about

Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”

Toxic Chicken – Rabbits in Space

Toxic Chicken – Rabbits in Space

Toxic Chicken

“Rabbits in Space”

Toxic Chicken – Rabbits in Space

Like fond memories tattooed in the inside of the head, some songs keep coming back in your mind. Quite frequently Furchick’s song ‘Rabbits in Space’ will pop up in mine. While finding myself singing or humming along, the thought of doing a tribute to this ear-worm was born. Armed with the 1981’s Casio vl-tone, some rhythm and voice it quickly became to fruition.

Good things never come alone and to prove it, new renditions of Furchick’s hits ‘Pantyface’ and ‘Fine to pay’ also happily came along as well as a brand new song that isn’t a reinterpretation, but a tribute to this wonderful friend throughout the years who lives in a colourful beach shack near the sea. You might know her!

posted 04 April 2026

Saya Akasegawa – Bikkuri – Horror House

Saya Akasegawa – Bikkuri – Horror House

Saya Akasegawa

“Bikkuri – Horror House”

Saya Akasegawa – Bikkuri – Horror House

Saya Akesegawa presents Bikkuri – Horror House, a 27-minute plunge into fictional sonic possession. What began as an impromptu visit to a haunted ruin to perform abrasive noise for an otaku audience spiraled into something stranger — a power electronics “exorcism” driven by distortion and intensity.

Blending harsh noise, otanoise textures, and ritualistic energy, Bikkuri – Horror House delivers a dense, unsettling listening experience filled with imagined spiritual disturbances. Chaotic yet deliberate, it transforms performance into narrative and noise into atmosphere.

Enter this fictional world of strange soundscapes, embrace the disturbance, and experience Saya Akesegawa’s experimentation. Step into Bikkuri – Horror House — if you dare.

Mastered by Sou Inomoto

[COMIC]:
clubotaku.org/mimi/extra/bikkuri_horrorhouse_bonuscomic.pdf

posted 31 March 2026

Jazzaria – Semi-Latent Energy

Jazzaria – Semi-Latent Energy

Jazzaria

“Semi-Latent Energy”

Jazzaria – Semi-Latent Energy

When one considers, what is one doing? Meditative effort is effort nonetheless, though how meditative it is is debatable. Inference informs that most forms of energy are neither fully at rest nor in motion.

Featuring soprano saxophone and reverb.

posted 29 March 2026

reFUGeeS From Beyond – Stigmas From Past

reFUGeeS From Beyond – Stigmas From Past

reFUGeeS From Beyond

“Stigmas From Past”

reFUGeeS From Beyond – Stigmas From Past

The Necrophile Hummingbird Non-Profit Netlabel presents Stigmas From Past by reFUGeeS From Beyond

“Music against history repeating itself endlessly because of the masses’ oblivion.”

Improvisation session recorded the 17th October 2023 at the Cave Haven in Foucherans.
Members :
Master of Ceremony : Psyché Pelik
Disc Jockey : Yoshiwaku Mushotoku

Just a note about bad habits gone… Often in industrial music we steal imagery and sounds from the worst of humanity, the darkness from the past, often to reveal how for exemple today’s politicians, entreprises or influencers, youtubers, whoever from spectacle society starsystem, are not different using the same methods of control than yesterday, just each time more effective with the help of technology. Of course free AI will fight the control AI like always… What if not, the end of any freedom ? Is freedom something else than a luxe for the rich people ? While the poors care mostly to survive. I will not glide on a too much binary view because this is one of the oldest tool to control, separate to reign.
They said provocative… this was right maybe last century or this was more fascination or this was just marketing names and imagery drooping. But for this century, as stated in the presentation of mutation magazine : hope is actually the more provocative weapon.

So I was at a garage sale a few weeks ago. I found a record about the fall of the 3rd reich. I am certain that these speeches would have provided very intense sonic elements to nourish this record. But even if it was a testimony to its fall, it makes me nauseous to still use these materials because there are so many ordinary monsters today and whether they are those of the past or those of the present it is granting them way too much attention.

This text was written during the recording of the album, and it’s still revealing of the ignominy of French politicians. On February 17, 2026, a minute of silence was observed in the National Assembly in memory of a neo-Nazi, racist, and homophobic assailant who died with his victims’ blood on his hands because he refused medical treatment. The whole story is so farcical and stupid that if it weren’t so serious, it would be hard not to mock neo-Nazis. Meanwhile, there have been eleven murders by the far right in France since 2022, and none have received such a tribute. And that’s not all: the media massively attacked La France Insoumise (LFI) even though they had come to attack people attending their meetings! Furthermore, a public gathering was authorized by the state in the following days, complete with Nazi salutes and other horrors. The most ridiculous thing is that the neo-Nazis who organized the ambush near the meeting then hid his face for most of the media campaign, replacing it with an AI-generated portrait because he was mixed-race Latino, and also because it would have been difficult for racists to march with his picture. So even in death they betrayed him.
The worst is when the masses forget what is the real meaning of war,
the poor being killed for the riches benefits.
Like when Ferris Trump Fremont makes war inside with the ice and outside in Iran or other place with resources interesting to plunder.

Fuck War Forever.

posted 26 March 2026

Rummaging Ghost Ship – RGS IV / RGS V

Rummaging Ghost Ship – RGS IV / RGS V

Rummaging Ghost Ship

“RGS IV / RGS V”

Rummaging Ghost Ship – RGS IV / RGS V
̸ ̸ ̴ ̷ ̷ ̸ ̴ ̵ ̷ ̶ ̸ ̴ ̷ ̶ ̴ ̷ ̵ ̶ ̷ ̷ ̷ ̶ ̷ ̵ ̶ ̴ ̴ ̶ ̴ ̶ ̵ ̴ ̵ ̵ ̵ ̸ ̸ ̸ ̶ ̶ ̶ ̴ ̶ ̴ ̶ ̷ ̷ ̸ ̵ ̶ ̵ ̷ ̵ ̵ ̶ ̴ ̴ ̴ ̴ ̸ ̶ ̷ ̵ ̶ ̸ ̸ ̶ ̸ ̴ ̷ ̴ ̴ ̷
Rummaging Ghost Ship is a Music/Video project
describing the Dystopian, Post Atomic Sci Fi
Voyages of the Ghost Ship Seeking out New
Worlds, Planets and Civilations to Document
and Bring back to Earth for Examination and
Assimilation. ̵ ̸ ̷ ̸ ̵ ̵ ̷ ̴ ̵ ̷ ̶ ̶ ̴ ̶ ̵ ̴ ̵ ̵ ̵ ̵ ̷ ̴ ̷ ̵ ̷ ̵ ̷ ̸ ̶ ̶ ̴ ̷ ̷ ̵ ̴ ̶ ̶ ̸ ̶ ̴ ̷ ̸ ̴ ̶ ̵ ̶ ̵ ̸ ̷
̵ ̷ ̵ ̷ ̴ ̶ ̸ ̵ ̴ ̵ ̷ ̷ ̴ ̵ ̵ ̸ ̵ ̷ ̶ ̴ ̸ ̷ ̶ ̴ ̴ ̴ ̵ ̵ ̶ ̴ ̸ ̶ ̵ ̸ ̵ ̷ ̶ ̴ ̸ ̷ ̶ ̴ ̴ ̴ ̵ ̵ ̶ ̴ ̸ ̶ ̴ ̴ ̴ ̵ ̵ ̶ ̴ ̸ ̶ ̷ ̶ ̴ ̸ ̷ ̶ ̴
The Astronauts on the Ship are: ̷ ̵ ̷ ̴ ̶ ̸ ̵ ̴ ̵ ̷ ̷ ̴ ̵ ̵ ̸ ̵ ̸ ̸ ̴ ̴ ̸ ̴ ̷
Dr. Igor Amokian (Chris Holland) – Beat Surgeon,
Instrument Creator and Sonic Manipulator/Destroyer.
̷ ̶ ̴ ̴ ̴ ̴ ̷ ̶ ̴ ̷ ̵ ̵̶ ̴ ̸ ̷ ̶ ̴ ̴ ̵ ̴ ̶ ̴ ̸ ̸ ̴ ̸ ̴ ̴ ̷ ̵ ̴ ̴ ̴ ̵ ̵ ̶ ̴ ̴ ̷ ̷ ̴ ̶ ̶ ̴ ̵ ̴ ̴ ̴ ̵ ̵ ̶ ̴ ̴ ̷ ̷ ̴ ̶ ̶ ̴ ̸ ̵ ̴ ̵ ̷ ̷ ̴ ̵ ̵ ̸ ̵ ̸ ̸ ̴ ̴ ̸ ̴ ̷ ̶
The Galactic Salvage Alliance – Sonic Manipulators
and Project Assemblers/Overseers. ̴ ̴ ̴ ̵ ̵ ̶ ̴ ̴ ̴ ̴ ̴ ̵ ̵ ̶ ̴ ̴
̴ ̷ ̴ ̴ ̴ ̴ ̷ ̴ ̵ ̷ ̶ ̸ ̶ ̷ ̵ ̶ ̸ ̴ ̶ ̴ ̸ ̴ ̸ ̵ ̷ ̶ ̷ ̴ ̶ ̶ ̴ ̴ ̴ ̵ ̷ ̴ ̶ ̴ ̶ ̶ ̴ ̴ ̵ ̷ ̴ ̶ ̴ ̶ ̶ ̷ ̷ ̸ ̴ ̴ ̷ ̶ ̷ ̷ ̵ ̷ ̴ ̴ ̸ ̶ ̵ ̸ ̸ ̸ ̷ ̶ ̴ ̴ ̶
̷ ̵ ̴ ̷ ̷ ̴ ̷ ̴ ̴ ̸ ̶ ̵ ̷ ̶ ̸ ̶ ̷ ̷ ̸ ̸ ̸ ̷ ̶ ̴ ̴ ̶ ̵ ̶ ̵ ̴ ̸ ̴ ̷ ̵ ̴ ̷ ̷ ̶ ̵ ̵ ̵ ̴ ̴ ̴ ̶ ̶ ̷ ̵ ̴ ̴ ̴ ̵ ̵ ̶ ̴ ̴ ̴ ̵ ̷ ̴ ̶ ̴ ̶ ̶ ̷ ̸ ̴ ̷ ̵ ̵ ̸ ̶ ̴
This 23 Diskettes Document/Time Capsule
contains our Fourth and Fifth Voyages: ̸ ̶ ̷ ̴ ̷ ̶ ̴ ̷
̵ ̵ ̶ ̵ ̶ ̶ ̷ ̶ ̶ ̶ ̵ ̶ ̴ ̷ ̸ ̴ ̷ ̶ ̷ ̴ ̶ ̷ ̵ ̷ ̶ ̶ ̶ ̶ ̵ ̶ ̴ ̸ ̴ ̸ ̵ ̴ ̴ ̴ ̸ ̶ ̵ ̶ ̶ ̶ ̴ ̸ ̷ ̶ ̷ ̵ ̶ ̴ ̸ ̵ ̴ ̴ ̶ ̶ ̴ ̴ ̵ ̷ ̴ ̶ ̴ ̶ ̶ ̷ ̷ ̸ ̴ ̸
̸ ̸ ̴ ̷ ̴ ̸ ̸ ̵ ̵ ̷ ̴ ̵ ̷ ̸ ̴ ̴ ̸ ̸ ̸ ̶ ̷ ̴ ̷ ̶ ̴ ̷ ̵ ̵ ̶ ̵ ̶ ̶ ̵̷ ̴ ̶ ̷ ̵ ̷ ̶ ̶ ̶ ̶ ̵ ̶RGS IV ̴ ̸̴ ̸ ̵ ̴ ̴ ̴ ̸ ̶ ̵ ̶ ̶ ̶
̴ ̸ ̷ ̶ ̷ ̵ ̶ ̴ ̸ ̵ ̴ ̴ ̶ ̶ ̴ ̴ ̵ ̷ ̴ ̶ ̴ ̶ ̶ ̷ ̷ ̸ ̴ ̸ ̸ ̴ ̸ ̷ ̷ ̵ ̷ ̷ ̸ ̸ ̸ ̵ ̵ ̷ ̴ ̵RGS V ̷ ̸ ̴ ̴ ̸ ̸ ̶ ̶ ̵ ̸ ̴ ̸ ̶ ̷ ̶
̵ ̵ ̷ ̸ ̵ ̶ ̴ ̵ ̵ ̷ ̸ ̸ ̶ ̸ ̴ ̸ ̶ ̸ ̵ ̵ ̴ ̵ ̶ ̸ ̵ ̷ ̶ ̵ ̵ ̷ ̸ ̵ ̶ ̴ ̵ ̵ ̷ ̸ ̵ ̸ ̵ ̶ ̶ ̴ ̴ ̴ ̵ ̷ ̴ ̶ ̴ ̶ ̶ ̶ ̴ ̴ ̴ ̵ ̷ ̴ ̶ ̴ ̶ ̶ ̸ ̴ ̶ ̴ ̸ ̴
posted 25 March 2026

Bohdan Stupak – fractions

Bohdan Stupak – fractions

Bohdan Stupak

“fractions”

Bohdan Stupak – fractions
“Fractions” is an attempt to apply Pythagorean passion in explaining the beauty of nature via mathematic. The project explores how number fractions can be turned into music.
In this album each fraction converted into duodecimal representation so each digit corresponds to the note in octave. Using complete musical canvas instead of just well-established pattern (i.e. pentatonic scale) allowed me to explore the sonorical nature of the mathematic and get weird gloomy sound.
posted 23 March 2026

Innocent Darkness – N Λ C H T S C H Λ D Σ III

Innocent Darkness – N Λ C H T S C H Λ D Σ III

Innocent Darkness

“N Λ C H T S C H Λ D Σ III”

Innocent Darkness – N Λ C H T S C H Λ D Σ III

Innocent Darkness is a witch house, dark experimental artist from Antwerpen, Belgium.-

All music composed by innocent darkness.-

For more music visit:
transit-dead.bandcamp.com/
youtube.com/channel/UCQoE9wQwDcE0tL2sv5ThQOg
hearthis.at/innocent-darkness

official website: https://innocentdarkness.eu/

posted 20 March 2026

Typecell – Predictable / Objective

Typecell – Predictable / Objective

Typecell

“Predictable / Objective”

Typecell – Predictable / Objective

Subplate Recordings honcho and real BADMAN, Typecell emerges from the subharmonic frequency range to exhibit an exploration into gritty, sub-rattling, and infectiously techy Drum & Bass with “Predictable/Objective.”

Serious, cheeky and focused – Rough and gritty yet precise and determined. Typecell nails the objective and discomforts the predictable on “Predictable/Objective.”

📀 Typecell

// yt: [ www.youtube.com/typecell ]
// sc: [ www.soundcloud.com/typecell ]
// ig: [ www.Instagram.com/typecell.official ]

posted 20 March 2026

DJ ZITwerK – Autogynephilic Lesbian Zero Forever

DJ ZITwerK – Autogynephilic Lesbian Zero Forever

DJ ZITwerK

“Autogynephilic Lesbian Zero Forever”

DJ ZITwerK – Autogynephilic Lesbian Zero Forever

utogynephilic Lesbian Zero Forever is a story about avoidance, dysphoria, withdrawal and the desperate struggle to combat them.

There’s a lot of feelings I have towards this project, all of which are completely irrelevant. Though I’m sure, that if you sought for them, if you really tried, you would read my secrets. You’d feel the nerve endings I disregard, my neglect and mine thereof, would be yours. If anything, please enjoy ALZF as what it wears: Fun and chaotic dance music.

Autogynephilic Lesbian Zero Forever is a continuous mix from Amersfoort Tracks onwards. I personally recommend you listen to it as such, preferably right after waking up, on the tram.

Downloadable versions of the EP come with an additional track that could not be shipped with streaming versions.

posted 20 March 2026

Talweg – Heads Toward Earth EP

Talweg – Heads Toward Earth EP

Talweg

“Heads Toward Earth EP”

Talweg – Heads Toward Earth EP

Talweg, the new alias of Colombian artist Mateo Callejas, makes a striking debut with Heads Toward Earth EP—a hypnotic journey into the depths of Dub Techno.

With this release, Talweg crafts immersive soundscapes where echoes, granular textures, and drifting chords merge seamlessly with slow, enveloping rhythms. The result is a deeply introspective experience that evokes vast, mist-filled atmospheres—rooted in dub techno tradition yet marked by a distinctive identity that points toward fresh creative directions.

The EP is enriched by three reinterpretations that expand the original track’s sonic universe. Stereotape highlights spatial dimension with an elegant, minimalist approach, where each delay becomes part of a refined sonic architecture. Douglas Fugazi intensifies rhythmic density and dub modulations, reshaping the piece into a deeper, resonant pulse. Finally, Athan delivers an ethereal, cinematic perspective, with atmospheres that slowly unfold and dissolve into contemplative landscapes.

Together, these works form a cohesive and immersive release that naturally aligns with the forward-thinking electronic explorations defining the spirit of Monofónicos Netlabel.

Productor: Mateo Callejas – soundcloud.com/soft_collision
Mastering: Pheek’s Mixdown and Mastering – audioservices.studio

Producido para Monofónicos Netlabel. Medellín, Colombia. 2026

posted 20 March 2026

DF90 – Forgotten Moments

DF90 – Forgotten Moments

DF90

“Forgotten Moments”

DF90 – Forgotten Moments

The signal arrived without warning—Forgotten Moments by DF90, drifting through deep space like a memory that refused to fade.
Each track unlocked a layer of the ship’s consciousness. Frequency Drop dimmed the lights as gravity pulsed in slow dub chords. In Infinite Loop, time fractured, repeating corridors and footsteps that echoed into nothing. Inner Space revealed thoughts not my own—soft, melodic, endless.
By Passing Dub, I realized the ship was alive, speaking through delay and reverb. Retrograde reversed my memories, unspooling them into static. Then came System Error—a rupture, silence swallowing rhythm.
Only Winter Echoes remained, cold and distant, whispering across the void.
I was no longer piloting.
I was being played.

Insectorama225
all tracks by DF90
Mastering & Artwork by Markus Masuhr

posted 20 March 2026

enzui – Omiyage

enzui – Omiyage

enzui

“Omiyage”

enzui – Omiyage

With the release of Omiiyage, Junichi Takizawa (a.k.a. enzui) presents a new sonic chapter marked by dense atmospheres and elegant trip-hop beats.

This new work blends subtle electronic textures with hypnotic melodies that evoke fragmented memories. The album cover, featuring a raw and surreal illustration of a character amplifying sounds through a megaphone, visually translates the experimental energy of the compositions.

Between lo-fi noises and slow grooves, enzui creates an intimate and cinematic soundscape. The album can be understood as an omiyage—a “sonic souvenir”: each track functions as a small fragment of a musical journey.

posted 17 March 2026

Jazzaria – Smell The Music

Jazzaria – Smell The Music

Jazzaria

“Smell The Music”

Jazzaria – Smell The Music

Smell, like sound, permeates a space. But smell is physically inculcated onto and into the substances it reaches, where sound simply bounces off. Imagine experiencing music as a smell, allowing the sound to stay with you.

Featuring bass clarinet.

posted 15 March 2026