The movement of historical time is catalyzed by the cycles of production that constitute our social totality. When these cycles and this linear march entwine and lose any semblance of mutual control, their inexorable trajectory is towards rupture. Emergent cycles of higher complexity and abstracted alienness to those of us subjected to them exacerbate the very dynamic from which they were borne, but offer the only way out: fracture.
Aũkštai II (“Floors II”) is the second release from the series by Nortas. This record continues to explore the space between thoughts. However, instead of creating sense of isolation in relation with the first record, constant flow of thoughts in “Aukštai II” induces the development of self-awareness shield.
This album has a sense of ashes, coming from the burning memories, which are transformed into shape of soundwaves. The cold vibrations resemble the observation of lonely spaces created around people, a discoloured view of wallmarks around the mist-filled mind corridors. Synthesized echoes reflect the fragile state of collecting the sharp-edged pieces of what once was a functioning soul. The void of waves locks into tunnel of nostalgia, foreshadowing the time once spent but cannot be returned.
5 years of Annulled Music.
Thank you for five years of relationship with music, for long conversations with people from all parts of the earth. It really is a unique experience. Just for that, all the work is worth it. Thanks all the fans.
As thanks to these years, we will put in free download in our bandcamp page, a selection of 17 tracks, which are part of the history of the label.
In the same way, I can only express my gratitude to each and every one of the artists who have participated in this project, no doubt they are the artifices of the existence of Annulled Music.
Этот сборник песен готовился на протяжении последних двух лет. Как всегда Pk jazz Collective обращается к классике музыкального и поэтического наследия 20-го века. В этом альбоме вы услышите новое прочтение творчества мистиков The Doors и не так давно преставившегося легендарного русского поэта Евгения Евтушенко. Пластинка получила название “Аналог”, потому что ее запись сопровождалась использованием кассетной деки, вполне определившей качество звучания в стилистике домашних проектов 80-90-х годов прошлого столетия.
This is [SCL203]
released September 15, 2019
Cover photo by Lucas Pezeta
All music and lyrics by Pk jazz Collective
«The Spy» — lyrics by The Doors
«Someone’s Calling» — lyrics by Modern English
«Со мною вот что происходит» — lyrics by Evgeny Evtushenko
«Я никто» — lyrics by Alexey Rybin
«Ask Me Why» — lyrics by Lennon-McCartney
NNYz? returns to Kahvi with the last in his trilogy of EPs featuring highly detailed textures with glitchy beats, field recordings and IDM arps combined into simply named but exotic sounding tracks.
released September 9, 2019
Cover image by Lisa Ghosn
Track 4 contains vocal samples from Sarah Hutchinson
“C/VVV spaceship is approaching, shaking not the dust off: its pieces sewn in emptiness, fiber travelling centuries, living, learning, and, at the same time, generating an antigen to the Whole, offering Naught an enlivened realm. Steadily moving, back and forth, all to zero, growing a cultivated, singular spirit in the face of constant fluctuations, acquiring communicative competences thru countless, unknown phases, changes, headways. The ship keeps flowing, moving alongside alienating turbulences and foggy cataracts in the eyes of the object. The past is always there, a warm, embracing, profound obscurity; essential company and accomplice, wise advisor, willing to unleash the heavy load. Turning the trip into a fading-balanced map, erasing frontiers, receiving the unexpected, organic, ever-expanding-paradox, latent beat.”
(Santiago, Chile. Agosto / August, 2019).
“Eyes Cream” by Hana Sent open up with the syncopated percussive arpeggios of “Arctic Toys”, which introduce a slow but decisive beat, markedly eighties, before cool melodies like a gin tonic on the rocks let us enter the mood of the album. It continues with the dreamy melodic lines of the title track, which take us on a sunny Caribbean beach, complete with windblown palm trees and tortoise sunglasses. “Hanawon Nights” does the verse to a certain synth pop of the 90s, with its claps on beat and a rolling snare that charges the percussive inputs, a SID sound marimba completes the picture, assured headbanging, for the most exquisitely dancey piece of the EP. In the slow and moving body of “Body High” you find echoes of a Moby under ice, always with a splash of gin, and you can dream of a long summer sea in the west coast frequented by lovers of rollerblading. “Disco Splendydog” takes advantage of a great bass-up spin and inserts 8bit elements and fast rhythm synths, with vocal samples, fake scratches and tb303: early house, early acid, early pleasure. The EP closes with the melancholic melodies of “Kimchi Break Out”, like in dreams, which when they end leave a smile on your face but also a certain nostalgia. Thanks for the beautiful dream, Hana Sent.
“Weldroid (aka Tamás Zsiros) returns with Regenerative for Kahvi Collective, and this new album is a multifaceted foray of chilled electronics that spans through ambient, synthesizer, and abstract IDM fissures.
Somehow a bit more tranquil in its approach (Zsiros noted that he “decided for a more performance-oriented approach, putting micro-editing and automation aside—and letting unpredictability and probability-based sequencing rule“) each piece admits a softer side the artists’ immense sound bank.”
We proudly present the phonocake debut of Fondella, serving a true adventure in beauty of sound, kind of a soundtrack of a yet to be released indie game. Put on your headphones and explore yours and Fondella’s world in a slow paced enjoyable time frame. These moments are yours, accompanied by Fondella’s tunes.
10 years of material selected from the archives covering 2009-2019 and showcased in five parts. Available to stream in full or free download.
released August 1, 2019All tracks by the respective artists, remixes by respective artists.
Creative Commons Licensed BY-NC-ND 3.0
Dave Wesley’s full length aural autobiography covering the last half of 2018, based on subconscious peripheral sonic imagery… the blurry content that selective perception ignores.
What others are saying:
“Listening to this music, I kind of feel like I am a replicant in the rain of Bladerunner, hand twitching as I search for some dry room away from the lights and the wind, knowing I am going to die soon but wanting the heat of the room just the same, just for a passing moment.”
– Steve Santineau
“Just an amazing album…I especially like Tracks 1, 9, 10, 13… (Like Controlled Bleeding meets Ryuichi Sakamoto’s OUT OF NOISE in a film by David Lynch)”.
– David Agasi
Special Netlabel Day release including three remixes of selected tracks from the original The Veil album.
“Sobria Ebrietas was born around 1995-1996 as a side-project to my
former band Absolutely Curtains, and became permanent after its split in
>From the outset, this project aimed at a research on sound, without any
other goal than creating a specific visual feeling and the wish to
generate a dark, powerful and captivating mark.
Following several albums, EPs and many sonic & visual collaborations
spanning 20 years, this search asserted itself, spawned its evil twin
Eurovision Über Alles and opened out to create a unique and unclassable
soundscape still true to its original quest: the love of Sound.”
With this EP BeatMyth demonstrates their signature electro breakbeat style – an outgoing onslaught of beats, basslines, synth-stabs, and fast vocal ranting. On the flip a slower-tempo story emerges but keeps us in attentive check: deep gridning bassline, snapy snares and playful details in-between.
released July 18, 2019Igor Vuk · production, recording, arrangement, mix and mastering
N’toko · vocals on Multiply
Stella Ivšek · design
Luka Prinčič · executive production
For 2019’s Netlabel Day, as the strong Mahorka tradion is, again we have for you a very special collaborative/reworks release, this time by the very boss of another cult netlabel – 4T Thieves of Kahvi Collective. The album features exclusive edits/remixes by him of previously available on other releases 4T Thieves tracks (1, original available as part of his release “Wayfield Asylum” on Kahvi, and 5, done as part of the “Sketches” remix competition), fresh new originals (2, 4) and one extended version (8, “Pata Minim” edit is previously available on “Forms” VA on Kahvi), as well as remixes he’s done for aAirial (3, previously available on aAirial’s CD album “Wanderings” on Mahorka), Curious Inversions (6, exclusive), Pandacetamol (7, exclusive), Depeche Mode (9, 11, exclusive) and Captive Portal (10, exclusive).
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