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Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”

music in category: Germany

die nmi! – Total Club Destruchtion

die nmi! – Total Club Destruchtion

die nmi!

“Total Club Destruchtion”

die nmi! – Total Club Destruchtion

It is a great pleasure and honor for us to release die nmi! He has long been a familiar face to residents of the Fediverse. For years, he has been delighting audiences with his light, bouncy electronic music. Seemingly nonchalantly thrown together off the cuff, effortlessly on point, and every now and then with a pinch of the finest humor. But of course, we all know that this ease has been the result of years of hard work. And now, we finally have the opportunity to enjoy all these little masterpieces bundled together in one album.

This album can be described from at least two perspectives: A kind of downplaying one, and a more cheery one. We should start with downplaying, shall we? This Album is a lazy one, even boring maybe, if you followed die nmi! or his “Herr Irrtum!” persona over the last 5 years. There is almost nothing else than all the tracks he did in that time frame bundled together in one album. Originally planned to be released as an EP, it soon appeared that the track count would be way higher than expected. So it’s an album then. At least some tracks are better mastered now.

But here is the bright side: The phun factor of this album is immense, alone from the nice little disruptions coming from the “lost tape” tracks, seemingly coming from real tapes. Actually there was a lot of effort put into those tape sections, including sampling and embedding analogue glitches from a cassette tape from the artists private collection recorded in 1988. So yes, this is an artificial tape effect, but not created by just using a plugin but with lots of manual fine tuning. Also most of the lost tapes contain material previously unreleased. And on top of all that comes the sheer pleasure of having all the kewl club tracks by die nmi! in one place ready to blast away all your worries!!

More about the album can be found in the provided inlay PDF file, but what can’t be dismissed easily is the greetings part, so here we go with some copy paste action: Get ready for the artists personal greetings

Greetings fly out like sparks in deep space to…

Settolino from the outernational Basspistol collective for believing in me, making me go on stage (totally voluntary of course :) ) in a city full of home brew absinthe in Switzerland and for handling something as phenomenal as Basspistol.

FC Stoffel and of course Doris Mücke from DLIKDH for believing in me as well and allowing me on Stage in Köln and making this release happen on the label “Der Kleine Grüne Würfel” ! Thanks!! A 1000 times.

The Captain of the SS El Faro, better known as “Life Substitute”, for having my voice in one of his tracks (you know, track 13): My first real cooperation in music ever — I just had to turn >32h years old to get this done. The gates for more cooperation are open now (wait for it!).

Stephan from Schall und Stille. I did my first *serious* radio interview ever with you because of

your music, which is so super deep – we both where quite nervous about it, but it turned out so well, looking back :). May this great friendship remain!!

Anja Kreysing: I had the luck to meet you (and amazing parts of your family) in person, and I consider myself so happy having met the only woman in the world that combines Akkordeon with granular synthesis live on stage… You are amazing (!)

Prin Lu or Luka Prin or whatever they call themself right now :) – you are such an inspiring human and musician. Your stage presence is like pure magic!

The Acid December crew (Perseid n all) at least the one from 2022-25 :-) . Never knew I’ve had so much acid in me.

All those people I’ve met in the Fediverse and had meaningful conversations with… First of all Non Saturatio for having that unbelievable calm voice and being an unbelievable nice human being (and I promise, I will finish the track, I promise, you’ve read it all!), AxWax (and all fellow Bonkwavers), Frank Schindelbeck the multi-spectral jazz man, Torsten Torsten for trying to form a plot against NFTs at a show in Berlin with me and for having the best Lieder­macher Tracks in Town, MyLoFy for helping (with patience!) with Ardour, Matjö/DubOnArrival for logo im­prove­ment suggestions, Geigerzähler for following my invitation to play at “Fedi am See” without hestitation, Jayrope for making music with stones and sticks, Ramsey/Revengeday for best coffee, Frau Flux for creating am wonderful weird image themed by my radio show and so many more.

What’s left to say? ENJOY! :)

posted 01 September 2026

kleinhirnkammer – brt brt kshhhh

kleinhirnkammer – brt brt kshhhh

kleinhirnkammer

“brt brt kshhhh”

kleinhirnkammer – brt brt kshhhh
The album “brt brt kshhhh” by kleinhirnkammer was originally released in 2019. It features older tracks and ambient sonic journeys.
posted 25 August 2026

Hiro & The Nakarumas/Nite Impetus – Primitive Rock And Roll / Satan's Theme

Hiro & The Nakarumas/Nite Impetus – Primitive Rock And Roll / Satan's Theme

Hiro & The Nakarumas/Nite Impetus

“Primitive Rock And Roll / Satan’s Theme”

Hiro & The Nakarumas/Nite Impetus – Primitive Rock And Roll / Satan's Theme

Hiro & The Nakarumas/Nite Impetus Split
Primitive Rock And Roll is the first song to be released from Hiro & The Nakarumas a band formed from fans of the series Heroes, raw fast energy and intense vocals.
Satan’s Theme a original song released in 1961 by The Rondells get a new spooky like by the hands and claws of Nite Impetus!

Track 1:
Vocals – A.Nakaruma
Guitars – M.Nakaruma
Bass – T.Nakaruma
Drums – J.Nakaruma

Track 2:
All instruments by Johnny(Nite Impetus)

posted 23 August 2026

Leonardo Barbierato – ]ex(s)it(u)[

Leonardo Barbierato – ]ex(s)it(u)[

Leonardo Barbierato

“]ex(s)it(u)[“

Leonardo Barbierato – ]ex(s)it(u)[
]ex(s)it(u)[ emerges from a gesture of displacement. The album gathers excerpts from [in situ], a series of site-specific, improvised music performances carried out between 2023 and 2025 within ecosystems marked by various forms of tension and precarity. During [in situ], performative and environmental sounds meet and overlap, generating space-times of cohabitation, not necessarily reconciliatory, between human and other-than-human elements.
posted 06 August 2026

AllGrimace&Flush – AllGrimace&Flush

AllGrimace&Flush – AllGrimace&Flush

AllGrimace&Flush

“AllGrimace&Flush”

AllGrimace&Flush – AllGrimace&Flush

Andrew Leslie Hooker: No-input Mixing Board, Microphone Feedback, Vinyl Samples
MKLord: Tenor & Alto Saxophones

This composition began its life as a proposed (and subsequently rejected) durational piece for a dance performance. However, as a stand-alone work, I felt that it needed some kind of dark energy buzzing away (like frying sardines) under the middle drone section…that’s where Matt came in with his fire-music sax playing. The sonics and the mentalities fused, and AllGrimace&Flush was born.

posted 28 July 2026

Lu Joyce – Amphibia

Lu Joyce – Amphibia

Lu Joyce

“Amphibia”

Lu Joyce – Amphibia

Amphibia drifted beyond mapped constellations, communicating through pressure waves instead of language. Omni Dub awakened the vessel, its dub chords folding space into shimmering echoes. Leave dissolved gravity, allowing memories to float like luminous spores. Expo unfolded impossible architectures where experimental soundscapes replaced matter. On ignited a pulse—minimalistic rhythm structures guiding silent navigation across liquid galaxies. Orchid Dub bloomed in the vacuum, each resonance painting unseen atmospheres around forgotten moons. Pastele blurred the horizon into soft spectral colors, where time expanded between distant reflections. At the journey’s end, Dolphine surfaced from a cosmic ocean, singing through infinite delays until every echo became a new beginning. No destination remained, only endless drift inside the breathing resonance of Amphibia, where silence itself learned to bloom.

Insectorama234
all tracks by Lu Joyce
Mastering & Artwork by Markus Masuhr

posted 25 July 2026

Die Leere im Kern deiner Hoffnung – Tote protestieren nicht

Die Leere im Kern deiner Hoffnung – Tote protestieren nicht

Die Leere im Kern deiner Hoffnung

“Tote protestieren nicht”

Die Leere im Kern deiner Hoffnung – Tote protestieren nicht

Resignation. So here we are, after all. And why not? “Shooting the messenger” has become a national sport. “Evidence-based science” is now just a dirty word. A shrug is the answer to everything. Giving up is the only—albeit last—option. No pity for those who see empathy as a weakness. “Never again” was yesterday. Now it’s too late. The dead don’t protest.

If you like, you can listen to the album as a concept album. A wise woman travels through the land, carrying the light of the Enlightenment before her. Hardly anyone is willing to listen to her. People are dominated by anti-science doomsday cults. She is arrested, tortured, but manages to escape. She finds refuge with a small resistance group. But no uprising takes place. Friendly but determined, she moves on. She performs an ancient, arcane ritual in preparation for an ultimate sacrifice. She writes one last pamphlet and delivers one final impassioned speech. Then comes the realization: People do not want to be saved. What follows is retreat, introspection, resignation, and, in the end, a farewell to the world. The light of the Enlightenment is extinguished forever.

posted 23 July 2026

W+V (Wagner+Vampire) – The Red Noisegate of Ostara (live)

W+V (Wagner+Vampire) – The Red Noisegate of Ostara (live)

W+V (Wagner+Vampire)

“The Red Noisegate of Ostara (live)”

W+V (Wagner+Vampire) – The Red Noisegate of Ostara (live)

Alexander (.WAV.) Wagner – electroguitar, synths, drumpad, e-bow.
Alexey (Vampire) Vokhmyakov – soprano saxophone, percussion, drumpad, voice.

This is a recording of a live performance by musicians from the projects “Ad Lux ​​Tenebrae” and “.WAV.” each of whom is independent and original. This complete improvisation, roughly divided into sections, was performed at an INDUSTRIAL/NOISE FORUM at the Tarkus rock store in Yekaterinburg, Russia.
Recording – march 14, 2026 (3dekb studio)

posted 22 July 2026

Mirocaw & Aleksei Nisiforov – Zauberer und Schwarzkünstler

Mirocaw & Aleksei Nisiforov – Zauberer und Schwarzkünstler

Mirocaw & Aleksei Nisiforov

“Zauberer und Schwarzkünstler”

Mirocaw & Aleksei Nisiforov – Zauberer und Schwarzkünstler

Aleksei Nisiforov – synths, samples, mixing, mastering
Anton Bryukov – synths, samples
Martynas Laurids – synths

In 2026, the legendary silent film Faust (full title: Faust – A German Folk Legend) by director Friedrich Wilhelm Murnau will celebrate its 100th anniversary. This album is our fan-made alternative free-form soundtrack inspired by some scenes and passages from both the film and the book it was based on.

posted 19 May 2026

FC Stoffel – Sockenpartymann

FC Stoffel – Sockenpartymann

FC Stoffel

“Sockenpartymann”

FC Stoffel – Sockenpartymann

Well, what’s this? The guitarist who usually goes berzerk on the guitar with “Die Leere im Kern deiner Hoffnung” is now releasing an album of acoustic songs as FC Stoffel. Few people have seen this side of him so far, but that’s about to change.

As a father of two and a proven master of spontaneous songwriting, it’s no surprise that FC Stoffel has written songs from time to time over the years to entertain his children. And that he’s occasionally performed them for small groups. Of course, always only upon their insistent requests. Due to the ever-growing demand, he has now recorded these songs under his bed over the course of the past year. Recorded and sung in one take with just two microphones. Everything is very direct and unvarnished, a bit raw and not perfect, but full of wit and charm. May young and old and small and big alike enjoy it.

tracklist=false artwork=none]
posted 17 May 2026

Anja Kreysing | Stefan Strasser – Bruital Voyage

Anja Kreysing | Stefan Strasser – Bruital Voyage

Anja Kreysing | Stefan Strasser

“Bruital Voyage”

Anja Kreysing | Stefan Strasser – Bruital Voyage

A single uninterrupted transmission from bruitkasten @ Ebertplatz Cologne during a concert in September 2025.

Anja Kreysing (accordion & electronics) and Stefan Strasser (guitar & electronics) navigate dense sonic geographies of abstract texture and harmonic traces, where signals erode, tonal fragments emerge and disappear, and noise moves like weather across concrete structures.

This soundtrack is shaped through realtime compositional interaction rooted in radical listening. Cinematic in scope and associative in form, the music of Stefan and Anja unfolds like an acoustic film without images – a voyage through unstable sonic landscapes that trigger a vivid cinema of the mind.

posted 02 May 2026

ake Cats Project – Persepolis (Live at the Dom)

ake Cats Project – Persepolis (Live at the Dom)

ake Cats Project

“Persepolis (Live at the Dom)”

ake Cats Project – Persepolis (Live at the Dom)

Alexei Borisov – Guitar, Electronic
Igor Levshin – Voice, Guitar
Kirill Makushin – Voice, Accordion, Bayan
Pavel Shevelev – Saxophone
Yaroslav Parkhomenko – Drums
Sasha Zayats – Bass

Music / Performed / Recorded / Mixed : Fake Cats Project, 2026

Cover – Natalia Levshina
Photos – Gonai Tei

Lyrics by Igor Levshin and Kirill Makushin

posted 21 April 2026