Daniel Barbiero & Cristiano Bocci – Wooden Mirrors

Daniel Barbiero & Cristiano Bocci – Wooden Mirrors
[PT086]

Daniel Barbiero & Cristiano Bocci

“Wooden Mirrors”

On Wooden Mirrors: Daniel Barbiero, double bass (left channel); Cristiano Bocci, double bass (right channel)
On From a Concourse: Daniel Barbiero, double bass; Cristiano Bocci, live electronicsRecorded live in the studio August 2017 in Silver Spring, Maryland, USA.
Cristiano Bocci: Engineering & mixing.
Photographs by Cristiano Bocci
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z(xW+yV) – 3×2(1W+18V)

z(xW+yV) – 3×2(1W+18V)
[Eg0_202]

z(xW+yV)

“3×2(1W+18V)”

z(xW+yW) is a solo project of Kecap Tuyul started spring 2018 while experimenting different ways to generate low volume feedback with small gear : for instance with one contact microphone and one 1W battery-powered amplifier. It was initially thought as lo-fi version of the “Failure Circle” project work with chaotic feedback system of the no-input mixer in a more portable way, but finally took a quite different direction, with a more tactile & acoustic dimension.

3×2(1W+18V) is the first published album of this project. It was recorded in june 2018 with lo-fi means (cell phone and a cheap digital recorder). Each track is a mix of two improvisations played with the most primitive form of z(xW+yV) : one contact microphone, one 1W battery-powered amplifier and two guitar effects (overdrive and equalization).

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Martin Rach – Live – densities, distance, differences

Martin Rach – Live – densities, distance, differences

Martin Rach

“Live – densities, distance, differences”

recorded at paviljonas, vilnius, 2019 02 24
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M.A.K.T. Sono – 11 Songs

M.A.K.T. Sono – 11 Songs
[Eg0_201]

M.A.K.T. Sono

“11 Songs”

M.A.K.T. Sono (Magali Albespy and Kecap Tuyul)’s second album « 11 songs » is made of selected and edited improvisations recorded during the “M.A.K.T. Sono (sans sono)” residency at Le Magasin – Laboratoire de permanence chorégraphique (Mathieu Heyraud) – Saint-Etienne – November 4-9 2018.
Since their beginnings in February 2018 the duo has been working with modular set-ups that are likely to provoke unstable situations (like the soundbox, analog synthesizer and no-input mixer used in their first album “If you were a clarinet”). This time they played with microphones, voices, analog synthesizers, and small battery-powered amplifiers, forming a modular set-up whose elements can be interconnected in various ways. They also experimented the integration of some song-material in their improvisations.
Videos : https://magalialbespy.wordpress.com/residence-au-magasin/
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Achnn – Exercice 2

Achnn – Exercice 2

Eric Leonardson & Anja Kreysing & Donatella Bartolomei – live @ re​​:​​flexions sound​​-​​art festival

Eric Leonardson & Anja Kreysing & Donatella Bartolomei – live @ re​​:​​flexions sound​​-​​art festival
[ACP 1188]

Eric Leonardson & Anja Kreysing & Donatella Bartolomei

“live @ re​​:​​flexions sound​​-​​art festival”

live @ abraxas, Augsburg, 20.07.18
thanks to Gerald Fiebig & Kulturamt Augsburg
photography by Dan Penschuck
recording, mastering and design by EMERGE
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Jorge Cabadas & Juan Carlos Castillo – CHARACTERS

https://f4.bcbits.com/img/a2024247431_16.jpg
[PT085]

Jorge Cabadas & Juan Carlos Castillo

“CHARACTERS”

Jorge Cabadas (electric guitar & electronics)
Juan Carlos Castillo (electric guitar)Recorded live in Madrid, at LABUHARDILLA, by Alvaro Herrera on July 16, 2018.
Mix & mastering by Alvaro Herrera.

Eduardo Vega, cover photo.

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Federico Dal Pozzo & Friedemann Von Rechenberg – live @ live @ re​​​:​​​flexions sound​​​-​​​art festival

Federico Dal Pozzo & Friedemann Von Rechenberg – live @ re​​​:​​​flexions sound​​​-​​​art festival
[ACP 1187]

Federico Dal Pozzo & Friedemann Von Rechenberg

“live @ re​​​:​​​flexions sound​​​-​​​art festival”

live @ abraxas, Augsburg, 20.07.18
thanks to Gerald Fiebig & Kulturamt Augsburg
photography by Dan Penschuck
recording, mastering and design by EMERGE
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Half Evidence – Veines

[eg0_199]

Half Evidence

“Veines”

Half Evidence (a french free improvisation duo formed in 2012 by Charles premier & Kecap Tuyul) is currently on hiatus since summer 2016, but their story isn’t finished. Amongst hours of material created between 2012 and 2016 they have selected a few tracks recorded in april 2013, gathered in a new album : Veines. In these sessions, Charles premier played several of his home-made instruments, while Kecap Tuyul used prepared guitar and voice.
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Wings of an Angel – Being Righteous Automatically Makes You Betrayed

[Self Release]

Wings of an Angel

“Being Righteous Automatically Makes You Betrayed”

1.
Kungfucius 06:57
2.
The Inability To Laugh At Yourself Feeds The Trauma Of Intelligent Life 10:38
3.
The Self Is An Omission Within The Self-Exploratory Nature Of The Possible Provisions Of Every Intoxicated Psyche 38:24
4.
Whenever You Seek A Joy, You Cannot Dream 32:17
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Giuseppe Pascucci, Vito Pesce – Humasaurs

[PT084]

Giuseppe Pascucci, Vito Pesce

“Humasaurs”

“Humasaurs”, sounds from a dystopic World of corrupt and luxurious reptile-humans.

Personnel: Giuseppe Pascucci – Vito Pesce : Electric Guitars, effects.
Live recorded by V. Pesce, G. Pascucci, between September 2016 and February 2017.
Sound Design, Mixing and Mastering: Enrico L’Insalata, ChiralityAudio.
Graphic Illustration : TACHY147

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Giuseppe Pascucci, Vito Pesce – Nikola, Was Right !

[PT083]

Giuseppe Pascucci, Vito Pesce

“Nikola, Was Right !”

“Nikola, Was Right!”, has been freely inspired by Nikola Tesla’s works and Life.

Personnel: Giuseppe Pascucci – Vito Pesce : Electric Guitars, effects.
Live recorded by V. Pesce, G. Pascucci, between September 2016 and February 2017.
Sound Design, Mixing and Mastering: Enrico L’Insalata, ChiralityAudio.
Graphic Illustration : Vito Battista

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Petrolio & Gus Ring & LDX#40 – live @ re​​:​​flexions sound​​-​​art festival

[ACP 1185]

Petrolio & Gus Ring & LDX#40

“live @ re​​:​​flexions sound​​-​​art festival”

live @ abraxas, Augsburg, 20.07.18
thanks to Gerald Fiebig & Kulturamt Augsburg
photography by Dan Penschuck
recording, mastering and design by EMERGE
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Art & Technique – 071617182018

[D!HR-39]

Art & Technique

“071617182018”

For its 39th release, Da ! Heard It Records gives birth to a new alchemy.

As an emblematic figure of the French alternative scene of the 70s and 80s, Bernard Filipetti has been heating up his analog synthesizers’ circuits within the band Camizole along with Dominique Grimaud, and with his solo project Art & Technique. Raw, industrial, and without concession, Bernard’s recordings of that time resonate among those of a new generation of mavericks, whom he discovers with enthusiasm at the heart of the Parisian musical network of Rue des Gardes. He then surrounds himself with Mathieu Habig, the energetic drummer of Guili Guili Goulag and Spoliature, to fire up his machines during the Merguez Electroniques festival in June 2017. This memorable concert is the origin of the present cassette, born from the spontaneous invitation of the Da ! Heard It label and the arrival of Ravi Shardja, (GOL Couloir Gang) into this new formula.
For three days, after strategically placing mics and ventilators in an overheated cave in Porte de la Villette, the formation of varying geometry cans nearly 12 hours of material in July 2018. From these largely improvised sessions arise unpublished sonorous structures, marked by the canicular atmosphere of the place.
A true celebration of the alloy of complementary personalities, the saturated cloths gradually ignite the speakers to reveal the sustained play of Mathieu Habig. Synthetic volutes briefly appear and melt into these long compact shores, as if shaped directly in the material. In two of the four tracks on the album, Ravi Shardja’s bass brings in a krautock flow to add to these stretched out compositions, extended and forged compulsively in the heat of this underground studio. Reminiscent of the various sonorous strata machined at the forefront of this percussive assembly, the sleeve that accompanies this production was conceived with precision by Pia Mélissa Laroche. Inside, the magnetic tapes that capture the vivid energy of these sessions give a fair idea of their concerts and invite to a collective frenzy.
Thirty years after its debut, Art & Technique reinvents itself with tribal rhythms, obstinate bass lines wrapped in a dense, psychedelic, and perpetually boiling electronic.

071617182018, the 39th release of Da ! Heard It Records is distributed under a Creative Commons BY_NC_ND license. The album is fully listenable and downloadable at the following address : https://www.daheardit-records.net/en/discography/dhr-39

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Pablo Javier Piacente – Profundidad Del Tiemp

[20k356]

Pablo Javier Piacente

“Profundidad Del Tiemp”

Pablo Javier Piacente is finally back with us after a hiatus of eight years with a lobit rendering of his current downtempo album Profundidad del tiempo.
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Stadlmeier – live @ the waggon

[1021]

Stadlmeier

“live @ the waggon”

live @ waggon am kulturgleis, Offenbach, 23.08.18
thanks to Georg & Torstn
recording, editing, mastering, photography & design by EMERGE
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Doedelzak – P8 phase 3

[Eg0_197]

Doedelzak

“P8 phase 3”

“P8 phase 3” presents another side of the work of our regular contributor Doedelzak. This time he used an hybrid methodology of improvisation, generative music and post-production manipulations. The 3 phases indicated in the title refer to the three main stages of the creative process used here :
phase 1 : improvisation on MIDI piano
phase 2 : extension on multiple virtual instruments, using aleatory distributions
phase 3 : superpositions, accelerations/decelerations, volumes
The result is multi-layered composition which is in the same time easy to the ear (thanks to its smooth sounds and melodic components) and very complex and ever changing. It could be enjoyed as background music but is also fascinating for a more focused listening which will let you discover many details and subtleties of the piece.
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Limbah Berbunyi Project & Potrobayan Jam – live at Ritual Dekahan Bumi

[WAC26]

Limbah Berbunyi Project & Potrobayan Jam

“live at Ritual Dekahan Bumi”

This release is a live recording of the collaboration of Limbah Berbunyi Project with Potrobayan Jam at the peak of the series of Ritual Dekahan Bumi in Potrobayan Village. Ritual Dekahan Bumi is a representation of the gratitude of the Potrobayan community along with several Eling Project teams in completing a series of workshops, one of which is making sound sources or musical instruments from existing resources. The resources used in this workshop came from waste and used goods around residents’ houses such as glass bottles, remnants of house floors, barrels, or used pipes. In this workshop, the Potrobayan community was facilitated by Limbah Berbunyi Project with a taste-based improvisation method. In this workshop also was born an art group from the Potrobayan community named Potrobayan Jam.

Composer by Moong Pribadi
Music by Lembah Berbunyi Project and Potrobayan Jam
Recorded, mixing, mastering by Lembah Otak Studio

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CRANK STURGEON – a v 12 10 18

[ACP 1181]

CRANK STURGEON

“a v 12 10 18”

live @ villa, Augsburg, 12.10.18
cover art by Claus Poulsen (artwerk.menneske.dk)
recording, mastering and design by EMERGECRANK STURGEON explores the unwieldy commingling of noise and performance through the use of thrift store electronics, incongruous actions, and costuming reminiscent of supermarket aesthetics. Whether meditating on a roll of amplified packing tape or instructing an audience to fill Crank’s pants with water, the result has been a double-decade odyssey of noisy mishaps, inflatable parades, and accidental theater; feats destined for the shelves of ever-grinning and mesmerizing obscurity.
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Wings of an Angel – Submerging Into Delusional Silence

[Self Release]

Wings of an Angel

“Submerging Into Delusional Silence”

1.
The Saddest Part Is When We Quit 36:362.
Bewildering Variations Of The Self-Mutilating Tricks We Play With Obsessively To Fool Ourselves Into Believing That We Are Better Than Everyone Else 01:16:243.
Eternal Fragments Of Interplanetary Glaciers Breaking Into Cosmic Smithereens, Carrying Particles Of Every Manmade Hope Ever Dreamt Of, Like God’s Charcoal Figure With Muscular Hands And Feminine Brows, Interrogating The Fallen Angels About The Bitter Fate Of Humanity Out Of Despair To Fix Creation 57:37
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Chris Silver T + Mauro Sambo – …che il sapore dell’aria possa appoggiarsi alle labbra

[pn138]

Chris Silver T + Mauro Sambo

“…che il sapore dell’aria possa appoggiarsi alle labbra”

“In un arco temporale molto breve” (a Chris & Mauro).

Quando Il corpo si separa dalla mente e nuovi spazi si formano

Tu respira…

lascia passare l’aria e inoltrarsi l’ombra…

…aria

la mente si domanda cos’è questa massa di carne, ossa e tendini che deve far muovere, spostare…
Una massa in perenne fermento, sempre tesa.

Perché?

Il corpo dal canto suo si sente privato di senso, quasi un intruso, un peso per quel mondo
metafisico verso cui la mente tende.

E’ di troppo?

Piccole scosse muovono le dita, che lasciate a loro stesse si erano addormentate,
forse un tentativo della mente di abbandonarle…

l’aria si appoggia alle labbra e il naso freme per quel sentore, forse più un ricordo,
di incenso, tenue ma insistente.

Un lungo respiro sposta i polmoni e ossigena…

Tu respira…

ora si che…

“…cos’era quel suono? Hanno bussato?…No, non dovrebbe essere già qui…”

La gola stretta in una morsa, una sensazione di brivido che corre lungo lo stomaco e lo sterno.

L’esterno che risveglia l’interno.

Non è possibile lasciarlo indietro quel corpo… dietro la porta qualcuno lo aspetta…

ritorna a terra, con i piedi saldi, i sensi allerta, il cuore fremente.

Matilde Sambo
https://www.matildesambo.com
(Milán, Italia. Milano, Italy. Diciembre / December, 2018)

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Onde Poussi̬re Рdel_din04

[Eg0_194]

Onde Poussière

“del_din04”

After a web collaboration (album Imperceptible,) Onde Poussière return to free improvisation with their 4th album del_din04, made of sessions recorded on 25th and 26th september 2018. For this occasion, they once more experimented with new set-ups, this time with a focus on lo-fi sound. Doedelzak played laptop amplified with cheap computer speakers and occasionnaly flute, while Kecap Tuyul used his z(xW+yW), a low-tech modular system based on tiny battery-powered guitar amplifiers and contact microphones. Through this new change they continue to explore sonic material and techniques that are likely to cause various accidents and usually unwanted sounds, which are an essential part of the ground on which the band build its improvised soundscapes.
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Various – Noise Factory 2017 “klangruhe”

[ACP 1167]

Various

“Noise Factory 2017 “klangruhe””

Dieter Mauson
Dan Penschuck
Wolfgang Neven
Markus Schwill
Sascha Stadlmeier
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HOLZKOPF – Post​-​Neo​-​Pagan Wind Music Live at Ganze Bäckerei in Augsburg, Germany

[ACP 1165]

HOLZKOPF

“Post​-​Neo​-​Pagan Wind Music Live at Ganze Bäckerei in Augsburg, Germany”

Improvised music by Holzkopf using a sampler, MIDI controlled feedback, a pretzel with paper bag and a beer bottle.

live @ Ganze Bäckerei, Augsburg, 07.07.18
recording, mastering, photography and design by EMERGE

Holzkopf is Western Canadian musician Jacob Audrey Revington Taves. A decidedly non-traditional musician, they have mainly used budget bin samplers and drum machines in combination with tape recorders, mixing board feedback and raw data sounds. Varying from deconstructed dance music to harsh rhythmic noise to delicate and soft soundscapes, Holzkopf performances channel influences as diverse as industrial, dub, microsound and gospel musi

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Various – Noise Factory 2017 “klanggänge”

[ACP 1166]

Various

“Noise Factory 2017 “klanggänge””

Arne Heisch
Greta Neven
Dan Penschuck
Wolfgang Neven
Markus Schwill
Sascha Stadlmeier
Henning André Voss



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InO – Magali Albespy – 2017/2018

[Eg0_191]

InO – Magali Albespy

“2017/2018”

InO is the acronym for “Interpenetration and non-Obstruction”, one of the principles that John Cage used to create music that was anarchic (against the structures of most of musical traditions) and in the same time encouraging new possibilities of coexistence. Magali Albespy, a french artist rooted in dance and performance, took inspiration from this for a methodology of real time composition dance practice focused on sound. “2017/2018” is made of excerpts of the sessions recorded during the first year of these weekly events.

These recordings can be considered as documents of this practice. Indeed they are such documents, especially for people who were involved in the sessions. But we think that they also have a fragile and surprising beauty of their own that deserve an independent life for your listening. This unexpected musicality has been discreetly stressed by the editing choices, which we can consider like a delicate work of “a posteriori composition”, a work made with respect for the uniqueness of each sound event and their kind of abstract narrative power. That’s why we hope that you will enjoy these atypical works.

Credits :

Recorded and edited by Magali Albespy.
Pictures by Anne-Catherine Nicoladzé (front cover) and Emmanuelle Huchet (back cover)

Featured performers :
Magali Albespy, Jean Bloch-Laroque, Suzanne Cotto, Antoine Freychet, Chloé Garat, Flora Gaudin, Camilla Gliozzi, Virgine Gouband, Emmanuelle Huchet, Paul Kauffmann, Guillaume Lecamus, Laurence Luminet, Blandine Minot, Stéphanie Moitrel, Martine Muffat-Joly, Anne-Catherine Nicoladzé, Olivier Pelletier, Stéphanie Puechavy, Regina Ramsl, Anne Savelli, Kecap Tuyul, Donata d’Urso, Sig Valax, Mandoline Whittlesey

Magali Albespy is a dancer and performer. She likes to question the borders between formats and artistic disciplines. She explores real-time composition with body, video and sound. As a musician, she also plays in M.A.K.T. Sono and Mesce Basse.



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lauren redhead – hearmleoþ—gieddunga

[pyr262]

lauren redhead

“hearmleoþ—gieddunga”

these pieces were created from 2016-2018 as part of a collaborative project in three stages. lauren redhead created scores, texts, samples, and concepts for performance. alistair zaldua then took part in the realisation of the works for live performance through the development of performance practices and live electronic interfaces. in the final stage of the project, lauren and alistair were joined in the studio by josh cannon who contributed creative studio practices and mixed and mastered the final tracks. this music is therefore a result of live performances, studio composition and of collaborative exchanges.
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