Caramelle & Spleen

MAV [0kbps] Records, February 2014


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