‘Feathers Blown Away’ is the 8th single on the Genetic Trance netlabel. Kinda has an adult contemporary kind of feel to my ears so that’s what I wrote into the ogg tag. I like this one a lot.. though my volunteer production advisors (renoise forums/discord) have since graciously pointed out it has some muddy lows–and it does at least in my car’s speaker at higher volumes..I may go back and fix it for the album of singles or if I make another renoise playback vid. but there’s a chance I might not since it already sounds great on headphones. Regardless, one of my favorite among the recent bunch. I’m thankful for how it turned out.
One of the songs that I don’t quite have the voice for and would want another vocalist to step in and give it the kind of vocals the track seems to need. Nevertheless, it was fun to compose and I delivered the best vocals I could
and try again and again
the lesson plan has always
been locked inside
you knew you’ve been ready
for anytime anywhere
and I surely want to see you there
out of our mind into their heads
we’ll be there with our hidden agendas
and brave the smirks that they shoot
their aim is off
they were grumpy since morning
you’re strong and know the secret I know
you won’t have to stay they can be the
ones to go
so much for home advantage
we’ll be there already pouring in love
the love they wanted but never knew
it was always growing among them
all this time
A few months after the lovely P8 phase 3, our regular contributor Doedelzak comes back with another longform composition using an hybrid methodology and taking inspiration from various musical aesthetics. Ilpyd is subtle and catchy, hypnotic and surprising in the same time.
Notes by the artist
“Ilypd was created partially through algorithms, with a slow and alsmot imperceptible evolution. Though, there is a big change between the beginning and the end.
Although there are small internal changes, the evolution of the global structure is strictly continuous. The perception of changes (and notably the perception of acceleration) may appear intermittently as if on particular moments the listener’s mind was suddenly creating the image of a new step being crossed, but ilypd is perpetually changing.
Ilypd can be listened in one go, or on the contraty intermittently. It is not necessary to hear it from the beginning, nor until the end.
Inspiration for this work came from traditional African music, Gamelan, and Steve Reich. This is a musical material more than a composition – and I simply wanted to make this material beautiful”
“Principe d’incertitude des espaces imperceptibles”
Composed of modulated quantum capsules, this album analyzes the principle of uncertainty, or, more correctly, the principle of indeterminacy of Heisenberg, under the meta-sonic influence of Berthelot’s theorem on the curvature of imperceptible spaces.
In quantum mechanics, the precise value of a particle’s physical parameters, such as its position or velocity, is not determined until it is measured. A quantum object could therefore be “in several places at the same time” (this is what my neighbor Schrödinger says about his cat, but I think he is using too much wine from the Loire Valley).
But this paradox is only apparent because classical scalar magnitudes are insufficient to describe quantum reality.
We then use the sound wave functions of Berthelot’s theorem, modular vectors that demonstrate that the uncertainty principle invariably leads to imperceptible spaces of infinite dimensions.
If the principle of indeterminacy of Heisenberg is a quantum reality, Berthelot’s theorem is not one.
Only the meta-sound analysis of this album remains, consisting mainly of analogically tangible and numerically virtual electronic structures.
Listening with good quality non-quantum headphones is recommended.
A Dream Itself Is But A Shadow was written in response to Disquiet Junto Project 0379: Open Studios
Step 1: The purpose of this week’s project is to provide participants opportunities to get feedback on works-in-progress. Consider work you’re doing you’d appreciate responses to from fellow Junto participants.
Step 2: Either upload an existing recording (sketches and mid-process takes may prove optimal), or record something new and post it online for feedback. If there are some things in particular you’d like feedback on, mention what they are.
A Dream Itself Is But A Shadow is, of course, a quote from Shakespeare’s Hamlet. I started writing it in response to the haiku by Portuguese author Corine Timmer:
the falling tide
tugs at my dream –
I was not able to complete the piece in time for inclusion with naviarhaiku272. I have returned to it off and on and am at a place comfortable where I believe that it can be shared.
A Dream Itself Is But A Shadow was written for Flute, Clarinet, Bassoon, Horn, Trombone, Vibraphone, Violin, Viola, Cello and String Bass.
The music of WHΛLT THISИEY is a solitary soundtrack to nowhere, a non-tourist map into the unknown; music and images to create new, fully immersive environments, an intriguing aural pilgrimage with no destination in time and space, nuances and labyrinths.
WHΛLT THISИEY selects and mixes music for the mind and body in the same quantities that emerges from encounters between the past and the present, drawing beauty of the commonplace, wiping, polishing it, giving it life again, so to produce the same effect of the original freshness and spontaneity, a mirror that transforms it absorbs and reflects.
WHΛLT THISИEY mixes impressionist piano atmospheres, spoken wordcore, drone, experimental, library, hypnotic escapism music. WHΛLT THISИEY aka Fernando Cerqueira is the founder member of Thisco record label and publisher of Antibothis anthologies.
Fernando Cerqueira was the founder member of the late 80’s SPH tape / record label.
“P8 phase 3” presents another side of the work of our regular contributor Doedelzak. This time he used an hybrid methodology of improvisation, generative music and post-production manipulations. The 3 phases indicated in the title refer to the three main stages of the creative process used here :
phase 1 : improvisation on MIDI piano
phase 2 : extension on multiple virtual instruments, using aleatory distributions
phase 3 : superpositions, accelerations/decelerations, volumes
The result is multi-layered composition which is in the same time easy to the ear (thanks to its smooth sounds and melodic components) and very complex and ever changing. It could be enjoyed as background music but is also fascinating for a more focused listening which will let you discover many details and subtleties of the piece.
Musician specialized mind science, with the study of human
behaviour in relation to the mind. Since 2005 has been known under a
handful of disposable aliases and secondary handles before sticking
predominately assuming the role of “Nurses With Knives”.collections
of noise, found sound and musique concrete are present in the
recordings with a film score climatic edge with samples taken from
PARENTAL ADVISORY: non-sense EVP data (electronic voice phenomena). 3 days of sleep depravation (possibly way too much neural stimulaton due to sitting for a lot of time in front of computer). doing fine at the moment. feeling sleepy like hell at time of posting this record. recording will be updated in a couple of days.
The music of Walt Thisney is a solitary soundtrack to nowhere, a non-tourist map into the unknown; music and images to create new, fully immersive environments, an intriguing aural pilgrimage with no destination in time and space, nuances and labyrinths.
01. GUS RING – Darkcity Lighttrip
02. FEDERICO DAL POZZO – Untitled_Hz
03. SOFIA BERTOMEU HOIBERG – Towards-Plenitude
04. LDX#40 – The Voice of Reason
05. DONATELLA BARTOLOMEI – Distorsione Sacra
06. JAN KIESEWETTER – Guacamole For Breakfast
07. FEINE TRINKERRS BEI PINKELS DAHEIM – Von Nonnen geträumt
08. THE BASSENGER – Die eine Scheißgelse im Schlafzimmer wenn man schlafen will
09. FRIEDEMANN VON RECHENBERG – 12-Volt
10. ANJA KREYSING – All My Breathings
11. PETROLIO – irregular
12. ERIC LEONARDSON – duet_1-2 mix2_grain_smear
13. EMERGE – substance
The Portuguese Wal Thisney is one of the main protagonists of the underground world of netlabels, a tireless producer of beautiful records and accessible to all through the name your price formula.
His works have been released on many of the world’s best netlabels, and we are very honored to publish his work. His music is something that could be called neo classical, and it is a pleasure to be enjoyed calmly and without haste, letting everything flow.
Wal Thisney is the demonstration that out of the market there are beautiful music, made by characters who deserve great attention.
“Paraíso Sintético” (Synthetic Paradise), an album realized in the first semester of 2017 as the author’s thesis, is the product of a year of research and sonic experimentation seeking to characterize the sonic identity of urban spaces. Realized and produced in Medellín, Colombia, this album explores topics ranging from urbanism and the social appropriation of the environment to the relationship between art and society and it reflects on human activity as a condition and determinant of the qualities of the city.
Embarking from the hypothesis that the city has a malleable, artistic and aesthetic potential, “Paraíso Sintético” is an EP composed of three songs performed in the Parque de Berrío, one of the main parks of the city of Medellín. The composition of each song, whose material was recorded at a different time of the day (morning, noon, night), seeks to show how human activity affects the sound spectrum and it proposes an interpretation, from the musical point of view, of this phenomenon.
NoG a.k.a. Pablo Gómez
(Medellín, Colombia, Abril / April 2018).
Much more minimalist than “Wandering in Dust” that we published in 2015, Carillon, the new album of Doedelzak is made of almost nothing. It will discretly merge with your surroundings and the hidden things of your daily life. Maybe you will not notice it at all, which is fine too.
Onde Poussière is the experimental / free improvisation duo of Doedelzak (analog synthesizer) and Kecap Tuyul (prepared guitar (2015-2016), no-input mixer (2017-…))
live @ re:flexions ° villa, Augsburg, 08.12.17
photography by Dan Penschuck
recording, mastering and design by EMERGE
FEDERICO DAL POZZO (Venice,1976) lives in Turin, Italy.
Concrete Composer and Musician, studied drumming with Mario Bracco and Vittorio Panza. In 1999 he joined the DADADANG (percussion parade in motion) with he has playing around the biggest festivals in Europe and beyond (Moscow, Paris, London, Graz,…).
A warm cold amniotic and cathartic liquid, find yourself on the edge of a wood, feel the leaves play for us. Ambient, neo classical, are just two of the adjectives we could give for this music by the composer Fabio Keiner, a master in creating atmospheres carved in Carrara marble or in the water of a lake at the passage of a swan. Fabio is Austrian and visiting his bandcamp https://fabiokeiner.bandcamp.com, you will discover a fantastic world of a true sonorous and visionary magician that will take you very far. We are honored to be able to publish a record of a musician of such stature, able to capture the heart as few, but above all to make the mind fly for a high-level ambient.
Un caldo freddo liquido solido amniotico e catartico, ritrovarsi sul limitare di un bosco, sentire le foglie suonare per noi. Ambient, neo classica, sono solo due degli aggettivi che potremmo dare per questa musica del compositore Fabio Keiner, un maestro nel creare atmosfere scolpite nel marmo di Carrara o nell’acqua di un lago al passaggio di un cigno. Fabio è austriaco e visitando il suo bandcamp https://fabiokeiner.bandcamp.com , scoprirete un mondo fantastico di un vero mago sonoro e visionario che vi porterà lontanissimo. Siamo onorati di poter pubblicare un disco di un musicista di tale levatura, capace di catturare il cuore come pochi, ma soprattutto di far volare le mente per un ambient di altissimo livello.
Daniel Robert Lahey wields the tools of a trained classical musician in pursuit of ambient music with direct and fresh (but never simple) melodic charms. Each of his pieces bears a symphonic influence, but each piece aims to provide the listener a listening experience of intriguing sound-on-sound. Rather than the sunny sleepwalk of new-age-style waves of saccharine melody, Lahey weaves complex themes throughout each composition.
This is not music for everyone—but it is music for anyone. In “No Cure”, Daniel Robert Lahey takes the listener in for a digital scan, and the diagnosis is positive for sound. This is sound to take the indolence of an idle hour and turn it into the therapy of intriguing sonic exploration.
Hear things never seen.
A collection of eclectic music to travel to unexplored universes.
With music by Doublereflect, Ethereal Music, getdizzzy, Ivan Black, Nulix ft. Mario L., Boson Spin, Lezet, STREPITVSITVS, DDO, unaporte, Portchistot, Transmission 13, Marco Lucchi, Frallar, Triangular, Capisconne, El Wud.
‘Two Chilean Blokes in the Soundhouse’ is Alejandro Albornoz and Mika Martini getting dark and dirty with sound in Studio 2, University of Sheffield Sound StudiosMay 2016, Sheffield, UK. With analogue synthesizers, contact microphones and digital processes rendered live, rough sound objects are hewn from all manner of sources leading to short tracks that challenge and delight at the same time.
Alejandro and Mika go way back so their improvisations are extremely respectful. Track durations vary according to materials and techniques used. Sometimes the analogue electronics are dominant; sometimes recordings of live instruments such as pianos play a major role with electronic sounds clothing the real in soft noise and bristling modulations. There’s a real sense of ‘performance’ which is sometimes hard to hear in improvised electronic music. This sensibility jostles nicely with the ‘hands on’ approach to their kit and sounds, and makes me return to various tracks for ‘another listen’.
Concluding the improvised music are two ‘reconstructions’ – an out of real-time re-consideration of their recorded improvisations. Immediately one hears an alternate approach to time. Real Time is no longer important; the ‘moment’ doesn’t matter; sounds are ordered, re-ordered, edited, and ordered again. The final two tracks are like paintings: sounds once free to roam are rounded up, fed, watered, (caged maybe) but framed to form a journey that neatly concludes an exciting collaboration and an excellent disc.
Director University of Sheffield Sound Studios.
(Sheffield, UK. Septiembre 2017 / September, 2017)
Daniel Robert Lahey’s latest takes the listener into his inner thoughts, and reflection on the creative process.
Daniel Robert Lahey is not an impulsive composer. He takes a lot of time working throuhg his pieces, developing them a little bit at a time. This kind of process is prone to rigorous mental processes by which he works on an idea only to realize it didn’t lead where to a good conclusion. So, it becomes a game of re-thinking his ideas through multiple times.
On After Un-Rethinking Things Again Daniel documents several works that developed over a longer period of time. Pieces that were more difficult in composition, but more rewarding in their results.
Diese Website verwendet Cookies. Wenn du die Website weiterhin nutzt, stimmst du der Verwendung von Cookies zu.
Weitere Informationen, beispielsweise zur Kontrolle von Cookies, findest du hier: Cookie-Richtlinie