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Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”

update, February 1st, 2026

Dear friends and followers of clongclongmoo. It's great to have you here. As you may have noticed, the site has changed a bit. Some people wanted to be able to access the music with fewer clicks. That should work again now. Here's a quick note to everyone who uses relatively new platforms such as Mirlo, Faircamp, or Coop: feel free to use the submit form to draw attention to your new music. I'd especially appreciate hearing from anyone who runs a netlabel with free Creative Commons music. Thank you! Konrad from clongclongmoo

sanefiftyfour – Our Time in the Invisible Wars

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sanefiftyfour

“Our Time in the Invisible Wars”

sanefiftyfour is an anonymous musician/writer who lives in Kansas (USA). Initially motivated by the same impulses that lead others to a bohemian/rock lifestyle, he eventually realized that music was a way for him to conduct social research, and that tenures in bands playing radically different genres of music would enable him to gain valuable insights into the myriad conflicting American subcultures. His twenty-first century recordings, while largely computer -based, inevitably reflect the experience and misadventure that follow from that sort of attitude, and he considers himself a sort of American primitive, aligned with a (very) small group of “redneck” heartland artists.

“Our Time in the Invisible Wars” is a series of timbre experiments, ranging from noise to dark ambient. They were either variations on material from the early-to-mid twentieth century by various Anglo (USA, UK) composers (in which case the source midi has been cut up and reversed to the point where it is unrecognizable), or they were the outcome of aleatory/chance exercises. The goal, for about half of the pieces, was to try for as much sonic variety as possible; the goal for the other half is stasis. A smirk at Krautrock pervades throughout.

Button: by-nc-nd
posted 20 September 2012