Various – Noise Factory 2017 “klangruhe”

Posted on 3. November, 2018 by ccm submitter Posted in netaudionews

https://emerge.bandcamp.com/album/post-neo-pagan-wind-music-live-at-ganze-b-ckerei-in-augsburg-germany

HOLZKOPF – Postâ-âNeoâ-âPagan Wind Music Live at Ganze BÃ¤ckerei in Augsburg, Germany

[ACP 1165]

HOLZKOPF

“Post-Neo-Pagan Wind Music Live at Ganze Bäckerei in Augsburg, Germany”

Improvised music by Holzkopf using a sampler, MIDI controlled feedback, a pretzel with paper bag and a beer bottle.

live @ Ganze Bäckerei, Augsburg, 07.07.18
recording, mastering, photography and design by EMERGE

Holzkopf is Western Canadian musician Jacob Audrey Revington Taves. A decidedly non-traditional musician, they have mainly used budget bin samplers and drum machines in combination with tape recorders, mixing board feedback and raw data sounds. Varying from deconstructed dance music to harsh rhythmic noise to delicate and soft soundscapes, Holzkopf performances channel influences as diverse as industrial, dub, microsound and gospel musi

abstract experimental improvisation

Posted on 25. October, 2018 by ccm submitter Posted in netaudionews

https://emerge.bandcamp.com/album/noise-factory-2017-klangg-nge

Various – Noise Factory 2017 “klanggÃ¤nge”

[ACP 1166]

Various

“Noise Factory 2017 “klanggänge””

Arne Heisch
Greta Neven
Dan Penschuck
Wolfgang Neven
Markus Schwill
Sascha Stadlmeier
Henning André Voss

abstract experimental improvisation

Posted on 21. October, 2018 by ccm submitter Posted in netaudionews

https://eg0cide.com/2018/10/19/eg0_191-ino-magali-albespy-2017-2018/

InO â Magali Albespy – 2017/2018

[Eg0_191]

InO – Magali Albespy

“2017/2018”

InO is the acronym for “Interpenetration and non-Obstruction”, one of the principles that John Cage used to create music that was anarchic (against the structures of most of musical traditions) and in the same time encouraging new possibilities of coexistence. Magali Albespy, a french artist rooted in dance and performance, took inspiration from this for a methodology of real time composition dance practice focused on sound. “2017/2018” is made of excerpts of the sessions recorded during the first year of these weekly events.

These recordings can be considered as documents of this practice. Indeed they are such documents, especially for people who were involved in the sessions. But we think that they also have a fragile and surprising beauty of their own that deserve an independent life for your listening. This unexpected musicality has been discreetly stressed by the editing choices, which we can consider like a delicate work of “a posteriori composition”, a work made with respect for the uniqueness of each sound event and their kind of abstract narrative power. That’s why we hope that you will enjoy these atypical works.

Credits :

Recorded and edited by Magali Albespy.
Pictures by Anne-Catherine Nicoladzé (front cover) and Emmanuelle Huchet (back cover)

Featured performers :
Magali Albespy, Jean Bloch-Laroque, Suzanne Cotto, Antoine Freychet, Chloé Garat, Flora Gaudin, Camilla Gliozzi, Virgine Gouband, Emmanuelle Huchet, Paul Kauffmann, Guillaume Lecamus, Laurence Luminet, Blandine Minot, Stéphanie Moitrel, Martine Muffat-Joly, Anne-Catherine Nicoladzé, Olivier Pelletier, Stéphanie Puechavy, Regina Ramsl, Anne Savelli, Kecap Tuyul, Donata d’Urso, Sig Valax, Mandoline Whittlesey

Magali Albespy is a dancer and performer. She likes to question the borders between formats and artistic disciplines. She explores real-time composition with body, video and sound. As a musician, she also plays in M.A.K.T. Sono and Mesce Basse.

experimental fieldrecording improvisation

Posted on 8. October, 2018 by ccm submitter Posted in netaudionews

http://www.panyrosasdiscos.net/pyr262-lauren-redhead-hearmleoth-gieddunga/

lauren redhead – hearmleoþ—gieddunga

[pyr262]

lauren redhead

“hearmleoþ—gieddunga”

these pieces were created from 2016-2018 as part of a collaborative project in three stages. lauren redhead created scores, texts, samples, and concepts for performance. alistair zaldua then took part in the realisation of the works for live performance through the development of performance practices and live electronic interfaces. in the final stage of the project, lauren and alistair were joined in the studio by josh cannon who contributed creative studio practices and mixed and mastered the final tracks. this music is therefore a result of live performances, studio composition and of collaborative exchanges.

http://www.panyrosasdiscos.net

acoustic experimental improvisation

Posted on 8. October, 2018 by ccm submitter Posted in netaudionews

http://cota303.net/jam/realtime-experiments/5

303 – Realtime Experiments (2018)

[JAM005]

303

“Realtime Experiments (2018)”

There are occasions when we are jamming together without presetting any genre or style. In real time we choose the wave synthesizer, samples or connected microphones. On the fly we modify the source sound adding equalization, effects chains and compression keeping in mind the arrangement of a noisy musical flow and interacting with each other. We record the master mix and then cut the best parts out of many hours of raw jams, sort them and cut out odd sounds, re-compose track, equalize, normalize and finally publish an album. Proud to share with you selected experimental electronics of 2k15-18 period by 303 / “Trio Three”.

http://cota303.net

Posted on 1. October, 2018 by ccm submitter Posted in netaudionews

https://emerge.bandcamp.com/album/live-in-augsburg-3

NODOLBY – live in Augsburg

[ACP 1164]

NODOLBY

“live in Augsburg”

live @ villa, Augsburg, 29.06.18
recording, mastering, photography and design by EMERGENodolby is the stage name of Michele Scariot (b. 1974), sound enthusiast and noise performer from Italy.
Before Nodolby Scariot was known as the founding member of experimental electronic duo ENT (1999-2008).
Since 2007 Nodolby has made several releases on international labels from USA, Japan, Australia, Europe and Italy.
Nodolby’s live-sets constantly shift between the rhapsodic and the minimal, organized and destabilized sound flow. The sound sources are old, broken and bented devices – the aim of the process being the search for musicality in the most abstract sounds and explore limits and opportunities of control and interplay between the performer and such equipment. Over these years Scariot had the chance to play gigs across Europe and Japan, as well as the opportunity to play live improvisation with Fukte (I), NRYY (JP), Claus Poulsen (DK) and Yoshihide Otomo (JP).
In 2018 nodolby release his first sound design piece for the animation “Aperture” of visual artist Emanuele kabu.
In 2007 he founded the independent label DOKURO, releasing cassettes, CD-Rs, CDs and vinyls of experimental music by Howard Stelzer, K2, Mike Shiflet, Antony Milton, Magneticring, To Live and Shave in L.A., J. Soliday, Pax Titania, Fumio Kosakai, AMK, and many more.

Posted on 22. September, 2018 by ccm submitter Posted in netaudionews

https://immerge.bandcamp.com/album/290618

EXEDO – 290618

[1020]

EXEDO

“290618”

audience: voice
EXEDO: live processingattenuation effect ° 1020 ° 2018
live @ villa, Augsburg, 29.06.18
recording, mastering, photography and design by EMERGE

Posted on 14. September, 2018 by ccm submitter Posted in netaudionews

http://www.panyrosasdiscos.net/pyr260-daniel-barbi…./

daniel barbiero, ken moore, dave vosh – transparent points on four axes

[pyr260]

daniel barbiero, ken moore, dave vosh

“transparent points on four axes”

transparent points on four axes is a layered, electroacoustic studio collaboration. each track began with a ground layer of a composed or improvised performance on double bass or synthesizer, in tandem with a directed, auto generated soundscape produced by an analogue modular synthesizer. the tracks were finished with a further layering of synthesizer, electronics and percussion.

daniel barbiero: double bass (2, 5, 6, 7 & 8); sylosynth app (1 & 3); microbrute synthesizer (4).
ken moore: crackle box (2); minimoog (8); emax sampler (1, 5, 6) ; tam tams (3, 4, 7); steel pan drum (8); glockenspiel (8); bells, bowls and other percussion (all tracks).
dave vosh: analogue modular synthesizer (all tracks).

recorded january & february 2018 in silver spring md, upper marlboro md, and cuyahoga falls, oh.

assembled in cuyahoga falls, oh, february 2018, at anvil creations studio.
cover photography courtesy of hollishots by mark hollis, baltimore, maryland.

http://www.panyrosasdiscos.net

acoustic experimental improvisation

Posted on 12. September, 2018 by ccm submitter Posted in netaudionews

https://eg0cide.com/2018/09/09/eg0_188-half-evidence-epiphytes/

Half Evidence – Ãpiphytes

[Eg0_188]

Half Evidence

“Épiphytes”

Half Evidence (a french free improvisation duo formed in 2012 by Charles premier & Kecap Tuyul) is currently on hiatus since summer 2016 but their story isn’t finished. Some new material will be published in 2019. Before finalizing these projects, the duo has selected four of their favorite tracks that were given to various compilations (namely Necktar 2017 curated by Ed End on his netlabel Le Colibri Nécrophile and Classwar Karaoke). The resulting album Épiphytes brings four insights on the duo’s works and can be a good way to discover their sound universe and its evolution across the years.

Posted on 29. August, 2018 by ccm submitter Posted in netaudionews

https://eg0cide.com/2018/08/27/eg0_187-sdt02/

V.A. – Solo Duo Trio #02

[Eg0_187]

V.A.

“Solo Duo Trio #02 : Laurent Di Biase, Sig Valax, ZARAZ WAM ZAGRAM, Camille Émaille, Nina Garcia & Arnaud Rivière (Live at Les Instants Chavirés, 29 may 2018)”

Second edition of the Solo Duo Trio project co-organized by labels Apocope & eg0cide productions. This serie of live concerts follows a simple format: three parts, one solo, one duo, one trio. Artists are invited to present new projects, and to try to new encounters (for one live set or more). All concerts are later published jointly by Apocope & eg0cide. The 2nd event of the serie took place on may 29 at Les Instants Chavirés (Montreuil), one of the most lasting and notable venues devoted to free improvisation and experimental music around Paris.

This show featured 6 french experimental musicians active in the free improvisation and noise scene (more info on the artists below)

Solo : Laurent Di Biase (electronics)
Duo : Sig Valax (analog syntheziser & DIY electronics) & ZARAZ WAM ZAGRAM (electronics)
Trio : Camille Émaille (percussion), Nina Garcia (guitar) & Arnaud Rivière (DIY electronics)

Posted on 17. August, 2018 by ccm submitter Posted in netaudionews

https://emerge.bandcamp.com/album/live-in-augsburg-2

LIMITED LIABILITY SOUNDS – live in Augsburg

[ACP 1163]

LIMITED LIABILITY SOUNDS

“live in Augsburg”

live @ villa, Augsburg, 02.02.18
photography by Dan Penschuck
recording, mastering and design by EMERGE

ambient experimental improvisation

Posted on 18. July, 2018 by ccm submitter Posted in netaudionews

https://martinrach.bandcamp.com/

Nin Martoize – Digittoe Air

Nin Martoize

“Digittoe Air”

sopsax, fm synth, drum synth

electronic improvisation jazz

Posted on 17. July, 2018 by ccm submitter Posted in netaudionews

http://sucumusic.weebly.com/-jazzdefector-improvisations-2014-scm-1802.html

Jazzdefector – Improvisations 2014

[SCM-1802]

Jazzdefector

“Improvisations 2014”

Guitar maestro Sebastian Buccheri, with his Jazzdefector project, presents us a sublime series of short improvisations swinging between ambient and jazz.

Released for the Netlabel Day 2018, Improvisations 2014 is an EP that will leave you starving for more as soon as you reach the end of the playlist. It is a journey to the rich artist’s sound palette made of slow harmonic progressions, arpeggios and cosmic reverbered guitar pads.

http://www.sucumusic.com

ambient improvisation jazz

netaudionews recommendations

Posted on 7. July, 2018 by ccm submitter Posted in netaudionews, recommendations

https://linearobsessional.bandcamp.com/album/lutra

lutra – smallhaus

lutra

“smallhaus”

Following on from his slow burning self-released cassette “Unweather”, “lutra” is the first CD release by smallhaus (AKA South London based guitarist, electronicist, percussionist David Little). It expands his singular sound environment into a full-screen, full-colour and hugely enjoyable collection.
At times this almost feels like a tribute to the classic sounds of 70’s ambient – the choral textures, the infinite guitars, the synthesizers, but it’s done with a knowing wink and a contemporary layer of grit and dust. But mostly it’s an enveloping, immersive wash of precision moulded sound.

https://linearobsessional.bandcamp.com/

ambient experimental improvisation

Posted on 6. July, 2018 by ccm submitter Posted in netaudionews

https://eg0cide.com/2018/06/13/eg0_180-torbill-josse-27-02-2018-le-zorba-paris/

Torbill & JossÃ© – 27/02/2018, Le Zorba, Paris

[Eg0_180]

Torbill & Jossé

“27/02/2018, Le Zorba, Paris”

Yesterday was today.
Tomorrow will be today.
The frontier between oustide & inside just gets a bit more blurred.Recorded live at the Zorba, Paris, France, on february 24, 2018.
Mixed by Jossé.
Artwork by Torbill.

acoustic experimental improvisation

Posted on 1. July, 2018 by ccm submitter Posted in netaudionews

https://naviarrecords.bandcamp.com/album/live-in-norwich

V/A – Live in Norwich

V/A

“Live in Norwich”

This is the live recording of the second edition of the Naviar Haiku Fest, which took place in Norwich (UK) on Friday 25th May at The Birdcage. www.naviarrecords.com/haiku-fest-norwich

The event was curated by Naviar Records and Neil Stringfellow, supported by the Great Britain Sasakawa Foundation and Resonance Extra.

artists:

Audio Obscura (UK) audioobscura.bandcamp.com

Audio Obscura performs Lap-top based electronics for the ears, haunting the wide spectrum’s of electro-acoustic music with a firm footing in the ambient realm. The sound also strays towards the experimental; musique concrète, idm with post-classical minimal leanings occasionally push through.

Ikjoyce (UK) ikjoyce.bandcamp.com

ikjoyce makes electronic ambient and drone music using modular synthesis to explore themes of nature, space, isolation, man/machine interaction, and the borders of the sleep/wake cycle.

Sevenism (UK) sevenism.bandcamp.com

“I’m a self taught musician and sound mangler blurring the boundaries between analog and digital, acoustic and electronic, generative and human. I work in the present moment letting the music flow wherever it wants. My aim is to make music that is strange and experimental yet resonates on a deeper level.”

Subespai (AUS) subespai.bandcamp.com

Subespai is the solo project of Mauri Edo, a Sydney musician born in Barcelona. Walking the line between ambient, noise and drone music, Subespai paints experimental soundscapes by mixing acoustic and electronic audio sources with effect pedals, field recordings and other gadgets.

https://naviarrecords.bandcamp.com

Posted on 26. June, 2018 by ccm submitter Posted in netaudionews

http://www.zenapolae.com/zen174

affaire difficile – certain aspects of proliferation

[zen174]

affaire difficile

“certain aspects of proliferation”

another scenic tour de force

http://www.zenapolae.com

experimental improvisation indie

Posted on 23. June, 2018 by ccm submitter Posted in netaudionews

https://linearobsessional.bandcamp.com/album/recorder-ricorda

Officina Errante – Recorder! Ricorda...

Officina Errante

“Recorder! Ricorda...”

“Recorder! Ricorda…” is the first release in Linear Obsessional’s cassette series, professionally produced cassettes in uniform designs by David (smallhaus) Little. The artists have worked to produce music specifically for this format.

Officina Errante’s piece is an audacious journey through a succession of sonic moods, all sounds recorded on a portable Zoom recorder- the results then manipulated, crunched and highlighted later- time compresses and expands infinitely….tinkles from a borrowed piano add melancholic interludes.. It’s almost like a succession of audio postcards or snapshots, each “movement” capturing moments of stasis or energy, urban clamour or rural tranquility the whole work flowing seamlessly with it’s own logic.
Officina Errante reworked his piece especially for the cassette format and Linear Obsessional is delighted to present this piece of 21st century musique concrete/sonic travelogue.
credits
released June 22, 2018

All sounds, fields and instruments in this work have been sampled from recordings taken by me with the Zoom H5. I could take these recordings also thanks to Niina, Luke, Laura, and Michiko-san who let me play her piano all the time I wanted while I stayed at hers.
Photography by Niina Mahosenaho.

Written and produced by Officina Errante in Tokyo, Tonami and London.

https://www.linearobsessional.org/

Posted on 17. June, 2018 by ccm submitter Posted in netaudionews

https://eg0cide.com/2018/05/31/eg0_179-failure-circle-a-mistake-within-a-mistake/

Failure Circle – A mistake within a mistake

[Eg0_179]

Failure Circle

“A mistake within a mistake”

While Failure Circle‘s 1st album 0x0.0 was full of overdubs, the 2nd one “A mistake within a mistake” consist of 3 raw improvisations recorded in Kecap Tuyul’s home studio during winter 2017-2018. It shows another side of this no-input-mixer project: more focused, less frantic, and even minimalist and droney sometimes.

abstract experimental improvisation

Posted on 17. June, 2018 by ccm submitter Posted in netaudionews

http://www.plustimbre.com/releases/0782018.html

Salis / Sanna / Pili – Choke

[PT078]

Salis / Sanna / Pili

“Choke”

Giacomo Salis: Percussion, objects
Paolo Sanna: Percussion, objects
Stanislas Pili: Percussion, objectsRecorded at P@SoundWorkshop, Sardara ( Cagliari), july / august 2017
Mixed and mastered Carlo Barbagallo (Noja Recordings) , May 2018 (Torino)

All music improvised by Salis, Sanna, Pili

Giacomo Salis / Paolo Sanna Percussion duo meets Stanislas Pili, a percussionist with a classical-contemporary background. The result is a visionary and deep dialogue, where standard and extended tecniques are used to play different percussion. The non – idiomatic free improvisation and the post free european school are the foundations of the trio’s sound research.

http://www.plustimbre.com/

experimental improvisation jazz

Posted on 14. June, 2018 by ccm submitter Posted in netaudionews

https://emerge.bandcamp.com/album/admin

FezayaFirar – admin

[ACP 1150]

FezayaFirar

“admin”

Posted on 9. June, 2018 by ccm submitter Posted in netaudionews

http://yesnowave.com/releases/yesno090

YENNU ARIENDRA & J MOONG SANTOSA PRIBADI – Raja Kirik

[YESNO 090]

YENNU ARIENDRA & J MOONG SANTOSA PRIBADI

“Raja Kirik”

Diproduksi oleh Image Of The Giant Project

Direkam di Rumah Mo’ong, Yogyakarta

Mixing & Mastering oleh Yennu Ariendra

Dirilis oleh Yes No Wave Music

Gambar diambil dari buku Serat Damar Wulan

Desain dan olah gambar oleh Wok The Rock

http://yesnowave.com

experimental improvisation world

Posted on 27. May, 2018 by ccm submitter Posted in netaudionews

https://archive.org/details/LongmanPlaysTheMusicOfCacilTaylorAndSteveLacy

Longman – Plays The Music Of Cacil Taylor And Steve Lacy

[Picpack 255]

Longman

“Plays The Music Of Cacil Taylor And Steve Lacy”

Free jazz compositions based on free improvisations of two great musicians of avant-garde free jazz pianist Cecil Taylor and saxophonist Steve Lacy, through the eyes of the fusion jazz combo Longman.

http://picpacklabel.tumblr.com/

experimental improvisation jazz

Posted on 20. May, 2018 by ccm submitter Posted in netaudionews