Sometimes, we live. Sometimes, we rush, headlong into the many of the many and the concerns of the lesser and the greater and the in-between.
Sometimes, we live. Sometimes, we speed, from this to that to this again and this other this that was not even a that which we thought of.
Sometimes, we live. Sometimes – we breathe.
Featuring piano and orchestral strings.
Syлc
After four years of “silence,” CaӤdySyлc return to MiMi Records with a new EP.
recess EP is a lolicore explosion blending breakcore, speedcore, drum’n’bass, and noise. Sharp, high-pitched lolita vocals and abrupt endings mark each track with intensity and irreverence. If you’re a true otaku who vibes with the spirit of Akihabara, this record is made for you.
Get ready for a sonic overdose of pure energy and otaku aesthetics.
Pickups and Porsches, on the same street,
>From the left and the right, in the middle they meet,
One belies labor, and one portrays wealth –
Both reflect life and all that is dealth.
Featuring a pickup, a Porsche, and effects.
all music, mixed, composed, artwork collage by Sábila Orbe.
vocals, model in the cover: Mist Spectra.-
This is a mixtape of tracks from different v/a compilations. Each track was inspired in a retro RPG video game.
This is the tracklist:
-00:00 to 2:57: Sweet Home (スウィートホーム)
originally released at VNR label:
vacuumnoiserecords.bandcamp.com/track/sweet-home
-2:58 to 5:48: The Battle of Olympus
originally released at LoudSilence label:
loudsilencedigital.bandcamp.com/track/humanfobia-the-battle-of-olympus
-5:49 to 8:30: Uninvited
originally released at Freshwater Media:
freshwatermedia.bandcamp.com/track/uninvited
-8:31 to 12:02: Surging Aura (サージングオーラ):
will be released at PMP label:
pac0m0ren0.bandcamp.com/
-12:03 to 15:24: Dungeon Skullkeep (Dungeon Master II Skullkeep):
originally composed in 2011. Only this track will be released in a 2011 track compilation for most popular streaming music webs.
About the track:
This composition was created for the “Stop all wars” compilation by “attenuation circuit” netlabel. You can listen to the entire compilation here emerge.bandcamp.com/album/–3
This track contains multiple field recordings such as me and my colleagues ignoring occasional air raid alert or me and my son discussing that air raids and explosions are over.
About the cover art:
I took this picture in Chernivtsi at the beginning of russian full-scale invasion. This was a time when many families were separated and these words resonated in me. The credit goes to whoever wrote this on the wall.
A physical device, with keys pushing hammers via levers, was utilized. The relative position and velocity of the hammers was measured via optical sensors, digitally recorded, and wirelessly transmitted. These numerical records were reconstituted via software and samples of previously recorded audio – more numbers.
You are most likely hearing the result after it has been stored and transmitted several more times, and used to trigger very particular vibrations of air molecules via whatever digital audio hardware you have available. Finally, your ear receives those vibrations and converts it back into electrical signals, which are interpreted by your brain in a process that is still largely inscrutable.
You imagine the experience as acoustic, an organic occurrence of natural sound. But the organic experience only happened once, and we are left with this artifact – a very particular arrangement of bytes.
Featuring improvised piano, mediated via many bytes.
The forest and water spirits in concert,
glowing, ringing, vibrating,
the rhythm of the wilderness emerges.
The forest scientist Peter Wohlleben has observed, that trees and plants are communicating to each other thanks to the complex mycorrhizal networks.
The album is a contemplation on flora. Its music is a result of hours of walking, exploring and recording electrical impulses found in the wilderness. These impulses, emitted by trees, fungi, grass and bushes, were converted to MIDI signals and fed to various electronic instruments. Almost sixty percent of this record was co-composed and created by riverside vegetation. In addition, all the instruments were tuned to various subsets of the harmonic series.
Recorded and produced in 2024, Warsaw, Poland.
Keywords: experimental, dark, cinematic ambients, mysterious spheres, sensitive, hifi, mysterious, minimalism, sound art, dreamy, mycorrhizal networks, album, mp3, flac, wav, Poland, Europe, Warsaw, 2025
Another debut in the label’s catalog. Ryohei Kurihara releases his two-track mini EP titled “Afterimage of Words, a Place Beyond Return”, bringing us his ambient drone, echoing traces of his previous works.
The record sounds like sonic shadows that linger in memory, guiding us toward a territory where return is impossible—only slow, radiant contemplation in gentle waves of sound.
It offers nearly 20 minutes of layered sonorities that reveal an emotional space where silence breathes between grainy textures. Kurihara shapes frequencies with meditative precision, allowing each drone to unfold like a blurred memory.
The result is a sensorial crossing that deepens the meaning of the title, where words disappear but sensations remain to this day.
Know your audience, know yourself. Introspect, or obsess – a strange loop come unfurled. A journey, a place, a time to face. Now gnawingly, no notes know – yet.
Featuring improvised clarinet.
Ten years ago – another time. Simpler? Not really. Earlier, and with different players playing a different game. A new player at the time – Jazzaria – now marking its first decennial. May it see decades to come.
Featuring improvised clarinet.
Searching – stumbling. Seeing – staring. Blankly – blinking. Blinding – blitzing. Being – buzzing. Feeling – futzing.
Featuring improvised piano.
Recorded during the lockdown period, Animal Sintético is the result of an intensive exploration of a Novation Peak synthesizer, temporarily loaned by a friend.
The work unfolds through real-time recordings and modulations over the course of a week, with compositions built track by track and captured in single takes.
This release explores ambient and drone territories, progressing toward more rhythmic and percussive pieces at its conclusion.
Each track corresponds to a distinct synthetic textile material, evoking the idea that sonic filaments gain meaning through interconnection.
The title — born from a spontaneous joke about a faux fur coat — precisely reflects the EP’s aesthetic: artificial, textured, interwoven.
Animal Sintético is an exercise in material and conceptual synthesis, where instrumental limitation becomes language.
