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Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”

music in category: by-nc-sa

This license lets others remix, tweak, and build upon your work non-commercially, as long as they credit you and license their new creations under the identical terms.

https://creativecommons.org/use-remix/cc-licenses/ (CC BY)

Niclas Tamas – Roads Through the Mirror – 4. Time: Seasons in a Day

Niclas Tamas – Roads Through the Mirror – 4. Time: Seasons in a Day

Niclas Tamas

“Roads Through the Mirror – 4. Time: Seasons in a Day”

Niclas Tamas – Roads Through the Mirror – 4. Time: Seasons in a Day

Roads Through the Mirror is a conceptual music project spanning 11 orchestral pieces, each approximately an hour long, with a completion timeline of 4-5 years.

Inspired by Andrei Tarkovsky’s films and Marcel Proust’s exploration of time, the series aims to musically articulate themes like spirituality, nostalgia, dreams, and nature.

The project delves into the Time-Space-Thought Theorem, utilizing Sonic Archetypes to explore the interconnectedness of human existence through music.

Exploring ascension and enlightenment through sound

https://www.zenapolae.com/zen331
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posted 03 May 2026

Rafael Cheuquelaf – Ecocidios

Rafael Cheuquelaf – Ecocidios

Rafael Cheuquelaf

“Ecocidios”

Rafael Cheuquelaf – Ecocidios

Patagonia, the region where I live, is a vast territory at the edge of the world, shared by Chile and Argentina. It has a low population density and hosts unique ecosystems, with a wide range of landscapes including rain-soaked forested archipelagos, mountains, ice fields, lake basins, and immense steppes.

It is no secret that it has been—and continues to be—subject to extractivism. Nor that its original inhabitants, the Southern Indigenous Peoples, were subjected to massacres and displacement in order to exploit their ancestral lands. What I present here is not just an album. It is also an exercise in memory and a reflection on the degradation of nature in the name of economic growth and employment—processes that ultimately benefit a few external interests.

It addresses both past and present actions that have severely damaged Patagonian ecosystems: the whaling industry, the introduction of beavers, and salmon farming. It reflects on disasters such as the oil spill of the tanker “Metula” in the Strait of Magellan, and the passage of a ghost fishing fleet through our waters. It also considers the invasion of “Didymo”, an exotic microalgae species that infests our rivers and lakes.

It speaks to the widely promoted hydrogen–ammonia industry, labeled as “green”, yet posing a threat to the biological integrity of the steppe and the Magellanic maritime territory. And to the wildfires that ravage our forests year after year, often under uncertain and troubling circumstances.

This album does not seek to soothe or provide comfort. Rather, through sound, it conveys my concern for the future of Patagonia—my place in the world, which I recognize as my home. A place that must remain a sanctuary for natural and human life, increasingly under threat on a global scale.

Rafael Cheuquelaf
(Punta Arenas, Chile. April 2026)

https://pueblonuevo.cl/ecocidios/
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posted 24 April 2026

Me In The Bath – Iwan

Me In The Bath – Iwan

Me In The Bath

“Iwan”

Me In The Bath – Iwan
From Crem Road netlabel, as well recorded in Franche-Comté the epicenter of the evilest vibes, that the place from which comes as well Necrophile Humingbird netlabel, which produced the previous release posted before Crem Road has one to post here. But we’re less experimental, and sort of radio-friendly, although “real” electromagnetically shaped wave radios are still rare to be sharp enough to air Me In The Bath’s unique blend of dark noisy atmospheres and appealing pop tunes.
https://cremroad.com/?album=Iwan
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posted 24 April 2026

Valérie Bourquin & Ed End – The Third Wave

Valérie Bourquin & Ed End – The Third Wave

Valérie Bourquin & Ed End

“The Third Wave”

Valérie Bourquin & Ed End – The Third Wave

The Necrophile Hummingbird non profit netlabel presents The Third Wave by Valérie Bourquin and Ed End

“Antifascist Music for Musical Experiment Lovers”

Recorded and mixed in Franche-Comté in 2026.
Sometimes the world collapse, and albums like The Third Wave are created.

“Capitalism and Fascism are one under the iron mask. Fascism is the expression of Capitalism’s death struggle. War is the life blood of Capitalism.” Kenneth Patchen.
Our first album 7 Marvels focused on capitalism, this one is about fascism.
All the kind of internet surfer waiting on the shore for the third wave, should be aware that like Ron Jones one could discover too late that it maybe a tsunami…

“Why can’t we just say what we think?” asked Sherry Tousley to Ron Jones before to be banished to the library…
That’s a really relevant question.

The artwork was created using drawings done by Tom Parker for The Third Wave story published in 1976 in The CoEvolution Quarterly an extra of The Whole Earth Catalogue.
You can read it here https://archive.org/details/coevolutionquart00unse_6/page/132/mode/2up

Special thanks to Stéphanie from our local food not bomb, to bring back the third wave theme at the right time.
In france the fascism come mostly by the medias, few ultra richs are owning most of the mainstream newspapers and the two biggest TV, Bernard Arnault, Patrick Drahi, Vincent Bolloré,
for example this last one owns CNEWS a TV which would be forbidden in any democracy, because they spread more fake news and real far right propaganda than any other channels, Fox news beside it have no bias at all. This nasty guy also owns the biggest french schoolbook editor…

Dedicated to those breakers who refuse to give up in the face of the wave, because if you do not resist, there is no hope left for the future.
We hope that everyone will struggle, by any means possible, against all forms of fascism, as well as any new forms of Nazism.

https://archive.org/details/the-third-wave-valerie-bourquin-and-ed-end
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posted 23 April 2026

Iliaque – Récursion

Iliaque – Récursion

Iliaque

“Récursion”

Iliaque – Récursion

Moving away from sample based creations Iliaque says about his latest release
“These three tracks are working drafts that may maybe lead to something else.
But the idea was to release them as they are, these long soundscapes standing on their own in a raw version, to preserve their essence.”

iliaque.bandcamp.com

Iliaque is also half of Dormance
tcfsr.bandcamp.com/album/i
mahorka.bandcamp.com/album/ii
crédits
paru le 9 avril 2026

Photo by Béa
Cover desigh by Iliaque

https://tcfsr.bandcamp.com/album/r-cursion
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posted 22 April 2026

reFUGeeS From Beyond – Stigmas From Past

reFUGeeS From Beyond – Stigmas From Past

reFUGeeS From Beyond

“Stigmas From Past”

reFUGeeS From Beyond – Stigmas From Past

The Necrophile Hummingbird Non-Profit Netlabel presents Stigmas From Past by reFUGeeS From Beyond

“Music against history repeating itself endlessly because of the masses’ oblivion.”

Improvisation session recorded the 17th October 2023 at the Cave Haven in Foucherans.
Members :
Master of Ceremony : Psyché Pelik
Disc Jockey : Yoshiwaku Mushotoku

Just a note about bad habits gone… Often in industrial music we steal imagery and sounds from the worst of humanity, the darkness from the past, often to reveal how for exemple today’s politicians, entreprises or influencers, youtubers, whoever from spectacle society starsystem, are not different using the same methods of control than yesterday, just each time more effective with the help of technology. Of course free AI will fight the control AI like always… What if not, the end of any freedom ? Is freedom something else than a luxe for the rich people ? While the poors care mostly to survive. I will not glide on a too much binary view because this is one of the oldest tool to control, separate to reign.
They said provocative… this was right maybe last century or this was more fascination or this was just marketing names and imagery drooping. But for this century, as stated in the presentation of mutation magazine : hope is actually the more provocative weapon.

So I was at a garage sale a few weeks ago. I found a record about the fall of the 3rd reich. I am certain that these speeches would have provided very intense sonic elements to nourish this record. But even if it was a testimony to its fall, it makes me nauseous to still use these materials because there are so many ordinary monsters today and whether they are those of the past or those of the present it is granting them way too much attention.

This text was written during the recording of the album, and it’s still revealing of the ignominy of French politicians. On February 17, 2026, a minute of silence was observed in the National Assembly in memory of a neo-Nazi, racist, and homophobic assailant who died with his victims’ blood on his hands because he refused medical treatment. The whole story is so farcical and stupid that if it weren’t so serious, it would be hard not to mock neo-Nazis. Meanwhile, there have been eleven murders by the far right in France since 2022, and none have received such a tribute. And that’s not all: the media massively attacked La France Insoumise (LFI) even though they had come to attack people attending their meetings! Furthermore, a public gathering was authorized by the state in the following days, complete with Nazi salutes and other horrors. The most ridiculous thing is that the neo-Nazis who organized the ambush near the meeting then hid his face for most of the media campaign, replacing it with an AI-generated portrait because he was mixed-race Latino, and also because it would have been difficult for racists to march with his picture. So even in death they betrayed him.
The worst is when the masses forget what is the real meaning of war,
the poor being killed for the riches benefits.
Like when Ferris Trump Fremont makes war inside with the ice and outside in Iran or other place with resources interesting to plunder.

Fuck War Forever.

https://archive.org/details/refugees-from-beyond-stigmas-from-past
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posted 26 March 2026

Talweg – Heads Toward Earth EP

Talweg – Heads Toward Earth EP

Talweg

“Heads Toward Earth EP”

Talweg – Heads Toward Earth EP

Talweg, the new alias of Colombian artist Mateo Callejas, makes a striking debut with Heads Toward Earth EP—a hypnotic journey into the depths of Dub Techno.

With this release, Talweg crafts immersive soundscapes where echoes, granular textures, and drifting chords merge seamlessly with slow, enveloping rhythms. The result is a deeply introspective experience that evokes vast, mist-filled atmospheres—rooted in dub techno tradition yet marked by a distinctive identity that points toward fresh creative directions.

The EP is enriched by three reinterpretations that expand the original track’s sonic universe. Stereotape highlights spatial dimension with an elegant, minimalist approach, where each delay becomes part of a refined sonic architecture. Douglas Fugazi intensifies rhythmic density and dub modulations, reshaping the piece into a deeper, resonant pulse. Finally, Athan delivers an ethereal, cinematic perspective, with atmospheres that slowly unfold and dissolve into contemplative landscapes.

Together, these works form a cohesive and immersive release that naturally aligns with the forward-thinking electronic explorations defining the spirit of Monofónicos Netlabel.

Productor: Mateo Callejas – soundcloud.com/soft_collision
Mastering: Pheek’s Mixdown and Mastering – audioservices.studio

Producido para Monofónicos Netlabel. Medellín, Colombia. 2026

https://monofonicos.bandcamp.com/album/mnf-054-talweg-heads-toward-earth-ep
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posted 20 March 2026

Seiten Wall – Hikari

Seiten Wall – Hikari

Seiten Wall

“Hikari”

Seiten Wall – Hikari

“Hikari” se mueve entre el ambient y la experimentación desde gestos mínimos que se expanden lentamente. Son piezas extensas, calmadas, que no buscan explicarse demasiado: música para escuchar sin apuro, dejar correr y perderse un rato dentro.

“Hikari” moves between ambient and experimentation through minimal gestures that slowly unfold. These are long, calm pieces that don’t try to over-explain themselves: music to be listened to without haste, to let run its course and get lost in for a while.

https://pueblonuevo.cl/catalogo/hikari/
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posted 04 March 2026

Lost In Transmission – Novocain Rainbow Hurt

Lost In Transmission – Novocain Rainbow Hurt

Lost In Transmission

“Novocain Rainbow Hurt”

Lost In Transmission – Novocain Rainbow Hurt
Collaboration work between artists Astrid Bellefroid and Doc.AtmosfearCrush, “Novocain Rainbow Hurt” is an experience that intensively utilizes modern methods of manipulating natural sounds, resynthesizing, deconstructing, and rearranging them to create an organic, highly danceable sonic cinema for the mind. You can hear the influences from stoner electro, drum ‘n’ bass, electro punk, groovy synthwave melodies, and then if all gets dipped into a handcrafted acid bath.
https://enoughrecords.scene.org/release/enrmp559
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posted 04 March 2026

elli mia – exonorm

elli mia – exonorm

elli mia

“exonorm”

elli mia – exonorm

elli mia’s 1st original album.

The planet where the girl lived flourished as a member of a star system centered around the Time God’s star. However, it drew too close to the Twin Serpent binary star system, forcing a period of civilizational regression while being ensnared within its gravitational sphere. The civilization, which managed to revive itself by adopting technology discovered on an exoplanet within the binary system, developed extraordinary information transmission and medical technologies. Yet, it built a society that was superficial, theocratic, and totalitarian.

A group emerged that recognized how the Serpent Star System functioned as a barrier, repelling information and domesticating its people. They raised the banner of the Eye, calling for liberation from Serpent rule. However, their migration involved switching star systems before approaching the comet swarm—an astronomical movement that had miraculously occurred periodically until now.

Then, millions of years ago—the song left behind by the stargazing girl from “one cycle ago” was discovered. Written in the same language as the outer planet technology, it conveyed this truth: the Serpent Era always ushered in dawn, though the comet’s approach invariably brought meteorite sacrifices. That they had migrated to disposable artificial planets to survive by minimizing casualties. And the harsh reality that the star of their time had become a black hole, its eyes already closed.
credits
released February 27, 2026

Music by elli mia
Artwork by パンチ (x.com/punch6789)
CAT#: LF321MP3

elli mia:
soundcloud.com/eli2k3
x.com/e11laa

https://lostfrog.bandcamp.com/album/exonorm
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posted 27 February 2026

José Gallardo A. – Drones postquimio

José Gallardo A. – Drones postquimio

José Gallardo A.

“Drones postquimio”

José Gallardo A. – Drones postquimio

Although the title “Drones postquimio” places the listener in a specific context -reinforced by extended sound materials, namely “drones”- José Gallardo ’s album presents a series of electroacoustic pieces that, while serene and close to an ambient sensibility, contain gestures and articulations that are both delicately handled and highly crafted. These fine details reflect a form of sonic composition rooted in a broad background in electroacoustic music.

The use of tonal elements embodied in synthesized textures, certain repetitive cells, and the aforementioned atmospheric sense of rhythm situate the work within a hybrid territory, at the intersection of traditions such as tape music, ambient and its subgenres, and certain traits of German kosmische Musik. In this way, tonality fades in some passages, as in the piece “4,4”. At other moments, the sound becomes abrasive through raw synthesis and the deployment of mono tracks on each channel -effectively dissociating the stereo field- as heard in parts of the piece “5”.

In the closing tracks, “6,6” and “coda”, rhythmic sequences emerge, both carrying a hint of tonal illusion interwoven with darker elements.

The seven pieces, all brief, seem to invite reflection, encouraging the listener to sink into a fleeting sensation or emotion, distancing themselves from the familiar “chill” territories of ambient, the mysticism of drone, or the excessive articulation of more traditional electroacoustic music.

Alejandro Albornoz.
(Valdivia, Chile. February 2026)

https://pueblonuevo.cl/catalogo/drones-postquimio/
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posted 24 February 2026

reFUGeeS From Beyond – Live Is Not Enough

reFUGeeS From Beyond – Live Is Not Enough

reFUGeeS From Beyond

“Live Is Not Enough”

reFUGeeS From Beyond – Live Is Not Enough

The Necrophile Hummingbird Non-Profit Netlabel presents Live Is Not Enough by reFUGeeS From Beyond

“Alien Egg Punk for Mutant Egg Cups”

This was the first album recorded in the new Champ du Possible studio.
Since then, many others have followed.
https://unclassable.tumblr.com

Recorded on July 8th, 2025 at Le Champ du Possible (“The Field of Possibilities”) in Dole. https://www.soloist.ai/atelierkol

Members :
Master of Ceremony : Psyché Pelik
Disc Jockey : Yoshiwaku Mushotoku

What else?

The Cave Haven is gone, so it was truly moving to discover how this new place sounds.
I think it works — we will be able to continue our explorations here ;)

Dedicated to those who stand up against corrupted politicians,
like in France against the 316 murderers who voted for the Duplomb law. The people will not forget.

Since the recording, new events have unfolded.
It would be laughable if it were not so terrible: the same criminal politicians have introduced yet another law to bring back new pesticides.

If you are French, you can sign the petition against this new law here:
https://petitions.assemblee-nationale.fr/initiatives/i-5103

To understand the level of contempt in France: the Minister of Agriculture referred to victims of pesticide-related cancers as “morbid people.”
In other countries, she would not remain in office. But France is no longer a true democracy. The illegitimate President was elected only to prevent the far right from taking power — yet has done more for those very forces than any previous president.

Trump is a plague, but Macron too.
And beyond individual leaders: while opposing Trump over Greenland, Europe allows the Democratic Republic of Congo to remain under military control for the exploitation of coltan mines.

This is not about one leader, but about all leaders.
We need a different world to face different times.
Perhaps the worst of all are the multinational corporate leaders.
We, the people, must organize ourselves locally.
And if you don’t know — it may sound like fake news, but it is real: a U.S. company has developed an mRNA-based pesticide. There seems to be no limit to greed.
https://www.oecd.org/en/topics/sub-issues/pesticides-and-biocides/rna-interference-based-pesticides.html

There is already one product, Calantha (an RNAi pesticide), authorized in the United States since 2023.

https://archive.org/details/refugees-from-beyond-live-is-not-enough
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posted 23 February 2026

Door213 – None of My Friends Understand What It Means

Door213

“None of My Friends Understand What It Means”

Door213 is the new project of V. Von Jacquin (of J-1792 and Gottfried Ist Tot) and it’s dedicated to Jeffrey Dahmer. It mixes nu-metal, hip-hop and ethnic/folk influences, bringing out whimsical and poetic lyrics, influenced by sounds like System of a Down and Noga Erez, with a touch of a romantic and platonic vibe that reaches out to spirit and leads you on a spiritual journey through chaos.
https://enoughrecords.scene.org/release/enrmp558
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posted 18 February 2026

AudioCompress & Polyklinik – Élővilág

AudioCompress & Polyklinik

“Élővilág”

The projects AudioCompress and Polyklinik have been collaborating on releases for over five years now. We have published a few of their sonic weavings of field recordings and cinematic drone ambience in the past and now present you their latest: Élővilág (translates to wildlife).
https://enoughrecords.scene.org/release/enrmp557
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posted 04 February 2026

Makunouchi Bento – Ne/Re-văzut Muscel (Original Music by Makunouchi Bento)

Makunouchi Bento

“Ne/Re-văzut Muscel (Original Music by Makunouchi Bento)”

The original soundtrack we made for Ioana Nicoară & Sergiu Negulici (Reniform) and Cinty Ionescu (Asociația Narative)’s “Ne/Re-văzut Muscel” project.
These are not songs, but background sonic illustrations, meant to play along with AR 3D animations and people telling their stories. Normally, they are designed to play continuously: there are 3 looped audio tracks, of different length, for each “song” – when played together, the overall sense of repetition is less obvious.
Here you can listen to short, ~3m rendered demos. We strongly advise you to download the album, find the 3 images included in the archive, install the Reniform app on your smartphone and use it to see the whole thing. The texts / vocal tracks are Romanian only.

–ͫ̔͂̐̅-̗͙̦̯̙͈̻̐ͫ͋͂͌͌̌–̻̱̦̯̈̃ͭͫ-̪ͥ-̱̗̼͔–ͫͧ̇ͨͯ-͇́-̥-̰̻̰͚̃͗͛̂̌̃ͅͅ-̞-̣͛-͓͕̦͙͒̀̓̂-̼͇ͤ́-̦̪̘̮̝͚̄͌͌̆̑ͪ-̻̟͚͎͙̈ͣ̔́̚-̆̊-͌̿ͤͤͥ̊̚-͓̮̤̥͖–̲̟͙̞͕͙-͓̤͙̫͒͑̈́ͪ-̈́̽ͮ̾̐ͦ-̗̥̼̣͖̳-ͬͨ̎̉–̪̗̙̙̜̮̓͐ͥ͒̐ͦ̋ͅ-̭̘̈́̍-̘ͦ-͑-̳̱̓̿-͚̈́̚ͅ-̤͓̯ͅ–̩͉̠̟̯̘-̟̹͓̥̠͎̘̾͑͐͛̃͐ͮ–͖̙̀͆̚ͅ-̪͕̒ͭ-ͅ—-̯͇̟̙ͯ͛̈́͆-͕͔͕̬͔̙ͅ-̥̦͉̓́̇-̾ͦ-̦̼̱̞̘̬̆̆͂ͨͦͬ-̖̻̟̯̮̫̘̎͌ͪ̆ͮ̒̊-͑ͥͭ̓ͦ-̩̯͙ͣͪ̓-͖̯̣̹-̻̠̼͕̻̬̥ͬ̈́͐ͣͬͦ̅–̦̳-̜͉͚̺͇̠̥-̥̗͈̮͚̝-̫̞-͈̭̤͓ͨ͆ͫ͒̋ͅ-͙͖͚̥̻̘̩͛͒ͮͧ͛͒̎-̪̖͕̣̻ͥ̊͊́̀—̩͍̹͌̋̈́–̈́ͨ̏ͭ̽̚̚-͇̳̜̒̔̈́-̬̰̙̠–̰̭͈͖̹͈ͩ̿̽̀͂̐-ͧ-̩͊–̱̙̹͔͑̑ͦ̋-̬̫̳-̬͌–̫̥̦̗͎̦̄͐̀̍̓̇–͖-͍̭̫͕̬̽ͬ̋̒͌-̱̠̼-͖͓̅̅-͎̜̺̊ͦ͐-͙̻͕̼̬̜ͧ͂ͧ͛̓ͤ-̻̮̅ͯ-̑ͪ͆-ͧ͋͒-

Nouă instalații AR inserate în spațiul urban transformă orașul într-o arhivă vie. Fiecare punct de intervenție devine o poartă către povești personale și memorie colectivă. Cu ajutorul tehnologiei, aceste lucrări nu doar adaugă un strat vizual, ci deschid un altfel de dialog cu orașul în care privirea încetinește, iar memoria se reactivează pornind de la teme actuale identitarului colectiv. Cele 9 lucrări AR se construiesc pornind de la povești ale orașului, reprezentative pentru identitarul colectiv, atent selecționate și desprinse din arhiva artistei multimedia Cinty Ionescu. Aceste istorii sunt recontextualizate de artiștii vizuali Ioana Nicoară și Sergiu Negulici prin animații 3D și sunt incorporate în compoziții audio originale realizate de artiștii de sunet Makunouchi Bento, Sorin Păun și Alex Bălă. Lucrările AR au fost disponibile locuitorilor și vizitatorilor orașului prin folosirea unei aplicații gratuite instalate pe telefonul propriu. Amplasarea lucrărilor în spații publice sau neconvenționale ale orașului a fost însoțită de evenimente, activări și este inclusă pe o hartă fizică și digitală în catalogul interactiv NE/RE-VĂZUT: Muscel.

~

Nine AR installations embedded in the urban space transform the city into a living archive. Each intervention point becomes a gateway to personal stories and collective memory. Through the use of technology, these works do more than add a visual layer—they open up a different kind of dialogue with the city, one in which the gaze slows down and memory is reactivated through themes that resonate with contemporary collective identity.

The nine AR works are built around stories of the city that are representative of its collective identity, carefully selected and drawn from the archive of multimedia artist Cinty Ionescu. These stories are recontextualized by visual artists Ioana Nicoară and Sergiu Negulici through 3D animations and are embedded within original audio compositions created by sound artists Makunouchi Bento, Sorin Păun, and Alex Bălă.

The AR works were made available to residents and visitors through a free application installed on their personal smartphones. Their placement in public or unconventional urban spaces was accompanied by events and activations and is documented on both a physical and digital map included in the interactive catalogue NE/RE-VĂZUT: Muscel.

~

www.narative.ro/ne-re-vazut-muscel/

Written, produced, mixed and mastered by Felix Petrescu and Valentin Toma (Makunouchi Bento)

makunouchibento.org

https://makunouchibento.bandcamp.com/album/ne-re-v-zut-muscel-original-music-by-makunouchi-bento
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posted 04 February 2026

Dormance – II

Dormance

“II”

Following the publication of a series of split releases French creatives Sobria Ebrietas and Iliaque have combined to create Dormance.

sobriaebrietas.bandcamp.com
iliaque.bandcamp.com

Rhythm tracks used on Dormance 13:
Suonho – Zajo_Loop22_02_commander-rwrk.wav CC-BY freesound.org/people/suonho/sounds/58619/
Suonho – Zajo_Loop22_02_lowbit&rephat-rwrk.wav CC-BY freesound.org/people/suonho/sounds/58620/

Artwork by Iliaque, based on photo by Derek Σωκράτης Finch: www.flickr.com/photos/sagesolar/53625252875/in/explore-2024-04-02/ CC-BY

[mhrk477]

The first Dormance album, I, was released on The Committee for Sonic Research and is available here:
tcfsr.bandcamp.com/album/i

https://mahorka.bandcamp.com/album/ii
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posted 03 February 2026

reFUGeeS From Beyond – Under The Radar

reFUGeeS From Beyond – Under The Radar

reFUGeeS From Beyond

“Under The Radar”

reFUGeeS From Beyond – Under The Radar

The Necrophile Hummingbird Non-Profit Netlabel presents Under The Radar by reFUGeeS From Beyond.

“Forbidden Music for Unknown listeners”

Improvisation recorded the 20th December 2025 at Le Champ Du Possible (The Possibility’s Field) in Dole.
Members :
Master of Ceremony : Psyché Pelik
Disc Jockey (indeed mostly electric & electronic devices) : Yoshiwaku Mushotoku

“We are like Ulysses, hidden under the sheeps, safe from the eye of the Cyclop. It’s time to retaliate before he catches us.”

Special Thanks to Seebille for helping this album to come alive.

Dedicated to all the ICE victims, especially Renee Good & Alex Pretti but they are only the top of the ICEberg. https://en.wikipedia.org/wiki/List_of_deaths_in_ICE_detention and to anyone struggling against ICE, Fascism and Imperialism.

(In france the cops are killing too, this month it was El-Hacen-Diarra. In Iran it’s more than 20 000 protesters killed, 40 000 are in jail and can be executed quickly. Cops are not the only murderers, more than 70 000 Palestinians killed between October 2023 and 2024. In Rojava the kurdes are in danger and 50 000 civilians have been already displaced. What a sick world…)

Spread the ICE List to help the resistance https://icelist.is

Visual Artwork done without IA, good old edit of my photographies.

Button: by-nc-sa
https://archive.org/details/refugees-from-beyond-under-the-radar
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posted 30 January 2026