Winterberg – le sacre du noir

[phokes123]

Winterberg

” le sacre du noir”

In perfect attention the crystallized minescrafter digs through the depths of the heights. In hand luggage the best machines, he travels across noone’s heaven. Three rooms.

With Winterberg’s second album, we go a bit deeper into his work. After his self chosen “lock in with grand” some songs reached new levels. Grasping the moment, comfort of maturity. Between saturated thickness and clear raising there are also occasionally surprises.

Over three hours of music has been found for this album, well portioned in three parts. Five years have passed since the previous album. Now he’s back for more. We wish you a great listening pleasure with these selected works of improvisation, of live play. Spirit, soul and earth invite you to dive into.

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Elsa Bergman + Óscar Santis – Errante

[pn117]

Elsa Bergman + Óscar Santis

“Errante”

“Elsa Bergman (double bass) and Óscar Santis (Likembe, mixer, soundboxes, effects, computer), deliver us a generous recording of their first encounter as a duo of improvisers. The album, called Errante, was conceived in its fullness in the magical landscapes of Amereida.

The result is translated in a mixture of exquisite and varietal languages, distinguished by the hypnotic seduction corresponding to the interpretation of Elsa Bergman, who in accordance with her worldview manages to articulate a more onomatopoeic and percussive line as compared to Óscar Santis, the owner of a structured and ferrous sonic vocabulary.

These conversations, generated in an autopoietic state, deliver us soundscapes cemented with Nordic emulsions and the saline corrosion accumulated for decades in the territory of Ciudad Abierta (Open City).

The atmosphere that Errante offers us is divided in seven electrifying cuts, with “Autopista” being the most extensive track (12:05), which ends in magnificent fashion this exchange of musical expectations y concerns that pass through the fields of minimalist electronica and the indelible legacy of free-jazz.”

Sergio Miranda
(Valparaíso, Chile. Marzo / March, 2017)

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Futurguerra – Kraftwerk 2017 – Trans Human Express (Clone Music)

[0kbps111]

Futurguerra

“Kraftwerk 2017 – Trans Human Express (Clone Music)”

Futurguerra

Kraftwerk 2017 – Trans Human Express (Clone Music) [0kbps111]

Autobahn mix 2′ 33”
Computer Welt mix 3′ 47”
Die Roboter mix 5′ 31”
Electric Café mix 3′ 09”
Europe Endless mix 1′ 55”
Franz Schubert mix 2′ 48”
Klink Klang mix 5′ 48”
Kometenmelody mix 4′ 05”
Kristallo mix 4′ 40”
Minicalcolatore mix 2′ 32”
Radioactivity mix 2′ 46”
Sex Object mix 5′ 04”
Telephone Line 5′ 58”
The Man Machine mix 1′ 40”
Tour de France mix 3′ 48”*
(remix words Futurguerra)
Trans Europe (Human) Express mix 2′ 42”

*Virtual Vocalist Futurguerra

“La tecno-fantasia «suggerisce un rapporto vivente con l’estetica della realtà», nota Roberto Guerra, che la trasferisce nella visionarietà dei suoi video e testi”
Vitaldo Conte (Pulsional Gender Art, Avanguardia 21, 2011)

Tra poesia sonora e musica elettronica, tra dada, futurismo e situazionismo… Da anni i Kraftwerk fans attendono un nuovo album, solo un paio ex novo in oltre 30 anni (Electric Café – 1986 e Tour de France-2004, oltre a Expo2000, ma straordinari mix e remix dei Kraftwerk stessi: al punto che live, tour non stop e negli ultimi anni in 3D sembrano incredibilmente album e canzoni elettroniche (e Video) ex novo. Futuristi e quindi anche transumanisti, autopotenzianti i brani dei Kraftwerk, (Ralf Hutter e Florian Schneider, il duo originario e fondatore, poi via diversi altri robot musicisti- è rimasto da tempo il solo Hutter), padri della musica elettronica, canzoni tecnhopop (nato con i Kraftwerk) letteralmente “immortali”, mind up loading songs non stop. Ecco quindi, da un fan poeta, spesso ispirato a tarda notte mentre scriviamo poesie o saggi, il nuovo virtuale album dei Kraftwerk. Operazione di arte estrema, mix di sconcertante semplicità, musica per cloni! Un giocattolo “elettronico” sia ben chiaro, ma forse davvero queste soundtrack kraftwerkiane della computer age sembrano una volta di più (ri)composte il giorno prima…
(Roberto Guerra)

MAV [0kbps] Records, March 2017

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Astma and IOIOI – St. Petersburg/Yaroslavl (live 2013)

[0kbps110]

Astma and IOIOI

“St. Petersburg/Yaroslavl (live 2013)”

Astma and IOIOI

St. Petersburg/Yaroslavl (live 2013) [0kbps110]

ASTMA and IOIOI live at ESG 21 (2013)
ASTMA and IOIOI live at Teplo (Yaroslavl 21.09.13)

Astma: Olga Nosova: drums, voice, electronics.
Alexey Borisov: guitar, bass, voice, electronics.
IOIOI (Cristiana Fracitelli): guitar, effects, voice.

Played and recorded at ESG21 (SPB) and “Teplo” art space (Yaroslavl).
Special thanks: Andrey, Boris, Sasha, Polina and all people who helped to organise these concerts…

Artwork by Tommaso Busatto

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V.A. – The Path

[brh15]

V.A.

“The Path”

The Path is a collective work based on a drone by Marco Lucchi. The various artists have contributed a personal interpretation of it, creating a kaleidoscope of materials, sounds and shapes.
In this compilation: Marco Lucchi, Glenn Sogge, Walter Fini, Max Scordamaglia, Chris Lane, Filippo Panichi, Antonio de Braga, VictorYbril, Greg Hooper, Entangled Quantum, Philippe Neau, Jeff Gburek, Mean Flow, Vince Sangiorgio, lighthillvision, SpectrumShift, Samora, Res B., Adern X, {AN} Eel, mrscientificterms, In Vitro, M.Nomized, Astro Faros, Enten Hitti, Gaetano Fontanazza, NOx, P è n i n s o l a r, Sisto Palombella, Bicho Raro, Oystein Jorgensen.
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Nuno Adelaida – Amentia

[su012]

Nuno Adelaida

“Amentia”

The beautiful music of Nuno Adelaida. This is an EP of neo-classical music, essentially for piano. It works well with late evenings or quiet contemplation.
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Hypercube + Alwin Van Der Linde – Hylin

[0kbps109]

Hypercube + Alwin Van Der Linde

“Hylin”

Hypercube + Alwin Van Der Linde

Hylin [0kbps109]

A collaborative project between Hypercube and Alwin Van Der Linde exploring disorientated fields of morpho-genetic audible elevations and oneiric disrupted patterns.

This project was created processing 10 tracks in one single track.

MAV [0kbps] Records, January 2017

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Martin Rach – Works For Imaginary Orchestra

Martin Rach

“Works For Imaginary Orchestra “

Re-release of my works for imaginary orchestra
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Kosta T – зацепка

[Self Release]

Kosta T

“зацепка”

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Daniel Robert Lahey – Not Sure This Goes With Your Outfit

[CACL0003]

Daniel Robert Lahey

“Not Sure This Goes With Your Outfit”

The Latest Daniel Robert Lahey Release

Today we are proud to announce the latest Daniel Robert Lahey release on The Cerebral Audio Netlabel: Not Sure This Goes With Your Outfit. On his third full release with CerebralAudio Daniel maintains the excellence of his music with a few new twists.
About Not Sure This Goes With Your Outfit

While the title is amusing, there is something of a statement that can go along with it. Daniel has chosen to point rather humorously to the idea that really this music isn’t intended for the stuffy environments of the performance hall. It’s for everyone, no matter what clothes they are wearing. Even if they are making choices to appear as unique and individual as they can.

Classical music was never really intended to be the domain of the elitist. It was music for the people. Mozart proved this with his popular opera’s written for the general public instead of being written for kings or royalty.

On another level, Daniel’s selection of this title could be seen as a commentary on the musical establishment. The question isn’t whether this is classical music, but rather a statement that “this” work doesn’t fit with an “establishment” conception of style.

There’s also a third layer of meaning to this title. Something of an internal joke. There are points at which you might be listening to this work and thinking, “how does that fit in?” That’s when you will discover the playful side of Daniel, occasionally hiding little pieces of incongruous material as a joke for your ears. These tiny non-sequitur could be seen as not going with the “outfit” of the composition as a whole.

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Alejandro Albornoz – Fluctuaciones 2

[pn113]

Alejandro Albornoz

“Fluctuaciones 2”

In addition to the publication of the album “Fluctuaciones” (“Fluctuations”) in its physical CD version (pncd11), two online albums are included that can be accessed on the Pueblo Nuevo Netlabel website, “Fluctuaciones 2” (pn113) and “Fluctuaciones 3: Live electronics” (pn114).

In regards to these albums, the time span covered is around 12 years of production alongside the pieces for the CD, several of which were revised during 2016. Although the new ones were completed in 2015, they form part of a collection of works in course, so I understand them as related.

In the case of “Fluctuaciones 2“, this includes 14 additional acousmatic works, all pieces composed between 2004 and 2012 and distinct from those included in the physical CD. This collection is irregular, there are several works of interesting execution and others that are either studies of timbre and structure or are exercises acousmatic composition. I have decided to publish this collection for a number of reasons: it is a personal gesture to close a stage as a sound creator, it allows me to recognize the constancy and seriousness with which I have approached composition in the genre and makes available to students, artists, researchers and interested public parties a corpus of work that could be of interest for analysis, study, and discussion.

Alejandro Albornoz
(Sheffield, UK. Noviembre / November 2016)

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Uglisse – SUPERMERCATO

[0kbps108]

Uglisse

“SUPERMERCATO”

Uglisse

SUPERMERCATO [0kbps108]

1) Intro
2) Prendi questa mano ZINGARA
3) Chi disprezza compra(ma solo quando ci sono i saldi)
4) SURGELATI
5) Piccolo spazio, pubblicità
6) FILM vs REALTA’
7) Mi spostano le cose e io mi incazzo
8) G.O.S.S.I.P.
9) Fila alla CASSA….
10) Outro

MAV [0kbps] Records, November 2016

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Sounddog65 – Improvvisazione per Marghera

[0kbps107]

Sounddog65

“Improvvisazione per Marghera”

Sounddog65 – Improvvisazione per Marghera [0kbps107]

Noise suite recorded for the MAV Records Festival (15th October, Marghera, Venice)

MAV [0kbps] Records, October 2016

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Daniel Robert Lahey – Uncultivated Upland

[CACL0001]

Daniel Robert Lahey

“Uncultivated Upland”

Daniel Robert Lahey makes his debut on CerebralAudio with Uncultivated Upland. Daniel started fiddling with the keys of a piano as soon as he could reach them and whenever he could get away with it. He took guitar lessons at 10 and got very serious about it by the age of 15. (Of course, he figured it would help him pick up girls.) He devoted 12 years to the classical guitar repertoire before he’d had enough of so much work for no pay.

Toward the end of his time as a guitarist, he started playing around with Synthesizers. He has been playing keyboards for over 50 years at this point. He grew up with a love for classical music, and has studied many of the great composition masters through the years. This knowledge of classical music is what informs his current works.

On Uncultivated Upland Daniel presents six new works that reflect his perspective on life today. Some of these compositions are a reflection of life in our world today, sometimes from
a slightly off-center perspective (like on “The Zookeeper Escapes” or “Baked”), while other times appealing on a purely emotional basis (like “Uncultivated Upland” or “Tears”).

Give these compositions a close listening. There is a lot to experience and a lot to savor in these well crafted, exquisitely produced recordings.

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BERTHELOT – Les anecdotes polyédriques

[earS084]

BERTHELOT

“Les anecdotes polyédriques”

A propos des Anecdotes polyédriques :

Comme son nom l’indique plus ou moins directement, cet album est un ensemble d’anecdotes sonores à géométrie variable, une suite d’anecdotes agglutinées les unes aux autres pour former des histoires vraisemblablement plausibles.
Anecdote de trente secondes ou anecdote de deux minutes, elle doit trouver sa place dans la trame intemporelle de l’histoire en devenir (je dis intemporelle car la rigueur métrique et métronomique n’a pas sa place ici), et surtout donner à entendre une sorte de cohérence dans le collage sonore.
Décrire toutes ces infimes anecdotes reviendrait à faire un inventaire à la Prévert, et, vu le temps magnifique, je n’ai pas le désir de le faire, la promenade me tentant plus que tout état des lieux phonique.

De retour de vadrouille, je reviens à mes anecdotes qui, pour simplifier à l’extrême, sont forgées de sons de percussions et des bruits d’un piano disloqué (oui, de bruits, car l’état de l’instrument déglingué ne permet plus la restitution de sons harmonieux; ça ne me dérange pas, j’aime bien les bruits).
Pour s’extraire de la schématisation extrême susnommée, on trouve aussi des anecdotes électroniques saupoudrées de voix improbables, et des anecdotes humides de par leur nature “field recordings” (ou “enregistrements de terrain”, mais ça sonne moins bien).
Le plus délicat, et c’est là qu’intervient la glu, a été de transformer cette accumulation de sons hétérogènes en un polyèdre gracieux découpé en six anecdotes substantielles.
Mais, n’hésitons pas une seconde à effacer ce texte anecdotique pour nous concentrer plutôt sur ces sons et la musique en résultant, de préférence avec un casque audio de bonne qualité.

Album enregistré par temps clair en Eure-et-Loir (Juillet 2016).
Peinture par Hieronymus Bosch; détail anecdotique de l’Enfer, partie droite du triptyque “Le Jardin des délices” (1504).
Photo par Ironside. Design par Graph’Hypnotic.

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Safir Nòu – Groundless

[LBN036]

Safir Nòu

“Groundless”

Safir Nòu (Antonio Firinu) is a composer, guitarist and accordionist.
The music collected in the album Groundless could be identified as “total music”, influenced by different styles and genres, from world music to post-rock to jazz. The sounds and the melodies bring the listener to an ethereal and hypnotic dimension, which is the “groundless” dimension indeed.
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Max Scordamaglia – This is not a Tape Vol.3

[0kbps103]

Max Scordamaglia

“This is not a Tape Vol.3”

Max Scordamaglia

This is not a Tape Vol.3 [0kbps103]

A01-Solo 05 – Piano Clusters 1
A02-Raw Material V – 02 – OtherSounds
A03-EEtudes V-14 PMin-2
A04-No-Is II – 17 Myray (short)
A05-Solo 04 – Bleep
A06-EEtudes V-01 Serie12-Alg1
A07-Raw Material V – 07 – Inst1
A08-Raw Material IV – 13 – AstraNoise (short)
A09-EEtudes On The Run 17 – MultiKey
A10-What’s Normal – E01 – VHF 3
B01-EEtudes IV-03 GminKey-2VoicesAlt
B02-Raw Material V – 08 – RF+
B03-Noisam 04 – Fx_03-04-05
B04-EEtudes V-16 PMin-4
B05-Ratio III -04-Myyms (short)
B06-EEtudes On The Run 18 – SerialBackwChorus
B07-Noisam 02 – Cry and rain (short)
B08-Dead Tunes – E1 – Slow
B09-14-EEtudes IV-12 FromCmajToFmin+bridge
B10-EEtudes III-20 1Key-1expand-2NewTriads

MAV [0kbps103] Records, September 2016

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V.A. – Codex Internum

[brh14]

V.A.

“Codex Internum”

Welcome to our internal archive of sounds, the music painted inside ourselves.
In this compilation: Zoran, In Vitro, Marco Lucchi and Glenn Sogge, Elypixa, Esoteric Sob, Capisconne, Ray Garrido, Ohuican, Eckul, Vate, Substak, Solef, Twin Peetz and Moolsaasa, Lezet, Jimmy Watt, Nulix, Lingua Lustra, Ivan Black, AxBx.
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il Russo – il Russo

[0kbps101]

il Russo

“il Russo”

il Russo

il Russo [0kbps101]

0
1
2
3 (with TastoEsc)

MAV [0kbps] Records, August 2016

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