4T Thieves – Electronic Tonalities

4T Thieves – Electronic Tonalities

Akusmatic – System of Edges

Akusmatic – System of Edges
[SWM014]

Akusmatic

“System of Edges”

Button: by-nc-nd

Knolios – My light in the dark

Knolios – My light in the dark
[Picpack 258]

Knolios

“My light in the dark”

My light in the dark
Button: by-nc-nd

Emanuele Colucci – Mine Reflex

Emanuele  Colucci – Mine Reflex
[029]

Emanuele Colucci

“Mine Reflex”

3 wave tracks minimal
Button: by-nc-nd

Matti_T – Farewell

Matti_T – Farewell
[phokes133]

Matti_T

“Farewell”

An endless ending.
Or object of change.
Tears; that run dry.Matti T says goodbye to music producing. Hopefully it’ll be just for some time. His talent is brilliant. But it seems that he emptied himself in emotional and musical processes to some extent. Please enjoy his so far final release at Phonocake, a sixty minutes mix of old and new tracks.
Button: by-nd

BLACKMOD – Night Walkers

BLACKMOD – Night Walkers
[NYB/EXT 025 ]

BLACKMOD

“Night Walkers”

Blackmod – Fuckish
Blackmod – Filler
Blackmod – Again
Blackmod – Street buddha
Blackmod – Fuckish (Jacopo Bacci Rmx)
Blackmod – Filler (B.kr. Rmx)
Button: by-nc-sa

Shekuza – De Sica

Shekuza – De Sica

Shekuza

“De Sica”

“The album De Sica is made using custom modular patching systems for synthesis and composition in which the analogue and the digital join hands: a continuous signal through patch cables performing analogue voltage control of an almost infinite variety of parameters and available hardware modules.

Many forms of music simultaneously existing locally and accessible in the global exchange are creating a continuum of events–geographically and historically–musical works that transcend discrete performances. Relatively differentiated musical objects (releases, labels, creators) or images of music can be ‘dequantized’ into a continuity of known and undiscovered structures. Music is continuous with everyday life from which it emerges.

The creative force on this album is sourced from personal stories and since it is part of an infinite music space, its undulations between music and noise are deeply interconnected with community, society, and politics.” (excerpt from liner notes on the USB-booklet)
credits
released May 8, 2019

Miha Šajina · composition, recording, production
Blacklisted Mastering · mastering
Maruša Hren · USB booklet
Luka Prinčič · liner notes, design, executive production
Lina Rica · video support, source graphics
Stella Ivšek · promo design, Rentgen streaming

Thanks to Duška, Nepal and Tibet.

Button: by-sa

Zenapolæ – 20 Years in 4T Minutes

Zenapolæ – 20 Years in 4T Minutes
[zen187]

Zenapolæ

“20 Years in 4T Minutes”

a musical journey along Zenapolæ’s timeline celebrating its 20th anniversary

Nik, aka 4T Thieves, from Finland, has crafted an awesome 4-deck live remix of 23 tracks taken from Zenapolæ’s catalog, in roughly chronological order. this 40-minute continuous remix track beautifully reflects the label’s development over time, at the same time creating its own, unique atmosphere. from our electronic beginnings, through the dark ambient phase, into its present more experimental orientation.

Button: by-nc-sa

AAVV – Otto Anni e non vederli VOL 1 (2011-2019)

AAVV – Otto Anni e non vederli VOL 1 (2011-2019)
[EPH165]

AAVV

“Otto Anni e non vederli VOL 1 (2011-2019) “

AAVV – Otto Anni e non vederli VOL 1 (2011-2019)

Nuovo capitolo EPHEDROSO per il Laboratorio, per questi OTTOANNI passati sotto i ponti partecipano personaggi già visti e non…. che continuano a tracciare tracce per il LABORATORIO.

Affezionati che confermano la loro vista utopistica ed il loro pensiero sognante di un nonluogo, dove tutti producono, dove tutti ascoltano e soprattutto dove tutti condividono beandosi dei numeri e del piacersi sbrodolandosi addosso ad ogni costo.

Spero la storia vada avanti per millenni, anzi per MINUTI e secondi…..in pratica quelli che darete al vostro cervello per spingere PLAY e buttarvi in queste 12 TRACCE.

::::::::::::::::::::::::::::::::::::::::::::::

Nel VOLUME UNO ascolterete molto TRIPHOPaBstraCTbeATSFUTUREsoundIntimiSTa!!

Button: by-nc-nd

V.A. – humilate after rude solace humming near oracle in sunny environment

V.A. – humilate after rude solace humming near oracle in sunny environment
[ACPS 1026]

V.A.

“humilate after rude solace humming near oracle in sunny environment”

01. DANIEL PICO – VHF Reader 07:24
02. GRODOCK feat. FERDINAND WEINBERGER – Irrung 09:37
03. CLAUS POULSEN’S VYSTOPIA – Under 04:01
04. DAS RHEINTALER NACHTWERK – Gladio 07:15
05. ORiFiCE – Rallizes 09:04cover art by Claus Poulsen
design by EMERGE
Button: by

Toxic Chicken – Wet Pussy

Toxic Chicken  – Wet Pussy
[s650012]

Toxic Chicken

“Wet Pussy”

~
It’s raining! Hurry up and send all the kitties outside! It’s time for Wet Pussy!
~Wet Pussy by Toxic Chicken is now available on sub65.

#lobit #electronic #idm #funtimes #experimental #sub65media

Button: by-nc

elAstrum – Freqmod

elAstrum – Freqmod

elAstrum

“Freqmod”

We’re heading back to the 90s with this album by guest artist elAstrum, heavily influenced by Kraftwerk and Orbital, and chip music from 80s home computers such as the Commodore 64.

Extreme retro vibes with those addictive, glitchy melodies that those of a certain vintage can very well remember. Exciting, harsh, melodic and retro in 15 tracks.

Button: by-nc-nd

Knolios – Duality of will

Knolios – Duality of will
[Picpack 257]

Knolios

“Duality of will”

Knolios – Duality of will
Button: by-nc-nd

Good Over Evil Productions – Keep The Fire Burning

Good Over Evil Productions – Keep The Fire Burning
[DPH038]

Good Over Evil Productions

“Keep The Fire Burning”

Good Over Evil Productions is a roots reggae project founded in Spain by the producers Jah Ivan and Dani Roots, the singer Sista Livity and Furi the manager. They come with a clear mission: to spread the Rastafari message by means of their music and their positive vibrations. Strictly Roots and Culture. Word, Sound and Power. Jah music to the people.

They have been releasing their work in different formats since 2008 on their own label (CD, Vinyl, Digital releases, etc.) alongside artists like Sista Livity, Anayah Roots Levi, Robel The Earthiopian (Reuben Addis), Ras Elijah Tafari, Raszor Brankata, Pato Ranking, Sista Moni and more.

It is a blessing that their new tune Keep the Fire Burning is being released on our label. You can feel the Good Over Evil’s essence in a pure dub style. It is a militant tune, with a mystic atmosphere and remembrance of the mighty ancients sounds worldwide, that inspires a spiritual meditation for a deep connection with our inner self and with the most high God, almighty, creator of all life, Jah Rastafari. God live on the hearts of all flesh. Good Over Evil! Life Over Death!

Button: by-nc-nd

DFHK – First Light

DFHK – First Light

DFHK

“First Light “

Jet Dongguo
guitar, sequencer, synth, backing vocalsNicolas Wong
lead vocals, sequencer, synth

Zhang Yi
bass, sequencer, synth, backing vocals, engineering

Equipment Used: Roland MC 50, Roland R8, Roland VS8, Clavia Nordlead 2, bass, guitar, mic.

These songs were recorded in a 2-day session in the end of May 2014. The bonus track was recorded in fall 2014.

Mastering by Chris McCormack for Blacklisted Mastering, UK.

All songs by DFHK.

Button: by

V.A. – Heavy Dub Vol. 4

V.A. – Heavy Dub Vol. 4

V.A.

“Heavy Dub Vol. 4”

It is our 9th birthday, and we continue a tradition of releasing a free dub compilation every year.
credits
released March 1, 2019

SAD / BAS / FILINICH – Relatos de Poder

SAD / BAS / FILINICH – Relatos de Poder
[PT087]

SAD / BAS / FILINICH

“Relatos de Poder”

Recorded live at Fundación Mercedes Sosa, Buenos Aires,
16th September 2018
Jorge Sad (Argentina), Renzo Filinich (Perú) and Pablo Bas (Argentina).
Stereo Mix from the Octophonic performance.
Cover / Audiovisual Art: Pablo Magne
Button: by-nc-nd

Knolios – Between causes

Knolios – Between causes

Ayato – Face à face, épisode 2, saison 1

Ayato – Face à face, épisode 2, saison 1
[Eg0_204]

Ayato

“Face à face, épisode 2, saison 1”

Face à face, épisode 2, saison 1, the new album of Ayato is the 2nd part of a cut-up recomposition series recorded and mixed at La Ferme Là, Olivet, France between 2015 and 2017. It consists of playing in real time two tapes with two different multitrack recorders, which gives 4 stereo sounds side A in normal play and side B in reverse added to others sounds played depending on which way the wind is blowing with the others devices. Some Loops have been created during the mixing process. Cassettes are from private collection, gifts, prepared and found tapes, archives…
Button: by-nc-sa

Delicate Apparatus – Delicate Apparatus

Delicate Apparatus – Delicate Apparatus

DISCONTINUATION OF TREATMENT – A DEEP REMORSE

DISCONTINUATION OF TREATMENT – A DEEP REMORSE
[IYE032]

DISCONTINUATION OF TREATMENT

“A DEEP REMORSE”

Discontinuation Of Treatment is the creative project of Giuseppe D’aiuto. Behind this moniker he needs to get close the dark and deep sounds and treat them as a bad memory…when it’s gone, the past will remain in the past.
His urgent creative needs are mostly influenced by mental illness and behavioural disorders…Post-punk!

I confide in your ability to push back the obscure and noisy nightmare.

Many many thanks to Gufo Records !!! https://archive.org/details/guforecords

CREDITS :

~ A Deep Remorse ~
Music composed by Discontinuation Of Treatment https://discontinuationoftreatment.bandcamp.com/
Album Produced by MonkeYear https://monkeyear.bandcamp.com/
Album Art by Gianbattista Barbieri a.k.a. Jemba

Web:
https://www.instagram.com/memorialpaint/
https://www.instagram.com/jemba_g/

Button: by-nc-nd

The Anarchist Society of Youth Anger – Bekatul Maut

The Anarchist Society of Youth Anger  – Bekatul Maut
[WAC29]

The Anarchist Society of Youth Anger

“Bekatul Maut”

‘Bekatul Maut’ merupakan hasil gagasan tentang potensi pangan alternatif dari Johanes Handjono dan Gerry Pindonta lewat proyek elektronik, The Anarchist Society of Youth Anger atau yang disingkat TASYA. Bekatul sendiri merupakan hasil produk sampingan dari pengolahan padi yang sering dijadikan sebagai pakan ternak. Lewat proyek TASYA, duo personil Samber Nyawa ini mengubah fungsionalitas bekatul menjadi lebih menyehatkan, bermanfaat dan pastinya ‘maut’.
Button: by-nc-sa

Tonoptik / zll’ – Practical

Tonoptik / zll’ – Practical
[NN_LP079_04_19]

Tonoptik / zll’

“Practical”

Second digital album in Nostress for Tonoptik from Saint Petersburg (Russia). This new digital LP “Practical” was played and recorded with the artist zll’. Organic sound of analog synthesis is presented in the form of “sound sculptures” smoothly changing in time.
Button: by-nc-nd

Miquel Parera – TEFE025 | The Stone House of the Minairons

Miquel Parera – TEFE025 | The Stone House of the Minairons
[TEFE025]

Miquel Parera

“TEFE025 | The Stone House of the Minairons”

Title: TEFE025 | The Stone House of the Minairons.
Author: Miquel Parera.Gralla: Giovanna Parera.
https://en.wikipedia.org/wiki/Gralla_(instrument)

———————————————————————————-

Tracks:

01-The Aloja who sang to me in the Lake – TEFE-25-2019-04-07-08-55-36 – 00:03:45.14
02-I played Chess with a Bubota – TEFE-25-2019-04-07-09-00-51 – 00:03:24.34
03-The Cocollona flies with the Full Moon – TEFE-25-2019-04-07-09-04-46 – 00:04:26.75
04-I’ve been Bitten by a Dip! – TEFE-25-2019-04-07-09-11-32 – 00:04:11.89
05-The Cult of Marraco – TEFE-25-2019-04-07-09-18-02 – 00:06:30.84
06-Trip to Iltirta- TEFE-25-2019-04-07-09-24-55 – 00:03:28.79
07-Pesanta does not let me Breathe – TEFE-25-2019-04-07-16-09-13 – 00:05:38.08
08-The Birth of the Tombatossals during the Storm – TEFE-25-2019-04-07-16-17-03 – 00:07:08.73
09-Will you remind me if I Kill the Víbria?- TEFE-25-2019-04-07-16-25-17 – 00:02:30.84

Total time: 00:41:05.40

———————————————————————————-

About The Eternal Feedback of Existence:

It is an acousmatic diary. With the samples and images of each day an instrument for livecoding improvisation is built.

https://en.wikipedia.org/wiki/Acousmatic_sound
https://en.wikipedia.org/wiki/Live_coding

Some releases are collaborations:

TEFE025 | The Stone House of the Minairons (Gralla: Giovanna Parera)
TEFE014 | Piano Keys Inside the Quarks (Piano: José Guillén)
TEFE012 | The Flute that Sounds in the Center of the Universe (Flute: Javi)

If you play an instrument or have a group and you want your samples to be chopped, abused and mixed with noises and screams, you can send them to: theeternalfeedbackofexistence@gmail.com

———————————————————————————-

Open Source Music:

You can download the source code, the samples and the images on:
https://archive.org/details/TEFE025Source

———————————————————————————-

Bandcamp: https://tefe.bandcamp.com/

———————————————————————————-

#electronica #idm #glitch #breakcore #experimental #acousmatic #algorithmic #gralla
#electronica,#idm,#glitch,#breakcore,#experimental,#acousmatic,#algorithmic,#gralla

———————————————————————————-

License: CC-BY
https://creativecommons.org/licenses/by/2.0/

You are free to:

Share — copy and redistribute the material in any medium or format

Adapt — remix, transform, and build upon the material
for any purpose, even commercially.
This license is acceptable for Free Cultural Works.

The licensor cannot revoke these freedoms as long as you follow the license terms.

Under the following terms:

Attribution — You must give appropriate credit, provide a link to the license, and indicate if changes were made. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.

No additional restrictions — You may not apply legal terms or technological measures that legally restrict others from doing anything the license permits.

Button: by-sa

Aunt Jackie – I’m The Godmother

Aunt Jackie – I’m The Godmother
[nolimit027]

Aunt Jackie

“I’m The Godmother”

This track is about the narcissist mother of family murderer Chris Watts who in an interview blamed her pregnant dead daughter-in-law for her own killing as well as the killing of her two girls.

The second track is a rework by Willi. It was produced at Cadmium Studio.

This release ended in the disbandment of the band Das All that consisted of Willi and me. I offered Willi to mention Cadium Studio on the cover of this release after he mentioned to me he was looking for publicity. He thought the idea so ridiculous that he ended all collaboration with me.

Released in 2019 on L.A no Limits


John Novak – The Moon is a Strange God

John Novak – The Moon is a Strange God
[#420]

John Novak

“The Moon is a Strange God”

John Novak appeared on Kahvi a couple of times previously, both showing his versatility of different styles, from popular mainstream melodies, to IDM inspired by Tangerine Dream and Chemical Brothers.

This time around he’s back with passages of ambience, interspersed with addictive melodies in the shape of his new album ‘The Moon is a Strange God’.

Eight tracks of sublime chill, drifting between the stars.

Button: by-nc-nd

VVAA – Divertimento al Amanecer

VVAA – Divertimento al Amanecer
[pn140]

VVAA

“Divertimento al Amanecer”

“Divertimento al Amanecer”
José Vicente Asuar RemixesElectronic music by José Vicente Asuar has influenced several generations of composers, both within the realm of electroacoustic music and other genres using technology as a means, ranging from techno to hip-hop, the latter at least in Chile. This has been proven, especially in recent years, with the growing rediscovery of his figure and work and his definitive positioning in the musical spectrum via academic writings and , especially, his complete electroacoustic oeuvre release (“Obra Electroacústica” / pncd08 / Pueblo Nuevo 2011) and Variaciones Espectrales documentary, by Carlos Lértora (2013).Therefore, and after several tributes due to Asuar’s death in January 2017, we wanted to carry out a new tribute, this time inviting the entire community to revisit the electronic body of work of the Chilean pioneer.

We have got together two perspectives, two schools: the electroacoustic one, which creates new pieces up from short sounds or sections from pieces by the honouree; the other one, in the vein of remix and sampling, also creates from the same sources, generating new works or tracks located in techno, ambient, hip-hop, and other related aesthetics.

In this deconstructive exercise, which we have called Divertimento al Amanecer, the pieces to work with were, precisely, Divertimento (1967) and Amanecer (1977).

The restriction was the use of one piece as an only source for a version, remix, etc., not merging both pieces into a single new one. Each author had to choose one or another work to participate, since the result of this call would be organized into a two-part compilation (sides A and B, corresponding to one of the two pieces each), participants were required to concentrate their efforts into on of the options.

About Asuar original works:

Divertimento “is a piece with great dynamism and speed, full of very elaborated articulations which are constructing the musical discourse with its structural and spectro-morphological richness, that due to its great fluidity, organic liveliness and contrasts that could be said to have a certain baroque character. Something amazing at the same time are rough textures got by modulations and high-speed iterations, that somehow anticipate the birth of granular synthesis and could be related with some moments of works by later authors like Curtis Roads. This work would get the first prize of the Dartmouth Electronic Music International contest, USA, 1970” (Albornoz 2017).

On the other hand, Amanecer is a piece labeled by Asuar as impressionistic, “in the sense of trying to describe, by musical means, the sensations or impressions that the author has about some natural event. In this case it is about sleeping nature that little by little it begins to revive until arriving at a final dance full of life and energy” (Asuar 1989). From a certain point of view, we could say that it is a contemplative work, close to ambient.

Call for works was so successful we were forced to go through a long, steady listening task in order to get the final pace for this release; thus, it presents a wide collection of works inspired by, quoting and appropriating the sound materials straightforwardly, nourished by the expresive and adventurous spirit of José Vicente Asuar. We hope they interest, inspire, and and become sources of enjoyment for all.

Alejandro Albornoz
(Valle Hermoso, La Ligua, Chile, Marzo / March 2019)

(*) Albornoz, A. (2017) “Asuar: diez obras electroacústicas. Una breve reseña” (Unpublished).

(**) Asuar, J. (1989) “Música Electroacústica, José Vicente Asuar, Compositor Chileno” [Cassette] Santiago de Chile: Santiago Vera Producciones.

Button: by-nc-sa

Archives

Datenschutz & Cookies:

Diese Website verwendet Cookies. Wenn du die Website weiterhin nutzt, stimmst du der Verwendung von Cookies zu.
Weitere Informationen, beispielsweise zur Kontrolle von Cookies, findest du hier: Cookie-Richtlinie