01. GUS RING – Darkcity Lighttrip
02. FEDERICO DAL POZZO – Untitled_Hz
03. SOFIA BERTOMEU HOIBERG – Towards-Plenitude
04. LDX#40 – The Voice of Reason
05. DONATELLA BARTOLOMEI – Distorsione Sacra
06. JAN KIESEWETTER – Guacamole For Breakfast
07. FEINE TRINKERRS BEI PINKELS DAHEIM – Von Nonnen geträumt
08. THE BASSENGER – Die eine Scheißgelse im Schlafzimmer wenn man schlafen will
09. FRIEDEMANN VON RECHENBERG – 12-Volt
10. ANJA KREYSING – All My Breathings
11. PETROLIO – irregular
12. ERIC LEONARDSON – duet_1-2 mix2_grain_smear
13. EMERGE – substance
recorded by Jens Rosenfeld in Darmstadt in November 2017
mixed and mastering by Jens Rosenfeld in May 2018photography and design by EMERGE
This time Circuitnoise explores the coronal loops of the sun. The magnetic flux within the solar body gets twisted and mangled and create these giant loops. These loops of fire are emitting electromagnetic pulses, which could be recorded by radio telescopes all over the world.
On the search for new sounds Circuitnoise uses the electromagnetic sounds of the sun and combine them with electromagnetic fieldrecordings from earth to a dark, rumbling and screaming sound collage.
The coronal loops of noise is a trilogy consisting of the recordings matter, fusion and core.
recorded by Jens Rosenfeld in Darmstadt in November 2017
mixed and mastering by Jens Rosenfeld in May 2018
Frozen Clinamen is a new serie of works started by Failure Circle (a solo project of Kecap Tuyul) in autumn 2017. It follows a simple method inspired by the the possibilities of his no-input mixer set-up and the will to use a limited sound material in a posteriori compositions. Frozen Clinamen #1 was recorded and mixed between november 2017 & june 2018.
step (1) Tweaking the set-up until it produces some seemingly autonomously self-sustained sound sequences.
step (2) Stopping tweaking and recording for at least 20 minutes without any intervention on the set-up.
step (3) Repeating steps (1) & (2) several times.
step (4) Using the generated sounds as only source in a posteriori compositions. The only variations used while mixing are equalization, panoramics and volume levels.
step (5) play it at low/high volume with open/closed window while complety asleep / fully conscious.
Mercury is an album in wich the sounds used (improvisations with percussion metal plates and storms field recordings) work into a different perspective on dark ambient, Nieto hasnpt used melodies or ornaments to make the listener more “friendly”, It’s the transformes sounds that sustain the album and need attentive ears to be enjoyed.
While Failure Circle‘s 1st album 0x0.0 was full of overdubs, the 2nd one “A mistake within a mistake” consist of 3 raw improvisations recorded in Kecap Tuyul’s home studio during winter 2017-2018. It shows another side of this no-input-mixer project: more focused, less frantic, and even minimalist and droney sometimes.
“O detector de terramotos (earthquake detector) não é uma ideia minha. Alguém disse a frase e eu, por via de apropriação, dei-lhe novos significados. A audiência talvez encontre algo escutado, dito, visto anteriormente. Por fim, acrescentarei, que utilizei, no processo, uma técnica de colagem de livre combinação (de textos, filmes, música, conversas com pessoas conhecidas e desconhecidas, na rua, no café, pelo Skype e email, bem como conferências sobre ufologia, tecnologia e consciência e ainda numa visita ao veterinário).”
– Ana Carvalho
The topic of this EP is the state of being, the shifts in thinking and the question of identity, when the country you were born in does no longer exist on the political map of the world. Thoughts on this topic were gathered from various Lithuanian artists in order to compose this EP, which was initially a performance for a group exhibition “I Was Born in a Country That No Longer Exists” presented in 2017, in Duisburg, Germany.
M.A.K.T. Sono – Magali Albespy and Kecap Tuyul – was created in february 2018 from a common taste for improvisation forms that rely more on indetermination and surprise than on the mastering of instrumental skills. They both use electronic tools whose complex settings can generate unexpected sound events and unstable situations. Their first album “If you were a clarinet” consists of 3 selections of slightly edited improvisations recorded in february and march 2018. These improvisation sessions were an opportunity for them to set up their working methodologies and to experiment playful and meditative dialogs between gesture & sound, activity and inactivity, machines and living creatures.
Magali Albespy is a dancer and performer. She likes to question the borders between formats and artistic disciplines. She explores real-time composition with body, video and sound.
Self-taught improviser Kecap Tuyul uses various (and preferably unstable) tools, looking for ways of playing and interacting (with sounds, with other media, with other people) and questionning the traditional ideas of instrumental mastership and composition.
Magali Albespy : moog mother 32, soundbox
Kecap Tuyul: no-input mixer, effects, mix and artwork
Revealing complex interplay, embryonic sensorial analysis and epidermal toxic particles under CPU demands, Hypercube sonic display extends to systemic insensitivity, parametric establishment and modular telepathy over side effects of intercourse adaptation and cosmic lobotomy rituals.
This album also features two tracks re-assembled and tumble dried by Zzy and Jab[ber].wock. Vocals FX on track 2 and track 3 by Metalique. This Album is dedicated to the memory of Thomas Denis (Qebrus).
Diese Website verwendet Cookies. Wenn du die Website weiterhin nutzt, stimmst du der Verwendung von Cookies zu.
Weitere Informationen, beispielsweise zur Kontrolle von Cookies, findest du hier: Cookie-Richtlinie