Mauro Sambo – electronics, zither, bass and contra-alto clarinets, flute, percussion, gong
George Cartwright – alto and tenor saxs, acoustic and electric guitar, “deer call”
The titles of the CD and the songs are taken from the book “Flussi” by Matilde Sambo
cover art – Mauro Sambo
from the series “myodesopsie”
What is the sound of a color? Is it the same as the color of a sound? If so, it must be both bright and dark, rich and dry. It must sing its hue to the world, and paint its pitch across the sky.
Featuring bass clarinet.
When I lived in a tiny godforsaken fishing village in Crimea, I had a collection of antique glass fishing floats, picked up on the shores of the Sea of Azov – just like the ones they collect in Japan. Only photographs remain now, because I no longer know where that home of mine is.
And a street that no longer exists for me. A window with erased coordinates. Blue glass floats in a digital media only. Not too much for recollection, I can’t help not to recollect.
—
■ Vu iz dos gesele (as an echo) // Crimean Memoir
A 5-minute raw hauntological document captured accidentally during a Zoom H2 field test.
An enharmonic intersection of the Japanese C In Sen scale and F Harmonic Minor, where the ghost of a traditional melody involuntarily bleeds through a rigid modal space. Left unedited with all the room tones and industrial rumble from an open window.
Video: Shifting light on the original archival photographs of my lost glass floats.
Breaks expose facets – facets offer perspectives. Such variety is less transparent, but it rewards amply. Yet it also carries risk – the danger of a a breach too far, and an edge too sharp.
Featuring piano.
Being well-used does not necessarily entail being used up. Many items require a period of breaking in – resulting in a resilient litheness that allows for optimal performance.
Featuring clarinet.
“Stay well, stay kind to each other, do unto them as you would have them do unto you, be a good person, and enjoy music. This is the story of life. Enjoy music, and be a good person – be a good person to other people, and enjoy music. Then you’ve got it all.” – Sonny Rollins
Featuring jazz trio of organ, drum kit, and clarinet.
In the embrace of the unreal real, we are often overwhelmed. We chase loose notions, seeking candor but finding confusion. It is only through directness that we can discover our intention – act simply, and simply act.
Featuring tenor saxophone.
The Necrophile Hummingbird Non-Profit Netlabel presents Perceptronic by reFUGeeS From Beyond
“Psychotronic Cyberpunk for Biological Neural Networks”
Improvisation recorded the 1st March 2026 at Le Champ Du Possible (The Possibility’s Field) in Dole www.soloist.ai/atelierkol
Members :
Master of Ceremony : Psyché Pelik
Disc Jockey (indeed mostly electric & electronic devices) : Yoshiwaku Mushotoku
In 1941 in Berlin, Hermann Schmidt wrote a Memorandum in favor of the founding of an institute for regulatory technology. Control and Regulation wills gave birth to cybernetics. Science without conscience is, but the ruin of the soul said Français Rabelais, he didn’t know how right he was. It’s just a question of time for a process to achieve its purpose.
Whereas the main problem is still the earth resources massive destruction. Cybernetic is the key to understand the fundamental problem with Artificial Intelligence. But things can’t be solved by being against or for AI. It need a better understanding of the roots : the technofascism. So despite being about artificial intelligence topic this album is absolutely AI-Free Music.
Dedicated to the lost in Hallucination Humanity.
Since the storytelling turned the real into a fiction, we are all characters of an infamous Z movie. Press the button to turn off the movie. Shut down the dystopia by becoming real.
Artwork draw done by Psyché Pelik. Used as texture by Yoshiwaku.
Entwined, betwixt and twisted – beneath a silken sheet. A before and an after, with a coupling on the beat.
Fertility is but assured, as opposites will meet. This is a fecund evening, where creation is complete.
Featuring alto saxophone.
This album reflects on the feeling of a world devolving into chaos and the associated anxiety, while grasping desperately for some kind of sense of normalcy throughout. It’s also about the retreat into apathy or aimlessness.
Secondly, this is an exercise in making musical choices that can stand out in in a world where music can be prompted into existence; or the resentment of even having to think about that in the first place.
Breaking in isn’t always about burglary – it can also refer to the process of getting a new thing settled. Fresh, crisp – but not yet pliable. It takes use and time for many materials to reach their optimal point.
Featuring clarinet.
A single uninterrupted transmission from bruitkasten @ Ebertplatz Cologne during a concert in September 2025.
Anja Kreysing (accordion & electronics) and Stefan Strasser (guitar & electronics) navigate dense sonic geographies of abstract texture and harmonic traces, where signals erode, tonal fragments emerge and disappear, and noise moves like weather across concrete structures.
This soundtrack is shaped through realtime compositional interaction rooted in radical listening. Cinematic in scope and associative in form, the music of Stefan and Anja unfolds like an acoustic film without images – a voyage through unstable sonic landscapes that trigger a vivid cinema of the mind.
It’s easy to unfocus – it only takes a moment. That moment can stretch and blur and become something else. Yet there’s more to all this than just being along for the ride. The capacity to experience is an unparalleled wealth.
Featuring piano.
It asks a little of us here – it asks of us a certain height.
We must choose.
Featuring Eb clarinet.
Study, practice, preparation, meditation – lofty ideals and worthy goals. Yet in the moment, all we really want is to scream through a tube.
Featuring didgeridoo, flute, clarinet, and tenor saxophone.
You can go somewhere, come back – and not fully return. It is not a place you are attached to, but an idea – an experience, a feeling, a mind.
Featuring piano.
When one considers, what is one doing? Meditative effort is effort nonetheless, though how meditative it is is debatable. Inference informs that most forms of energy are neither fully at rest nor in motion.
Featuring soprano saxophone and reverb.
Precious things are often hidden. We choose to protect what we treasure by shielding it from prying eyes, and more. To a point, this is rational – but to a broader point, it’s inevitably best to share what we have.
Featuring alto saxophone.
Smell, like sound, permeates a space. But smell is physically inculcated onto and into the substances it reaches, where sound simply bounces off. Imagine experiencing music as a smell, allowing the sound to stay with you.
Featuring bass clarinet.
Coming from opposing directions, seemingly in disagreement – the triads belie tribalism. Within their cozy group the harmony is clear, but when considered in broader context it becomes uncertain. Yet this conflict is illusory – though they duel, the outcome of their combination is in fact a larger and more beautiful harmony than before.
Featuring electric keyboard.
Once upon a time there were two mice. Despite their size, they imagined a world where they could do whatever they wished – where all other forces submitted to their designs. They had this dream quite frequently – essentially, every night.
Featuring metronome and saxophone quartet – baritone, alto, tenor, and soprano.
