about

Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”

Terrorrythmus – Adaption Disorder Remixes Pt. 2

Terrorrythmus – Adaption Disorder Remixes Pt. 2
YARN010

Terrorrythmus

“Adaption Disorder Remixes Pt. 2”

Terrorrhythmus’ «Adapion Discorder» seems to be Yarn’s most smashing EP to date, judging by the almost endless amount of remixes. After the release of the uptempo remix-pack back in June, Yarn now presents «Adaption Disorder Remixes Pt. 2». The second remix-EP keeps up with the high energy, concentrating on a dancefloor-friendly tempo-range.

>From Germany’s rough bank capital Frankfurt comes machine-musician Chris Geschwindner. The affiliate of the young label polen.rec woves «40h»’s pads and samples together with a shuffled house groove. His remix develops over eight minutes, leaving smiles everywhere with its airy and sunny atmosphere.

A totally different interpretation of «40h» comes from Llyphon. Terrorrhythmus’ mate from Bremen already released on his imprint Betonblume and DubKraftRecords. With stumbling bassdrums, flirring hi-hats and washed-out samples he transforms Terrorryhthmus’ trap track into a lush and varied piece of contemporary electronic music.

Also from Bremen comes producer and DJ in demand Tobs who just dropped his first vinyl on Drowned Records. His «Leaving Home»-version of «Post Smack» is full of warm pads and synths, unfolding sentimental feelings over a pretty straight house beat.

Uprising Belgian producer Take Away The Noise seems to have hardcore in his blood. His seven minute long adaption of «Post Smack» utilizes the original’s vocals in a stumping techno garment. Breaks and shuffled bassdrums penetrate the rough track which is designed to destroy dancefloors.

posted 03 September 2014