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Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”

music in category: ♥ by ko

Since 2010 here Konrad from clongclonmoo.org occasionally recommends his favorite free net releases.

Diego Lorenzini y Simón Campusano – Estoy Loco y no es por Ti

Diego Lorenzini y Simón Campusano – Estoy Loco y no es por Ti

Diego Lorenzini y Simón Campusano

“Estoy Loco y no es por Ti”

Diego Lorenzini y Simón Campusano – Estoy Loco y no es por Ti
released May 30, 2025
……………………………….
Música, letra y arreglos: Diego Lorenzini y Simón Campusano.

Simón Campusano: Guitarra y voces
Diego Lorenzini: Voz, ukelele y percusiones

Grabado en Estudio Tres Sillas en Talca, Chile.
Producción musical y grabación: Diego Lorenzini
Masterización: Arturo Zegers Giammarino

Arte de portada: Diego Lorenzini
……………………………….
Music, lyrics, and arrangements: Diego Lorenzini and Simón Campusano.

Simón Campusano: Guitar and vocals
Diego Lorenzini: Vocals, ukulele, and percussion

Recorded at Tres Sillas Studio in Talca, Chile.
Music production and recording: Diego Lorenzini
Mastering: Arturo Zegers Giammarino

Cover artwork: Diego Lorenzini

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posted 03 June 2025

WAYVES – BOT

WAYVES – BOT
[mhrk444]

WAYVES

“BOT”

WAYVES – BOT

released May 24, 2025

Raw, fleeting, disfigured — breaking through the cracks like weeds through concrete.
A rebellion against the self. Against the urge to please, to polish, to resolve.
A controlled fall. A dance between chaos and pattern.

Meant to disorient. To move. To interrupt.

A celebration of not pretending.

This work leans toward a non-dual listening — where no line separates beauty from abrasion, nor pitch from noise. There’s no subject, no object. Only the sound of falling water near a stone. A hum that could be harmony, or just friction made gentle by time.

It draws from Dada not in style but in gesture — refusing meaning as fixed, embracing disruption as form. Like Zen, it invites without asking. The music doesn’t develop — it arrives, disappears, and remains.

This is apophatic sound art — not built on themes, but on the refusal of them.
It doesn’t declare, it negates. Not a construction of beauty, but a slow erosion of its false appearances.
The sound exists as absence made audible — like the gap between waves, or the breath between two conflicting thoughts.

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posted 28 May 2025

Filipe Miranda – Movimento

Filipe Miranda – Movimento
[foot292]

Filipe Miranda

“Movimento”

Filipe Miranda – Movimento

Filipe Miranda from Portugal gave us an opportunity for sharing one of his album. Movimento (Movement) consists of four tracks, overall it has laid-back atmosphere.

Music and choreography improvisation session with Filipe Miranda and Joana Jardim, for the project’s first rehearsal at Viana do Castelo (Teatro Casino Afifense), in 2019. Recorded live on stage, rehearsal environment, with a Zoom H1n. Guitar by Filipe Miranda.

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posted 28 May 2025

Pablo Reche – Programa(cion)

Pablo Reche – Programa(cion)

Pablo Reche

“Programa(cion)”

Pablo Reche – Programa(cion)
Registro Velado (Agosto 2022)
Corriente Sólida (Marzo 2023)
Aura (Septiembre 2023)
Fluvial (Febrero 2024)
Pliegue Infinito (Mayo 2024)
Otoño Invertido (Agosto 2024)
Espectro Mutante (2024 mix)

Compuesto y Masterizado por Pablo Reche en Buenos Aires

Foto de tapa: Pablo Reche
Edición digital: Díaz José
www.instagram.com/guerrilla_108

También disponible edición física CD slim

Catálogo 2024 | FAD 222

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posted 23 May 2025

love sella, AlmabuenA – All my best friends don’t pass the turing test (AlmabuenA Remix)

love sella, AlmabuenA – All my best friends don’t pass the turing test (AlmabuenA Remix)

love sella, AlmabuenA

“All my best friends don’t pass the turing test (AlmabuenA Remix)”

love sella, AlmabuenA – All my best friends don’t pass the turing test (AlmabuenA Remix)
It all started when fellow the Hagueians Barend of the legendary trip hop duo AlmabuenA and local underground music legend WivWav got stuck in traffic together. After discussing their musical faves they birthed the conceptual remix exchange that would eventually grow into the legendary chopped and rearranged remix twins, the half of which is this release.

AlmabuenA is a fresh trip hop duo from Spain and The Netherlands. Made up of legendary studio master Barend and masterful club beat juggler Almudena. They’ve been f&%$ing up the scene these days, fast tracking remixes left and right. We couldn’t be happier to be a part of it.

love sella is a legendary renoise producer and cyberwitch/-bitch. Creating dense and energtic electronic punk music for the crazed.

You can find the other half of this lovechild baby here:
mlemrecords.bandcamp.com/album/the-alan-watts-theme-love-sella-remix

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posted 20 May 2025

Markus Masuhr – Natural Lifeforms

Markus Masuhr – Natural Lifeforms

Markus Masuhr

“Natural Lifeforms”

Markus Masuhr – Natural Lifeforms
Requiem for Natural LifeformsIn stillness, Subaqueous Bloom unfurls,
A silent hymn beneath the swirls.
Photosynthetic Drift ascends with grace,
Light-born breath in time’s embrace.

Echoes of Lichen speak in green,
Ancient tongues, quiet and unseen.
The ground heaves with Tectonic Pulse,
Earth’s deep memory, slow and convulse.

Bioluminescent Veins ignite the dark,
Living stars with nature’s spark.
We Respire in Fog, unseen, alive,
In vapor’s hush, we drift and thrive.

A Moss Signal, faint, begins to weep—
Calling to those the soil keeps.
Under the Nocturnal Canopy, we lay,
Returning to life’s silent decay.

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posted 20 May 2025

Sundialll – HUB

Sundialll – HUB
[YESNO 115]

Sundialll

“HUB”

Sundialll – HUB

儀式 振動 招魂術

A co-release between WV Sorcerer and Yes No Wave Music.

Sundialll is a contemporary music group based in Taipei and Bandung, featuring vocalist/feedback artist Alica Han and multi-instrumentalist/electronic musician Rama Saputra. Coming from distinct musical backgrounds, they explore new sonic landscapes beyond their borders, embarking on fictional journeys through music. Their process begins with deconstructing rhyme, rhythm, and noise, drawing inspiration from their roots and folklore.

Sundialll 是一個以台北和萬隆為基地的當代音樂團體,由歌手/反饋者 Alica Han 和多樂器/電子音樂家 Rama Saputra 組成。他們來自不同的世界,通過音樂中的虛構旅程,想像一個超越邊界的新世界,從解構來自根源和民間傳說的韻律、節奏和噪音開始。

HUB is an eight-part live album built on free improvisation, centered around the fictional theme of social ritual. It is inspired by gratitude as a transition through the chaos of urban life and the organic social cohesion that emerges from improvisational language. Celebrating the convergence of diverse identities and places, Sundialll collaborates with sound improvisers Hong-Yu Chen (Xiao, Suona, Suling, Clarinet, Chinese Flute) and Dutch E Germ (Drums, Gong, Percussions), alongside dance improvisers Yu-Ting Tu, Naau Wang, and Ouro Yang. With a slow and silent gaze, we extend a welcoming gesture—“Come in, for the boundaries have been opened” (Bubuka).

《HUB》是一張包含八首即興現場表演的專輯,具有社會儀式的虛構主題。它受到感恩的啟發,作為混亂都市生活過渡的一部分,並反映了即興語言所創造的混合身份的社會凝聚力。慶祝來自不同地方和身份的人們的融合,Sundialll 邀請了兩位聲音即興表演者—陳泓宇(笛、唢呐、竹笛、單簧管、花笛)和 Dutch E Germ(鼓、鍾、打擊樂器),以及三位舞蹈即興表演者—凃于婷 、王芊涵 和 Ouro Yang。以緩慢而寧靜的目光,我們呈現出一個歡迎的姿態—「來吧,邊界已經打開」(Bubuka)

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posted 07 May 2025

Ciudad de Tar – Liminal

Ciudad de Tar – Liminal
[pn243]

Ciudad de Tar

“Liminal”

Ciudad de Tar – Liminal

They say that somewhere, an impossible city exists. That its inhabitants never fully reveal themselves. In “Liminal”, this new album, amid mists and flashes, Ciudad de Tar appears and disappears. Marco Avilez and José Tomás Molina trace coordinates toward a place that doesn’t appear on any map.

Marco ’s guitars echo like radio signals lost in time, drifting through distortion and reverberation, while José Tomás’s keys, synthesizers, clarinet, and percussion shape shifting landscapes—sometimes minimal, sometimes monumental. What they create isn’t just music; it’s the reconstruction of a myth, the search for a lost geography.

This album is a threshold between worlds. Those who have seen them live know there’s something more—something that eludes the obvious. It’s not just musical synergy; it’s the understanding of those who share a secret.

Perhaps Ciudad de Tar does exist. Perhaps Marco and José Tomás have been there, have walked it’s impossible streets, have heard its murmur. But in a world that pushes us toward predictable paths, that binds us to the tangible, finding it is no easy task. Maybe their music is the only way to remind us it’s still there, waiting for those who dare to seek it.

Andrea Gana aka Yadak (@yadak_____)
(Santiago, Chile. Mayo / May, 2025)

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posted 01 May 2025

indigo chamber – indigo chamber

indigo chamber – indigo chamber

indigo chamber

“indigo chamber”

indigo chamber – indigo chamber
on the debut ep of indigo chamber, a tension reigns between the urge for escapism and pressing wake-up calls from the real world, which seems to grow more imminent and frightening every day.

finding their retreat in hooky, hypnotic dreampop, the crystalline organs, oceanic synths, waltzy drum machines and languid falsetto vocals don’t seem to disturb the idyllic daydream.

but from under the perfect surface a threat of increasing frustration and dissatisfaction looms, and the ever so safe glass bubble is slowly starting to crack…

40% of this album’s sales will be donated to transvisie (transvisie.nl), an organization representing the interests of transgender and genderdiverse persons in the netherlands.

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posted 17 April 2025

Hiroko Komiya and Chris H. Lynn – Movements echo in other days

Hiroko Komiya and Chris H. Lynn – Movements echo in other days
[PT169]

Hiroko Komiya and Chris H. Lynn

“Movements echo in other days”

Hiroko Komiya and Chris H. Lynn – Movements echo in other days
Field recordings and instruments recorded in December (2024) and
January (2025) .
Hiroko Komiya: Field Recordings, Piano, Objects
Chris H. Lynn: Keyboard, Field Recordings, Voice
Mixed and Mastered in Silver Spring, Md.
Cover Art: Super 8 film still from Chris H. Lynn’s Journal of Drifting
Hours series.
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posted 13 April 2025

Rani Jambak – VIBRA GENETIKA

Rani Jambak – VIBRA GENETIKA
[YESNO 114]

Rani Jambak

“VIBRA GENETIKA”

Rani Jambak – VIBRA GENETIKA

VIBRA GENETIKA is a holistic journey that delves into the interconnected dimensions of life. Since 2013, Rani Jambak has embarked on a path to explore the meaning of her cultural identity as a Minangkabau descendant born and raised in Medan. Through this process, she began piecing together fragments of family history, the complexities of her cultural heritage, and the diversity of her surroundings. This journey has not only allowed Rani to understand her connection to tradition and her ancestral land but also to explore the concept of Rantau (migration) as a vital part of the enduring Minangkabau narrative.

As her journey continues, the transformation of a woman’s life into that of a wife and mother has led Rani to discover new dimensions in understanding herself—a transformation of femininity that transcends physical boundaries, aiming toward harmony between body and soul. Each step along this journey forms a crucial element in shaping her worldview, fostering a profound awareness of the interconnectedness between ancestors, nature, and time. This awareness gives rise to reverence for the past, gratitude for the present, and a vision to perceive “future ancestors” as part of an eternal chain of energy.

VIBRA GENETIKA transcends the search for identity. It is a vibration that goes beyond the energy of genetic inheritance—a resonance that lives within the threads of thoughts, emotions, and the universe. It is a manifestation to dive into oneself and to understand ancestral heritage as energy that continues to echo. It carries the legacy of the past to be interpreted into the future. VIBRA GENETIKA is a holistic expression of spiritual journey and the manifestation of life’s resonance itself.

Rani Jambak, a distinguished composer, producer, field recordist, instrument designer, and vocalist of Minangkabau descent from Medan, actively engages in the exploration of electronic music and soundscapes derived from diverse locations across Indonesia. Her body of work frequently addresses themes related to nature, socio-cultural dynamics, and the interrelationship between humans and their ancestral heritage. In recognition of her innovative contributions to sound, music, and technology, Jambak was honored with The Oram Awards in 2022.

Produced, vocal, field recorded, and mixed by Rani Jambak
Palayaran (Rabab Batok Piaman) by Monen on Orang Piaman
Field Recorded on As I Stand In Fire by Toton Januar
Mastered by Vandy Rizaldi in Yogyakarta, Indonesia
Photography by Hario Efenur
Cover by Rani Jambak

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posted 01 April 2025

Xu + Oberlin – Velvet Meadow Resonance Fragment

Xu + Oberlin – Velvet Meadow Resonance Fragment
[mhrk435]

Xu + Oberlin

“Velvet Meadow Resonance Fragment”

Xu + Oberlin – Velvet Meadow Resonance Fragment

Oberlin is the musical project of Alexander Holtz from Koblenz (Coblence), Germany. The centerpiece of his instruments is a modular eurorack synthesizer, which he often combines with guitar, piano and field-recordings. His music invites the listener to contemplate, it often is developing quite slowly, it never demands to be in a certain focus of attention, but it never tries to fulfil any ambient-clichees in the sense of creating just an aural wallpaper either. It is musical improvisation maybe in a more subtle kind of way. Oberlin has released music on Handstitched*, cosmic winnetou, Thirsty Leaves, Vaagner, Hibernate, Secret Press, AOsmosis, some tapes and downloads by himself and, notably two beautiful cassette albums on Mahorka.

Xu is Nicola Fornasari from Cremona, Italy. He began his musical career in 1995 as the bass player and singer for the hardcore band Entropia. Starting in 2007, he began exploring new musical projects, including Xu(e) (a duo with Andrea Poli), Xu (his solo project), La Petite Vague (a duo with Diego Balconi), and That Which is Not (a duo with Pier Giorgio Storti / Belaqua Shua) in 2020. His music has been released on a variety of labels, including Fluid, Whitelabrecs, Shimmering Moods, Slow Tone Collages, Krysalisound, Eilean, Flaming Pines, Rottenman Editions, Rohs! / Lontano, Twice Removed, Cathedral Transmissions, Triple Moon, Thirsty Leaves Music, Audio Gourmet, Tessellate, Haze, Many Feet Under, Subterranean Tide, and Laverna. He has collaborated with artists such as Darren Harper, Bill Seaman and Francis Gri.

“Velvet Meadow Resonance Fragment” is the third collaborative album between Xu and Oberlin. For this project, Oberlin provided acoustic guitar sketches, asking Xu to process and transform them into the foundation of the tracks. The recordings were then manipulated through a modular Eurorack system or altered using the Samplr iPad app. Oberlin handled the final polishing and mastering. This work marks the first chapter of an ongoing experiment. In the next chapter, currently in progress, it will be Oberlin who develops everything, starting from the material provided by Xu. Stay tuned.

Released March 23, 2025 as free (cc) digital download and beautiful limited cassette edition.

Recorded in the Summer of 2023 in Koblenz, Germany and Cremona, Italy

Xu: electronics
Oberlin: guitar

Artwork photo taken and edited by Alexander Holtz
Artwork design by Angel Draganov

“Many thanks to Ivo Petrov and the Mahorka label for taking care of this release”

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posted 01 April 2025

Fabien Robbe – Skeudennoù

Fabien Robbe – Skeudennoù
[mhrk436]

Fabien Robbe

“Skeudennoù”

Fabien Robbe – Skeudennoù

Fabien Robbe is a composer and multi-instrumentalist (notably piano, trumpet and synthesizers). Established in the heart of Brittany, France, he rose to prominence with traditional music dance ensemble Menestra. He has transposed elements of this background in ‘trad’ to an eclectic mix of jazz, free improvisation (under the guidance of François Tusques) and experimental electronic music.

“Skeudennoù” is his debut solo album on Mahorka, after 2 collaboration albums with Julien Palomo on the label – their “Feeling for the latch” debut as a duo from 2021 and “Miniatures” from 2024. Julien Palomo is also present here on this album, the last track being an eclectic abstract ambient collaboration with him.

Released March 30, 2025 as free (cc) digital download and in beautiful limited Digipak CD edition.

“Skeudennoù” is perfectly showcasing the notable jazz, traditional music and free improvisation composer and performer’s diverse approaches to the experimental electronic music world, providing for a strikingly fresh and unique listen, a milestone album for Fabien we will be definitely returning to.

Recorded in Brittany between 2020 and 2024 by Fabien Robbe.

Fabien Robbe: Modulobuk, Korg ms10, Eurorack Modules, Korg wavestation, Philicorda.
Julien Palomo (guest): modular system on “Tévennec”

Photos by Fabien Robbe.
Design by Angel Draganov.

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posted 01 April 2025

Herbsthauch – Krater

Herbsthauch – Krater
[ACP 1438]

Herbsthauch

“Krater”

Herbsthauch – Krater
“Krater” explores Herbsthauch’s experimental side, combining focused synth work with intimate musique concrète and field recording collages. Inspired by recent collaborations with other artists (such as Bunte Luft Trio or Matteo Traverso) this collection showcases refined soundscapes. The title track, “Krater,” incorporates audio from Mars rover Perseverance, while “Hördrift” blends carefully edited field recordings from nature walks and daily life. The remaining three tracks transform modular synth improvisations into powerful drones, dynamic eruptions, and rich sonic textures.
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posted 25 March 2025

Bohdan Stupak – Microvariations

Bohdan Stupak – Microvariations

Bohdan Stupak

“Microvariations”

Bohdan Stupak – Microvariations
Dark, icy blues and purples dominate the sonic landscape, punctuated by bursts of neon green and pink. Smooth, clean synths evoke the vastness of space, while a steady, pulsing simulates the rhythmic hum of celestial machinery. Faint, whispered textures evoke the mysteries of time, and distant, ethereal choirs whisper secrets of the cosmos. A perfect combination of electronic and electric acoustic.
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posted 24 March 2025

sevensy – one2one

sevensy – one2one
[mhrk434]

sevensy

“one2one”

sevensy – one2one

released March 16, 2025

sevensy (aka Austin Brooks) creates music that directly facilitates imaginal sojourns, wherein the message is the sound itself. sevensy mixes electronic and natural sounds with processed guitars and acoustic instruments. His musical themes ‘unfold into an unusual landscape’ so that it is often impossible to tell where one ends and another begins. sevensy has released his music with Mahorka from the time of the label’s inception and was featured on the first “Music for Elevators” VA compilation in 2004. His debut full-length “Beacon” was released on the label in 2007.

“one2one” is his new, fifth, solo album on Mahorka, following the “Reckoning (Creation)” masterpiece from 2023. This release represents a change of direction in sevensy’s music. Subtle guitar melodies are once again interwoven with harmonic resonances, but this new work features more unitive orchestration in a denser than ever soundbath that leads the listener into a peaceful and introspective quietude.

“We are one, yet simultaneously we are individuated. “one2one” is a series of contemplative pieces that explore thoughts and feelings of oneness and duality, which comprise the paradoxical nature of being human.”

Cover artwork by Jan Brooks

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posted 19 March 2025