about

Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”

music in category: by-nc

This license lets others remix, tweak, and build upon your work non-commercially, and although their new works must also acknowledge you and be non-commercial, they don’t have to license their derivative works on the same terms.

https://creativecommons.org/use-remix/cc-licenses/ (CC BY)

Philippe Blache – Embodied Shadow Of Thy Secret Mind

Philippe Blache – Embodied Shadow Of Thy Secret Mind

Philippe Blache

“Embodied Shadow Of Thy Secret Mind”

Philippe Blache – Embodied Shadow Of Thy Secret Mind

Mastermind behind the veteran neoclassic dark ambient project Day Before Us is back on Mahorka with a new solo album whose conceptual background explores unsettling “liminal spaces”, paramnesia and flowing affective memories. In this new release Philippe Blache teamed up with photographer and visual story teller objet-fantôme (Angela Caro). Liminal spaces are often marked with a sense of wander and vertigonous wonder to apprehend parapsychology and new possibilities of meaning with a subject trapped in unusual mental structures. The atmosphere of the pieces is based on meandering immersive textures and thrilling tones of high emotional value, depicting with sonorous analogies some imaginary territories, diving the listener in profound headscapes. All in all this new effort is a beautifully instrumental and carefully crafted musical excursion in melancholia and repetition. It is delivered in a nice package as limited physical edition (beautiful digisleeve CD), accompanied by the free (cc) digital version.

Written, recorded and arranged in Dole by Philippe Blache (alias Day Before Us)
Original artwork and layout by Angela Caro (objet-fantôme)

Special thanks to Ivo Petrov, Angela Caro, Giuseppe Verticchio, to new and loyal listeners.

posted 25 July 2026

Wahn – Re: Echo Mist Light

Wahn – Re: Echo Mist Light

Wahn

“Re: Echo Mist Light”

Wahn – Re: Echo Mist Light

released July 14, 2026

To celebrate a monumental historic milestone, Mahorka brings together a curated constellation of producers from its immediate family and close inner galaxy for its 500th release, dropping officially on Netlabel Day 2026.

“Re: Echo Mist Light” is a collective reinterpretation of Wahn’s acclaimed full-length album “Echo Mist Light”, an opus heavily validated by key tastemakers of the electronic scene – including icons like The Bug and Scanner – and proudly selected in the Bandcamp Monthly features. The original LP was widely lauded for its massive cinematic scope, shifting dub-infused techno pulses, and physically tangible sub-bass textures.

Rather than delivering a standard remix album, each contributing artist has remarkably captured the deep, tactile essence and introspective core of Wahn’s original tracks, seamlessly transposing that energy into their own signature sound.

Across the tracklist, the album pieces together an explosive variety of sonic languages, ripping through fragmented IDM, hypnotic techno, scorched-earth glitch abstractions, industrial minimalism, and deep ambient drifts. “Re: Echo Mist Light” stands as a profound testament to underground electronic synergy – a celebration of community where Wahn’s narrative is brilliantly reborn through the diverse minds of the Mahorka galaxy.

Featuring remixes by:
Fluffy Inside · Nonima + Abdicant · Cognition Delay · Mas&Delayer · MEION · Substak · Signalstoerung · Dissolved · Mentome Moir · Valance Drakes · Méconium · Grosso Gadgetto · Genda · Captive Portal · Attaché · Flint Glass · Mitoma · Brainquake

posted 23 July 2026

ONO x ILLER – .D.Y.S.T.O.P.I.A.

ONO x ILLER – .D.Y.S.T.O.P.I.A.

ONO x ILLER

“.D.Y.S.T.O.P.I.A.”

ONO x ILLER – .D.Y.S.T.O.P.I.A.

■ EPV_232

artwork & vocal by ILLER (https://lit.link/illerakamaa)

■ ILLER’s latest song
Aesthetic(prod.pipebomb)
https://www.youtube.com/watch?v=DYT66AGlhZw

The Frontrooms(prod.pipebomb)
https://www.youtube.com/watch?v=FKehqVQ3kGU
—————————————–
■ Special Thanks
This release is a curated archive of tracks originally created for the vocal compilation hosted by Fukuoka Digital.

Explore the full compilation here:
music-compilation.com/archives/album/vocalsongmusic2026
posted 17 July 2026

Christophe Bailleau O'Farrell – Romantic, Visceral

Christophe Bailleau O'Farrell – Romantic, Visceral

Christophe Bailleau O’Farrell

“Romantic, Visceral”

Christophe Bailleau O'Farrell – Romantic, Visceral

Released July 3, 2026 as free (cc) digital download and in beautiful limited CD edition.

“Rare Moments … There are times when a musician seems possessed by an extraordinary creative energy. Christophe Bailleau O’Farrell is undeniably going through one of these periods. His albums follow one another at a steady pace, yet this abundance is never accompanied by any loss of momentum: each new release enriches a constantly expanding universe.

With “Romantic, Visceral”, Bailleau O’Farrell continues this inspired dynamic. A composer, programmer, pianist, guitarist, flutist, and soundscape artist, the musician from the Liège province also knows how to surround himself with the most relevant collaborators: Julien Ash, A Limb, Kozik, or Jordane Prestrot.

“My vision of Romantism: a quest of beauty and mystery, truth…” specifies Christophe.

“Romantic, Visceral” approaches its subject with a discreetly brilliant touch. Here, the displayed romanticism has nothing to do with outdated nostalgia. It is a permanent quest for mystery, infatuated with that murky, Baudelairean, exhilarating beauty!

Christophe Bailleau O’Farrell is a musician in a state of absolute grace!”
–Ilian Mirov, June 2026

“My friend, my mentor is dead. The universe has split in two, me in the middle.
How to find your way back to dreams, to yourself?
Romanticism (and the internal transformations it brings about) is a necessity in a world parched with age.
Fall into darkness. Get up. Recover, leave, hope, continue.
Romantism, visceral.
>From the manure comes the rose.”
–Christophe Bailleau O’Farrell, June 2026

Christophe Bailleau O’Farrell : production, programming, piano, guitar, flute, synths.

with
Julien Ash : sax, violin, synths on tracks 10 & 11
A Limb : sounds and madness on track 6
Kozik : charango on track 6
Jordane Prestrot : keyboards on track 4

Artwork : Christophe Bailleau (bummy style)
Mastering : Julien Ash

My vision of Romantism : a quest of beauty and mystery, truth, a way to calm down never found but approaching / too old to die.

PLEASE RESET THE WORLD

Thanks to Philippe Franck, my family, Ivo, Zorg…

posted 13 July 2026

Kircher Elettrodomestici – Dottori

Kircher Elettrodomestici – Dottori

Kircher Elettrodomestici

“Dottori”

Kircher Elettrodomestici – Dottori

“Dottori” is a list of doctors’ addresses, captured on a minicassette by an unknown person for unknown reasons.
In this session for harmonium and modified tape recorders, Maria Valentina Kircher, descendant of Athanasius Kircher, and Stefano Elettrodomestici, a sales representative, give voice to something they cannot know.

Limited edition of 23 hand-inked floppy disks

posted 24 June 2026

Lucy Freia – The Time That Went

Lucy Freia – The Time That Went

Lucy Freia

“The Time That Went”

Lucy Freia – The Time That Went

What’s the difference between ‘mengenang’ (to reminisce) and ‘mengingat’ (to remember)? Why do we love to ‘reminisce’ about the past, but hesitate to ‘remember’ things that are ‘long gone’? We say that ‘memories’ or ‘nostalgic moments’ often ambush us suddenly, while ‘remembrance’ must be nurtured and fought for. The songs on Lucy Freia (Aya)’s debut album, in my view, take us on a mental journey in and out of these two modes.

Some friends agree that this album is highly cinematic: it evokes visual imagery of particular scenes. As for the genre of that cinema, I’d say it leans toward horror or thriller—territory that is not new for Aya. As a female composer actively creating music for string ensembles and orchestras, she has previously explored phenomena such as sleep paralysis (Ketindihan), the Sundel Bolong (a ghost in Indonesian folklore, in Anakku Mana), and ‘dreams’ as a space between sleep and wakefulness (30 Seconds Before Waking Up).

This time, however, the sonic elements she uses to craft these soundscapes have expanded: there are samples of fragmented news broadcasts, clips from childhood animated films, the sound of bells, and creeping-swelling piano/synth melodies layered over dark pads. Distortion effects and spatial audio techniques are also employed to immerse the listener’s body even deeper into each scene.

Occasionally, the crackle of a radio serves as a bridge between scenes—as if guiding us to tune in and out of familiar and unfamiliar sounds blended throughout the composition. This fusion might just be Aya’s special method for concocting ‘disruptive nostalgia’. The comfort of memories + the disturbance of recollections that surface during nostalgic moments = an experience of memory reproduction that is never as simple as we think. Enjoy getting lost in this dark and restless space. — Leilani Hermiasih

Lucy Freia is a composer based in Bandung, Indonesia. In 2022–2023, she studied composition privately with Matius Shanboone, and from 2023 to 2025 she continued her studies at the Royal College of Music, London, under the guidance of Kenneth Hesketh.

Freia is an active member of Perempuan Komponis and the Puantronik Study Club, and was also part of the Electronica Society at the Royal College of Music during her Master’s studies. Since 2018, she has been actively writing works in both contemporary classical and non-classical genres, influenced by 20th- and 21st-century composers, rock music subgenres, and electronic music. Since 2022, Freia has delved into electronic music and has written several works in fixed-media format, installations—presented at Electric Dreams: Constellation at the Royal College of Music—as well as acoustic-electronic hybrid pieces—performed by the Acacia Youth String Orchestra at Selasar Sunaryo in 2025 and at Museum MACAN in 2026.

posted 09 June 2026

room101 – FRAME (Remastered)

room101 – FRAME (Remastered)

room101

“FRAME (Remastered)”

room101 – FRAME (Remastered)
Remastered re-issue of an album dedicated to the emptiness of modern-day artists and art—a critique of boundless consumerism within the spiritual sphere and the so-called “alternative” scene, currently trapped in the circus of capitalism.
Featuring original concepts, custom samples, and unique soundscapes, this record bridges the gap between classical music and electronic elements. A conceptual mini-album exploring contemporary soullessness.
posted 01 May 2026

ASMODEXIA – Flesh Transplant

ASMODEXIA – Flesh Transplant

ASMODEXIA

“Flesh Transplant”

ASMODEXIA – Flesh Transplant

23DSK13

ASMODEXIA

Flesh Transplant
18 untitled tracks // 8 minutes

Selman | Shaolin | Stitches
asmodexianoise.bandcamp.com
asmodexia.blogspot.com
asmodexianoise@gmail.com

Cd release available via Empty Casket Audio
Limited edition of 23 floppy disks by 23 Diskettes

————————-

Asmodexia is a hellish noisecore 3-piece named after the 2014 Spanish religious horror film by Marc Carrette. Noise, drums, bass, vocals. Sonically inspired by the wrath of old gods and unfathomable abominations.

posted 19 April 2026

room101 – TRIANGULAR (15th Anniversary Edition)

room101 – TRIANGULAR (15th Anniversary Edition)

room101

“TRIANGULAR (15th Anniversary Edition)”

room101 – TRIANGULAR (15th Anniversary Edition)
Remastered edition released on the occasion of the 15th anniversary of the original release date of the unique album on the netlabel Tachyon. A collection of ambient, experimental, hypnotic tracks using original samples and blending electronic music with elements of classical music.
posted 15 April 2026

ASMODEXIA – Order of the Gash

ASMODEXIA – Order of the Gash

ASMODEXIA

“Order of the Gash”

ASMODEXIA – Order of the Gash

23DSK12

ASMODEXIA

Order of the Gash
6 untitled tracks

Selman | Shaolin | Stitches
asmodexianoise.bandcamp.com
asmodexia.blogspot.com
asmodexianoise AT gmail.com

Limited edition of 23 floppy disks

————————-

Asmodexia is a hellish noisecore 3-piece named after the 2014 Spanish religious horror film by Marc Carrette. Noise, drums, bass, vocals. Sonically inspired by the wrath of old gods and unfathomable abominations.

posted 07 April 2026

Rummaging Ghost Ship – RGS IV / RGS V

Rummaging Ghost Ship – RGS IV / RGS V

Rummaging Ghost Ship

“RGS IV / RGS V”

Rummaging Ghost Ship – RGS IV / RGS V
̸ ̸ ̴ ̷ ̷ ̸ ̴ ̵ ̷ ̶ ̸ ̴ ̷ ̶ ̴ ̷ ̵ ̶ ̷ ̷ ̷ ̶ ̷ ̵ ̶ ̴ ̴ ̶ ̴ ̶ ̵ ̴ ̵ ̵ ̵ ̸ ̸ ̸ ̶ ̶ ̶ ̴ ̶ ̴ ̶ ̷ ̷ ̸ ̵ ̶ ̵ ̷ ̵ ̵ ̶ ̴ ̴ ̴ ̴ ̸ ̶ ̷ ̵ ̶ ̸ ̸ ̶ ̸ ̴ ̷ ̴ ̴ ̷
Rummaging Ghost Ship is a Music/Video project
describing the Dystopian, Post Atomic Sci Fi
Voyages of the Ghost Ship Seeking out New
Worlds, Planets and Civilations to Document
and Bring back to Earth for Examination and
Assimilation. ̵ ̸ ̷ ̸ ̵ ̵ ̷ ̴ ̵ ̷ ̶ ̶ ̴ ̶ ̵ ̴ ̵ ̵ ̵ ̵ ̷ ̴ ̷ ̵ ̷ ̵ ̷ ̸ ̶ ̶ ̴ ̷ ̷ ̵ ̴ ̶ ̶ ̸ ̶ ̴ ̷ ̸ ̴ ̶ ̵ ̶ ̵ ̸ ̷
̵ ̷ ̵ ̷ ̴ ̶ ̸ ̵ ̴ ̵ ̷ ̷ ̴ ̵ ̵ ̸ ̵ ̷ ̶ ̴ ̸ ̷ ̶ ̴ ̴ ̴ ̵ ̵ ̶ ̴ ̸ ̶ ̵ ̸ ̵ ̷ ̶ ̴ ̸ ̷ ̶ ̴ ̴ ̴ ̵ ̵ ̶ ̴ ̸ ̶ ̴ ̴ ̴ ̵ ̵ ̶ ̴ ̸ ̶ ̷ ̶ ̴ ̸ ̷ ̶ ̴
The Astronauts on the Ship are: ̷ ̵ ̷ ̴ ̶ ̸ ̵ ̴ ̵ ̷ ̷ ̴ ̵ ̵ ̸ ̵ ̸ ̸ ̴ ̴ ̸ ̴ ̷
Dr. Igor Amokian (Chris Holland) – Beat Surgeon,
Instrument Creator and Sonic Manipulator/Destroyer.
̷ ̶ ̴ ̴ ̴ ̴ ̷ ̶ ̴ ̷ ̵ ̵̶ ̴ ̸ ̷ ̶ ̴ ̴ ̵ ̴ ̶ ̴ ̸ ̸ ̴ ̸ ̴ ̴ ̷ ̵ ̴ ̴ ̴ ̵ ̵ ̶ ̴ ̴ ̷ ̷ ̴ ̶ ̶ ̴ ̵ ̴ ̴ ̴ ̵ ̵ ̶ ̴ ̴ ̷ ̷ ̴ ̶ ̶ ̴ ̸ ̵ ̴ ̵ ̷ ̷ ̴ ̵ ̵ ̸ ̵ ̸ ̸ ̴ ̴ ̸ ̴ ̷ ̶
The Galactic Salvage Alliance – Sonic Manipulators
and Project Assemblers/Overseers. ̴ ̴ ̴ ̵ ̵ ̶ ̴ ̴ ̴ ̴ ̴ ̵ ̵ ̶ ̴ ̴
̴ ̷ ̴ ̴ ̴ ̴ ̷ ̴ ̵ ̷ ̶ ̸ ̶ ̷ ̵ ̶ ̸ ̴ ̶ ̴ ̸ ̴ ̸ ̵ ̷ ̶ ̷ ̴ ̶ ̶ ̴ ̴ ̴ ̵ ̷ ̴ ̶ ̴ ̶ ̶ ̴ ̴ ̵ ̷ ̴ ̶ ̴ ̶ ̶ ̷ ̷ ̸ ̴ ̴ ̷ ̶ ̷ ̷ ̵ ̷ ̴ ̴ ̸ ̶ ̵ ̸ ̸ ̸ ̷ ̶ ̴ ̴ ̶
̷ ̵ ̴ ̷ ̷ ̴ ̷ ̴ ̴ ̸ ̶ ̵ ̷ ̶ ̸ ̶ ̷ ̷ ̸ ̸ ̸ ̷ ̶ ̴ ̴ ̶ ̵ ̶ ̵ ̴ ̸ ̴ ̷ ̵ ̴ ̷ ̷ ̶ ̵ ̵ ̵ ̴ ̴ ̴ ̶ ̶ ̷ ̵ ̴ ̴ ̴ ̵ ̵ ̶ ̴ ̴ ̴ ̵ ̷ ̴ ̶ ̴ ̶ ̶ ̷ ̸ ̴ ̷ ̵ ̵ ̸ ̶ ̴
This 23 Diskettes Document/Time Capsule
contains our Fourth and Fifth Voyages: ̸ ̶ ̷ ̴ ̷ ̶ ̴ ̷
̵ ̵ ̶ ̵ ̶ ̶ ̷ ̶ ̶ ̶ ̵ ̶ ̴ ̷ ̸ ̴ ̷ ̶ ̷ ̴ ̶ ̷ ̵ ̷ ̶ ̶ ̶ ̶ ̵ ̶ ̴ ̸ ̴ ̸ ̵ ̴ ̴ ̴ ̸ ̶ ̵ ̶ ̶ ̶ ̴ ̸ ̷ ̶ ̷ ̵ ̶ ̴ ̸ ̵ ̴ ̴ ̶ ̶ ̴ ̴ ̵ ̷ ̴ ̶ ̴ ̶ ̶ ̷ ̷ ̸ ̴ ̸
̸ ̸ ̴ ̷ ̴ ̸ ̸ ̵ ̵ ̷ ̴ ̵ ̷ ̸ ̴ ̴ ̸ ̸ ̸ ̶ ̷ ̴ ̷ ̶ ̴ ̷ ̵ ̵ ̶ ̵ ̶ ̶ ̵̷ ̴ ̶ ̷ ̵ ̷ ̶ ̶ ̶ ̶ ̵ ̶RGS IV ̴ ̸̴ ̸ ̵ ̴ ̴ ̴ ̸ ̶ ̵ ̶ ̶ ̶
̴ ̸ ̷ ̶ ̷ ̵ ̶ ̴ ̸ ̵ ̴ ̴ ̶ ̶ ̴ ̴ ̵ ̷ ̴ ̶ ̴ ̶ ̶ ̷ ̷ ̸ ̴ ̸ ̸ ̴ ̸ ̷ ̷ ̵ ̷ ̷ ̸ ̸ ̸ ̵ ̵ ̷ ̴ ̵RGS V ̷ ̸ ̴ ̴ ̸ ̸ ̶ ̶ ̵ ̸ ̴ ̸ ̶ ̷ ̶
̵ ̵ ̷ ̸ ̵ ̶ ̴ ̵ ̵ ̷ ̸ ̸ ̶ ̸ ̴ ̸ ̶ ̸ ̵ ̵ ̴ ̵ ̶ ̸ ̵ ̷ ̶ ̵ ̵ ̷ ̸ ̵ ̶ ̴ ̵ ̵ ̷ ̸ ̵ ̸ ̵ ̶ ̶ ̴ ̴ ̴ ̵ ̷ ̴ ̶ ̴ ̶ ̶ ̶ ̴ ̴ ̴ ̵ ̷ ̴ ̶ ̴ ̶ ̶ ̸ ̴ ̶ ̴ ̸ ̴
posted 25 March 2026

Mai 12 – Sur Le Surréalisme

Mai 12 – Sur Le Surréalisme

Mai 12

“Sur Le Surréalisme”

Mai 12 – Sur Le Surréalisme

Noise and artwork by Karl Grümpe, 2025.
Everlasting mentor: Rene P.G.

For the loving memory of Maestro Popovski (2008-2025), a comrade, a companion, a surrealist, our beloved cat.

mai12.bandcamp.com
noise.mai12@gmail.com

Limited edition of 23 double floppy disks

posted 11 March 2026

Philippe Neau + LR Friberg – To The New You

Philippe Neau + LR Friberg – To The New You

Philippe Neau + LR Friberg

“To The New You”

Philippe Neau + LR Friberg – To The New You

Philippe Neau lives and works in France. His artistic practice circles around a single pursuit: the shaping of an imaginary landscape. Each work reaches toward a mental topography, a place that exists somewhere between perception and projection. His music summons these spaces through non-narrative form, built from muted field recordings, organic collages, abstract tonal fragments, rumbling glitches, atonal gestures, metallic textures and distant, half-remembered voices. The atmosphere often thickens into density. His palette is sharply contrasted, moving in the shifting interval where familiarity blurs into the uncanny. The sound swells, envelops, inhabits. These sonic terrains carry the listener into a state of immersion, an encounter with a place that is felt rather than described.

LR Friberg is a Swedish composer, mastering engineer and narrative artist whose work bridges sound and speculative fiction. Her music begins in mathematical processes – cellular automata generating evolving harmonic structures – and grows into immersive, emotionally driven ambient landscapes. Each piece functions as both music and world-building: sonic fragments of the ongoing fictional universe she writes, where light, place and connection shape atmosphere as much as melody. Her focus is precision, mood and storytelling through sound.

This collaboration emerged through a suggestion from Ivo Petrov at Mahorka for the “Making Things Happen: Netlabel Day 10th Anniversary Compilation”, released in the summer of 2025. While their contribution to that compilation carried an ironic glint, this album moves in a different direction – principled, disciplined and fully aligned with their respective aesthetics. Philippe’s textural density and shadowed abstraction meet LR’s luminous ambiences and patient rhythmic pulses, coalescing into a sound world reminiscent of the early pioneers of drifting electronic landscapes: spacious, enveloping, deep-focus environments where harmonic movement unfolds slowly and soft pulses act less like beats and more like shifting tectonic plates beneath the surface. The result is an immersive sonic terrain where two distinct artistic languages converge into a shared, resonant place.

Philippe Neau: field recordings, ambiance, effects.
LR Friberg: synthesizers, ambiance, effects, production, mastering, artwork.
Sanna Nordin: Foldverse thematic inspiration.

philippeneau.bandcamp.com
aurora-mm.codeberg.page/Foldverse/
aurora-mm.codeberg.page/Aurora/
aurora-compilations.org

posted 09 March 2026

MEION – Drowned Memory

MEION – Drowned Memory

MEION

“Drowned Memory”

MEION – Drowned Memory

Born Vladimir Genadiev, MEION starts producing electronic music and DJing from early age. Common features of his works are industrial atmospheric elements and raw power.

MEION is persuing to bring fresh energy and innovations in bass music and has developed a unique and distinctive signature sound featuring specific heavy basslines, variety of colorful yet deep cinamatic textures and technically intricate yet powerfully kicking drum sounds and patterns.

“Drowned memory”, MEION’s debut on Mahorka, is a mini-album showcasing a more abstract side of his music. Dark, fractured beats and deep, rumbling bass, hollowed by heavy grooves, cinematic industrial atmospheres and raw electronic power, simultaneously induce head‑nodding and submerge the listener in a state of tension where memories clearly hold sway…

posted 01 March 2026

Wahn – Echo Mist Light

Wahn – Echo Mist Light

Wahn

“Echo Mist Light”

Wahn – Echo Mist Light

Wahn is an electronic music producer based in Rennes, France, whose work explores the blurred edges between techno, ambient, and bass-driven sound design. His music is built around texture, weight, and duration – where rhythm exists as pressure rather than propulsion, and sound unfolds in slow, immersive layers.

The Drifted series marked a defining phase in his work: a body of releases rooted in rhythmless and slow-motion ambient music, shaped by heavy sub-bass, grain, and cinematic restraint. Each volume is released on a different label and in a different country, turning the series into an ongoing journey beyond comfort zones and algorithmic habits.

Across his releases, Wahn develops a deeply physical approach to sound. Sub-bass is central – not as impact, but as presence – while drones, echoes, and organic textures shape spaces that feel both intimate and unsettled. Melodic elements, often sparse and fragile, offer moments of breath and quiet clarity within darker emotional landscapes.

Whether working in ambient forms or moving toward more rhythmic territories – techno, dub-inflected structures, or hypnotic repetition – his music remains introspective and tactile. Wahn’s sound is less about narrative than sensation: a suspended state where tension, melancholy, and faint light coexist, resonating long after the music fades.

Echo Mist Light unfolds as a dense, inward form of techno – heavy, blurred, and suspended in echo. The music moves through foggy territories where rhythm is present but never dominant, shaped by pressure, repetition, and the slow accumulation of texture. Dub-inflected delays stretch time, while ambient drones linger beneath the surface, anchoring the listener in a space that feels both physical and psychological.

There is a constant tension throughout the album: unease without collapse, weight without aggression. Sub-bass plays a central role – not only as sound, but as sensation – pressing against the body, grounding the mind, reinforcing a feeling of persistence rather than momentum. The tracks seem to circle their own gravity, caught in loops, phases, and residual motion.

Yet Echo Mist Light is not closed or entirely dark. Within the mist, moments of clarity appear. Melodic fragments and restrained harmonies surface quietly, carrying a fragile sense of openness and release. Light does not arrive as resolution, but as something that holds – brief, subtle, and necessary. A glow rather than a breakthrough.

Balancing techno, ambient, and dub aesthetics, the album inhabits a liminal space where repetition becomes introspective and intensity turns inward. Echo Mist Light is music for suspended states – where pressure, doubt, and calm coexist, and where something continues to resonate long after the sound fades.

Composed, produced and mastered by Wahn
Artwork by Erwan Charier

posted 23 February 2026

Philippe Petit – The Acoustic Cornet, an hommage to Leonora Carrington

Philippe Petit

“The Acoustic Cornet, an hommage to Leonora Carrington”

Released February 14, 2026 as free digital download and in limited audio cassette edition.

Long before her work was fully seen, Leonora Carrington lived in the margins of Surrealism.

First eclipsed by the figure of Max Ernst, then displaced – geographically, symbolically – to Mexico, where her world finally began to unfold.
A world shared with other insurgent imaginations, among them Remedios Varo. A world stubborn, occult, fiercely lucid.

The Acoustic Cornet takes its title from Carrington’s dark, delirious novel.
A book that asks a dangerous question:
Do “disturbed” women disturb because they are mad or because they hear too much?

The story follows Marion Leatherby. Ninety-nine years old. Almost deaf. Living quietly in Mexico, knitting cat hair, listening to the world fade.
Until a gift arrives: an acoustic cornet.
A ridiculous object.
A revelation.

Through it, Marion overhears what was never meant to be heard.
Her family plotting her disappearance.
Her future sealed inside a retirement home where nothing is what it claims to be.

From there, reality fractures.

Women inhabit houses shaped like igloos, cakes, fantasies.
A false doctor presides like a guru.
A libidinous abbess watches from the shadows.
Architecture bends. Time slips. Staircases multiply.
The institution reveals itself as a cosmological trap.

This album does not retell the story.

It listens to it.

Philippe Petit approaches Carrington’s text as one would approach a signal coming from another frequency.
Fragments. Resonances. Distorted transmissions.
The acoustic cornet becomes a metaphor for listening itself: an instrument that amplifies what society prefers to keep inaudible.

Here, sound behaves like Carrington’s prose.
Absurd, ominous, playful, cruel.
A black farce. An initiation.
An Alice in Wonderland whose mirror opens onto the occult.

The music wanders through hidden corridors, riddles, vertiginous descents. It inhabits the space between lucidity and delirium, between laughter and menace. Nothing settles. Everything listens.

The Acoustic Cornet is not a tribute cast in bronze.
It is a continuation.
An echo.

An invitation to lean closer.
To hear what was always there.

And to accept that once you listen this way, there is no going back.

Composed and produced by Philippe Petit

Cover artwork by Iglika Kodjakova

posted 18 February 2026

+/-0 – Stream of Unconsciousness

+/-0

“Stream of Unconsciousness”

A dark ambient journey composed of slowly evolving and interwoven feedback drones that submerge into the unconsciousness.

Recommended listening: asleep (if you like unsettling nightmares)

This work is meant to be a single piece: track 8 “Stream of Unconsciousness” is the continuous mix

Recorded at Home Office Studios in 2025
+/-0: Modular Synth

Cover photography: +/-0

posted 05 February 2026

Stefan Christoff + Open to the Sea – Demand the Impossible / The Sofia Intuition

Stefan Christoff + Open to the Sea – Demand the Impossible / The Sofia Intuition

Stefan Christoff + Open to the Sea

“Demand the Impossible / The Sofia Intuition”

Stefan Christoff + Open to the Sea – Demand the Impossible / The Sofia Intuition

released February 1, 2026

A. Stefan Christoff – Demand the Impossible

01. A sky entrance
02. Arc
03. Turning in the Bosphorus
04. Demand the Impossible

An album recorded in Sofia, Bulgaria one late evening in October 2023
Recorded and mixed by Yoncho Pavlov at AD 57, Sofia, Bulgaria
All piano compositions are original improvisations by Stefan Christoff

B. Open to the Sea – The Sofia Intuition

1. Please stop loving me
2. I will not wake you up
3. I recognise you
4. Bodies in contact

Reworks of Stefan Christoff’s original piano recordings with:
Saverio Rosi – OP-1 with wind instruments, double bass, synths
Matteo Uggeri – laptop, samples, random drumming
Enrico Coniglio – guitars

Mastered by Ryan Morey
Original artwork by Catalina Villegas-Burgos
Layout by Angel Draganov

Síntesis boreal

Esta pieza surgió como una experimentación con la idea de los triángulos, sus búsquedas de balance y de síntesis. Me sentía atraída por la energía del sol y los eventos cósmicos como eclipses y auroras boreales, así que los puse a danzar y a atravesarse. Cuando escuché el álbum de Stefan ‘’Demand the Impossible’’ sentí que mi experimentación le venía perfectamente por el juego de voces entre el bajo y las notas un poco más agudas e insistentes de esta obra. De algún modo, veía también los triángulos en su música y los tonos ‘boreales’ sobre fondo oscuro. En ambas obras: la musical y la visual, percibo desplazamientos y formas que se cruzan. Cuando ambos triángulos se encuentran, ¿es el sol un testigo de aquel eclipse o es acaso una fuerza oculta?
– Catalina Villegas-Burgos. (album artwork artist)

///

It felt unlikely that this recording session would actually happen in Sofia, Bulgaria, but I am really happy that it did and I can share this moment in time. I had played a concert in Sofia that same evening hosted by Tsvetan Tsvetanov of the experimental Bulgarian National Radio program Alarma Punk Jazz. After the show finished I rushed over to the basement studio, AD 57, just before midnight. Sound engineer Yoncho Pavlov generously agreed to record this session super late and we recorded until just before 2 am in the morning. After the session I ran back to the apartment where I was staying with Canadian activist scholar Ezra Winton, packed my bags and rushed to the airport for a flight to Berlin that was set to depart at around 6am.

Despite all the rushing around this recording, the mood and feeling of the sound reminds me of the stars. In certain parts of Sofia there aren’t a lot of street lights and the sky feels close to touch. The mountains that shape the Bulgarian landscape also hold a presence and vibe in the capital city. While playing piano I was thinking of the sky above, the stars and the lands around Sofia and the Balkan region. This project is important to me because of my Bulgarian roots, my father is Macedonian Bulgarian. It was a long road from growing up in Canada to finally making it back to Bulgaria and to finding a path to work on this recording and music in Sofia. I hope that you can feel the emotional resonance in the piano tones.

Another layer to this recording is the fact that recording took place in the context of the Israeli state’s military attacks on the Palestinian people in Gaza. The recording took place in November and the horrifying news coming out of Gaza spanked an intense need to take action around the world. In the week before this recording I had been with friends at protests and events to mobilize for Palestine in Montréal, Amsterdam and London. I was often thinking about Palestine during this recording session and the critical importance of sustaining an involvement and finding ways to support Palestine throughout my lifetime. Walking with and supporting the Palestinian struggle for freedom and against colonialism is one of the essential progressive causes of our time, we must never be silent and always find ways to stand up when Palestine is in the headlines and critically when it is not. I certainly was thinking of my Palestinian friends and comrades around the world who have played such an important role in my life over the last decades throughout this recording, that is the honest truth. I hope that you can hear the sense of commitment and urgency around supporting Palestine that I have carried and acted upon my entire adult life.

Thank you for listening to this solo piano recording from Sofia, it means a lot to me, sending love from Montreal.
– Stefan Christoff.

[mhrk478]

posted 01 February 2026