InSpectr – Kaspar Nemo

[COTA012]

InSpectr

“Kaspar Nemo”

Mysterious and almost mythical substance that lives deep under water of earth’s electronic oceans. It designs synthetic sound sculptures on regular basis. It’s compositions are dynamic rhythmic patterns combined with emotional melodies and various digital effects. Few it’s creatures are captured in our nets and presented in this release.
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Immortal Sun – Sun Worshiper EP

[DigitalDiamonds051]

Immortal Sun

“Sun Worshiper EP”

Catalogue: DigitalDiamonds051
Format: EP
Released: November 2017

Debut EP by Immortal Sun on Digital Diamonds! After releasing on Techgnosis Records, Immortal Sun delivers 4 fresh, exciting and groovy tracks, with that pinch of psychedelic. An innovative fusion between Progressive Minimal & Microhouse, cutting edge Melodic Techno!

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Lluvia Acida – Ciencia Sur

[pn125]

Lluvia Acida

“Ciencia Sur”

“We are musicians who live and create at the edge of the world, who over two decades have worked to represent through sound and image various aspects of our habitat. ‘Ciencia Sur‘ (Southern Science) continues this trajectory, addressing the subject of field research. This work was conceived as a musical and audiovisual journey through the imposing landscapes of Patagonia and Antarctica, where science is developed in extreme conditions, as it seeks to answer transcendental questions about the past, present and future of the planet we inhabit.

The composition and recording of these works developed between July and September, combining the use of synthesizers with the use of unusual resources, such as the recording of sounds and electromagnetic emissions emitted by laboratory instruments and the conversion into sound of fossil images and diagrams concerning Climate Change through special software. We launched it in the framework of the opening of the IX Latin American Congress of Antarctic Science, an event that in early October 2017 brought together more than 300 researchers in the city of Punta Arenas (Chile).

The presentation of these works is accompanied by images provided by the Department of Communications and Education of the Chilean Antarctic Institute, which shows excavations in Cerro Guido (Torres del Paine commune), marine studies in the Magallanes channels, and images of the last two versions of the Antarctic Scientific Expedition (ECA), the latter including recordings made with drones on Chilean scientific bases in the Antarctic Peninsula and South Shetlands.

For us, it is very important to link art with the science that is being realized in the territory that we inhabit, because we believe that being of the Magallanes concerns not only knowing about our regional past, but also in imagining a future based on the search for knowledge. This work is dedicated to the women and men who study both the remote past and the uncertain future, entering the southern bastions. There, between the wind and the ice, they are discovering the keys to our destiny.”

Lluvia Ácida
(Punta Arenas, Magallanes, Chile. Octubre / October 2017)

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Fingerflood – Beats And Stabs And Kick In Four

[SCM-1703]

Fingerflood

“Beats And Stabs And Kick In Four”

Fingerflood is an electronic music project born as a part of the many musical extensions of Gaetano Fontanazza.

What we have in this debut release, named “Beats and Stabs and Kick in Four,” is the strong intent to basically dive into the fat obscure electronic moods of dub techno, somehow near to the Berlin scene if you like. The release has an ideal split in the middle of its playlist, switching from dub techno to more dub idm-oriented tracks.

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Rizke – E2

[SLC30]

Rizke

“E2”

“Project inspired by ever-changing London landscape.
‘E2’ – title of that EP is a first part of East London post-code,
a place I used to live, that was recently demolished for new buildings made of Aluminum, Tempered Glass and Rubber & Wood.”

“Proyecto inspirado en la constante transformación de Londres, concretamente en el “East London post-code”, lugar donde vivía, que fue recientemente demolido para construir nuevos edificios hechos de aluminio, vidrio templado y caucho y madera.”

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Zelde 743 – Dark Intense

[025]

Zelde 743

“Dark Intense”

3 tracks on illogical kit netlabel and zelde 743
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Unlitt – Free Weapons EP

[TRANZ066]

Unlitt

“Free Weapons EP”

RELEASE INFO:

ARTIST: Unlitt

RELEASE TITLE: Free Weapons

CAT Nº:TRANZ066

RELEASE DATE:October01, 2017

FORMAT: Mp3 / 320kbps / 44.100MHZ

GENRE: Electronic

SUB-GENRE:Techno, Tech-house

TOTAL TIME: 22:34

SIZE: 63,8MB

TRACKLIST:

01.Floating (Original Mix) (6:43)

02. Hyperspace (Original Mix) (6:43)

03.Lo-Sci (Original Mix) (9:08)

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V.A. – Digital Decade

[DigitalDiamonds050L]

V.A.

“Digital Decade”

V.A. – Digital Decade

Catalogue: DigitalDiamonds050L
Format: Compilation
Released: September 2017

Digital Diamonds is proud to present ‘Digital Decade’, an ambitious release that celebrates the label’s 10 years of activity in the underground scene and being run by Alic.

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rr.gross – The Three Virtues of Incompetence

[SSSDlp11]

rr.gross

“The Three Virtues of Incompetence”

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Smooth – Vintage 05

[079]

Smooth

“Vintage 05”

Part 5 of the “Vintage-series” by Smooth presents a nice blend of deep rhythms, calm moods and melancholic pads, musically placed somewhere between Deep House and Dubtechno.

As on the former 4 parts of this series of EPs, the goal was to produce the tracks using vintage hardware exclusively.

This EP features good, old machines like the Roland TR-626, the Roland MC-303, the Roland D-50, the Roland JV-2080 and the EMU ESI-4000 – mixed on an analog mixing console by Allen&Heath.

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Akusmatic – Expect no Ratio


jukka-pekka kervinen – coffee beans

[unfound91]

jukka-pekka kervinen

“coffee beans”

the ever-so prlofic jukka-pekka kervinen of finland delivers a 4-tracker of quirky, trippy, abstract minimal techno with a gritty, off-kilter experimental edge. eat it up. now.

mastered by pheek

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Langax – Under the shadow

[SLC28]

Langax

“Under the shadow”

NETLABEL DAY 2017
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O.L.M. – Book of Daniel

[DPH032]

O.L.M.

“Book of Daniel”

It was around 2,600 years ago when a Judean teenager was taken captive by the rapidly ascending Babylonian Empire, a force of unstoppable military strength, great wealth and technological advancement. Normally such an event would lead to a life in misery as a slave … but God had something else in mind for this young man named Daniel.

Daniel, The teenager who had been taken captive, came to realize that God was miraculously working with him … but not only to preserve his life. God was revealing through him some major prophecies of future world-ruling empires. As a resident of the world’s premier capital city and AS an honored wise man in King Nebuchadnezzar’s court, Daniel demonstrated God’s superiority over the pagan gods of Babylon and left a legacy of faithful obedience to God in spite of grave trials and tribulations.

Inspired by the Old Testament book, Italian producer Orlando La Montagna adapts the story of Daniel and transforms it into a dub adventure, introducing different variations of the same riddim just like the different chapters of the book. Each track has a deep spiritual ambience; starting with “Induction in Babylon” where Daniel is introduced in the hard Babylonian system through a stepper-techno beat and ending with “Life Giver”, which sends the final message to our permissive society of power-hungry people … to a nation without God. Daniel’s situation in Babylon sounds quite a bit like our own, doesn’t it?

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rebelo and monoritmo – Farowest

[024]

rebelo and monoritmo

” Farowest “

illogical kit netlabel electronic music rebelo monoritmo
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ono – cha​-​ken

[EPV_202 ]

ono

“cha​-​ken”


■ EPV_202

Theme for “Kansai-Cha-han-Reserch-Project”

■ bonus item
wallpaper for iMac & iphone6&7

:: Rule of Cha-ken(Kansai Cha-han Reserch Project) ::

First rule of Cha-ken : You do not talk about Cha-ken.

Second rule of Cha-ken : You do not talk about Cha-ken.

Third rule of Cha-ken : When someone sads stop or goes limp,Cha-han is over.

Fourth rule of Cha-ken : Only two guys in a Cha-han.

Fifth rule of Cha-ken : One fight at a time.

Sixth rule of Cha-ken : No Cleanliness,No Prejudice.

Seventh rule of Cha-ken : Cha-han go on as long as they have to.

Eighth rule of Cha-ken : If this is your first night at Cha-ken ,you have to fight.

■ artist info
:: ono ::
http://epv-artists.tumblr.com/post/59677262412/ono

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clongclongmoo – netaudiomix

clongclongmoo

“netaudiomix”

Playlist:
  1. Natalie Oliveri – Sweet Harmony
    http://natalieoliveri.bandcamp.com
  2. Tesslesstess – Talseher Nacht A
    http://dramacore.com
  3. umio – remain (KenKoTaiji Remix)
    http://otherman-records.com
  4. Pierlo – Daje De Zion
    http://upitup.com
  5. wisp – gummiklischeeherstellung
    meep (http://david.madhc.com/meep
  6. au2pilot – MAGNETIC_FIELDS_(Remix)
    http://illphabetik.com
  7. Paul Blackford – Numbers (Kraftwerk)
    http://audioaubergine.com
  8. OffTheLatch – Emphasis
    http://micromusic.net
  9. Clemens Acidus – Rewind Your Body
    http://obc-records.com
  10. Mesu Kasumai – Algezebra
    http://8bitpeoples.com
  11. Echo Delta – Prana Vortex
    http://coldtearrecords.bandcamp.com
  12. wk[es] – Abyss (Erratic remix)
    http://hz-records.bandcamp.com
  13. dagshenma – arhat10
    http://elementperspective.com
  14. Mr.Dee – D4-3
    http://picpack.org.ua
  15. Dessben – Proyecto Langosta
    http://offaudio.com
  16. All shall be well (and all shall be well and all manner of things shall be well) – Satie’s ‘Gymnopedie No. 1’, reimagined
    http://allshallbewell.bandcamp.com

BeatMyth – One Hand Clap

[KAM024]

BeatMyth

“One Hand Clap “

Myth: a sacred story, a set of beliefs, a way to make sense of the world, to connect the dots. A notion that is also the name of one of the first tracks made by BeatMyth (in 2007). It was one of many pieces in that raw and forward-thinking style, characteristic for the next half decade. But, the mythical narrative can be said to have started in Novo mesto, that town just halfway between Ljubljana and Zagreb. Exchanging the guitar and the amp with two turntables was the best deal ever. And there we also have the beginnings of the praised jazz-funk-rock group Moveknowledgment, and PlankTon’s turntables and records were part of it. Dance parties soon ensued at the local pub and the locals were going bat-shit-crazy, driven by the fast jump-up breakbeat science from the UK. It was all LTJ Bukem’s fault. And perhaps Fatboy Slim’s too.

After a few years in the urban setting of Ljubljana, there was more and more electronic music knowledge on the table. Igor and his flatmate Mitja Pritržnik were dabbling in writing and production, laying down some charged breakbeat tracks, inviting N’toko – PlankTon’s partner MC at many drum’n’bass gigs – for an ad-hoc recording session. And Mitja’s sister giveth the project the name. At the backdrop of that time were musical influences such as Adam Freeland and Hyper, gigs with the “Illegal crew”, a drum’n’bass crew on the rise, and production discussions with its chief MarkoMan. Lots of hours of tedious work behind the computer resulted in BeatMyth’s debut: “Your Own Two Heads”, an industrial electro-punk collection of bangers.

In the poetics of this work, one can sense the history of personal musical growth: the beginnings in doom metal and the sense of immediacy of jump-up and harder strains of drum’n’bass. Active as a DJ in the last decade, PlankTon moved exceedingly firmly into the contemporary breakbeat scene, very much in line with what can be found on BeatMyth’s first two albums. However, proper appreciation of this project is not possible without taking into account the live performance of PlankTon and N’toko, who have until now always presented BeatMyth in an outgoing onslaught of beats, basslines, synth-stabs, and fast vocal ranting, animating many a sleepy auditorium into something akin to a small riot. And to furthermore bring the tentacles of this project’s context to light, it must be said that at the core of the project stands a multiskilled producer and audio engineer, whose areas of work go beyond mere clicking around his DAW: robotics workshops for kids, technical support for art installations, analogue synthesizer repairs, audio studio building, mastering and mixing a variety of different projects, and live sound.

And finally, this, the third album maturely brings up musical material created through a different approach, a different attitude, and mixes it up with that signature outgoing electro-punk vibe of the previous two albums. This attitude is purposefully playful. It’s a move away from the dance floor, away from the dictate of the live spectacle into an exploration of sound-based sample-heavy trickery. Still, it by no means represents an abandonment of the basic, ever-present principle, the pillar of this sound: firm musical decisiveness and a never-ending search for dynamics in balance.

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Channel Surfing – Paradox In The Bathroom

[LBN039]

Channel Surfing

“Paradox In The Bathroom”

Channel Surfing is a quasi-vaporwave project. Meaning that it predates vaporwave, and was initially influenced by the glitch and idm scenes of the 90′s and early 2000′s. With Channel Surfing, the focus is on microhouse and shoegaze. On ‘Paradox In The Bathroom’. . . I took a detour, and focused on lyrics. This time, it was the political solitude of an uncertain future. The in-between moments, of both turmoil and tranquility in America. Sonically, ‘Paradox’ uses Sound Design as a songwriting tool. Drum machines were treated like synthesizers, field recordings were processed like guitars. It is a very environmental spin on the “rock formula”. Channel Surfing is the band from the Mojave Desert. The locus of Channel Surfing is “Ethereal Synthesis” in all it’s various forms. From album to album, the locus changes, falling together or falling apart, but the same ethereal techniques apply in different ways. Sometimes, outspoken and political, other times, quiet and interspective. Enjoy. . .
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J4ck Sh4rk – Anthology ’11: Pushing Envelopes – The Remixes

[EE023]

J4ck Sh4rk

“Anthology ’11: Pushing Envelopes – The Remixes”

J4ck Sh4rk open their wings and display the array of sounds that interests them. Tracks that show weight, such as “Longest Road” and “Blind”, and others have elegance and subtlety, such as “Preta Pretinha” and “Don’t Stop ‘Til You Get Enough”. 2011 was the peak of sonic expansion and exploration.
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