Herre Jorna – Glitches​-​N​-​Clicks

Herre Jorna – Glitches​-​N​-​Clicks
[S27-055]

Herre Jorna

“Glitches​-​N​-​Clicks”

A real musical adventure of experimental electronic music.
This e.p. is full of complex clicks, rhythmic structures and seductive glitches.Written, produced and arranged by Herre Jorna
www.discogs.com/artist/1973055-Herre-Jorna

I hope this music will give your life a nice Glitch and a lovely smile on your face.

This EP is dedicated to the loves of my life:
Wendy, Laura and Patty.

Enjoy this free ride into delight!

Button: by-nc-nd

Blockdata – Tethered

Blockdata – Tethered
[AR_087]

Blockdata

“Tethered”

“Tethered” is Blockdata‘s first EP on Abstrakt Reflections. The EP digs into a variety of tempos and styles including lush analogue synth beds, foley recordings, haunting soundscapes, digitally sharpened rhythmics and some processed acoustic instrumentation at points.

Most of the synthetic instruments were created by Blockdata from the ground up over a number of years using Native Instruments Reaktor and the foley/acoustic instrumentation was made using a simple field recorder.

The EP includes six original Blockdata compositions and 2 excellent remixes from Ivan Shopov and Lokom.

Button: by-nc-nd

Failure Circle – Frozen Clinamen #2

Failure Circle – Frozen Clinamen #2
[Eg0_193]

Failure Circle

“Frozen Clinamen #2”

Frozen Clinamen is serie of works by Failure Circle (a solo project of Kecap Tuyul) started on autumn 2017. It follows a simple method inspired by the the possibilities of his no-input mixer set-up and the will to use a limited sound material in a posteriori compositions : all the sounds included in these works are recordings of moments that feature no human intervention. Frozen Clinamen #2 was recorded and mixed between april and august 2018.

Methodology
step (1) Tweaking the set-up until it produces some seemingly autonomously self-sustained sound sequences.
step (2) Stopping tweaking and recording for at least 20 minutes without any intervention on the set-up.
step (3) Repeating steps (1) & (2) several times.
step (4) Using the generated sounds as only source in a posteriori compositions. The only variations used while mixing are equalization, panoramics and volume levels.
step (5) play it at low/high volume with open/closed window while complety asleep / fully conscious.

Button: by-nc-sa

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