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Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”

update, February 1st, 2026

Dear friends and followers of clongclongmoo. It's great to have you here. As you may have noticed, the site has changed a bit. Some people wanted to be able to access the music with fewer clicks. That should work again now. Here's a quick note to everyone who uses relatively new platforms such as Mirlo, Faircamp, or Coop: feel free to use the submit form to draw attention to your new music. I'd especially appreciate hearing from anyone who runs a netlabel with free Creative Commons music. Thank you! Konrad from clongclongmoo

Maquinistas – Black E.T.

Maquinistas – Black E.T.
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Maquinistas

“Black E.T.”

“Black E.T.” is a sonic homage to the 1984 American sci-fi film “The Brother From Another Planet”, directed by John Sayles and now a cult classic.

Maquinistas have condensed and contemporised the original score and incorporated dialogue from key scenes. The album, comprised of 12 short tracks, some less than a minute long, retains the feeling of a sound track and is best listened to in its entirety. The music reflects the solidarity and empathy shown towards the film’s subject, the Alien Brother who has found himself dislocated in Harlem. At the same time, there is a focussed militancy. Prolific producers Cinturón Negro and Polar are the masters of sampling and editing with an uncanny ability to loop ambient and atmospheric sound to expose its musicality. They fearlessly push the outer limits of instrumental Hip Hop towards a fresh interpretation of “music concrète”. This is best demonstrated when the space-warped abstraction of “Language Code” gives way to the rhythmic weight of “Sex Between Interspecies”. The steel pan motif heard here, lifted from the film’s original theme, is shared with the monster dub groove of the opening track “The Arrival”. The twisted, off-grid syncopation of “Everybody Needs Tools” reiterates Maquinistas Hip Hop credentials. This is a compact and compelling release for lovers of leftfield rhythm and sound and its ability to illustrate narratives.

Aniruddha Das aka Dr. Das
Asian Dub Foundation bassist.
(London, UK. September 2022)

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posted 24 September 2022