Faex Optim – As The Summer Die

[408]

Faex Optim

“As The Summer Die”

Faex Optim is back with another Netlabel Day EP. The master the abandoned places meets inspiring and nostalgic riffs and melodies (akin to Boards of Canada and the like) arrives with a four track EP entitled ‘As the Summer Die’.

Sentimental melodies, off key leads and glorious hip hop beats kick into live epic greats such as ‘Major Calendar’.

Fantastic artwork by Precocious Mouse

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Signs – The Message

[STRTEP059]

Signs

“The Message”

Artwork by Thomas Wahle
Mastering by Saif Bari @fixedmastering

MacroNoise – Continuum

MacroNoise

“Continuum”

Slovak producer MacroNoise presents his seemingly chaotic EP balancing on the edge of downtempo, ambient and IDM that will take you far away from the Earth and back. What you are about to experience is the Continuum.

VIDEO BY: Norbert Čierťašský
youtu.be/gohyJw_KoSI

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Wolf Wrams – Entropy

[EEM037]

Wolf Wrams

“Entropy”

Wolf Wrams constantly explores human psyche, the emotion that arises from it and influences it making further steps towards heights and after that falling down into the abyss. Birth, life and death, and then another birth are the results of it. That is expected from Entropy, perhaps all Wolf’s songs are entropic.
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Zzy – Artificial Thoughts

[AR_081]

Zzy

“Artificial Thoughts”

“Artificial Thoughts” is the first Zzy‘s album. The story of this album is about two different realities: the humanity and the machine revolution. In other words, this work criticizes “the modern society” and their addictions. Do humans control the machine or does the machine control humans?

The technological revolution an its progress seems to us unbreakable and doesn’t show signs of ending.

Will we all be dominated by the machine? Is this our end?

“Artificial Thoughts” is struggling with those questions that have no concrete answer. However, the future looks dangerous and THE HUMANITY has to make decisions to survive in this game, against the endless evolution of the machine.

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Noisefever – Love EP

[407]

Noisefever

“Love EP”

Noisefever is known for his cheerful, dance verging on 70s disco beats from his previous releases and Love EP is no different.

Classic beats mix with hammering basslines (and a spattering of chip sound effects) and cheerful melodies in this perfect four tracker to compliment the summer. Time to knock back those glasses of Pimms and enjoy the beats in the summer sun!

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ColtCuts x Abstrakt Sonance – Basslion / Murder

ColtCuts x Abstrakt Sonance

“Basslion / Murder”


Axiom 23 – Origins

[406]

Axiom 23

“Origins “

We welcome new artist Axiom 23 from Sweden to Kahvi this time. Eight tracks of sublime sounds, with the great ‘Above the Sky’ kicking off the audio treats.

Transforming from melodic IDM to more dub style tracks as the EP progresses, a nice to while away 30 minutes and a cool glass of something on a hot day.

Kick back and chill out. Fantastic cover artwork by Precocious Mouse.

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Chuzausen – Mr. Default

[SLC36]

Chuzausen

“Mr. Default”

New Release!
Electronic music
Madrid, Spain
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fascinating earthbound objects – coordinate points

[nvr051]

fascinating earthbound objects

“coordinate points”

‘fascinating earthbound objects’ returns to fill your head with the sparkling sounds of another spring on planet earth. enjoy!
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Various Artists – One Synth

[405]

Various Artists

“One Synth “

Recently we set a challenge for a small hand picked selection of Kahvi artists, along with a couple of guest artists. The challenge? Create a track using only one synth.

This album is the result. A hugely diverse selection of electronic masterpieces from 20 artists, giving you some idea of the huge talent these artists have and the knowledge of their tools of choice.

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Awake In The Dew – Sounds To Ascension

[TRANZ068]

Awake In The Dew

“Sounds To Ascension”

RELEASE INFO:

ARTIST: Awake In The Dew
RELEASE TITLE: Sounds To Ascension
CAT Nº: TRANZ068
RELEASE DATE: June 01, 2018
FORMAT: Mp3 / 320kbps / 44.100 MHZ
GENRE: Electronic
SUB-GENRE: IDM, Glitch, Experimental, Downtempo, Balearic, Chillout
TOTAL TIME: 36:32
SIZE: 109 MB

TRACKLIST:

01. FRACTAL (4:52)
02. WAVES OF COSMIC FIRE (4:55)
03. THE LIGHT HOPE (6:15)
04. INFINITE WAYS TO FLY (3:56)
05. BURNING THE VIOLET FLAME (5:42)
06. LIGHT IN THE SHADOWS (5:28)
07. CHILDREN OF THE SUN (5:24)

Notes
BIO:

‘Sounds to Ascension’ é um EP do projeto de música eletrônica e experimental Awake In The Dew que tem por base o álbum ‘Last Sounds to Ascension’, lançado digitalmente em novembro de 2015. O EP reúne os principais títulos do disco e traz as faixas na íntegra sem a sonoplastia contida no álbum.
A sonoridade de ‘Sounds to Ascension’ se volta para os gêneros mais experimentais da música eletrônica, como o dark ambient, drone, glitch e idm, que formam as influências trabalhadas dentro do projeto e contam com referências a artistas atuais como Access To Arasaka, Hecq e The Flashbulb, além de grupos clássicos como Autechre e The Future Sound of London.
Awake In The Dew foi criado em meados da década de 2000 na cidade de Maceió pelo produtor alagoano Diego Henrique. O projeto teve sua primeira fase entre os anos de 2007 e 2011, com uma sonoridade mais noise com bases em gravações lo-fi e conotações post-rock e psicodélicas. A segunda fase se iniciou em 2012 e já conta com quase uma dúzia de discos lançados, mais voltados para música eletrônica experimental.
O produtor Diego tem 31 anos de idade, cresceu ouvindo dance music e outros gêneros da eletrônica, até se interessar por sonoridades experimentais no final da adolescência. Autodidata, começou a se interessar por softwares de produção e edição sonora aos 17 anos de idade, época em que integrou o coletivo de DJs pragatecno em sua cidade, tocando suas próprias produções como DJ.
Atualmente, ele mantém outros projetos além do Awake In The Dew, nos quais ele desenvolve seu estilo particular e característicos em outros segmentos da eletrônica, seja voltado para pistas, seja misturado com elementos do rock, como pode ser conferido nos trabalhos do Airplanemusic, Hightech Factor e Plumarino.

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Turning Torso – Never​-​ending Prototype

Turning Torso

“Never​-​ending Prototype”

Turning Torso is an experimental producer from Mexico City who introduces a new rhythmic embodiment for the dancefloor of the future in his upcoming EP for xenonyms entitled “Never-ending Prototype”.

The 5-track release explores different hybrid atmospheric poles ruled by a palette of sequenced electrified textures and colliding pads that swarm with panned distortion. While some imaginary soundscapes might resemble freeform jazz with machines, the polyrhythmic structure of this techno-induced hypnotism provoke a corporal response suitable for club explorations.

A consistent feeling of ascension remains in the digital feedback and resonating shocks of subsonic frequencies without losing the oneiric and introspective qualities of Turning Torso’s singular approach to slow change & iterative music.

>From headphones to powerful sound systems, the active listening of this creative output reveal unexpected and transformative sound experiences of hedonism and liberation.


bolus – confirm humanity

[EEM036]

bolus

“confirm humanity”

This EP marks a departure from the “usual” bolus sound of cavernous soundscapes and atmospheres to a more rhythmic structure, incorporating elements of the former. This style harks back to the previously released “beacon” EP – electronic percussion and granular synthesis – this direction was in the artist’s mind for a while. Playing with virtual modular synthesis of late (Solorack by Solostuff, VCV rack) and these patches have formed the backbone upon which the tracks of “confirm humanity” were created.
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FRQ NCY – Gas Peddling / Ghouls / Patchwork

[SM009]

FRQ NCY

“Gas Peddling / Ghouls / Patchwork”

released May 11, 2018

Art: Matthew Smith (www.instagram.com/therealmueseum)
and Construct (MadeByTulippe.com)

Mastering Engineer: Saif Bari (fixedmastering.com)


Beringher – Burst Noise


Bill Vortex РVortex Des R̩form̩s

[D!HR-36]

Bill Vortex

“Vortex Des Réformés”

For its 36 release, Da Heard It Records floats into the parallel worlds of Bill Vortex.

This album is indeed all about parallels, as it multiplies references to more than thirty years of synthetic and dancing music. In this Vortex Des Réformés (“vortex of the reformed”) are fit together with precision pieces of various geometric shapes, reminiscent of the cassette’s illustration as imagined by Vomplie.

Unlike many albums, the tracks here are not thought of as part of a uniform whole, but rather as a well-constructed journey across eras and styles. Acid house, original electro, African influences, northern skweee, tortured breakbeats, and ambient interludes alternate back and forth between respite and high BPM.

As surprising as it may seem, these contrasted aural territories never give off the impression to have been put together as a compilation. On the contrary, they form together a work that takes the shape of an homage to the musicians who accompanied the sonorous everyday life of Patrice Curtillat throughout all these years.

The result is a musical portrait of which each line resonates like a thoroughly studied influence, and that condenses all of the know-how of its author onto a single magnetic tape. Curious music lovers will certainly take pleasure in unwinding it to retrace in their own way this precious history…

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Weldroid – Turgeoncellsil

[404]

Weldroid

“Turgeoncellsil”

Weldroid is a regular artist on the collective, always consistent with his epic brand of industrial idm and his latest ep ‘TurgeonCellsil’ is no different to the rest.

Originally design to be listened to ‘in one long track’, this is the split version created especially for the EP. If you want to hear the original, head over to our Mixcloud page.

Industrial beats and basses meet distorted leads, yet a calm ambience is also apparent. Weldroid take us on a trip to the stars!

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ONHELL – Linden EP

[STYLSS054]

ONHELL

“Linden EP”

Oakland based producer Angel Rubio-Hale aka ONHELL returns with his latest effort Linden. Composed over the course of the past two years, these four tracks capture the essence of his experiences living and making music in Oakland.
The unifying theme on the release is about enjoying life and each track is ultimately inspired by making the most of being alive by exploring the different facets of our existence. A prime example is the track “HIV+” created while contemplating his mortality upon receiving a false positive result from an HIV test. Linden successfully conjoins where ONHELL has been musically while also providing a glimpse of where he’s going. It’s this merging of his past with his future right here in the present that makes listening to this EP so exhilarating.

Bit Laden – Hard Shit

[AFA-SM013]

Bit Laden

“Hard Shit”

You can’t deal with this shit.
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Powels Lumski – See_Shades

[AR_078]

Powels Lumski

“See_Shades”

Powels Lumski‘s first EP “See_Shades” has the DNA of the classic ambient to down-tempo vibe. The four tracks slowly rolls the waves loaded with bass frequencies, glitches and artifacts to create some gritty mysterious reliefs to the journey.

Composition, Mixing & Artwork by Powels Lumski
Mastering by Andrew Course

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K. Markov – Excerpt Two

[402]

K. Markov

“Excerpt Two “

A seven track ambient album from K.Markov showcasing a selection from three of his existing albums – Organic, After the storm and Species, which you can find on his bandcamp page.

Following on from his first release on Kahvi under the name Phrulex (which was a single several years ago), and part one of the excerpts, K.Markov gives more of the detailed, progressive ambient work that appeared in part one.

Gently floating atmospheres, mixed with sweeping arpeggios and melodical interludes to keep you listening closely.

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Jonas Reif – Rand Corp

[foot273]

Jonas Reif

“Rand Corp”

The first release in 2018 came from Denmark. Jonas Reif provided us
three track EP. Svimmel (means dizzy): “I wanted this track to express shifting emotions, I also wanted to blend different signature elements of genres
such as acid, DnB, Breakbeat”. Faser (means phases): A movement through different states of mind. Flerform (means multiple forms): “I was inspired by 80’s aesthetics and
old skool funk, which I wanted to put in the context of acid/IDM”.
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MRTN-CSTR – ((–SEKU -_- EKU–))

[pn129]

MRTN-CSTR

“((–SEKU -_- EKU–))”

“For some years now, the Córdoban producer Martín Castro, aka MRTN-CSTR, has been surprising us with his creations, ever since releasing his debut album “Kr0m” through Pueblo Nuevo in 2014. This time he presents “((- -SEKU -_- EKU- -))“, an album comprising 7 tracks with an aesthetic he has developed through “patches”, which he designs himself for the software “Reaktor” from “Native Instrument.” These allows him to create an idiosyncratic style, with industrial sounds, granular trips, and glitches, as he develops a penetrating IDM with intense and sometimes devastating environments that make us think for a few minutes that we are in an empty and abandoned city, where only robots live and humans are extinct.

With a sound marked by broken and changing percussion, approaching that of new-acid, “((- -SEKU -_- EKU- -))“, produced by one of the most talented current musicians in Argentine electronics, is a highly recommended album.”

Alisú
Modismo Netlabel
(Valparaíso, Chile. Marzo / March 2018).

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Tha Baaz – Reb0ound

[IYE26]

Tha Baaz

“Reb0ound”

ThaBaaz was born in 1974, classical studies of percussion instruments and acoustic drums, disparate musical interests: from dodecaphonic serialism to minimal electronic and to the IDM, just to expose only a few. His latest project, the most articulated, is entitled -reb0und- , it’s a concept album, year of creation 2008, 59 minutes of frequencies collected in 2 Suites respectively of 4 and 3 movements, 13 tracks; “an ascent in the disturbed darkness from fragments of noise “.

The work evokes a “system” at its last stage in fast introversion, the disruption is massive, directed to the chaotic darkness, to the cold disorder towards the “non-human noise”.

The solar and luminous scenarios of the 2 movements of the first Suite curve and slide rapidly into the deep “interior”; the “musical form” that we had known so far is running out; we are at the end of “music” (in the broad sense of the term) heading for an authentic solitude of bright dazzles in nocturnal and deserted isolated, non-systemic, atypical highways.

The second Suite invades the soul: the existential fear is director, places the audience constantly on the edge of a chasm, dissolves the last “fragments” of the “conventional” themes at the beginning and separates them, dissolves them in Larsen of frequencies strongly destabilizing.
The Metaphysics is the central theme of Suite II, we try to “portray” the inaudible sound spectrum, we try to recreate the “end” of every tangible empiricism; to this complex task we use sound generators, krell patches, collages (samples) of contemporary (musical genre) and what transcends the traditional and academic: structure, melody, harmony and metric they are almost totally “informal”.

ThaBaaz in -reb0und- inserts and “deforms” short phrases and solos (woodwind, violin, piano) taken from works by important exponents of contemporary music and avant-gard of the ‘900 (Pierre Boulez, Edgard Varése, Igor Stravinsky) with these ” citations “stands out, beyond the importance of innovation of such masterpieces, the multifaceted contribution to music in all its expressions; importing them in “foreign” contexts and distant from their origin (virtual modules, oscillators and automatisms of envelopes) are colored by oppressed and gloomy tones that we could approximate to those of the dark ambient genre but not only, can be identified (in the whole album) serialism (musical current) that translates into these generic guidelines: avoiding repetition and symmetry at all structural levels by working with a limited number of compositional elements for each musical cell (in the piece). This in order to synthesize and label, describe in a few lines the supporting columns of -reb0und-.

We need the “tradition” of the avant-gard itself to search for another.

The work does not present rhythmic and percussive lines, only in 2 pieces we recognize some measures in sinusoidal pulsations, this almost total “rhythmic absence” has “freed” the time from the usual role and task of metric and timbral constant, repetitive, “symmetrical” quantization “.

Using an exquisitely didactic vocabulary: the crown, the breath; the almost absolute absence of timbral pulsation reiterates itself emphasizing, emphasizing the incessant sound disruption that takes place in the succession of the two Suites before the listener.

Last but not least, the final mastering part was followed with “meticulous” attention by Kill KRT (friend of the author of -reb0und-) who tried to “accelerate” some “dissonant” color both on the timbral dynamics and on waveforms.

From the “warmth” of the wave (sawtooth) to the “emptiness” of the white noise; to you -reb0und-

Have a good listen.

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