Saat dunia berstigma bahwa musik adalah komoditas kacangan yang dibentuk konstruksi industri….
Dan pula saat mereka tak lagi jujur akan diri…
Konsepsi khayal yang terabaikan…
Malas mencari nyata dalam awang…
Terjebak fana realita…
Back in early 2010 a Charlotte, North Carolina based label Black Flag Records was kinda blowing up with the release of a DJ Green Lantern presented mixtape. That compilation featured joints from their talented roster of artists. Although there was lots of fire on that comp, one artist stood out to me with his unique and on point delivery. That artist, A.Moss went on to release a solo album and a couple features on other releases. After that… crickets. Not just from him… from the label too. What seemed to be a promising label, proved to be short lived.
Then at some point around 2014, I found A.Moss’ Soundcloud page and saw that he had posted something new! The new song was incredible… I was psyched to see that he wasn’t done delivering music. Then… crickets… for little longer. Anyway… fast-forward to sometime the following year or so when I tweeted to him an open offer to release music at blocSonic. Fast-forward a few more months… he tweeted he was interested in talking about it… and now here we are!
Today we kick off the lead up to his first EP, “Gravel King”, which is set to drop on July 19th. His first new release since 2010! Leading up to the release of the EP… we’ll be dropping three fortyFives featuring previously unreleased gems from his archives and joints he released via soundcloud. This one features “Carolina Raised”, originally released as “Who killed it” on Soundcloud and “MB”, some fire from the archives. So download it… bump it loud… offend some neighbors… but most of all… enjoy.
Hey Moss… it’s great to finally have you on board here at blocSonic! Thank you, sir. Can’t wait to release Gravel King! Welcome to the blocSonic fam.
Of course, thanks once again to you for downloading & listening. We always strive to deliver the music you’ll love. Please spread the word about blocSonic, if you enjoy what we do. Remember… everything we release is cool to share! Always keep the music moving… share it… blog it… podcast it! If you’re in radio… support independent music and broadcast it!
A.d.du.nord is a musician who doesn’t work in a particular style but is guided by ideas of the moment without feeling compelled to maintain a single sound aesthetic. His first releases have been a few minimalist drone tracks published in 2018. He now aims to create some kind of “post-music” that is “strange and dysfunctional”. In short, a.d.du.nord is a project for free experimentation, where everything is possible.
Sana Grano is some kind of mixtape that gathers ten one minute long improvised sequences created with granular synthesis tools. The choice of samples was purely intuitive, and the results are partially aleatory. But if you listen between the lines, you may find reminscences of dub and afrobeat.
his project (Eniac), has started in 1997 as an experimentation on the use of feedbacks and tape loops. In 1999 he started publishing music with a tape (split with Cria Cuervos); then the project evolved in different directions over the years: computer music, glitch, anche elctreoacoustic. He released music for recodx label like: Acustronica, Adaadat, Almost Halloween Time, Cathedral Transmissions, Chew-Z, Creative Sources, Edison Box, Many Feet Under, Sonospace, Touchin’ Bass.
Cangiante represent a point of view on the past (20 years) and on the future (the new projects will be under the name of Fabio Battistetti and Brezza).
The tracks have been composed at Blue Angle studio, between 2018 and 2019, using recordings and loops from the personal archive, including a short excerpt from a track recorded in 1999.
The titles of the tracks are quotes and references to past influences over the course of 20 years and visions of the present:
“angst vs. anticyclic new trauma guarded and ripped despite engagement”
01. DYSTOPIAN LEGACY – Støberiet 08:59
02. experiment#508 – The Path Was Clear 11:58
03. CHANGING PERSPECTIVES feat TEETH OF DIVINE – The Green Book 09:03
04. SOFIA BERTOMEU – Abstract Thought 06:53
05. STUDIO KO-OP – Don Trumpee 11:08
After 5 years spent exploring improvised and noise guitar, Xavier Mussat opened a parenthesis without his usual instrument. He recorded abstract sound ambiances to be used as background sounds to accompany the work of his students during the intuitive drawing classes he gives. Here simplicity prevailed : he used the cheap internal microphone of his computer and several objects (bowls, balls, crumpled paper, table, and finally a hint of prepared banjo), as well as remixed sounds taken from videos of snowy landscapes. Experimenting with the austerity of a minimalist aesthetic, he extracted 4 tracks from these raw textures and materials.
An endless ending.
Or object of change.
Tears; that run dry.Matti T says goodbye to music producing. Hopefully it’ll be just for some time. His talent is brilliant. But it seems that he emptied himself in emotional and musical processes to some extent. Please enjoy his so far final release at Phonocake, a sixty minutes mix of old and new tracks.
Take a pipette and drip a drop of water on your own palm. Transparent drop, full of invisible organisms, chemical elements, and personifications. Looking at the drop, thoughts are spinning. With the other hand rub the drop until the drop penetrates the skin and disappears. Hands need lots of water, but it’s enough for this time. Look at the lake…
The album was based on Lithuanian Chronicles, history and historical personalities, who might be connected to each in strange ways. While working on each track special attention was given to convey with sounds all the aspects of each historical personality and their influence on the history of Lithuania.
Phantoms EP by Spintribe will elude and distort your senses with the duo’s engaging take on pleasantly unpredictable and evolving progressive techno. Their smooth, dreamy, atmospheric soundscapes and deep, brooding pads give the EP a cloud nine feel while going hand in hand with their funky bass lines, stabby synths and rock-solid drums. All in all the EP has impeccable production quality, intriguing narrative, well-crafted sound design with playful changes and drops and will leave you staring up at the sky on those wind-swept, day time festival dance floors.
Auf dieser Seite weisen verschiedene Netzlabels auf ihre neuen freien Veröffentlichungen hin. Bei Interesse kannst du dir die Musik auf den Seiten des jeweiligen Labels herunterladen. Die meisten Labels veröffentlichen ihre Musik unter einer creative commons Lizens.
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