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Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”

update, February 1st, 2026

Dear friends and followers of clongclongmoo. It's great to have you here. As you may have noticed, the site has changed a bit. Some people wanted to be able to access the music with fewer clicks. That should work again now. Here's a quick note to everyone who uses relatively new platforms such as Mirlo, Faircamp, or Coop: feel free to use the submit form to draw attention to your new music. I'd especially appreciate hearing from anyone who runs a netlabel with free Creative Commons music. Thank you! Konrad from clongclongmoo

Various Artists – 𝐀𝐋𝐋 𝐌𝐎𝐍𝐒𝐓𝐄𝐑𝐒 𝐀𝐓𝐓𝐀𝐂𝐊 !!!!

Various Artists

“𝐀𝐋𝐋 𝐌𝐎𝐍𝐒𝐓𝐄𝐑𝐒 𝐀𝐓𝐓𝐀𝐂𝐊 !!!!”

NOP-440
𝐀𝐋𝐋 𝐌𝐎𝐍𝐒𝐓𝐄𝐑𝐒 𝐀𝐓𝐓𝐀𝐂𝐊 !!!! No Problema Tapes version

𝐀𝐋𝐋 𝐌𝐎𝐍𝐒𝐓𝐄𝐑𝐒 𝐀𝐓𝐓𝐀𝐂𝐊 !!!! is a collaborative mixtape curated by Obituary Hermit & ᴋᴀꜱꜱɪᴀɴ ᴋᴏᴜʏᴀᴋɪɴ, designed as a way to bring together different artists from the underground internet music community, regardless of their respective musical genres and offer them a way to experiment and express themselves with absolute creative freedom.
All of the artists present on the tape were asked to make one or two tracks with no limitation at all. This text below was sent to each of them to give them a bit of inspiration, but they were also allowed to decide not to follow the « lore » of the project.

« The world is in big trouble. Giant monsters known as « kaijus » are attacking all across the globe. The ground is trembling beneath their feet, countries are falling, governments are hopeless ; the world as we know it is on the verge of collapse. But as all hope seems lost, a secret order only known as « The Underground » unités once again to face the otherworldly threat.
Will they be able to stop this monstrous menace ? Or is earth doomed for good ? »

𝐀𝐋𝐋 𝐌𝐎𝐍𝐒𝐓𝐄𝐑𝐒 𝐀𝐓𝐓𝐀𝐂𝐊 !!!! is a unique and fun project with many previously unheard sounds from artists you enjoy :)

Iₙ ₜₕₑ ₕₒₚₑ ₜₕₐₜ ₜₕₑ ₘₒₙₛₜₑᵣₛ wᵢₗₗ bₑ ₙₑᵤₜᵣₐₗᵢzₑd by ₜₕₑ ₐᵣₘₑd fₒᵣcₑₛ, ₐₗₜₕₒᵤgₕ ₐₗₗ ₕₒₚₑ ₛₑₑₘₛ ᵥₐᵢₙ, yₒᵤ’ᵣₑ ₛₜᵢₗₗ ₗᵢₛₜₑₙᵢₙg ₜₒ ₛᵤₙₛₑₜ ᵣₐdᵢₒ, ₐₙd ᵢₙ cₐₛₑ yₒᵤ dₒₙ’ₜ cₐᵣₑ ₐbₒᵤₜ dyᵢₙg, ₚₗₑₐₛₑ ₛₜₐy wᵢₜₕ ᵤₛ fₒᵣ ₐₙₒₜₕₑᵣ ₛₒₙg.
ₜₕᵢₛ ᵢₛ ” 𝐀𝐋𝐋 𝐌𝐎𝐍𝐒𝐓𝐄𝐑𝐒 𝐀𝐓𝐓𝐀𝐂𝐊 !!!! “.

posted 04 February 2026

AudioCompress & Polyklinik – Élővilág

AudioCompress & Polyklinik

“Élővilág”

The projects AudioCompress and Polyklinik have been collaborating on releases for over five years now. We have published a few of their sonic weavings of field recordings and cinematic drone ambience in the past and now present you their latest: Élővilág (translates to wildlife).
posted 04 February 2026

Makunouchi Bento – Ne/Re-văzut Muscel (Original Music by Makunouchi Bento)

Makunouchi Bento

“Ne/Re-văzut Muscel (Original Music by Makunouchi Bento)”

The original soundtrack we made for Ioana Nicoară & Sergiu Negulici (Reniform) and Cinty Ionescu (Asociația Narative)’s “Ne/Re-văzut Muscel” project.
These are not songs, but background sonic illustrations, meant to play along with AR 3D animations and people telling their stories. Normally, they are designed to play continuously: there are 3 looped audio tracks, of different length, for each “song” – when played together, the overall sense of repetition is less obvious.
Here you can listen to short, ~3m rendered demos. We strongly advise you to download the album, find the 3 images included in the archive, install the Reniform app on your smartphone and use it to see the whole thing. The texts / vocal tracks are Romanian only.

–ͫ̔͂̐̅-̗͙̦̯̙͈̻̐ͫ͋͂͌͌̌–̻̱̦̯̈̃ͭͫ-̪ͥ-̱̗̼͔–ͫͧ̇ͨͯ-͇́-̥-̰̻̰͚̃͗͛̂̌̃ͅͅ-̞-̣͛-͓͕̦͙͒̀̓̂-̼͇ͤ́-̦̪̘̮̝͚̄͌͌̆̑ͪ-̻̟͚͎͙̈ͣ̔́̚-̆̊-͌̿ͤͤͥ̊̚-͓̮̤̥͖–̲̟͙̞͕͙-͓̤͙̫͒͑̈́ͪ-̈́̽ͮ̾̐ͦ-̗̥̼̣͖̳-ͬͨ̎̉–̪̗̙̙̜̮̓͐ͥ͒̐ͦ̋ͅ-̭̘̈́̍-̘ͦ-͑-̳̱̓̿-͚̈́̚ͅ-̤͓̯ͅ–̩͉̠̟̯̘-̟̹͓̥̠͎̘̾͑͐͛̃͐ͮ–͖̙̀͆̚ͅ-̪͕̒ͭ-ͅ—-̯͇̟̙ͯ͛̈́͆-͕͔͕̬͔̙ͅ-̥̦͉̓́̇-̾ͦ-̦̼̱̞̘̬̆̆͂ͨͦͬ-̖̻̟̯̮̫̘̎͌ͪ̆ͮ̒̊-͑ͥͭ̓ͦ-̩̯͙ͣͪ̓-͖̯̣̹-̻̠̼͕̻̬̥ͬ̈́͐ͣͬͦ̅–̦̳-̜͉͚̺͇̠̥-̥̗͈̮͚̝-̫̞-͈̭̤͓ͨ͆ͫ͒̋ͅ-͙͖͚̥̻̘̩͛͒ͮͧ͛͒̎-̪̖͕̣̻ͥ̊͊́̀—̩͍̹͌̋̈́–̈́ͨ̏ͭ̽̚̚-͇̳̜̒̔̈́-̬̰̙̠–̰̭͈͖̹͈ͩ̿̽̀͂̐-ͧ-̩͊–̱̙̹͔͑̑ͦ̋-̬̫̳-̬͌–̫̥̦̗͎̦̄͐̀̍̓̇–͖-͍̭̫͕̬̽ͬ̋̒͌-̱̠̼-͖͓̅̅-͎̜̺̊ͦ͐-͙̻͕̼̬̜ͧ͂ͧ͛̓ͤ-̻̮̅ͯ-̑ͪ͆-ͧ͋͒-

Nouă instalații AR inserate în spațiul urban transformă orașul într-o arhivă vie. Fiecare punct de intervenție devine o poartă către povești personale și memorie colectivă. Cu ajutorul tehnologiei, aceste lucrări nu doar adaugă un strat vizual, ci deschid un altfel de dialog cu orașul în care privirea încetinește, iar memoria se reactivează pornind de la teme actuale identitarului colectiv. Cele 9 lucrări AR se construiesc pornind de la povești ale orașului, reprezentative pentru identitarul colectiv, atent selecționate și desprinse din arhiva artistei multimedia Cinty Ionescu. Aceste istorii sunt recontextualizate de artiștii vizuali Ioana Nicoară și Sergiu Negulici prin animații 3D și sunt incorporate în compoziții audio originale realizate de artiștii de sunet Makunouchi Bento, Sorin Păun și Alex Bălă. Lucrările AR au fost disponibile locuitorilor și vizitatorilor orașului prin folosirea unei aplicații gratuite instalate pe telefonul propriu. Amplasarea lucrărilor în spații publice sau neconvenționale ale orașului a fost însoțită de evenimente, activări și este inclusă pe o hartă fizică și digitală în catalogul interactiv NE/RE-VĂZUT: Muscel.

~

Nine AR installations embedded in the urban space transform the city into a living archive. Each intervention point becomes a gateway to personal stories and collective memory. Through the use of technology, these works do more than add a visual layer—they open up a different kind of dialogue with the city, one in which the gaze slows down and memory is reactivated through themes that resonate with contemporary collective identity.

The nine AR works are built around stories of the city that are representative of its collective identity, carefully selected and drawn from the archive of multimedia artist Cinty Ionescu. These stories are recontextualized by visual artists Ioana Nicoară and Sergiu Negulici through 3D animations and are embedded within original audio compositions created by sound artists Makunouchi Bento, Sorin Păun, and Alex Bălă.

The AR works were made available to residents and visitors through a free application installed on their personal smartphones. Their placement in public or unconventional urban spaces was accompanied by events and activations and is documented on both a physical and digital map included in the interactive catalogue NE/RE-VĂZUT: Muscel.

~

www.narative.ro/ne-re-vazut-muscel/

Written, produced, mixed and mastered by Felix Petrescu and Valentin Toma (Makunouchi Bento)

makunouchibento.org

posted 04 February 2026

Dormance – II

Dormance

“II”

Following the publication of a series of split releases French creatives Sobria Ebrietas and Iliaque have combined to create Dormance.

sobriaebrietas.bandcamp.com
iliaque.bandcamp.com

Rhythm tracks used on Dormance 13:
Suonho – Zajo_Loop22_02_commander-rwrk.wav CC-BY freesound.org/people/suonho/sounds/58619/
Suonho – Zajo_Loop22_02_lowbit&rephat-rwrk.wav CC-BY freesound.org/people/suonho/sounds/58620/

Artwork by Iliaque, based on photo by Derek Σωκράτης Finch: www.flickr.com/photos/sagesolar/53625252875/in/explore-2024-04-02/ CC-BY

[mhrk477]

The first Dormance album, I, was released on The Committee for Sonic Research and is available here:
tcfsr.bandcamp.com/album/i

posted 03 February 2026

Jazzaria – Art Was Attempted

Jazzaria

“Art Was Attempted”

“This will be our reply to violence: to make music more intensely, more beautifully, more devotedly than ever before.”

So it goes.

So *something* goes. For now – until it becomes something else. Yet, still – the same.

Featuring bass clarinet, and breathing.

posted 02 February 2026

Câmera Analógica – even the softest hearts need somewhere to rest

Câmera Analógica

“even the softest hearts need somewhere to rest”

It is another beautiful debut in the MiMi Records catalogue.

This time, the project Câmera Analógica presents even the softest hearts need somewhere to rest, an EP built as a collection of small scenes, inspired by the aesthetics of visual novels and the soundtracks of the 2000s. Each track is presented with beautiful lo-fi beats that capture an intimate, quiet moment, where comfort, nostalgia, and emotional pause meet.

The record moves through urban landscapes, lighter weekends, and moments of contemplation, creating a safe space for feelings that don’t need to be explained. The track titles carry personal meanings, yet remain open to interpretation, inviting the listener to find their own stories within the sound.

An EP to listen to on repeat with headphones.

posted 01 February 2026

Stefan Christoff + Open to the Sea – Demand the Impossible / The Sofia Intuition

Stefan Christoff + Open to the Sea

“Demand the Impossible / The Sofia Intuition”

released February 1, 2026

A. Stefan Christoff – Demand the Impossible

01. A sky entrance
02. Arc
03. Turning in the Bosphorus
04. Demand the Impossible

An album recorded in Sofia, Bulgaria one late evening in October 2023
Recorded and mixed by Yoncho Pavlov at AD 57, Sofia, Bulgaria
All piano compositions are original improvisations by Stefan Christoff

B. Open to the Sea – The Sofia Intuition

1. Please stop loving me
2. I will not wake you up
3. I recognise you
4. Bodies in contact

Reworks of Stefan Christoff’s original piano recordings with:
Saverio Rosi – OP-1 with wind instruments, double bass, synths
Matteo Uggeri – laptop, samples, random drumming
Enrico Coniglio – guitars

Mastered by Ryan Morey
Original artwork by Catalina Villegas-Burgos
Layout by Angel Draganov

Síntesis boreal

Esta pieza surgió como una experimentación con la idea de los triángulos, sus búsquedas de balance y de síntesis. Me sentía atraída por la energía del sol y los eventos cósmicos como eclipses y auroras boreales, así que los puse a danzar y a atravesarse. Cuando escuché el álbum de Stefan ‘’Demand the Impossible’’ sentí que mi experimentación le venía perfectamente por el juego de voces entre el bajo y las notas un poco más agudas e insistentes de esta obra. De algún modo, veía también los triángulos en su música y los tonos ‘boreales’ sobre fondo oscuro. En ambas obras: la musical y la visual, percibo desplazamientos y formas que se cruzan. Cuando ambos triángulos se encuentran, ¿es el sol un testigo de aquel eclipse o es acaso una fuerza oculta?
– Catalina Villegas-Burgos. (album artwork artist)

///

It felt unlikely that this recording session would actually happen in Sofia, Bulgaria, but I am really happy that it did and I can share this moment in time. I had played a concert in Sofia that same evening hosted by Tsvetan Tsvetanov of the experimental Bulgarian National Radio program Alarma Punk Jazz. After the show finished I rushed over to the basement studio, AD 57, just before midnight. Sound engineer Yoncho Pavlov generously agreed to record this session super late and we recorded until just before 2 am in the morning. After the session I ran back to the apartment where I was staying with Canadian activist scholar Ezra Winton, packed my bags and rushed to the airport for a flight to Berlin that was set to depart at around 6am.

Despite all the rushing around this recording, the mood and feeling of the sound reminds me of the stars. In certain parts of Sofia there aren’t a lot of street lights and the sky feels close to touch. The mountains that shape the Bulgarian landscape also hold a presence and vibe in the capital city. While playing piano I was thinking of the sky above, the stars and the lands around Sofia and the Balkan region. This project is important to me because of my Bulgarian roots, my father is Macedonian Bulgarian. It was a long road from growing up in Canada to finally making it back to Bulgaria and to finding a path to work on this recording and music in Sofia. I hope that you can feel the emotional resonance in the piano tones.

Another layer to this recording is the fact that recording took place in the context of the Israeli state’s military attacks on the Palestinian people in Gaza. The recording took place in November and the horrifying news coming out of Gaza spanked an intense need to take action around the world. In the week before this recording I had been with friends at protests and events to mobilize for Palestine in Montréal, Amsterdam and London. I was often thinking about Palestine during this recording session and the critical importance of sustaining an involvement and finding ways to support Palestine throughout my lifetime. Walking with and supporting the Palestinian struggle for freedom and against colonialism is one of the essential progressive causes of our time, we must never be silent and always find ways to stand up when Palestine is in the headlines and critically when it is not. I certainly was thinking of my Palestinian friends and comrades around the world who have played such an important role in my life over the last decades throughout this recording, that is the honest truth. I hope that you can hear the sense of commitment and urgency around supporting Palestine that I have carried and acted upon my entire adult life.

Thank you for listening to this solo piano recording from Sofia, it means a lot to me, sending love from Montreal.
– Stefan Christoff.

[mhrk478]

posted 01 February 2026

R cord – Distant Pressure

R cord

“Distant Pressure”

In Distant Pressure, R cord broadcasts from a city that hums itself to sleep. Echoes ripple through concrete, guiding a lone driver on a neon Night Drive. Beneath the streets, the Subharmonic Field breathes, bending time. The air tightens—Distant Pressure—then breaks into Waves of memory. Deep In (I a-b Reedit) sinks the listener below signal and thought, with Fingers in the Noise tuning reality by touch. At dawn, Distant Echoes – the Radiant Edit fades, and the city remembers it was alive.
posted 31 January 2026

reFUGeeS From Beyond – Under The Radar

reFUGeeS From Beyond

“Under The Radar”

The Necrophile Hummingbird Non-Profit Netlabel presents Under The Radar by reFUGeeS From Beyond.

“Forbidden Music for Unknown listeners”

Improvisation recorded the 20th December 2025 at Le Champ Du Possible (The Possibility’s Field) in Dole.
Members :
Master of Ceremony : Psyché Pelik
Disc Jockey (indeed mostly electric & electronic devices) : Yoshiwaku Mushotoku

“We are like Ulysses, hidden under the sheeps, safe from the eye of the Cyclop. It’s time to retaliate before he catches us.”

Special Thanks to Seebille for helping this album to come alive.

Dedicated to all the ICE victims, especially Renee Good & Alex Pretti but they are only the top of the ICEberg. https://en.wikipedia.org/wiki/List_of_deaths_in_ICE_detention and to anyone struggling against ICE, Fascism and Imperialism.

(In france the cops are killing too, this month it was El-Hacen-Diarra. In Iran it’s more than 20 000 protesters killed, 40 000 are in jail and can be executed quickly. Cops are not the only murderers, more than 70 000 Palestinians killed between October 2023 and 2024. In Rojava the kurdes are in danger and 50 000 civilians have been already displaced. What a sick world…)

Spread the ICE List to help the resistance https://icelist.is

Visual Artwork done without IA, good old edit of my photographies.

Button: by-nc-sa
posted 30 January 2026

slowerpace Èü≥楽 – ŸÖÿ¥ÿßÿ∫ÿ®ŸàŸÜ EP

slowerpace 音楽

“مشاغبون EP”

After nightfall, the lost boys take the streets, turning motion into raw roar.

RELEASE #42
愛を込めて作られ

⏐ Follow me on Instagram
⏐ instagram.com/slowerpacemusic
credits
released January 15, 2026

CREDITS TO PRODUCERS >>> SOUNDS LIKE WATER – LASZLO BENCKER – BLUE PILOTS PROJECT – NARCOSE – LUIS JR – JENS BUCHERT

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posted 28 January 2026

hiyohiyoipseniyo – CANNED PELLET

[23DSK08]

hiyohiyoipseniyo

“CANNED PELLET”

CANNED PELLET by hiyohiyoipseniyo
————————————————–

An absurd lo-narrative in directories.

“Mastega_i_conserva”

Digital entropy and exquisite corpses:
Jbird – regurgitator
Q*bert – digested idea
Bergson – canned ‘risa’

… until meaning becomes lo-bitrate.

“Classifica_i_rebutja”

E G A G R Ò P I L A enllaunada

__________________________________________________

Merci:
Nefasto Celiba, Eulàlia Clarineto, Fuzzy KQ i Mitx Xonix

Dismemberments:
Alma
Arkanoid
Beethoven — 33 Variations on a Waltz by Diabelli in C major, Op. 120
Fetiche Maya
Goody
J-Bird
Manic Miner
Minecraft
Ninja Gaiden
Pong
Q*bert
Test Drive
Wolverine: Adamantium Rage
Xonix
. . .
… y muchas risas enlatadas.

__________________________________________________

linktr.ee/hiyohiyoipseniyo
hiyohiyoipseniyo.hotglue.me

>>>23DISKETTES<<<

Òscar Hidalgo Aguilera
Manresa-Lleida, November 2025

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posted 26 January 2026

Jazzaria – The Practiced Tone and the Drop of Blood

Jazzaria

“The Practiced Tone and the Drop of Blood”

Periodically, things happen. The specifics depend upon whom they are happening to. Regardless, it can be understood as the union of two sets – that which is expected, and that which is not.

The expected is best met with preparation – practice makes perfect, when a thing can be practiced.

The unexpected requires something else – it asks of us a certain height. To achieve what we can, and to go beyond it, even – especially – imperfectly.

Featuring clarinet.

Button: by-nc-nd
posted 25 January 2026

Patrick Quinn – microvisioning

[ACP 1462]

Patrick Quinn

“microvisioning”

Philosopher Jane Bennett’s concept of “microvisioning” describes Henry David Thoreau’s devotional practice of keenly observing and focusing on small details of the natural world. She explores this idea in her book, Thoreau’s Nature: Ethics, Politics, and the Wild. She writes that microvisioning transforms nature into something “beautiful, sublime, and Wild.”

Every summer I leave my home in New York City to return to my roots in the Midwest, where I am able to practice my own version of microvisioning. Armed with an array of microphones and different listening devices, summertime in the Midwest has allowed me to sonically engage different environments in a deep, meaningful, and wild way.

All of the recordings contained in this album were recorded across the Midwest during the summer of 2025.

Button: by
posted 21 January 2026

KYO – Outtemporary

[Insectorama221]

KYO

“Outtemporary”

In the orbital city of KYO, a new dubtechno signal dropped: Outtemporary. Static Flow powered the reactors, a steady pulse holding time in suspension. Along the Driftline, ships slid without thrust, guided by bass and delay. At the Peripher, shadows listened as Echoform folded memories into sound. When systems failed, Aftershape emerged—residual rhythms rebuilding the future from reverberation. The city survived by looping forward, forever out of time.
credits
released January 16, 2026

Insectorama221
all tracks by KYO
Mastering & Artwork by Markus Masuhr

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posted 20 January 2026

Various Artist – Informátor OOII

Various Artist

“Informátor OOII”

Druhá polovina osmdesátých let, Československo. Zpoza železné opony sem různě konspiračně a pokoutně pronikala i divná hudba, hudba nová jiná odlišná, nové postupy, nové nástroje i nenástroje. Samozřejmě vnímavější domácí hudebníky ihned zaujala a zkoušeli napodobovat i zkoušet zcela po svém. Pomocí kutilství, národu vlastnímu, tvořili, hráli i nahrávali. Současně vznikla potřeba nejen se prezentovat doma, to zcela mimo oficiální instituce, ale i ukázat těm na Západě, že umíme, že nejsme jen národ Gotta a častušek. Iniciátorem byl Tonda Hlávka z Veselích Filištínů, kazety se kompilovaly u Vítka Hofhanzla. Zúčastnili se tak hlavně přátelé okolo VF, ale v té době byla scéna natolik malá a uzavřená, že přátelé byli všichni kdo začali tvořit industrial, postindustrial, různé zvukové experimenty atd.Ale obě kazety, které byly propašovaný přes hranice a vyšly pod hlavičkou italského labelu Old Europe Cafe a belgického Corrosive Tapes nejsou jen o industriálu. Je to průlet mnoha styly od postindustriálu, nové vlny po postpunk, sound experiment až po romský folklor.

“Poslouchej skrz sluchátka. Jsi majitel jediné kopie. Kopie je chráněna Dolby. V Praze jaro 1989 Československo!!”

The second half of the eighties, Czechoslovakia. From behind the Iron Curtain, strange music was also penetrating here in various conspiratorial and subtle ways, new music, different, new methods, new instruments and non-instruments. Of course, the more receptive domestic musicians were immediately interested and tried to imitate and experiment in their own way. Using DIY, a craft of their own, they created, played and recorded. At the same time, there was a need not only to present ourselves at home, completely outside of official institutions, but also to show those in the West that we can, that we are not just a nation of Karel Gott and chastushki. The initiator was Tonda Hlávka from Veselí Filištínů, the cassettes were compiled by Vítek Hofhanzl. Mainly friends from around VF participated, but at that time the scene was so small and closed that friends were everyone who started creating industrial, post-industrial, various sound experiments, etc. But both cassettes, which were smuggled across the border and released under the Italian label Old Europe Cafe and the Belgian Corrosive Tapes, are not just about industrial. It is a journey through many styles, from post-industrial, new wave to post-punk, sound experiment to Romani folklore.

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posted 20 January 2026

Holy Fanda & The Reverends – The End of The Road

Holy Fanda & The Reverends

“The End of The Road”

released January 19, 2025

Holy Fanda

guitars, banjo (3), bass (1, 2), harmonica, vocals
Nick Jennings

drums, banjo (5, 6), bass (3), vocals (5)
Jarda Svoboda

harmonium (2, 3, 5, 6)
Tommy Levecchia

trumpets (1, 2)
Jakub Schmid

trumpets (2, 4, 5)
Vojta Noha

clapping hands (4), vocals (3, 5, 6)
Music Holy Fanda
Lyrics Holy Fanda with Alasdair Bouch (1, 2, 4, 6)
and with Noah Treacher (3, 5)
Recorded by Vojta Noha, Nick Jennings and Jarda Svoboda in 2014 and 2015 and with Ondřej Ježek in 2025 in Prague
Mixing Ondřej Ježek (studio Jámor)
Produced by Nick Jennings & Holy Fanda
Mastering Gargle & Expel, Dublin & Prague
Label Polí 5 / 2025 / EPP 285-1
Cover art Carton Clan
Photo FH archives
With this edition thanks to Dalton, Noah, Martin and more

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posted 20 January 2026