A music: very simple, as present and obvious as the happening round us. Its sounds: Elements in space, which fly apart in uniform motion, without resistance and get together again.
Llankrú masters the vanishing till the dispersal. Just as its opposite: The bang, with which all wants to expand into space from the center with force. In doing so time is relative. And therefore their im- and explosions happen in seemingly endless calm.
The instruments sound like they sound. A guitar, a second, guitar, a bass and a drum set. The musicians have freed sound and arrangement from all the superfluity and potential masquerade. But intuitively, not wilfully. The single sin is the glowing overdrive sometimes. But to this one the blessing was given already.
With all this „Sturz durch Raum und Zeit Richtung Unendlichkeit“ (C. Karges) Llankrú’s songs relate wonderfully. They could be the six episodes of a film, which may work stand-alone, but forge a bridge of a whole narration together.
The narrative power rises with the reduction. That’s the magic of the basics. Everything runs to a point, slowly the sum of the parts emerges and condenses more and more. And than suddenly: Nothing.
“Project inspired by ever-changing London landscape.
‘E2’ – title of that EP is a first part of East London post-code,
a place I used to live, that was recently demolished for new buildings made of Aluminum, Tempered Glass and Rubber & Wood.”
“Proyecto inspirado en la constante transformación de Londres, concretamente en el “East London post-code”, lugar donde vivía, que fue recientemente demolido para construir nuevos edificios hechos de aluminio, vidrio templado y caucho y madera.”
getdizzzy is a composer, DJ and game designer living in Chicago. drawing from ambient, hip-hop, techno, experimental sound collage and noise, getdizzzy’s music is idiosyncratic, rewarding, unfamiliar, colorful and accessible.
attenuation effect ° 1012 ° 2017
live @ re:flexions – silent series, Ganze Bäckerei, Augsburg, 02.09.17
recording, mastering, photography and design by EMERGE
Guitarist, multi-instrumentalist, composer and bandleader based in Winterthur, Switzerland.
After graduating as a jazz guitarist from the Zurich School of Music and Drama (Hochschule für Musik und Theater Zürich), Beat Keller obtained a Master of Arts in composition from the Lucerne School of Music (Musikhochschule Luzern).
Among his current projects are Keller’s 10, Gunfire Orchestra (CH/NO/SA), Bowee.Keller (CH), Peckinpah Trio (CH/USA), Beat Keller, Darius Ciuata (CH/LIT) and Tilo Weber’s Animate Repose (DE).
His compositions have been played and recorded by NDR Bigband, Lucerne Jazz Orchestra, Ballbreaker Ensemble, Composer’s Group Ensemble, Keller’s 10 and the Haiku String Trio.
Beat Keller has played concerts at renowned festivals in Switzerland, in neighbouring Europe, the United States and on the African continent.
Record releases on: Unit Records, Alpinechic (both CH), Edition Wandelweiser Records, Attenuation Circuit, Shoebill Records (all DE), Silken Tofu (BE), Plus Timbre (GR) and others.
Daniel Robert Lahey wields the tools of a trained classical musician in pursuit of ambient music with direct and fresh (but never simple) melodic charms. Each of his pieces bears a symphonic influence, but each piece aims to provide the listener a listening experience of intriguing sound-on-sound. Rather than the sunny sleepwalk of new-age-style waves of saccharine melody, Lahey weaves complex themes throughout each composition.
This is not music for everyone—but it is music for anyone. In “No Cure”, Daniel Robert Lahey takes the listener in for a digital scan, and the diagnosis is positive for sound. This is sound to take the indolence of an idle hour and turn it into the therapy of intriguing sonic exploration.
The Line of Apollo was founded by two friends (former classmates) in 2014. in the city of Naberezhnye Chelny, in the Russian Federation. Later, they were joined by two more participants.
The band members have played together since 2007, from school times, but the previous project broke up and a revived The Line of Apollo appeared from its ashes. The name was created as a derivative of the past band name (Underline The Sunday). The Line of Apollo also means “The Sun Line”. This line is on the palm of a man and symbolizes the creative beginning.
Initially, the band’s music was based on the youthful hobbies of the band by American alternative, pop-punk and punk bands such as Blink-182, Yellowcard, Sum-41, etc. Becoming older, the collective began to choose a heavier and atmospheric direction under the influence of already modern genres, like such as post-rock, post-hardcore, melodic-hardcore, etc. Although the vocal performance remained clear.
Today, Tha Silent Partner returns with the latest in his SIX ONNA 7 fortyFive series. For those who don’t know… this is a series where he smashes the bounderies of what a digital 45 single can be… rather than two 3 minute-ish songs, 6 tasty 1-2 minute-ish songs. Enjoy the fire. Collect them all.
Props to Tha Silent Partner for once again delivering tasty snacks for beat heads to bump in their rides.
Of course, thanks once again to you for downloading & listening. We always strive to deliver the music you’ll love. Please spread the word about blocSonic, if you enjoy what we do. Remember… everything we release is cool to share! Always keep the music moving… share it… blog it… podcast it! If you’re in radio… support independent music and broadcast it!
Luca Calcagno è un musicista di Cogoleto, estrema provincia dell’Impero, cresciuto a pane, musica e Genoa. Per lo più autodidatta, vive di musica, nel senso che lavora in un negozio di strumenti musicali. E’ una persona come tutti noi, sicuramente con un talento al di sopra della media, e ve ne accorgerete ascoltando queste canzoni che fanno parte del singolo. Indie Pop anni novanta ma anche tanto altro, attraverso la tradizione specialmente britannica, ma con una forte melodia italiana. Ci sono molte cose in queste due canzoni, a quelli di voi un po’ più vecchi ricorderanno certamente delle cose italiane anni novanta, ed è da lì che vengono. Luca scrive e suona con cura, e tutto ciò lo si può sentire nella sua musica. Pubblicare questo singolo è per noi un onore.
Se lo incontrate non fategli mai la domanda su chi preferisce fra Beatles e Rolling Stone. La risposta è ovvia.
Luca Calcagno is a musician in Cogoleto, the province of the Empire, who grew up in bread, music and Genoa. Mostly self-taught, he lives in music, in the sense that he works in a musical instrument store. He is a person like us all, surely with a talent above the average, and you will hear them listening to these songs that are part of the singles. Indie Pop nineties but also much more, through the tradition especially British, but with a strong Italian melody. There are many things in these two songs, those of you a little older will certainly remember the Italian things in the nineties, and it’s where they come from. Luca writes and plays with care, and all this can be heard in his music. Publish this single is for us an honor.
If you meet him do not ever give him a question about who you prefer between Beatles and Rolling Stone. The answer is obvious.
Fernando Cerqueira aka Rasalasad started its activities in the late 80´s with the Atonal fanzine and the SPH label, where he released Jim O’Rourke, Merzbow, Smersh, Maeror Tri, Brume, The Haters, Telectu , etc.
Founder of Thisco records, which has released cds from Rasalasad, Merzbow, Kk Null, Rapoon, Lasse Marhaugh, Jarboe, Von Magnet, shhh … among many others.
Alongside Thisco he is editor of the occultural anthologies Antibothis which features texts and sound works from Hakim Bey, V. Vale, Carl Abrahamson, Andrew Mckenzie (Halfler Trio), Critical Art Ensemble, Pentti Linkola, Erik Davies, Robin Rimbaud, Francisco Lopez, etc.
He has several works released through on Symbiose, Thisco, SPH, Grado, Blocsonic, Illuminated Paths, La Nostalgie de la Boue.
His most recent releases includes collaborations with Matthew Waldron (irr.app (ext) / Nurse with Wound ), Merzbow, Emil Beaulieau, Jarboe (ex: Swans), Von Magnet, Hiroshi Hasegawa, Smell & Quim, Wildshores Antonym among others.
Fabio Keiner explores the landscape of the post-nuclear fallout of Nagasaki and Hiroshima on Black Rain.
In the days following the United States bombing of Hiroshima and Nagasaki at the end of World War II, the residents were left to deal with the fallout from the devices. Nuclear fallout is commonly known as Black Rain. Fabio Keiner has recorded a series of works that looks at the exposure to radioactive fallout in terms of ambiguous time perspective. The X on Black Rain could be interpreted as days, weeks or even months.
Fabio Keiner hails from Vienna, Austria. He creates musical pieces and photographs. His credits include his contribution to the soundtrack to the 2015 award winning short film “Reformation” by director Hoyon Jung.
Active in the netlabel scene for years, his soundscapes, melodies and drones criss-cross the borders among ambient, dark ambient, abstract experimental and melodic electronica. His work is atmospheric and imaginative, with a sound that seems narrative without quite telling specific stories in defined words. His releases have appeared on numerous labels, including Treetrunk Netlabel, Webbed Hand Netlabel, Petroglyph Music, and Cian Orbe netlabel.
A set of electronic music of different moods with deep emotional shades. In reality, all the original projects of these tracks were destroyed by cryptovirus, the author managed to save these several tracks. The album is full of melodies and textures, synthetic experiments, glitches and rhythmic fills.
The 13th release in the ‘Neoteric Directions in Contemporary Electronic Music’ series from Thomas nmi Poole.
Complicity with Anonymous Materials is a collection of ambient/drone meditations in the contemplative sense (not necessarily as an aid to relaxation), consisting of thought-pieces reflecting inner states of consciousness and responses to the social, political, and historical conditions and technospheric embeddedness.
Warahraan is an Ambient/Electronic/Experimental music project from Persia founded in the early 2008, inspired by the immensity and grandeur of the nature and cosmos. The music is trying to illustrate the creation through a different view. Warahraan is a journey through magical sovereignties and enigmatic kingdoms, a deep mystical discovery through terrestrial and extraterrestrial zones.
Warahraan means victory and conquest in the ancient Persian language. The other older forms of this word are Verethraghan and Verethragna. Warahraan is the Persian god of Fire, the most sacred of all fires that is a combination of 16 fires as it mentioned in the Avesta (Sacred Book of Zoroastrians) and other ancient Persian sacred texts. The word referring to the Mars (fourth planet from the sun) in astrology. The twentieth day of month is dedicated to him according to the Zoroastrian calendar.
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