rr.gross – The Three Virtues of Incompetence

[SSSDlp11]

rr.gross

“The Three Virtues of Incompetence”

Button: by-nc-sa

Smooth – Vintage 05

[079]

Smooth

“Vintage 05”

Part 5 of the “Vintage-series” by Smooth presents a nice blend of deep rhythms, calm moods and melancholic pads, musically placed somewhere between Deep House and Dubtechno.

As on the former 4 parts of this series of EPs, the goal was to produce the tracks using vintage hardware exclusively.

This EP features good, old machines like the Roland TR-626, the Roland MC-303, the Roland D-50, the Roland JV-2080 and the EMU ESI-4000 – mixed on an analog mixing console by Allen&Heath.

Button: by-nc-nd

Akusmatic – Expect no Ratio


jukka-pekka kervinen – coffee beans

[unfound91]

jukka-pekka kervinen

“coffee beans”

the ever-so prlofic jukka-pekka kervinen of finland delivers a 4-tracker of quirky, trippy, abstract minimal techno with a gritty, off-kilter experimental edge. eat it up. now.

mastered by pheek

Button: by

Langax – Under the shadow

[SLC28]

Langax

“Under the shadow”

NETLABEL DAY 2017
Button: by-nc-nd

O.L.M. – Book of Daniel

[DPH032]

O.L.M.

“Book of Daniel”

It was around 2,600 years ago when a Judean teenager was taken captive by the rapidly ascending Babylonian Empire, a force of unstoppable military strength, great wealth and technological advancement. Normally such an event would lead to a life in misery as a slave … but God had something else in mind for this young man named Daniel.

Daniel, The teenager who had been taken captive, came to realize that God was miraculously working with him … but not only to preserve his life. God was revealing through him some major prophecies of future world-ruling empires. As a resident of the world’s premier capital city and AS an honored wise man in King Nebuchadnezzar’s court, Daniel demonstrated God’s superiority over the pagan gods of Babylon and left a legacy of faithful obedience to God in spite of grave trials and tribulations.

Inspired by the Old Testament book, Italian producer Orlando La Montagna adapts the story of Daniel and transforms it into a dub adventure, introducing different variations of the same riddim just like the different chapters of the book. Each track has a deep spiritual ambience; starting with “Induction in Babylon” where Daniel is introduced in the hard Babylonian system through a stepper-techno beat and ending with “Life Giver”, which sends the final message to our permissive society of power-hungry people … to a nation without God. Daniel’s situation in Babylon sounds quite a bit like our own, doesn’t it?

Button: by-nc-nd

rebelo and monoritmo – Farowest

[024]

rebelo and monoritmo

” Farowest “

illogical kit netlabel electronic music rebelo monoritmo
Button: by-nc-nd

ono – cha​-​ken

[EPV_202 ]

ono

“cha​-​ken”


■ EPV_202

Theme for “Kansai-Cha-han-Reserch-Project”

■ bonus item
wallpaper for iMac & iphone6&7

:: Rule of Cha-ken(Kansai Cha-han Reserch Project) ::

First rule of Cha-ken : You do not talk about Cha-ken.

Second rule of Cha-ken : You do not talk about Cha-ken.

Third rule of Cha-ken : When someone sads stop or goes limp,Cha-han is over.

Fourth rule of Cha-ken : Only two guys in a Cha-han.

Fifth rule of Cha-ken : One fight at a time.

Sixth rule of Cha-ken : No Cleanliness,No Prejudice.

Seventh rule of Cha-ken : Cha-han go on as long as they have to.

Eighth rule of Cha-ken : If this is your first night at Cha-ken ,you have to fight.

■ artist info
:: ono ::
http://epv-artists.tumblr.com/post/59677262412/ono

Button: by-nc-nd

clongclongmoo – netaudiomix

clongclongmoo

“netaudiomix”

Playlist:
  1. Natalie Oliveri – Sweet Harmony
    http://natalieoliveri.bandcamp.com
  2. Tesslesstess – Talseher Nacht A
    http://dramacore.com
  3. umio – remain (KenKoTaiji Remix)
    http://otherman-records.com
  4. Pierlo – Daje De Zion
    http://upitup.com
  5. wisp – gummiklischeeherstellung
    meep (http://david.madhc.com/meep
  6. au2pilot – MAGNETIC_FIELDS_(Remix)
    http://illphabetik.com
  7. Paul Blackford – Numbers (Kraftwerk)
    http://audioaubergine.com
  8. OffTheLatch – Emphasis
    http://micromusic.net
  9. Clemens Acidus – Rewind Your Body
    http://obc-records.com
  10. Mesu Kasumai – Algezebra
    http://8bitpeoples.com
  11. Echo Delta – Prana Vortex
    http://coldtearrecords.bandcamp.com
  12. wk[es] – Abyss (Erratic remix)
    http://hz-records.bandcamp.com
  13. dagshenma – arhat10
    http://elementperspective.com
  14. Mr.Dee – D4-3
    http://picpack.org.ua
  15. Dessben – Proyecto Langosta
    http://offaudio.com
  16. All shall be well (and all shall be well and all manner of things shall be well) – Satie’s ‘Gymnopedie No. 1’, reimagined
    http://allshallbewell.bandcamp.com

BeatMyth – One Hand Clap

[KAM024]

BeatMyth

“One Hand Clap “

Myth: a sacred story, a set of beliefs, a way to make sense of the world, to connect the dots. A notion that is also the name of one of the first tracks made by BeatMyth (in 2007). It was one of many pieces in that raw and forward-thinking style, characteristic for the next half decade. But, the mythical narrative can be said to have started in Novo mesto, that town just halfway between Ljubljana and Zagreb. Exchanging the guitar and the amp with two turntables was the best deal ever. And there we also have the beginnings of the praised jazz-funk-rock group Moveknowledgment, and PlankTon’s turntables and records were part of it. Dance parties soon ensued at the local pub and the locals were going bat-shit-crazy, driven by the fast jump-up breakbeat science from the UK. It was all LTJ Bukem’s fault. And perhaps Fatboy Slim’s too.

After a few years in the urban setting of Ljubljana, there was more and more electronic music knowledge on the table. Igor and his flatmate Mitja Pritržnik were dabbling in writing and production, laying down some charged breakbeat tracks, inviting N’toko – PlankTon’s partner MC at many drum’n’bass gigs – for an ad-hoc recording session. And Mitja’s sister giveth the project the name. At the backdrop of that time were musical influences such as Adam Freeland and Hyper, gigs with the “Illegal crew”, a drum’n’bass crew on the rise, and production discussions with its chief MarkoMan. Lots of hours of tedious work behind the computer resulted in BeatMyth’s debut: “Your Own Two Heads”, an industrial electro-punk collection of bangers.

In the poetics of this work, one can sense the history of personal musical growth: the beginnings in doom metal and the sense of immediacy of jump-up and harder strains of drum’n’bass. Active as a DJ in the last decade, PlankTon moved exceedingly firmly into the contemporary breakbeat scene, very much in line with what can be found on BeatMyth’s first two albums. However, proper appreciation of this project is not possible without taking into account the live performance of PlankTon and N’toko, who have until now always presented BeatMyth in an outgoing onslaught of beats, basslines, synth-stabs, and fast vocal ranting, animating many a sleepy auditorium into something akin to a small riot. And to furthermore bring the tentacles of this project’s context to light, it must be said that at the core of the project stands a multiskilled producer and audio engineer, whose areas of work go beyond mere clicking around his DAW: robotics workshops for kids, technical support for art installations, analogue synthesizer repairs, audio studio building, mastering and mixing a variety of different projects, and live sound.

And finally, this, the third album maturely brings up musical material created through a different approach, a different attitude, and mixes it up with that signature outgoing electro-punk vibe of the previous two albums. This attitude is purposefully playful. It’s a move away from the dance floor, away from the dictate of the live spectacle into an exploration of sound-based sample-heavy trickery. Still, it by no means represents an abandonment of the basic, ever-present principle, the pillar of this sound: firm musical decisiveness and a never-ending search for dynamics in balance.

Button: by-nc-sa

Channel Surfing – Paradox In The Bathroom

[LBN039]

Channel Surfing

“Paradox In The Bathroom”

Channel Surfing is a quasi-vaporwave project. Meaning that it predates vaporwave, and was initially influenced by the glitch and idm scenes of the 90′s and early 2000′s. With Channel Surfing, the focus is on microhouse and shoegaze. On ‘Paradox In The Bathroom’. . . I took a detour, and focused on lyrics. This time, it was the political solitude of an uncertain future. The in-between moments, of both turmoil and tranquility in America. Sonically, ‘Paradox’ uses Sound Design as a songwriting tool. Drum machines were treated like synthesizers, field recordings were processed like guitars. It is a very environmental spin on the “rock formula”. Channel Surfing is the band from the Mojave Desert. The locus of Channel Surfing is “Ethereal Synthesis” in all it’s various forms. From album to album, the locus changes, falling together or falling apart, but the same ethereal techniques apply in different ways. Sometimes, outspoken and political, other times, quiet and interspective. Enjoy. . .
Button: by-nc-nd

J4ck Sh4rk – Anthology ’11: Pushing Envelopes – The Remixes

[EE023]

J4ck Sh4rk

“Anthology ’11: Pushing Envelopes – The Remixes”

J4ck Sh4rk open their wings and display the array of sounds that interests them. Tracks that show weight, such as “Longest Road” and “Blind”, and others have elegance and subtlety, such as “Preta Pretinha” and “Don’t Stop ‘Til You Get Enough”. 2011 was the peak of sonic expansion and exploration.
Button: by-sa

Floating Machine – Convergence EP

[DigitalDiamonds049]

Floating Machine

“Convergence EP”

Finally, Floating Machine (aka 50% of Code Therapy) delivers his debut EP “Convergence” on Digital Diamonds. This trippy release is packed with three original tracks, deep and hypnotic as we love it, plus a rolling and progressive remix of Luis M’s track “Interferenz”.
Button: by-nc-nd

Art Electronix – Backspace

[deepx370]

Art Electronix

“Backspace”

Label: Deep-X Recordings
Catalog#: deepx370
Format: 5 x File, MP3, EP, 320 kbps
Country: Russia
Released: 12 Apr 2017
Genres: Electronic
Styles: Minimal Techno, Tech House

Tracklist:
01 – Maya (5:13)
02 – DopeX (4:15)
03 – Not Too Late For Anything (4:40)
04 – HypeMachine (5:55)
05 – Little Bit More Acid (6:34)

Button: by-nc-sa

Cubenx – Hollow (feat. Guilhem)

Cubenx

“Hollow (feat. Guilhem)”

artwork photography by Amira Fritz
credits
released April 10, 2017
Button: by-nc-sa

KiB – Short Message Service

[EEM017]

KiB

“Short Message Service”

Acronymed sounds and acronymed artwork in acronymed world. Pulsing rhythms, that give an abstract feeling. But it’s not minimal, more like suspended power.
Button: by-nc

Zambeach – Smocking Mountain EP

[TRANZ063]

Zambeach

“Smocking Mountain EP”

RELEASE INFO:

ARTIST: Zambeach
RELEASE TITLE: Smocking Mountain EP
CAT Nº: TRANZ063
RELEASE DATE: March 07, 2017
FORMAT: Mp3 / 320kbps / 44.100 MHZ
GENRE: Electronic
SUB-GENRE: Minimal, Techno, Tech-house, Experimental
TOTAL TIME: 35:54
SIZE: 83,8 MB

TRACKLIST:

01. Zambeach – Combustion Flame (6:54)
02. Zambeach – Combustion Flame (SEROT’09 Rootz Remix ) (7:02)
03. Zambeach – Exothermic Process (6:41)
04. Zambeach – Ignition Light (6:44)
05. Zambeach – Ignition Light (Holocaos Remix) (8:33)

Button: by-nc-nd

Futurguerra – Kraftwerk 2017 – Trans Human Express (Clone Music)

[0kbps111]

Futurguerra

“Kraftwerk 2017 – Trans Human Express (Clone Music)”

Futurguerra

Kraftwerk 2017 – Trans Human Express (Clone Music) [0kbps111]

Autobahn mix 2′ 33”
Computer Welt mix 3′ 47”
Die Roboter mix 5′ 31”
Electric Café mix 3′ 09”
Europe Endless mix 1′ 55”
Franz Schubert mix 2′ 48”
Klink Klang mix 5′ 48”
Kometenmelody mix 4′ 05”
Kristallo mix 4′ 40”
Minicalcolatore mix 2′ 32”
Radioactivity mix 2′ 46”
Sex Object mix 5′ 04”
Telephone Line 5′ 58”
The Man Machine mix 1′ 40”
Tour de France mix 3′ 48”*
(remix words Futurguerra)
Trans Europe (Human) Express mix 2′ 42”

*Virtual Vocalist Futurguerra

“La tecno-fantasia «suggerisce un rapporto vivente con l’estetica della realtà», nota Roberto Guerra, che la trasferisce nella visionarietà dei suoi video e testi”
Vitaldo Conte (Pulsional Gender Art, Avanguardia 21, 2011)

Tra poesia sonora e musica elettronica, tra dada, futurismo e situazionismo… Da anni i Kraftwerk fans attendono un nuovo album, solo un paio ex novo in oltre 30 anni (Electric Café – 1986 e Tour de France-2004, oltre a Expo2000, ma straordinari mix e remix dei Kraftwerk stessi: al punto che live, tour non stop e negli ultimi anni in 3D sembrano incredibilmente album e canzoni elettroniche (e Video) ex novo. Futuristi e quindi anche transumanisti, autopotenzianti i brani dei Kraftwerk, (Ralf Hutter e Florian Schneider, il duo originario e fondatore, poi via diversi altri robot musicisti- è rimasto da tempo il solo Hutter), padri della musica elettronica, canzoni tecnhopop (nato con i Kraftwerk) letteralmente “immortali”, mind up loading songs non stop. Ecco quindi, da un fan poeta, spesso ispirato a tarda notte mentre scriviamo poesie o saggi, il nuovo virtuale album dei Kraftwerk. Operazione di arte estrema, mix di sconcertante semplicità, musica per cloni! Un giocattolo “elettronico” sia ben chiaro, ma forse davvero queste soundtrack kraftwerkiane della computer age sembrano una volta di più (ri)composte il giorno prima…
(Roberto Guerra)

MAV [0kbps] Records, March 2017

Button: by-nc-sa

Various Artists – POSEV II

[PSVC2]

Various Artists

“POSEV II”

Siberian cohesive post-industrial creative association POSEV presents the second compilation of tracks from its members and their sympathizers. All tracks are exclusive to this release and have never been presented before.

Our music is always the part of us, our personalities, and our lives. It describes the perception and exploration of the world. We make music because we have something to say and we must talk. We make music because we can’t but do it. Thus, our legacy is given to the world.

Our creation is a self-decrypting manifesto for ones who want to feel the other side of synthesizer music and look beyond the rhythm and sounds. We are too far from any scenes to imitate them. We’re too original to meet someone’s standards. We don’t do what others want to hear from us. We do what we want to hear ourselves.

Button: by-nd

Gassman – Violet taste

[M022]

Gassman

“Violet taste”

If we talk about versatile electronic music, “Violet Taste” EP by Gassman has all those characteristics that makes it stand out; from its elaboration to its rythmic treatment, its bass lines, melodies, and voice and synthesizer samples. It’s such an intriguing trip with diverse nuances and hidden places that we can travel to different times from one moment to another. We swing in a multiple galaxy taken by the hand of a very accomplished producer. He openly challenges us to follow him in his musical path. As a whole, we hope to leave our referente to contribute to a scene already installed, one that the lovers of a good underground sound will know how to appreciate.

André Baradit Valparaíso, Chile 2017

Button: by-nc-nd

Subscribe to clongclongmoo via Email

Enter your email address to subscribe to clongclongmoo and receive notifications of new posts by email.