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Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”

update, 28.1.2026

Hello, I have made a few changes to the site. Unfortunately, I am not quite finished yet, but it should continue without interruption. I hope you find the changes useful. Stay tuned. Konrad

lauren redhead – entoptic landscape

lauren redhead – entoptic landscape
pyr123

lauren redhead

“entoptic landscape”

lauren redhead is an internationally performed composer and a performer who specialises in experimental music as an organist and a vocalist. she is a founder member of the collective ‘automatronic’ who produce a concert series for organ and electronics in london each autumn and who commission and collaborate with composers to create new works for the combination. her compositional work increasingly focuses on graphic, conceptual, and open approaches to music and performance, and collaboration — with other composers and artists — forms an important part of this approach.

the music on entoptic landscape is “slow moving, partially entering into ‘view’ and then gone again. the attempt to focus has the effect of obscuring it. all of the performances of this music respond in some way to open notation. as such, no two performances of this music are alike, but all hold much in common. open notation has been employed not for reasons of accessibility but as a means of inviting the performers into the specific soundworld of the piece.”

posted 05 August 2014