Caseeno – Feel The Void EP

Caseeno – Feel The Void EP
[STYLSS055]

Caseeno

“Feel The Void EP”

All tracks were written, recorded & performed by Beau Simmons in Melbourne, Australia.

Mastered by Nobi_4
Cover art by Beau Simmons
credits
released October 12, 2018


Rocky Controlo – R​.​S​.​A (Rythmes Sévèrement Addictifs)

Rocky Controlo – R​.​S​.​A (Rythmes Sévèrement Addictifs)
[LINGE084]

Rocky Controlo

“R​.​S​.​A (Rythmes Sévèrement Addictifs)”

A la mémoire de Ana Prr Prr Perdoba
credits
released October 3, 2018Jean Rembarde : Vocals, Lyrics, FL Studio,Composition and Programming,
Claude Biscuit : Vocals, Lyrics, Philosophy, Artwork and respect

Ingénieur du Son : Jean Capdevieille
Mixage : Jean Rembarde, except “Justificatif” (no mixage)
Enregistré à New York, USA

DX11 sur Systems Of Love – Jean Rembarde

Enfermé Dans Le Gard – 2013
Systems Of Love – 2012
Des Devoirs Et Des Droits – 2015
On Est Chez Nous – 2011/2018
Jupiter vs DX7 – 2018
RMI Sans Famille – 2018
La Pena – 2010
Tete Dans Le Cul – 2012/2018
Cherchez La Couleur – 1998/2015

“Cherchez La Couleur” contains un sample of “Cherchez La Lumière” by Solar Quest. Le morceau est une réadaptation à la nouvelle sauce Rocky d’un vieux morceau de Rocky Controlo à l’époque de ses premiers essais (1998). Le Morceau s’appellait “Tiger’s Eye”. Réalisé avec Lucy Pons. Il y avait des dessins de pochettes provisoire à ce sujet, il reste encore à les retrouver.

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Taco Truck – Flour Power

Taco Truck – Flour Power

Taco Truck

“Flour Power “

MalLabel Music is serving it up piping hot and fresh this week, as Denver, Colorado’s Taco Truck slathers the bass in hot sauce and delivers ‘Flour Power’.

Taco Truck is a passion fueled project through and through. With tounge-in-cheek humour behind the brand and serious skills behind the decks, this MalLabel debut is bound to become an instant darling among producers and fans alike.

Taco Truck is dripping with booms & claps, snaps and genre bridging gaps. Smattered with sassy samples ‘Flour Power’ takes low end sentiments and weaves them through footwork, DNB and even a scattering of light house before dropping us off in a classic, glitchy, grimey and deliciously deep place. His ability to weave in highly technical patterning with quirky, girthy drops shows a skill set not to be underestimated.

Taco Truck takes some big, risky bites with ‘Flour Power’ and the result is f’ing delicious. Letting the creator speak for himself, “Like a perfect mountain of street meat, we enjoy songs that are both playful and gritty.”

Artwork by Glassco
Mastering by Chris Cox


6Blocc – Deadly Dubs 8

6Blocc – Deadly Dubs 8

6Blocc

“Deadly Dubs 8”

6Blocc is back with another round of heavyweight
remixes and edits he made for his dj sets now made
avaiable to you! Each one of these is 100% Rewind Biznizz

V.A. – Cut Records Free Sampler

V.A. – Cut Records Free Sampler

V.A.

“Cut Records Free Sampler”

Just a fraction of the releases on offer, this free compilation has been selected to represent some of the best releases from the first 53 EPs that Cut Records has released.

Kamizdat – Access Frame: Collectivity

[KAM031]

Kamizdat

“Access Frame: Collectivity “

A 2018 Netlabel Day release – a compilation of Slovenian artists, with many original works that span a wide spectrum of electronic music genres: from noise and sonic art, via bass, breaks, all the way to acid techno. The concept of the compilation is to bring attention to the conflict between necessity of free culture and enclosure of culture by copyright law. The conflict which is temporarily solved by Creative Commons licences.

An act of publishing music under the conditions of a free culture licence is a political act. In times of continuous global expansion of individualism which is often tightly connected to capitalist exploitation, it communicates a clear message: a desire to build a collectivity. For an artist acting on her own, or a small niche label, it is a significant move towards creation of equitable access to works of art. This act is an actual and concrete contribution to a pool of culture shared by all, an entering of a work and its creator into a collective consciousness. It is not a supression of individual desires and rights – as would false dichotomy of collectivism vs individualism perhaps imply. Instead it is an opening of creative process towards the global community and the public. It is an abandonment of a phantasm of fame and fortune based on maximisation of profits, exploitation of copyright, and intellectual property. Publishing one’s work as free culture is an action of an individual desiring to communicate her art with a collective humanity. It is an intentional gift to any and every potential individual who thusly belongs to a global collective of humanity and is empowered to follow her individual creative paths: listening, learning, composing, reworking, remixing, and sharing.

Access Frame is a series of compilations of adventurous music published by Kamizdat under a Creative Commons licence on 14. July – International Netlabel Day. It tries to establish a practice of thinking critically about access to, and distribution of, art. It poses a question: what is the frame through which we are allowed, and able, to access culture? How is it created, by whom, and can such frame of access be modified and transgressed?

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Olympic – Mind Games

[MIST224]

Olympic

“Mind Games”

The debut EP by Olympic is called Mind Games, an awesome collection of four techno house songs that will make you dance, dance, dance.
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Various Artists – GERGAZ 2008 – 2018 (the Locals)

Various Artists

“GERGAZ 2008 – 2018 (the Locals)”

Artwork by Mili Vigerová
Mastered by / Additional Mastering by Gargle & Expel
This project was financially supported by SOZA

Special thanks to all GERGAZ artists, Radio_FM, WebSupport, Chrenovci, Fero Volár, Daniela Olejníková, Patrik Marflák, Pišta Kráľovič, Jureš Líška, Oliver Rehák, NuSpirit Club & Bar, Juraj Kušnierik, Adam & Adel, Miloš Pupík, Filip Kiripolský, Branči Kováč, Michal Houba, Tibor Holoda, Braňo Vincze, our friends & families, you for listening & support

released April 21, 2018


Listening Satellites – Everything is a Glitch

[401]

Listening Satellites

“Everything is a Glitch “

Listening Satellites appears as Guest artist this time with a small four track EP called ‘Everything is a Glitch’. Lots of oldskool sounds and beats and melodies, with modern inspirations.

The name of the music stays the same over the years but the feel and construction evolves and this EP is a good example of todays vibe reflected in retro sounds. Mellow, Air-esque basslines, Sven Vath inspired beats, ambient pads. Dreamy.

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Warrego Valles – Botox

Warrego Valles

“Botox “

Stylistically, the music on Botox – a debut full length for Warrego Valles – seems to draw influences from a deep underground electronic dance music, but it is based on its contemporary deconstruction, which results in a dark minimalist abstract post-genre electro and glitchy sonic landscapes. The album’s thematic undercurrents tell a story about the present times: ephemerality of all action and destruction of the planet due to climate change and slavery. A grim vision of a world ruled by psychopaths driven by the will to control, greed and domination.

“How else can the drive for immortality be manifest than as an unstoppable exploitation, an endless extraction of resources, a seemingly limitless growth on a finite planet? In a dystopian post-apocalyptic vision called forth into the present in these abstract sounds with words buried in sombre electronic beats and glitches, there’s no sign of mankind after we’ve lost the red sun, our land and sky. We are loosing and destroying our environment. We are fostering more slavery than ever by refusing immigrants, stuffing them in camps and treating them like animals. In these relationships, humanity is lost while feelings of abandonment, defeat and solitude grow within the personal realm.
Underpinning these tracks is a grim vision of the world ruled by psychopaths, driven by a will to overpower and dominate. Only through submission of one’s own body (and mind) will it be possible to find »success«. The greed, the insensitivity, the lust for profit and power, the ability to kneel and to kill.” — extract from liner notes

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Tedium Swing – Reflection

[WAC07]

Tedium Swing

“Reflection”

Tedium Swing adalah keisengan dari Zainal Arifin yang ingin tetap produktif di waktu luangnya. Tedium Swing memainkan musik lo-fi, atau swing, dan juga chillhop. Tak disangka keisengannya membuat musik sejak Juli 2017 hingga jadilah 18 lagu yang ia kemas dalam “Reflection”.

Jogja beberapa hari ini diguyur hujan tanpa ampun dari pagi hingga pagi keesokannya. Bahkan tidak memberikan jeda untuk sekedar menjemur pakaian; tidak memberikan kesempatan untuk berjalan ke warung burjo yang jaraknya hanya beberapa meter saja dari rumah tanpa kebasahan. Tapi kawan..masih ada payung jika tidak mau kebasahan. Atau kalau tidak mau basah-basah kehujanan kalian bisa hanya berdiam diri di rumah dan mendengarkan “Reflection”. Coba rasakan ‘percakapan ombak’ atau ‘reflection’ atau ‘saturdate’ yang kelabu. Atau track ‘doa minggu pagi’ dengan suara-suara oldiesnya membuat ingin bernostalgia.

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Basic Elements – Electronic Landscapes

[CAEL0006]

Basic Elements

“Electronic Landscapes”

Basic Elements third release on CerebralAudio channels electro while paying homage to electronic music masters.

Basic Elements is a renaissance person when it comes to electronic music. For this release he has turned his attention to Electro music. Electronic Landscapes has a decided slant towards Science Fiction. He also manages to work in some references to Berlin School and post Berlin School electronic music to pay homage to electronic music masters, and the master of science fiction.

Pim (Pim van Dorst, aka Basic Elements) has been into a wide array of music from Berlin School Electronic, to hard rock, punk and new beat. He plays drums, piano, a bit of acoustic guitar. For Electronic Landscapes he drew inspiration from many different sources. He even created artwork specific to this release. He is a true renaissance person.

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Basic Elements – Drum And Bones

[CAEL0005]

Basic Elements

“Drum And Bones”

Basic Elements is back on CerebralAudio with Drum and Bones. The first drum and bass style electronica release on CerebralAudio. It seems that Basic Elements is set on making as many firsts on CererbralAudio as he can, and we approve!

With this release he set out to produce an old school DnB release, harking back to the roots of Jungle music and the influences of producers like LTJ Bukem, Nightmares On Wax and The Prodigy. Breakbeats and Amen break inspired rhythms are the core of this release.

But it is much more. It is a listening experience: you will listen to from start to finish, and add to your playlist. There is not a weak track on this release. Bit this is the way Pim van Dorst works as Basic Elements, if he isn’t satisfied that his music can be listened to from start to finish, he won’t release it. He is a perfectionist, and it shows in his music.

This is a recommended headphone listening release for all lover of DnB and Jungle music styles!

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M̼sica Inmobiliaria РDance

[pn122]

Música Inmobiliaria

“Dance”

“‘Dance’ is almost as old as man on earth. The fetus kicks the belly of its mother with rhythm. Sweet woddles to the meter of the music with the first steps. School partie include typical dances. From child to the older adult, everyone is dancing.

It is in these terms that I understand Música Inmobiliaria’s work – parallel project of José Gallardo -, titled ‘Dance’, as part of human reality, ‘Who could say that they have never danced?’

Now, the currents of dance music are extensive and for all tastes. What summons us is electronic. A rich sound of featuring classic analog sounds, old-fashioned electro along with vocoder, there is glitch, synthesized strings pads, powerful sinusoidal basses, in sawtooth and squares, TR-808 sound and a robotic voice that says ‘I want to dance’… Why not do it? It even has a rumba to Jean Michel closing the album to enthuse you.

An album with taste and flavor, with textures that, in an imaginative way, present us with a different, experimental and successful dance music. All in good time with Música Inmobiliaria.”

Eduardo Yáñez Torres aka Gozne
(Quilpué, Chile. Julio / July, 2017)

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Mirth Mara – Sprit Juis


Massimo Ruberti – Live @ MainOff Festival 2017

[NN_Perform026_05_17]

Massimo Ruberti

“Live @ MainOff Festival 2017”

Electronic music performance for the NN Performing digital series by Massimo Ruberti in Old School da Anto Pub in Palermo during Nostress Netlabel partnership in MainOFF Festival 2017 organized by Brusio Netlabel. The performance consist of many electronic remixed tracks from Massimo Ruberti discography in Nostress Netlabel and not only.
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shocky – Moaner

[su015]

shocky

“Moaner”

Debute mini album by shocky (Vlad Baranov) from Siberia. It is a mixture of classic indie rock and downtempo electronics.
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Starcardigan – Zhele

[MZ015]

Starcardigan

“Zhele”

Genre: Electronic Pop, Synth Pop
Country: Vladivostok, Russia

Tracklist:
01. Gella
02. Birdie
03. Zhele
04. Tay-na
05. Lechi
06. Electrosemafour
07. Born (Rara Aviz Rework)
08. Taxi

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J4ck Sh4rk – Anthology ’11: Pushing Envelopes

[EE022]

J4ck Sh4rk

“Anthology ’11: Pushing Envelopes”

2011 shows the search for new sounds. Seeking to increase the limits of what was used as music, it’s possible to perceive the quest for a sound of their own.
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Ffiper – VESNA

[SCL192]

Ffiper

“VESNA”

В основу альбома легла обыденность “Slow Things”. Меняется мир, добро побеждает зло, а музыка тем временем сотрясает душу.

Проект Ffiper (Файпер) был создан в мае 2015-го. Главной идеей первого альбома послужил внутренний переворот мира, переживания и любовь. Музыка писалась исключительно на iPod touch, а вокал на стандартном микрофоне от наушников. Так вышел в свет “Slow Things”. Через полгода началась работа над “Lit vecher”. Это был порыв поэзии, игра слов и грусть, воссоздаваемая авторами. Заключительной главой стала “VESNA”. Все тот же взрыв, что был в первом альбоме, но только в новом переплете. Атом тепла, внутреннего света и любви.
Все, что дальше – исключительно прекрасное. Все, что старое – частица истории.

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Mirth Naarc – Jazx


ono – tree_rmx

[EPV_194 ]

ono

“tree_rmx”

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Tetarise – Playing in the Glow

[378]

Tetarise

“Playing in the Glow”

Once again, as part of the Christmas releases for 2016, Tetarise makes a welcome return to Kahvi! It’s hard to believe that it was a year ago since the last Tetarise release, but he’s back with a five track EP entitled ‘Playing in the Glow’, which contains his usual flare for production and style (with perhaps a touch of Russian industrialism?)

As his previous releases, we’ve got epic and powerful beats, mixed with deep trance and ambient leads. Feel good tracks for the season!

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V.A. – Loose Roots (Part Two)


Erich Schall – SONDE

[wuerfel 20]

Erich Schall

“SONDE”

Erich Schall gehört einfach zu den ganz Guten. Nicht nur, weil dies bereits sein drittes Album auf dem kleinen grünen Würfel ist. Sondern auch, weil er es schafft, sich nicht zu wiederholen. In der Rockmusik spricht man gerne vom schwierigen dritten Album. Erich Schall ficht das nicht an. Er hat schon lange zu seiner Musiksprache gefunden, wobei hier eigentlich die Mehrzahl angebracht ist. Denn, um bei diesem Bild einmal zu bleiben, Erich Schall spricht fließend Dub-Techno, Minimal, Elektro und neuerdings auch IDM und Downtempo. Aber wen interessieren in unserer Postmoderne noch Genre-Grenzen?
Niemanden, genau. Ach so, war eine rhetorische Frage. Egal.

Die freie Wahl der Mittel stellt Erich Schall vor das Problem, nicht in die Beliebgkeit abzudriften. Er löst dies ganz meisterhaft durch Selbstbeschränkung. Jedes Stück verfolgt exakt eine Idee und das ganz konsequent. Seien es nun Sounds von elektronischen Klanghölzern in „Sticks“, von einem Saxophon in „Saxblock“ oder von einem Klavier in „Quantifier“ – stets lotet er alle Möglichkeiten und Variationen bis ins letzte aus. Auch scheint es, als habe er zudem noch verschieden Tempi erforschen wollen. Denn vom extrem treibenden Peaktime Kracher „Tropical Dodge“ über hypnotische Midtempo Stücke für die Aufwärmphase wie „Outside the Tent“ oder „Seep“ bis hin zum abschließenden, chillig langsamen Rausschmeißer „Dew“ werden alle Zeiten bedient.

Ein Album für einen ganzen Abend also, mit einer wunderbaren Spannungskurve. Kann man gut durchhören. Aber natürlich darf sich auch jeder gerne seine Perle herauspicken. Und das Schöne dabei: Perlen gibt es für alle genug bei diesem Album.

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