jukka-pekka kervinen – coffee beans

[unfound91]

jukka-pekka kervinen

“coffee beans”

the ever-so prlofic jukka-pekka kervinen of finland delivers a 4-tracker of quirky, trippy, abstract minimal techno with a gritty, off-kilter experimental edge. eat it up. now.

mastered by pheek

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Hypercube + Alwin Van Der Linde – Hylin

[0kbps109]

Hypercube + Alwin Van Der Linde

“Hylin”

Hypercube + Alwin Van Der Linde

Hylin [0kbps109]

A collaborative project between Hypercube and Alwin Van Der Linde exploring disorientated fields of morpho-genetic audible elevations and oneiric disrupted patterns.

This project was created processing 10 tracks in one single track.

MAV [0kbps] Records, January 2017

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il Russo – 2

[0kbps106]

il Russo

“2”

il Russo

2 [0kbps106]

2.1
2.2
2.3

MAV [0kbps] Records, October 2016


Hypercube – Limb Monitor

[0kbps105]

Hypercube

“Limb Monitor”

Hypercube

Limb Monitor [0kbps105]

01 – Nothing o’ clock
02 – Xentric fluctuations
03 – Owl-eyed spike

MAV [0kbps] Records, September 2016

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Submental – O

[0kbps104]

Submental

“O”

Submental

O [0kbps104]

01 – Tf3olo
02 – pista segreta
03 – A%27VAll
04 – 100
05 – (°v°)(-v°)(-v-)
06 – INDIb0T
07 – ç(oneellLL
08 – SGUARTO 0
09 – 7 ò
10 – 8 2
11 – 9

MAV [0kbps103] Records, September 2016

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Max Scordamaglia – This is not a Tape Vol.3

[0kbps103]

Max Scordamaglia

“This is not a Tape Vol.3”

Max Scordamaglia

This is not a Tape Vol.3 [0kbps103]

A01-Solo 05 – Piano Clusters 1
A02-Raw Material V – 02 – OtherSounds
A03-EEtudes V-14 PMin-2
A04-No-Is II – 17 Myray (short)
A05-Solo 04 – Bleep
A06-EEtudes V-01 Serie12-Alg1
A07-Raw Material V – 07 – Inst1
A08-Raw Material IV – 13 – AstraNoise (short)
A09-EEtudes On The Run 17 – MultiKey
A10-What’s Normal – E01 – VHF 3
B01-EEtudes IV-03 GminKey-2VoicesAlt
B02-Raw Material V – 08 – RF+
B03-Noisam 04 – Fx_03-04-05
B04-EEtudes V-16 PMin-4
B05-Ratio III -04-Myyms (short)
B06-EEtudes On The Run 18 – SerialBackwChorus
B07-Noisam 02 – Cry and rain (short)
B08-Dead Tunes – E1 – Slow
B09-14-EEtudes IV-12 FromCmajToFmin+bridge
B10-EEtudes III-20 1Key-1expand-2NewTriads

MAV [0kbps103] Records, September 2016

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il Russo – il Russo

[0kbps101]

il Russo

“il Russo”

il Russo

il Russo [0kbps101]

0
1
2
3 (with TastoEsc)

MAV [0kbps] Records, August 2016

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Phil Maguire – this this

[LOR078]

Phil Maguire

“this this”

“this this” is an extraordinary collection of sounds made with a Raspberry Pi (the credit card sized bit of circuitry which is used to teach kids about coding). Maguire manages to create a world of microscopic sounds, clicks, whirrs and fields of electrical noise that are compellingly alien, and yet capture something of the excitement of those early forays into “glitch” music of the mid ’90s. It’s a whole new delicate beauty..
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Zacarías Malden – Rítmica

[pn104]

Zacarías Malden

“Rítmica”

“Professor Zacarías Malden could very well be an ‘alien’ who fell to Earth decades ago to gather the ABC’s of previous understandings regarding the ‘laws of electricity’, which had been developed along with others in the 18th century, and not without some rejections and incredulities on the part of the academic and scientific establishment confronted with Georg Simon Ohm convinced by his theory, the so-called ‘OHM’s law’. Theories related to electricity and the variables that affect the process of transmission.

Before and not far away, another central figure, also in the city of Quilpué, the Doctor Gozne, had published ‘Non Human’ (pn090) at the end of 2014, a work perhaps more human than what its title indicated and on the other side more rhythmic (in the classic and resounding sense) in relation to that which the new work of the ‘alter-ego’ Zacarías Malden instead insinuates. Probably his musical laboratory never required studies of the laws of Physics (‘probably…’) nor too much already more enclosed from Electricity, even so, you will find the ‘current’ vibrating in each track.

‘Rítmica’ (pn104), would seem to open a journey or a deep view to the stars and galaxies visible from his study or perhaps already from the controls his spaceship.

The listener may be invited by the Professor and in fact transferred to ‘the electric circuits’ of a Mission, ‘initial essential miniaturization’ of the passengers disposed to such risks; they then situate themselves in the marrow of analog and digital circuits and to periods of bitter struggle between mutant insects, contaminants, and interferences of electronic commands and their flow and that of an army of ‘Pacman’s’ pursuers acting as antibodies that sometimes manage to resolve and free from interference necessary sequences of the processes of transmission. So they sound to digital errors and they are obviously more than reminiscent of the ‘Click & Cuts’ present around the year 2000 and the electric ‘delicacies’ of the work.

The buzz of the insectoids in the most analog circuits sometimes disappears and opens a ambient layer of relaxed drones, but always accompanied by rough fabrics and textures, stratified sheets of vibrating scrap almost of a palpable materiality.

In ‘Rítmica’ (pn104) there is of course ‘rhythm’ but still, it must be understood in a different way and this forms part of the mysteries of this work, even in those occasions where it may seem almost absent. The melodies have to be on this occasion almost imagined.

The journey of ‘Rítmica’ (pn104) takes place very briefly, it opens and closes, and in a flash perhaps you wake up to reality neither more nor less than in the studio of the Dear Professor Zacarías Malden!

Don’t worry, the ‘system’ guarantees the return to natural size upon your return. You will not return as “miniatures,” nor will you have been devoured by the insectoids or by the ‘Pac-mans’

Luckily the electricity will not have disappeared out there! What is more we know that we can count on Professor Zacarías to deliver new and future entries of adventure in the form of installments and albums.

Felipe Raurich Böttiger
Capitán del Nautilus en el programa musical on-line:
20.000 Leguas de Viaje Submarino (Un Mundo de Aventuras Musicales)
(Valparaíso, Chile. Marzo / March 2016)

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Rocco Perciante – little people

[0kbps088]

Rocco Perciante

“little people”

Rocco Perciante

little people [0kbps088]

01 – intro – good morning
02 – coil
03 – eqoij9473
04 – veloCity n1
05 – nrp#2cut3

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Abjective – Into the Labyrinth

[367]

Abjective

“Into the Labyrinth”

Abjective first arrived on Kahvi back in December as part of the VA compilation (Waves). Now they’re back with an album entitled ‘Into the Labyrinth’.

Heading towards the more glitchy end of the audio spectrum, the nine track album scratches on the edges of ambient (slightly reminiscient of Curious Inversions or the Orb), while including a touch of Autectre to give the tracks more of a distinct feel.

The album could be seen as a cleanse of the palette, taking the listener to more pleasant times, a summertime shower, or spring sunshine.

Tracks of choice: Summoning of the muse, Organium drone.

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C. Reider / Jeph Jerman – Pop Variations

[pyr175]

C. Reider / Jeph Jerman

“Pop Variations”

Netlabel Pan y Rosas Discos has released a new collaborative album from C. Reider and Jeph Jerman. The album consists of a single 30 minute track comprised of edited vinyl pops and crackles. C. Reider wrote the following about the album:

in 2015, my friend jeph jerman sent me a very lovely lathe-cut record. one side has a twelve minute track of the pops and crackles that are typical of vinyl records. all of the sounds in pop variations were derived from that recording, using various techniques, like running the pops & clicks through a de-clicking algorithm, or slowing down the recording to the point where you can hear the needle bouncing at each pop.

-CR

You can download the full release from the label’s website

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Emanuele Fais – Too Much Blood In My Alcohol

[0kbps097]

Emanuele Fais

“Too Much Blood In My Alcohol”

Emanuele Fais

Too Much Blood in My Alcohol [0kbps097]

01 – Untitled
02 – Untitled
03 – Untitled
04 – Untitled
05 – Untitled
06 – Untitled

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Rocco Perciante – air chrysalis

[0kbps098]

Rocco Perciante

“air chrysalis”

Rocco Perciante

air chrysalis [0kbps098]

01 – rpp01
02 – rpp02
03 – we needs your comments (1995 version)

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Amigos de Cooptrol – Misterio

Amigos de Cooptrol

“Misterio”

Amigos de Cooptrol (Friends of Cooptrol) is a compilation of Uruguayan electronic music artists. The purpose of this compilation is to integrate and promote artists from the Uruguayan electronic music scene. These 26 tracks were produced exclusively for this compilation. The artists were given two simple guidelines: to make a “misterious” track, and to keep its duration under 3.30 minutes. The tracks are in alphabetical order of artist names. If you click on each track you can see the artist info and image.

daniel aleksandar – retrospective

[unfound85]

daniel aleksandar

“retrospective”

serbia’s daniel aleksandar delivers a leftfield, heady eight-track album entitled retrospective. here you get an abstract and experimental array of minimalism with jazzy and ambient undertones — at times almost on the edge of soft idm. plus, two tracks feature collaborations with his fellow serbians, sloxxx and aleksandar nikolic. this album may soothe your mind. it may fry your mind. or both. either way, your mind will be expanded.
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Various Artists – Oompa Loopma Riot

Various Artists

“Oompa Loopma Riot”

From 1979 to 1983, the Australian Terse Tapes label made cassette compilations. These are in danger of becoming “classics”, a complete betrayal of the energy that made them. There is no better antidote to cloying nostalgia than the corpse getting up and refusing the funeral.

So instead say that from 1979 to 2015, Terse Tapes made compilations, and here is more of the same. You could put it on a cassette if that matters.

I invited a few people I know, and they invited a few people they know, and music started to arrive in my inbox. I refused to listen to any of it until April Fools day. No one curated anything, although some people were nice enough to chase up their friends.

Having heard this music over the last 24 hours I can divide it into some useful ‘sides’, but keep in mind you are able to arrange it however you like in this non-linear wonderland in which we are trapped.

Side A: people who have doubts about music.
Side B: people who do not fear a pretty tune.
Side C: people that make graphs and grids.
Side D: people who could plausibly perform in a public ale house
Side T: time lords

Although supplied for no payment, there are specific rights attached to the recordings, which remain the property of the artists. Do not sell this music for a profit, do not use this music for any commercial purpose, including but not limited to, placement alongside advertisements or behind paywalls.
credits
released 01 April 2015

Organised by Tom Ellard at Terse Tapes, Sydney, Australia. Contents made in the USA, UK, Canada, Switzerland, Australia and other parts of the universe that man may visit from time to time. May contain nuts.


floating mind – deepness and symmetry

unfound83

floating mind

“deepness and symmetry”

geneva’s floating mind is a highly notable electronic music producer, and he releases only free music — sidestepping the profiteering music business outlets. so that said, unfoundsound is honored to offer you this free 8-track album from floating mind — entitled deepness and symmetry. here you get a mind-blurring array of deep, abstract minimal techno and leftfield ambient. call it avant-garde. call it experimental. call it whatever you want. in the end, it’s solidarity. it’s deepness and symmetry.

VA – From Ritual to Romance

EdP071

VA

“From Ritual to Romance”

Et Quid Amabo Nisi Quod Aenigma Est?

Die Elektrischen Vorspiele, a blog founded on January 15 2009, and whose sixth anniversary is commemorated with this release, was envisioned as a space for the nurturing of a “savage thought” (that is, of an undisciplined nature). In its essence, and as an individual project, it aims mostly to be a vehicle for its author’s vast-reaching interests, while at the same time harnessing them into some form of discipline. More than just a reflection on the fascination caused by the themes implicit to its lexical field of action, as shown by the coordinates and key concepts that define the boundaries of its territory, i.e. “Occultism” / “Esotericism”, this virtual space mainly maps some of the topologies enclosed in the History of Ideas. A vast and sometimes ignored area of Knowledge, whose apparently paradoxical character drives a magnetic pull towards the need to identify its true nature, as ubiquitously manifested along various historical cycles, in an unending drama staged in the theatre of the Anima Mundi. This is, in fact, the true raison d’être of Die Elektrischen Vorspiele.
As a direct result of its existence, November 2010 saw the publication of the book “Summa Techno(i)logicae”. This work, as implied by its title, is a thoroughly compiled and systematised patchwork reflecting the interests that guide its author’s research. From then on, periodic collaborations with other projects ensued, such as the magazines Finis Mundi, Infernus and Antibothis.
Still under the aegis of Die Elektrischen Vorspiele, and always through the establishment of complicities and connections, a number of events were created and carried out in the past six years. This set of actions (with Music as a constant common denominator) has had as its main goal the evocation of the life and work of various figures that have left behind crucial legacies. The people celebrated include the musician John Balance (Coil); the historian of religions Mircea Eliade; the poet and theatre director Antonin Artaud; the philosopher Georges Bataille; and the Japanese writer Yukio Mishima. It is also worth mentioning the series of events spanning along the year 2013, Occult Esoterica AV Gatherings, curated in collaboration with intermedia artist Ana Carvalho.
The proposal made to EdP – Editora do Porto (in the person of its administrator, João Ricardo) for the release of this compilation emerges as a consequence of shared common cosmologies which have gradually been transmuted into friendship, and also of João Ricardo’s encyclopaedic musical knowledge, while the invitations made to the artists taking part in it are the logical result of a chaining together of elective affinities (a process permanently taking place since the first Homeric dawn).

Júlio Mendes Rodrigo
Porto, December 23, anno 2014, era vulgaris


VA – The Golden Bough

EdP070

VA

“The Golden Bough”

Et Quid Amabo Nisi Quod Aenigma Est?

Die Elektrischen Vorspiele, a blog founded on January 15 2009, and whose sixth anniversary is commemorated with this release, was envisioned as a space for the nurturing of a “savage thought” (that is, of an undisciplined nature). In its essence, and as an individual project, it aims mostly to be a vehicle for its author’s vast-reaching interests, while at the same time harnessing them into some form of discipline. More than just a reflection on the fascination caused by the themes implicit to its lexical field of action, as shown by the coordinates and key concepts that define the boundaries of its territory, i.e. “Occultism” / “Esotericism”, this virtual space mainly maps some of the topologies enclosed in the History of Ideas. A vast and sometimes ignored area of Knowledge, whose apparently paradoxical character drives a magnetic pull towards the need to identify its true nature, as ubiquitously manifested along various historical cycles, in an unending drama staged in the theatre of the Anima Mundi. This is, in fact, the true raison d’être of Die Elektrischen Vorspiele.
As a direct result of its existence, November 2010 saw the publication of the book “Summa Techno(i)logicae”. This work, as implied by its title, is a thoroughly compiled and systematised patchwork reflecting the interests that guide its author’s research. From then on, periodic collaborations with other projects ensued, such as the magazines Finis Mundi, Infernus and Antibothis.
Still under the aegis of Die Elektrischen Vorspiele, and always through the establishment of complicities and connections, a number of events were created and carried out in the past six years. This set of actions (with Music as a constant common denominator) has had as its main goal the evocation of the life and work of various figures that have left behind crucial legacies. The people celebrated include the musician John Balance (Coil); the historian of religions Mircea Eliade; the poet and theatre director Antonin Artaud; the philosopher Georges Bataille; and the Japanese writer Yukio Mishima. It is also worth mentioning the series of events spanning along the year 2013, Occult Esoterica AV Gatherings, curated in collaboration with intermedia artist Ana Carvalho.
The proposal made to EdP – Editora do Porto (in the person of its administrator, João Ricardo) for the release of this compilation emerges as a consequence of shared common cosmologies which have gradually been transmuted into friendship, and also of João Ricardo’s encyclopaedic musical knowledge, while the invitations made to the artists taking part in it are the logical result of a chaining together of elective affinities (a process permanently taking place since the first Homeric dawn).

Júlio Mendes Rodrigo
Porto, December 23, anno 2014, era vulgaris


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