Sometimes, it’s good to be proud. Proclaim to the world that which is true to you. Stand UP, and be counted – and join the party!
Featuring overdubbed bass clarinet, frame drum, and shaker.
The Necrophile Hummingbird Non-Profit netlabel presents Ollaolematused olemataolemises by Autharktos.
“Mystical Noise for Cosmic Lovers”
The slightest word would blow up the veil of the mystery, so…
Silence is golden… and music quicksilver !
1) Peahoogutuuleeaaa
2) Atrktiline thuzzumulgu
3) Ei ole Kevin S vaid Toruperanuur
4) Hooga Poogu Loogu
5) Surnud hinge rigiidne ego
6) Vaba tahe maha lahe
7) Valjavalitud kongevad keevas roojas
Cover print by Erki Kasemets
https://cca.ee/en/artists-database/erki-kasemets
Autharktos are:
Uno Kassius – electronics, drones, improvisation
Jammu Tyche – electronics, loops, samples, improvisation, noises, rhythms, effects, recording
Meho Verhul – tape manipulations, improvisation, samples, noises, rhythms, effects, recording, post-production
Dominik Kuus – electronics, drones
Maude Tenne – effects, noises, recording
Ain Teep – tape manipulations, recording, effects
Neil Sung – rhythms, noises, effects, improvisation
H.P. Kraft – rhythms, improvisation, electronics, noises, effects, loops, recording, post-production
(and many others)
Dedicated to Kosmische Demiurg
The reed is red,
The time is blue,
A book is sweet,
And so are you.
Featuring clarinet and robotic reverb.
What matters.
What matters?
This matters.
That matters.
Who clatters?
Those ratters,
in tatters
that shatter.
The matter
of Matter
is chatter,
not latter.
Featuring flute.
III For Phinney
by Charles Rice Goff III
1 The Coiled Cottonmouth
2 Big Muddy Memphis Distortion Blues
3 Southern Fried Anguish
INSTRUMENTS:
Korg R3 Vocoder/Synthesizer
Fender Hello Kitty Stratocaster Electronic Guitar
Various Analog Foot Pedal Sound Effects
Boss RC 20X Loop Station Loop Duplicator
FROM THE AUTHOR:
Chris Phinney and Charles Goff III began a friendship and artistic collaborative relationship during the middle 1980s, which continued to the very end of Chris’s life in the summer of 2026. Goff was informed of Chris’s passing on July 3, 2026, which turned out to be a challenging day in many ways for Goff. Chris himself was challenged by life’s unexpected disasters many times, resulting in tremendous physical and economic strains over the years. Chris never went down easy though, and his recordings often artistically channeled his frustrations. For Goff, Chris’s passing was one challenge that ate into his own soul so deeply that he cleared his schedule for that July 3 day and put his Taped Rugs Studio through a frustration-releasing improv session. Goff genuinely felt that Chris’s essence was there in the studio with him as he created the recordings.
The three recordings presented here are the end result of the session. A lot more material was recorded, but Goff specifically chose these three choicest bits to share with the general public as his respectful tribute to his late friend and associate. No materials that did not originate from the July 3 session were added to the final mixes. No artificial intelligence ( AI ) was employed in molding this presentation. These recordings are enhanced by Goff’s electric guitar playing, which, due to his own physical issues, have been absent from most of Goff’s productions for the last few years. This challenge was met and executed with the knowledge that Goff likely would physically pay for it later, which he did. (Challenge accepted!)
In the summer of 2006, during Goff’s 06/06 Tour Of The Southeast USA, Chris generously hosted Goff for a stay at his home in Memphis, Tennessee. The cover photo for this presentation was taken on Beale Street in Memphis during the visit. More information, recordings, and video from this visit can be found at this Taped Rugs site:
https://tapedrugs.com/TapedRugs0606TourArchive.html
Chris worked with hundreds of artists over the years. He initially shared his work and the work of several other artists on his Harsh Reality Music cassette label, which is well documented at the website below:
http://www.haltapes.com/harsh-reality-music.html
Chris later created an online Harsh Reality presence, was a co-founder of the Tapegerm interactive music collective, and produced a number of CDs and CDRs. Much of what is still currently offered to the public from these sources can be accessed at the websites below:
harshrealitymusic.bandcamp.com
tapegerm.org/chris-phinney/
A FEW COLLABORATIVE PHINNEY-GOFF PRODUCTIONS AVAILABLE FOR FREE STREAMING AND DOWNLOADING:
https://archive.org/details/MaestrosOfTheMagneticAge
https://archive.org/details/TapedRugsTourTennesseeOne
https://archive.org/details/TapedRugsTourTennesseeTwo
https://archive.org/details/TapedRugsTourVideo
copyright 2026 by Taped Rugs Productions
www.tapedrugs.com
Always zip, (and also latch)
Ensure your cargo is attached.
Failure to heed this mandate
Lets your goods fall to their fate.
Tumbling can be quite tragic,
Requiring repair to restore the magic.
So, remember this simple quip:
Secure your latches, and always zip!
Featuring bass clarinet.
Alexander (.WAV.) Wagner – electroguitar, synths, drumpad, e-bow.
Alexey (Vampire) Vokhmyakov – soprano saxophone, percussion, drumpad, voice.
This is a recording of a live performance by musicians from the projects “Ad Lux Tenebrae” and “.WAV.” each of whom is independent and original. This complete improvisation, roughly divided into sections, was performed at an INDUSTRIAL/NOISE FORUM at the Tarkus rock store in Yekaterinburg, Russia.
Recording – march 14, 2026 (3dekb studio)
What is a vacuum? What does it accomplish?
If it functions well, it achieves nothing.
Featuring clarinet and robot vacuum.
Stefano Grasso – drumset, mixer, microphone, portable loudspeakers
Recorded by Stefano Grasso on May 12th, 2025.
Mixed and mastered by Volker Böhm in winter 2025.
Journeys through familiar places can proceed in strange ways. It is difficult to capture how, as we either fall back on tropes or into noise. Despite the distance between these extremes, their bounding lines are thin – porous.
Featuring clarinet.
Mauro Sambo – electronics, zither, bass and contra-alto clarinets, flute, percussion, gong
George Cartwright – alto and tenor saxs, acoustic and electric guitar, “deer call”
The titles of the CD and the songs are taken from the book “Flussi” by Matilde Sambo
cover art – Mauro Sambo
from the series “myodesopsie”
What is the sound of a color? Is it the same as the color of a sound? If so, it must be both bright and dark, rich and dry. It must sing its hue to the world, and paint its pitch across the sky.
Featuring bass clarinet.
When I lived in a tiny godforsaken fishing village in Crimea, I had a collection of antique glass fishing floats, picked up on the shores of the Sea of Azov – just like the ones they collect in Japan. Only photographs remain now, because I no longer know where that home of mine is.
And a street that no longer exists for me. A window with erased coordinates. Blue glass floats in a digital media only. Not too much for recollection, I can’t help not to recollect.
—
■ Vu iz dos gesele (as an echo) // Crimean Memoir
A 5-minute raw hauntological document captured accidentally during a Zoom H2 field test.
An enharmonic intersection of the Japanese C In Sen scale and F Harmonic Minor, where the ghost of a traditional melody involuntarily bleeds through a rigid modal space. Left unedited with all the room tones and industrial rumble from an open window.
Video: Shifting light on the original archival photographs of my lost glass floats.
Breaks expose facets – facets offer perspectives. Such variety is less transparent, but it rewards amply. Yet it also carries risk – the danger of a a breach too far, and an edge too sharp.
Featuring piano.
Being well-used does not necessarily entail being used up. Many items require a period of breaking in – resulting in a resilient litheness that allows for optimal performance.
Featuring clarinet.
“Stay well, stay kind to each other, do unto them as you would have them do unto you, be a good person, and enjoy music. This is the story of life. Enjoy music, and be a good person – be a good person to other people, and enjoy music. Then you’ve got it all.” – Sonny Rollins
Featuring jazz trio of organ, drum kit, and clarinet.
In the embrace of the unreal real, we are often overwhelmed. We chase loose notions, seeking candor but finding confusion. It is only through directness that we can discover our intention – act simply, and simply act.
Featuring tenor saxophone.
The Necrophile Hummingbird Non-Profit Netlabel presents Perceptronic by reFUGeeS From Beyond
“Psychotronic Cyberpunk for Biological Neural Networks”
Improvisation recorded the 1st March 2026 at Le Champ Du Possible (The Possibility’s Field) in Dole www.soloist.ai/atelierkol
Members :
Master of Ceremony : Psyché Pelik
Disc Jockey (indeed mostly electric & electronic devices) : Yoshiwaku Mushotoku
In 1941 in Berlin, Hermann Schmidt wrote a Memorandum in favor of the founding of an institute for regulatory technology. Control and Regulation wills gave birth to cybernetics. Science without conscience is, but the ruin of the soul said Français Rabelais, he didn’t know how right he was. It’s just a question of time for a process to achieve its purpose.
Whereas the main problem is still the earth resources massive destruction. Cybernetic is the key to understand the fundamental problem with Artificial Intelligence. But things can’t be solved by being against or for AI. It need a better understanding of the roots : the technofascism. So despite being about artificial intelligence topic this album is absolutely AI-Free Music.
Dedicated to the lost in Hallucination Humanity.
Since the storytelling turned the real into a fiction, we are all characters of an infamous Z movie. Press the button to turn off the movie. Shut down the dystopia by becoming real.
Artwork draw done by Psyché Pelik. Used as texture by Yoshiwaku.
Entwined, betwixt and twisted – beneath a silken sheet. A before and an after, with a coupling on the beat.
Fertility is but assured, as opposites will meet. This is a fecund evening, where creation is complete.
Featuring alto saxophone.
This album reflects on the feeling of a world devolving into chaos and the associated anxiety, while grasping desperately for some kind of sense of normalcy throughout. It’s also about the retreat into apathy or aimlessness.
Secondly, this is an exercise in making musical choices that can stand out in in a world where music can be prompted into existence; or the resentment of even having to think about that in the first place.
Breaking in isn’t always about burglary – it can also refer to the process of getting a new thing settled. Fresh, crisp – but not yet pliable. It takes use and time for many materials to reach their optimal point.
Featuring clarinet.
A single uninterrupted transmission from bruitkasten @ Ebertplatz Cologne during a concert in September 2025.
Anja Kreysing (accordion & electronics) and Stefan Strasser (guitar & electronics) navigate dense sonic geographies of abstract texture and harmonic traces, where signals erode, tonal fragments emerge and disappear, and noise moves like weather across concrete structures.
This soundtrack is shaped through realtime compositional interaction rooted in radical listening. Cinematic in scope and associative in form, the music of Stefan and Anja unfolds like an acoustic film without images – a voyage through unstable sonic landscapes that trigger a vivid cinema of the mind.
It’s easy to unfocus – it only takes a moment. That moment can stretch and blur and become something else. Yet there’s more to all this than just being along for the ride. The capacity to experience is an unparalleled wealth.
Featuring piano.
