Marco Colonna – THE SECOND COMING

Marco Colonna – THE SECOND COMING
[PT088]

Marco Colonna

“THE SECOND COMING”

Marco Colonna : clarinet, bass clarinet
Recorded and mixed by Marco Colonna
March-April 2019photo by Alessandro Lisci
Button: by-nc-nd

Various – Noise Factory 2018 ‘klangtiegel’

Various – Noise Factory 2018 “klangtiegel”
[ACP 1202]

Various

“Noise Factory 2018 “klangtiegel””

Arne Heisch
Lu Laumer
Dieter Mauson
Wolfgang Neven
Dan Penschuck
Sascha Stadlmeier
Henning André Voss
Button: by

M.A.K.T. Sono – ‘UNK

M.A.K.T. Sono – ‘UNK
[Eg0_205]

M.A.K.T. Sono

“‘UNK”

Since their beginnings in February 2018, M.A.K.T. Sono (Magali Albespy and Kecap Tuyul) have been experimenting with different set-ups and ways of playing. Amongst them, they like to play both on the same instruments / set-ups in the same time. It’s what they did on ‘UNK.0, an improvisation played on a no-input mixer. The other tracks of this EP are electronic compositions by Kecap Tuyul and Doedelzak using this improvisation as only sound material.
Button: by-nc-sa

Wings of an Angel – The Tao Of The Santur: New Ragas & Meditations Vol. 1

Wings of an Angel – The Tao Of The Santur: New Ragas & Meditations Vol. 1
[Self Release ]

Wings of an Angel

“The Tao Of The Santur: New Ragas & Meditations Vol. 1”

Button: by-nc-nd

SAD / BAS / FILINICH – Relatos de Poder

SAD / BAS / FILINICH – Relatos de Poder
[PT087]

SAD / BAS / FILINICH

“Relatos de Poder”

Recorded live at Fundación Mercedes Sosa, Buenos Aires,
16th September 2018
Jorge Sad (Argentina), Renzo Filinich (Perú) and Pablo Bas (Argentina).
Stereo Mix from the Octophonic performance.
Cover / Audiovisual Art: Pablo Magne
Button: by-nc-nd

Ayato – Face à face, épisode 2, saison 1

Ayato – Face à face, épisode 2, saison 1
[Eg0_204]

Ayato

“Face à face, épisode 2, saison 1”

Face à face, épisode 2, saison 1, the new album of Ayato is the 2nd part of a cut-up recomposition series recorded and mixed at La Ferme Là, Olivet, France between 2015 and 2017. It consists of playing in real time two tapes with two different multitrack recorders, which gives 4 stereo sounds side A in normal play and side B in reverse added to others sounds played depending on which way the wind is blowing with the others devices. Some Loops have been created during the mixing process. Cassettes are from private collection, gifts, prepared and found tapes, archives…
Button: by-nc-sa

Wings of an Angel – Graveyard Flowers (Genuinely Melancholic Original Classical Compositions For Piano And Cello)

Wings of an Angel – Graveyard Flowers (Genuinely Melancholic Original Classical Compositions For Piano And Cello)
[Self Release]

Wings of an Angel

“Graveyard Flowers (Genuinely Melancholic Original Classical Compositions For Piano And Cello)”

Button: by-nc-nd

Daniel Barbiero & Cristiano Bocci – Wooden Mirrors

Daniel Barbiero & Cristiano Bocci – Wooden Mirrors
[PT086]

Daniel Barbiero & Cristiano Bocci

“Wooden Mirrors”

On Wooden Mirrors: Daniel Barbiero, double bass (left channel); Cristiano Bocci, double bass (right channel)
On From a Concourse: Daniel Barbiero, double bass; Cristiano Bocci, live electronicsRecorded live in the studio August 2017 in Silver Spring, Maryland, USA.
Cristiano Bocci: Engineering & mixing.
Photographs by Cristiano Bocci
Button: by-nc-nd

z(xW+yV) – 3×2(1W+18V)

z(xW+yV) – 3×2(1W+18V)
[Eg0_202]

z(xW+yV)

“3×2(1W+18V)”

z(xW+yW) is a solo project of Kecap Tuyul started spring 2018 while experimenting different ways to generate low volume feedback with small gear : for instance with one contact microphone and one 1W battery-powered amplifier. It was initially thought as lo-fi version of the “Failure Circle” project work with chaotic feedback system of the no-input mixer in a more portable way, but finally took a quite different direction, with a more tactile & acoustic dimension.

3×2(1W+18V) is the first published album of this project. It was recorded in june 2018 with lo-fi means (cell phone and a cheap digital recorder). Each track is a mix of two improvisations played with the most primitive form of z(xW+yV) : one contact microphone, one 1W battery-powered amplifier and two guitar effects (overdrive and equalization).

Button: by-nc-sa

Martin Rach – Live – densities, distance, differences

Martin Rach – Live – densities, distance, differences

Martin Rach

“Live – densities, distance, differences”

recorded at paviljonas, vilnius, 2019 02 24
Button: by-nc-sa

M.A.K.T. Sono – 11 Songs

M.A.K.T. Sono – 11 Songs
[Eg0_201]

M.A.K.T. Sono

“11 Songs”

M.A.K.T. Sono (Magali Albespy and Kecap Tuyul)’s second album « 11 songs » is made of selected and edited improvisations recorded during the “M.A.K.T. Sono (sans sono)” residency at Le Magasin – Laboratoire de permanence chorégraphique (Mathieu Heyraud) – Saint-Etienne – November 4-9 2018.
Since their beginnings in February 2018 the duo has been working with modular set-ups that are likely to provoke unstable situations (like the soundbox, analog synthesizer and no-input mixer used in their first album “If you were a clarinet”). This time they played with microphones, voices, analog synthesizers, and small battery-powered amplifiers, forming a modular set-up whose elements can be interconnected in various ways. They also experimented the integration of some song-material in their improvisations.
Videos : https://magalialbespy.wordpress.com/residence-au-magasin/
Button: by-nc-sa

Achnn – Exercice 2

Achnn – Exercice 2

Eric Leonardson & Anja Kreysing & Donatella Bartolomei – live @ re​​:​​flexions sound​​-​​art festival

Eric Leonardson & Anja Kreysing & Donatella Bartolomei – live @ re​​:​​flexions sound​​-​​art festival
[ACP 1188]

Eric Leonardson & Anja Kreysing & Donatella Bartolomei

“live @ re​​:​​flexions sound​​-​​art festival”

live @ abraxas, Augsburg, 20.07.18
thanks to Gerald Fiebig & Kulturamt Augsburg
photography by Dan Penschuck
recording, mastering and design by EMERGE
Button: by

Jorge Cabadas & Juan Carlos Castillo – CHARACTERS

https://f4.bcbits.com/img/a2024247431_16.jpg
[PT085]

Jorge Cabadas & Juan Carlos Castillo

“CHARACTERS”

Jorge Cabadas (electric guitar & electronics)
Juan Carlos Castillo (electric guitar)Recorded live in Madrid, at LABUHARDILLA, by Alvaro Herrera on July 16, 2018.
Mix & mastering by Alvaro Herrera.

Eduardo Vega, cover photo.

Button: by-nc-nd

Federico Dal Pozzo & Friedemann Von Rechenberg – live @ live @ re​​​:​​​flexions sound​​​-​​​art festival

Federico Dal Pozzo & Friedemann Von Rechenberg – live @ re​​​:​​​flexions sound​​​-​​​art festival
[ACP 1187]

Federico Dal Pozzo & Friedemann Von Rechenberg

“live @ re​​​:​​​flexions sound​​​-​​​art festival”

live @ abraxas, Augsburg, 20.07.18
thanks to Gerald Fiebig & Kulturamt Augsburg
photography by Dan Penschuck
recording, mastering and design by EMERGE
Button: by

Half Evidence – Veines

[eg0_199]

Half Evidence

“Veines”

Half Evidence (a french free improvisation duo formed in 2012 by Charles premier & Kecap Tuyul) is currently on hiatus since summer 2016, but their story isn’t finished. Amongst hours of material created between 2012 and 2016 they have selected a few tracks recorded in april 2013, gathered in a new album : Veines. In these sessions, Charles premier played several of his home-made instruments, while Kecap Tuyul used prepared guitar and voice.
Button: by-nc-sa

Wings of an Angel – Being Righteous Automatically Makes You Betrayed

[Self Release]

Wings of an Angel

“Being Righteous Automatically Makes You Betrayed”

1.
Kungfucius 06:57
2.
The Inability To Laugh At Yourself Feeds The Trauma Of Intelligent Life 10:38
3.
The Self Is An Omission Within The Self-Exploratory Nature Of The Possible Provisions Of Every Intoxicated Psyche 38:24
4.
Whenever You Seek A Joy, You Cannot Dream 32:17
Button: by-nc-nd

Giuseppe Pascucci, Vito Pesce – Humasaurs

[PT084]

Giuseppe Pascucci, Vito Pesce

“Humasaurs”

“Humasaurs”, sounds from a dystopic World of corrupt and luxurious reptile-humans.

Personnel: Giuseppe Pascucci – Vito Pesce : Electric Guitars, effects.
Live recorded by V. Pesce, G. Pascucci, between September 2016 and February 2017.
Sound Design, Mixing and Mastering: Enrico L’Insalata, ChiralityAudio.
Graphic Illustration : TACHY147

Button: by-nc-nd

Giuseppe Pascucci, Vito Pesce – Nikola, Was Right !

[PT083]

Giuseppe Pascucci, Vito Pesce

“Nikola, Was Right !”

“Nikola, Was Right!”, has been freely inspired by Nikola Tesla’s works and Life.

Personnel: Giuseppe Pascucci – Vito Pesce : Electric Guitars, effects.
Live recorded by V. Pesce, G. Pascucci, between September 2016 and February 2017.
Sound Design, Mixing and Mastering: Enrico L’Insalata, ChiralityAudio.
Graphic Illustration : Vito Battista

Button: by-nc-nd

Petrolio & Gus Ring & LDX#40 – live @ re​​:​​flexions sound​​-​​art festival

[ACP 1185]

Petrolio & Gus Ring & LDX#40

“live @ re​​:​​flexions sound​​-​​art festival”

live @ abraxas, Augsburg, 20.07.18
thanks to Gerald Fiebig & Kulturamt Augsburg
photography by Dan Penschuck
recording, mastering and design by EMERGE
Button: by

Art & Technique – 071617182018

[D!HR-39]

Art & Technique

“071617182018”

For its 39th release, Da ! Heard It Records gives birth to a new alchemy.

As an emblematic figure of the French alternative scene of the 70s and 80s, Bernard Filipetti has been heating up his analog synthesizers’ circuits within the band Camizole along with Dominique Grimaud, and with his solo project Art & Technique. Raw, industrial, and without concession, Bernard’s recordings of that time resonate among those of a new generation of mavericks, whom he discovers with enthusiasm at the heart of the Parisian musical network of Rue des Gardes. He then surrounds himself with Mathieu Habig, the energetic drummer of Guili Guili Goulag and Spoliature, to fire up his machines during the Merguez Electroniques festival in June 2017. This memorable concert is the origin of the present cassette, born from the spontaneous invitation of the Da ! Heard It label and the arrival of Ravi Shardja, (GOL Couloir Gang) into this new formula.
For three days, after strategically placing mics and ventilators in an overheated cave in Porte de la Villette, the formation of varying geometry cans nearly 12 hours of material in July 2018. From these largely improvised sessions arise unpublished sonorous structures, marked by the canicular atmosphere of the place.
A true celebration of the alloy of complementary personalities, the saturated cloths gradually ignite the speakers to reveal the sustained play of Mathieu Habig. Synthetic volutes briefly appear and melt into these long compact shores, as if shaped directly in the material. In two of the four tracks on the album, Ravi Shardja’s bass brings in a krautock flow to add to these stretched out compositions, extended and forged compulsively in the heat of this underground studio. Reminiscent of the various sonorous strata machined at the forefront of this percussive assembly, the sleeve that accompanies this production was conceived with precision by Pia Mélissa Laroche. Inside, the magnetic tapes that capture the vivid energy of these sessions give a fair idea of their concerts and invite to a collective frenzy.
Thirty years after its debut, Art & Technique reinvents itself with tribal rhythms, obstinate bass lines wrapped in a dense, psychedelic, and perpetually boiling electronic.

071617182018, the 39th release of Da ! Heard It Records is distributed under a Creative Commons BY_NC_ND license. The album is fully listenable and downloadable at the following address : https://www.daheardit-records.net/en/discography/dhr-39

Button: by-nc-nd

Pablo Javier Piacente – Profundidad Del Tiemp

[20k356]

Pablo Javier Piacente

“Profundidad Del Tiemp”

Pablo Javier Piacente is finally back with us after a hiatus of eight years with a lobit rendering of his current downtempo album Profundidad del tiempo.
Button: by-nc

Stadlmeier – live @ the waggon

[1021]

Stadlmeier

“live @ the waggon”

live @ waggon am kulturgleis, Offenbach, 23.08.18
thanks to Georg & Torstn
recording, editing, mastering, photography & design by EMERGE
Button: by

Doedelzak – P8 phase 3

[Eg0_197]

Doedelzak

“P8 phase 3”

“P8 phase 3” presents another side of the work of our regular contributor Doedelzak. This time he used an hybrid methodology of improvisation, generative music and post-production manipulations. The 3 phases indicated in the title refer to the three main stages of the creative process used here :
phase 1 : improvisation on MIDI piano
phase 2 : extension on multiple virtual instruments, using aleatory distributions
phase 3 : superpositions, accelerations/decelerations, volumes
The result is multi-layered composition which is in the same time easy to the ear (thanks to its smooth sounds and melodic components) and very complex and ever changing. It could be enjoyed as background music but is also fascinating for a more focused listening which will let you discover many details and subtleties of the piece.
Button: by-nc-sa

Limbah Berbunyi Project & Potrobayan Jam – live at Ritual Dekahan Bumi

[WAC26]

Limbah Berbunyi Project & Potrobayan Jam

“live at Ritual Dekahan Bumi”

This release is a live recording of the collaboration of Limbah Berbunyi Project with Potrobayan Jam at the peak of the series of Ritual Dekahan Bumi in Potrobayan Village. Ritual Dekahan Bumi is a representation of the gratitude of the Potrobayan community along with several Eling Project teams in completing a series of workshops, one of which is making sound sources or musical instruments from existing resources. The resources used in this workshop came from waste and used goods around residents’ houses such as glass bottles, remnants of house floors, barrels, or used pipes. In this workshop, the Potrobayan community was facilitated by Limbah Berbunyi Project with a taste-based improvisation method. In this workshop also was born an art group from the Potrobayan community named Potrobayan Jam.

Composer by Moong Pribadi
Music by Lembah Berbunyi Project and Potrobayan Jam
Recorded, mixing, mastering by Lembah Otak Studio

Button: by-nc-sa

CRANK STURGEON – a v 12 10 18

[ACP 1181]

CRANK STURGEON

“a v 12 10 18”

live @ villa, Augsburg, 12.10.18
cover art by Claus Poulsen (artwerk.menneske.dk)
recording, mastering and design by EMERGECRANK STURGEON explores the unwieldy commingling of noise and performance through the use of thrift store electronics, incongruous actions, and costuming reminiscent of supermarket aesthetics. Whether meditating on a roll of amplified packing tape or instructing an audience to fill Crank’s pants with water, the result has been a double-decade odyssey of noisy mishaps, inflatable parades, and accidental theater; feats destined for the shelves of ever-grinning and mesmerizing obscurity.
Button: by

Wings of an Angel – Submerging Into Delusional Silence

[Self Release]

Wings of an Angel

“Submerging Into Delusional Silence”

1.
The Saddest Part Is When We Quit 36:362.
Bewildering Variations Of The Self-Mutilating Tricks We Play With Obsessively To Fool Ourselves Into Believing That We Are Better Than Everyone Else 01:16:243.
Eternal Fragments Of Interplanetary Glaciers Breaking Into Cosmic Smithereens, Carrying Particles Of Every Manmade Hope Ever Dreamt Of, Like God’s Charcoal Figure With Muscular Hands And Feminine Brows, Interrogating The Fallen Angels About The Bitter Fate Of Humanity Out Of Despair To Fix Creation 57:37
Button: by-nc-nd

Archives

Datenschutz & Cookies:

Diese Website verwendet Cookies. Wenn du die Website weiterhin nutzt, stimmst du der Verwendung von Cookies zu.
Weitere Informationen, beispielsweise zur Kontrolle von Cookies, findest du hier: Cookie-Richtlinie