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Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”

update, February 1st, 2026

Dear friends and followers of clongclongmoo. It's great to have you here. As you may have noticed, the site has changed a bit. Some people wanted to be able to access the music with fewer clicks. That should work again now. Here's a quick note to everyone who uses relatively new platforms such as Mirlo, Faircamp, or Coop: feel free to use the submit form to draw attention to your new music. I'd especially appreciate hearing from anyone who runs a netlabel with free Creative Commons music. Thank you! Konrad from clongclongmoo

Electronic Empathy – aMt_A.I.

Electronic Empathy

“aMt_A.I.”

Several albums from Artificial Memory Trace were randomly selected, segmented into 30-second clips and used to fine-tune a MusicGen model. The audio outputs presented here are the result of this fine-tuning process. Technically, the model demonstrates both over-fitting and under-performance, as the generated tracks show little resemblance to the original Artificial Memory Trace material. However, given that the source material primarily consists of field recordings, this experiment provided an opportunity to explore the limits of MusicGen – a model designed for conventional music – when exposed to unconventional input. The key questions raised are qualitative: How does an AI trained on traditional music genres respond to sonic experiments? What does the input represent to the AI? Can it identify or infer any underlying musical structure? Notably, a faint piano-like sound emerged amid the crackles – a curious outcome. Did the AI, in its pattern-seeking process, interpret environmental sounds as traces of conventional melody?
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posted 26 January 2025