Various – Noise Factory 2017 “klangruhe”

Posted on 18. November, 2018 by ccm submitter Posted in netaudionews

http://www.zenapolae.com/zen178

Turvia – The Horrible Life

[zen178]

Turvia

“The Horrible Life”

sinister sounds with bad beats

http://www.zenapolae.com

alternative electronic experimental

Posted on 12. November, 2018 by ccm submitter Posted in netaudionews

https://www.pilot11.co.uk/releases/eggshell-goblin-april-14th-pe16

Eggshell Goblin – April 14th

[PE16]

Eggshell Goblin

“April 14th”

Vocal experimentation made on April 14th 2018 with family friends and my parents in the next room.
I make lots of music because living in the Borders is really Boring; creativity is essential for staying awake around here. I’ve been obsessively listening to my music until I don’t like it anymore for roughly 7 years. I’m not sure what I want to do with my life but I do plan on making music for the rest of my days.
Fergus McQueenie (aka Eggshell Goblin).Track 1 is all 3 tracks made available as one file.

Released by Pilot Eleven Netlabel (PE16).
www.pilot11.co.uk

released October 26, 2018

Cover art by Nikolai Krabbe – www.instagram.com/nwolfenheim/
Mastering by Dudley Ramsey – m.soundcloud.com/damsai

https://www.pilot11.co.uk/

electronic experimental vocal

Posted on 12. November, 2018 by ccm submitter Posted in netaudionews

https://emerge.bandcamp.com/album/lsb-02

WAFFENSUPERMARKT – lsbâ-â02

[ACP 1161]

WAFFENSUPERMARKT

“lsb-02”

recorded live at liquid sky berlin germany
photography by Dan Penschuck
design by EMERGE

electronic experimental techno

Posted on 12. November, 2018 by ccm submitter Posted in netaudionews

https://eg0cide.com/2018/11/01/eg0_192-anastasia-vronski-estrangements-volume1/

Anastasia Vronski – Estrangements (volume1)

[Eg0_192]

Anastasia Vronski

“Estrangements (volume1)”

Anastatsia Vronski is a versatile experimental musician from Perm, Russia. Since years she has been creating an impressive and quite diverse body of work. Many of her tracks can be classified as “drone “or “noise”, but they always have a specific, often intriguing qualities. Above all, she’s not an artist who will do the same twice, and maybe that’s why some of her pieces are sometimes self-published isolately. Since we thought many of them deserved more exposure, we decided to make a selection of such works in a compilation album : Estrangements, that will be published in two volumes. The first volume gathers tracks composed in 2013 & 2014 (selected with the artist’s approval) that seem to share some kind of minimalist mood, although they are very diverse. For each of them, Vronski has written a few words about the specific methodologies and ideas (see below) involved in the composition. But this doesn’t make her music less mysterious. Each track seems inhabited by a mysterious and poetic spirit whose intrinsic qualities will appear to attentive listeners even without reading anything. The 2nd volume will be published in 2019

https://eg0cide.com/

acousmatic experimental noise

Posted on 11. November, 2018 by ccm submitter Posted in netaudionews

https://thisco.bandcamp.com/album/walden

Darren McClure, Toni Dimitrov and Boban Ristevski – Walden

Darren McClure, Toni Dimitrov and Boban Ristevski

“Walden”

Brand new release from Thisco. Walden is the first in the series of collaborative works by Darren McClure, Toni Dimitrov and Boban Ristevski.
Check for more releases by Jarboe, shhh…, Merzbow, Rasalasad, Rapoon, Phil Von, KK Null, Sci Fi Ind,among many others.

http://www.thisco.net

abstract ambient experimental

Posted on 11. November, 2018 by ccm submitter Posted in netaudionews

https://archive.org/details/diss027

the dissonant – forgotten songs from a decadent era, part 3

[diss027]

the dissonant

“forgotten songs from a decadent era, part 3”

Post-Industrial from Oslo

https://archive.org/details/dissonant

alternative experimental noise

Posted on 9. November, 2018 by ccm submitter Posted in netaudionews

http://yesnowave.com/releases/yesno091/

GABBER MODUS OPERANDI – PUXXXIMAXXX

[YESNO 091]

GABBER MODUS OPERANDI

“PUXXXIMAXXX”

Kasimyn/Aditya Surya Taruna: Computer, Synth
Ican Harem: VocalDirekam di Kediaman Kasymin, Studio Karyawan Karyawan Karyawan
Desa Tibubeneng, Bali
Mixing & Mastering: Kasimyn

Desain Cover oleh Teknovoid
Logo Gabber Modus Operandi oleh Billy Agustan

http://yesnowave.com/

experimental techno

netaudionews recommendations

Posted on 3. November, 2018 by ccm submitter Posted in netaudionews, recommendations

http://plustimbre.com/releases/0802018.html

Mauro Sambo – 5 Clocks, 5 Musical Pieces, 1 Museum

[PT080]

Mauro Sambo

“5 Clocks, 5 Musical Pieces, 1 Museum”

5 clocks, 5 musical pieces, 1 museum
by Mauro Sambo
curated by Chiara Bertola
Fondazione Querini Stampalia, Venezia
March 13th – May 3rd 2015

http://www.plustimbre.com/

abstract ambient experimental

Posted on 3. November, 2018 by ccm submitter Posted in netaudionews

https://emerge.bandcamp.com/album/post-neo-pagan-wind-music-live-at-ganze-b-ckerei-in-augsburg-germany

HOLZKOPF – Postâ-âNeoâ-âPagan Wind Music Live at Ganze BÃ¤ckerei in Augsburg, Germany

[ACP 1165]

HOLZKOPF

“Post-Neo-Pagan Wind Music Live at Ganze Bäckerei in Augsburg, Germany”

Improvised music by Holzkopf using a sampler, MIDI controlled feedback, a pretzel with paper bag and a beer bottle.

live @ Ganze Bäckerei, Augsburg, 07.07.18
recording, mastering, photography and design by EMERGE

Holzkopf is Western Canadian musician Jacob Audrey Revington Taves. A decidedly non-traditional musician, they have mainly used budget bin samplers and drum machines in combination with tape recorders, mixing board feedback and raw data sounds. Varying from deconstructed dance music to harsh rhythmic noise to delicate and soft soundscapes, Holzkopf performances channel influences as diverse as industrial, dub, microsound and gospel musi

abstract experimental improvisation

Posted on 2. November, 2018 by ccm submitter Posted in netaudionews

http://www.panyrosasdiscos.net/pyr264-darius-ciuta-chris-silver-t-c-s/

Darius Ciuta & Chris Cilver T s

[pyr264]

Darius Ciuta & Chris Cilver T

“c-s”

all music by Darius Ciuta and Chris Cilver T.
photo_ D.C.

http://www.panyrosasdiscos.net/

abstract experimental fieldrecording

Posted on 1. November, 2018 by ccm submitter Posted in netaudionews

http://www.zenapolae.com/zen177

Khaki Green Gills – Time – A Khaki Green Gills Compilation

[zen177]

Khaki Green Gills

“Time – A Khaki Green Gills Compilation”

squiggly lines in a straight book, left sounds in a right universe

http://www.zenapolae.com

alternative electronic experimental

Posted on 30. October, 2018 by ccm submitter Posted in netaudionews

http://www.electronemitter.net/releases/number-eleven-event/

Number Eleven – Event

[EEM039]

Number Eleven

“Event”

Complex rhythmic combinations, constantly getting faster to the point of losing the structure and becoming a vast halo of drum-like noise tearing the last orchestral sounds, that couldn’t get ready for an end of a process that didn’t even start, and hopeless melodies that aren’t sure if they are supposed to exist.

Having difficulties to cope with worsening states of disorders, Event leaps to search for an answer by removing the definitions completely and allowing to make connections again, to feel attached to things that were once familiar and welcoming. Knowing that this way of searching for the source of the disorders will lead to a failure, by not being able to relate to those things, renders them strange, wiping all of them away. But one of those gets stuck, resisting to go away and holding everything together. The Event leads itself to disengage from everything that could be described with a definition.

http://www.electronemitter.net

drumnbass electronic experimental

Posted on 25. October, 2018 by ccm submitter Posted in netaudionews

https://emerge.bandcamp.com/album/noise-factory-2017-klangg-nge

Various – Noise Factory 2017 “klanggÃ¤nge”

[ACP 1166]

Various

“Noise Factory 2017 “klanggänge””

Arne Heisch
Greta Neven
Dan Penschuck
Wolfgang Neven
Markus Schwill
Sascha Stadlmeier
Henning André Voss

abstract experimental improvisation

Posted on 21. October, 2018 by ccm submitter Posted in netaudionews

https://eg0cide.com/2018/10/19/eg0_191-ino-magali-albespy-2017-2018/

InO â Magali Albespy – 2017/2018

[Eg0_191]

InO – Magali Albespy

“2017/2018”

InO is the acronym for “Interpenetration and non-Obstruction”, one of the principles that John Cage used to create music that was anarchic (against the structures of most of musical traditions) and in the same time encouraging new possibilities of coexistence. Magali Albespy, a french artist rooted in dance and performance, took inspiration from this for a methodology of real time composition dance practice focused on sound. “2017/2018” is made of excerpts of the sessions recorded during the first year of these weekly events.

These recordings can be considered as documents of this practice. Indeed they are such documents, especially for people who were involved in the sessions. But we think that they also have a fragile and surprising beauty of their own that deserve an independent life for your listening. This unexpected musicality has been discreetly stressed by the editing choices, which we can consider like a delicate work of “a posteriori composition”, a work made with respect for the uniqueness of each sound event and their kind of abstract narrative power. That’s why we hope that you will enjoy these atypical works.

Credits :

Recorded and edited by Magali Albespy.
Pictures by Anne-Catherine Nicoladzé (front cover) and Emmanuelle Huchet (back cover)

Featured performers :
Magali Albespy, Jean Bloch-Laroque, Suzanne Cotto, Antoine Freychet, Chloé Garat, Flora Gaudin, Camilla Gliozzi, Virgine Gouband, Emmanuelle Huchet, Paul Kauffmann, Guillaume Lecamus, Laurence Luminet, Blandine Minot, Stéphanie Moitrel, Martine Muffat-Joly, Anne-Catherine Nicoladzé, Olivier Pelletier, Stéphanie Puechavy, Regina Ramsl, Anne Savelli, Kecap Tuyul, Donata d’Urso, Sig Valax, Mandoline Whittlesey

Magali Albespy is a dancer and performer. She likes to question the borders between formats and artistic disciplines. She explores real-time composition with body, video and sound. As a musician, she also plays in M.A.K.T. Sono and Mesce Basse.

https://eg0cide.com/

experimental fieldrecording improvisation

Posted on 20. October, 2018 by ccm submitter Posted in netaudionews

https://pueblonuevo.cl/soloshow/

Gerardo Figueroa Rodriguez – #soloshow

[pn136]

Gerardo Figueroa Rodriguez

“#soloshow”

“Pueblo Nuevo Netlabel is always honored to present. This time it’s my honor -and I really mean it- to present #soloshow, recorded by the very talented Gerardo Figueroa.

The story begins when Lorena López Araya, Chilean artist based in Villa Alemana, gave Gerardo a series of audio files containing readings of poems of her own to “do as he pleased”. This was 2016. A couple of years later, he selected fragments of one of those files and decided experimenting with them at a very special occasion: an improvised live-act in the context of a poetry festival in Padre Hurtado, where he shared his choices using a DJ software (Mixxx).

#soloshow is mainly and strictly organized around the poem, so each and every sound/noise in it is nothing but a mixed-up/looped/reversed/accelerated/paused single female voice. Volume goes up and down sometimes, speed and pitch also swing. Sometimes, words mingle in unison, becoming strange and detached, with no clear message behind.

Inside Inside Inside Inside is repeated several times, while words like hurting, crack, pouring pouring and oscillating are heard louder. Deconstructed and reconstructed verses, ordering/disordering patterns, altering the way we are used to listen to poetry. Words tend to disappear, resurfacing reversed, in seductive, odd-to-listen, hard-to-write utterances.

Sewing machines, a Ford factory with a row of ladies working, alienated; a rusty, slow truck down the countryside, an electric hammer breaking up some hard cement, a plane moving propeller before taking off, a minimal music electronic party or an Atari machine stuck in the middle of a game are some of the sounds this record seems to evoke, in seamless fashion.

It is not an easy record, this one: #soloshow is a poem turning into a sound piece, mixed and remixed using a limited amount of effects, turning prose into a journey through noise, in a deep sea, full of different textures, where voice becomes something so disparate you can’t even trace the source, a poem crowned with an powerful, alluring image:

D I R T Y B L O O D.”

Camila Sierra Madrid
(Santiago, Chile. Octubre / October 2018)

https://pueblonuevo.cl

abstract clicks experimental

Posted on 16. October, 2018 by ccm submitter Posted in netaudionews

https://www.abstraktreflections.net/releases/russian-outskirts-ghettojukebox/

Russian Outskirts – Ghettojukebox

[AR_085]

Russian Outskirts

“Ghettojukebox”

All the sound’s fat and the juiciest original groove is always on the periphery. He is born in the backyard, in the underground, on outskirts. Proceeding from this I left Petersburg. For several months I made a number of musical sketches in the industrial Kirovo-Chepetsk and completed this experiment in the border Svetogorsk, among the moist forests of the Karelian Isthmus.

Ghettojukebox is not an album, it’s a finger pointing to what’s going on. Eight compositions – eight metaphors for different, quite specific situations that took place in the Russian reality in the fall of 2017.

If images, such as photography, can reproduce the moment, then the sound restores the experience of the moment itself. Any sound is born in the oscillation, the reality vibrates chaotically, and tongues shake the air of what’s going on, filling the space with feelings, giving birth to a deep, unique vibe, in a tangle of perfectly natural rhythms.

My artistic task was to fix impulses and vibrations of the situation inside the situation and to transform them into the vibrations of your speakers. Using the natural plasticity of sound as a material, I made a kind of map, under which the listener has the opportunity to set foot on the territory woven from the material of paneled five-story building and the blackened boards of forgotten Russian villages. In the ratio of noise and silence to hear the mysticism of the forest, to feel people, dogs and the life of the Russian periphery.

https://www.abstraktreflections.net

abstract electronic experimental

Posted on 15. October, 2018 by ccm submitter Posted in netaudionews

https://emerge.bandcamp.com/album/getting-darker

A DISEASE CALLED MAN – Getting Darker

[ACP 1158]

A DISEASE CALLED MAN

“Getting Darker”

A Disease Called Man is Djordje Miladinović
Recorded And Produced At Raven’s Nest, March Of 2018.

ambient experimental noise

Posted on 13. October, 2018 by ccm submitter Posted in netaudionews

http://www.zenapolae.com/zen176

Hamunkansu – Curious Thought EP

[zen176]

Hamunkansu

“Curious Thought EP”

a delicate fine-grained experimental ambience from Iran

http://www.zenapolae.com

ambient electronic experimental

Posted on 11. October, 2018 by ccm submitter Posted in netaudionews

https://www.daheardit-records.net/en/discography/dhr-38#release

[D!HR-38]

Bernard Grancher

“Pleurs Magnétiques”

For its 38th release, Da ! Heard It Records changes your grey matter into black matter.
Just like the too-strong coffee that brings us to work each morning, this cassette album has the dark and bitter taste of a hopeless routine.
With this collection of vague loops whose high unstable notes bring back to the surface daily uncertainties, the Pleurs Magnétiques (“magnetic cries”) of this beverage has the listener drift far away from restorative sleep.
Dented, used, rickety, these rehashed snippets of existence crash into sunless beaches of sound.
In the background, the continuous breath that animates them sometimes gives a glimpse of its author’s, Bernard Grancher.
After pulling out of the forgotten pile the magnetic tapes of a hundred old pieces from the nineties with his stooge, Emmanuel Lautreamont, the Rouen-born tried his hand here at an original exercise in style.
Using the 4 track as an actual instrument, he plays with various effects to denature this initial material.
Between sonorous poetry and industrial music, the result shows an unpublished side of his work, all the while staying close to his habitual obsessions. The accompanying illustration, signed Nicolas Nadé, seems to be just as loyal to this pessimistic vision of our era.
Whether you are familiar with his surrealist pop synth released on Ego Twister and Gonzaï or simply intrigued by obscure atmospheres, you are sure to give in to this little black coffee…Pleurs Magnétiques, the 38th release of Da ! Heard It Records is distributes under a Creative Commons License Y-NC-ND. The album is available for free listening and downloading at the following address: http://www.daheardit-records.net/en/discography/dhr-38

https://www.daheardit-records.net

experimental fieldrecording noise

Posted on 10. October, 2018 by ccm submitter Posted in netaudionews

https://eg0cide.com/2018/10/07/eg0_190-federico-dal-pozzo-untitled_pahad/

Federico Dal Pozzo – Untitled_PaHaD

[Eg0_190]

Federico Dal Pozzo

“Untitled_PaHaD”

Federico Dal Pozzo is an Italian sound artist , electroacoustic composer and musician. His works are based upon concrete objects and the transfiguration and perception of the sound and audio- spatialization . He works with Max/Msp. He does compositions for dance and theatre companies , audio-Installations and concerts.
Today we are proud to publish his latest piece Untitled_PaHaD , a mysterious and subtly progressive composition, where where liquid textures swirl like a delicate swarm of otherwordly voices. In this new work, once again Dal Pozzo’s use of digital tools is very fluid and organic, completely at the service of a higly personal musical vision.Credits:
Music my Federico Dal Pozzo
Photo by Marco Cianci
Thanx to Lorenzo Abbatoir, Giada Piraccini, Marco Cianci

https://eg0cide.com/

abstract acousmatic experimental

Posted on 9. October, 2018 by ccm submitter Posted in netaudionews

https://emerge.bandcamp.com/album/inkluesives

Lorenzo Brusci – Marco Madia – Inkluesives

[ACP 1156]

Lorenzo Brusci – Marco Madia

“Inkluesives”

Written and produced by
Lorenzo Brusci – Marco Madia

experimental idm noise

Posted on 8. October, 2018 by ccm submitter Posted in netaudionews

http://www.panyrosasdiscos.net/pyr262-lauren-redhead-hearmleoth-gieddunga/

lauren redhead – hearmleoþ—gieddunga

[pyr262]

lauren redhead

“hearmleoþ—gieddunga”

these pieces were created from 2016-2018 as part of a collaborative project in three stages. lauren redhead created scores, texts, samples, and concepts for performance. alistair zaldua then took part in the realisation of the works for live performance through the development of performance practices and live electronic interfaces. in the final stage of the project, lauren and alistair were joined in the studio by josh cannon who contributed creative studio practices and mixed and mastered the final tracks. this music is therefore a result of live performances, studio composition and of collaborative exchanges.

http://www.panyrosasdiscos.net

acoustic experimental improvisation

Posted on 8. October, 2018 by ccm submitter Posted in netaudionews

http://cota303.net/jam/realtime-experiments/5

303 – Realtime Experiments (2018)

[JAM005]

303

“Realtime Experiments (2018)”

There are occasions when we are jamming together without presetting any genre or style. In real time we choose the wave synthesizer, samples or connected microphones. On the fly we modify the source sound adding equalization, effects chains and compression keeping in mind the arrangement of a noisy musical flow and interacting with each other. We record the master mix and then cut the best parts out of many hours of raw jams, sort them and cut out odd sounds, re-compose track, equalize, normalize and finally publish an album. Proud to share with you selected experimental electronics of 2k15-18 period by 303 / “Trio Three”.

http://cota303.net

electronic experimental improvisation

netaudionews recommendations

Posted on 8. October, 2018 by ccm submitter Posted in netaudionews, recommendations