“MOVIL/INMOVIL (Mobile/Immobile) is a sonic exploration of two worlds as seemingly distinct as are mobile musical applications and a Steinway grand piano.
This work of Luis Marte and Roger Delahaye aka Poltamento concentrates on a single musical space-time and, in the form of a single perspective, two dimensions that are both physical and categorical, the mobility and portability of electronic and granular software on one side, and the immobility of the great acoustic giant on the other. Categories of space and size, which are also of texture and dissimilar sonic thickness, nevertheless fused and assumed as part of a whole by ambient moments that are also impressionistic …
These fragments, wherein the warmth of the wood and the glitch’s abstraction solidify into a single entity, show us that the possible “N” worlds can converge in a singular sound synthesis, where the extremes touch and coexist, where, as Einstein said a century ago, motion or status depends on the viewer’s point of view, in this case the listener.”
(Buenos Aires, Argentina. Junio / June, 2017)
La dolcezza di pop lo fi ed elettro altra, tra respiri e calde insicurezze, un disco magnifico che Marco aka Butipreferrominapower aka Cloud Traveler ci regala, e sarà una gioia per tutti. Brani homerecording registrati e mixati in soggiorno e cucina fra la fine del 2015 e 2016 da Butipreferrominapower
The sweetness of the fi pop and a different electro , between breaths and hot insecurities, a magnificent album that Marco aka Butipreferrominapower aka Cloud Traveler gives us, and it will be a joy for all.
home recording tracks recorded and mixed in the living room and kitchen of
the end of 2015 and 2016 by Butipreferrominapower.
In perfect attention the crystallized minescrafter digs through the depths of the heights. In hand luggage the best machines, he travels across noone’s heaven. Three rooms.
With Winterberg’s second album, we go a bit deeper into his work. After his self chosen “lock in with grand” some songs reached new levels. Grasping the moment, comfort of maturity. Between saturated thickness and clear raising there are also occasionally surprises.
Over three hours of music has been found for this album, well portioned in three parts. Five years have passed since the previous album. Now he’s back for more. We wish you a great listening pleasure with these selected works of improvisation, of live play. Spirit, soul and earth invite you to dive into.
The album is based on five melodic idioms. As any other repeated action their frequency occurs neither with monotony nor with irreflection but with a kind of advertence. This frequency gradually organizes all structures of consciousness, giving birth to genuine contemplation. ‘however, I desire to speak five words with my mind so that I may instruct others also, rather than ten thousand words in a tongue’ (1 Cor. 14:19).
In Carinae, M-PeX explores the conceptual symbiosis between the original sound of the portuguese guitar, to which is added the sound of André Coelho’s contrabass, and the ambient electronic sound which is born out of an experimental and digital manipulation of sounds captured on the portuguese guitar for the acoustic themes. Photography by Carina Nunes and graphical artwork by Marco Madruga.
Second edition of The Feel of DEFIL project brings you 24 tracks and almost 80 minutes of varied music – songs and instrumentals. You will hear many rare vintage polish DEFIL instruments, such as 1958-mandolin, Mambo and Lotos basses, Carioca, Tarantella, Melodia 2, Jola 2 up to 1994 Aster Lux STR, RockTon and many more…
For more details visit: http://defil2.bonimedia.pl
Lorelei is the debut album from duo Feminine (Giampiero Riggio and Francesco Cipriano). A wave manifesto against the deeply rooted reverence for the logic of genres. “Lorelei” develops on two complementary levels: one archaic and passionate, troubled by the many contradictions of a land like Sicily and the other, accurate and bewitching, is a prelude to teutonic Stuttgard. A countless number of bytes which they shared and exchanged remotely. This work is romantic and brave at the same time, constantly immersed into a very deep atmosphere, never trite,
fooled by the certainty that there is no dream which cannot be described.
After many years in the making, and following an obscure lo-fi CDR release about ten years ago, this is Peter Holy’s first solo album, this time without materializing physically (the music, not Peter).
Peter plays piano and sings, accompanied by Tupolev bandmates Alexandr Vatagin (cello, recording, mixing, mastering) and David Schweighart (drums). The record consists of 9 pieces, 2 of which are re-recordings from songs from the old CDR, one is a reworking of a piece by Tupolev and one piece was also used in a song on Alexandr Vatagins album Serza. The remaining 5 pieces are completely new.
Safir Nòu (Antonio Firinu) is a composer, guitarist and accordionist.
The music collected in the album Groundless could be identified as “total music”, influenced by different styles and genres, from world music to post-rock to jazz. The sounds and the melodies bring the listener to an ethereal and hypnotic dimension, which is the “groundless” dimension indeed.
“notforme!” is the acoustic solo project from Pavel Mokhort, the singersongwriter of the Karelian punk band Six-Pack Sunday. Since 2009, he has traveled half of Russia with occasional forays abroad, playing small bars and cafes. “We Were Coalmine Canaries” is a collection of travel notes, postcards and photographs from his shoebox of memories. Keep it simple: a guitar, a shabby plaid shirt and a couple of friends.
«Эти песни записывались в 2014-2015 годах и были опубликованы в интернете тремя частями: сначала первые четыре песни (обложка с птицей), следующие три песни о кислом (и картинка с лимоном) и отдельно — последняя песня (с фотографией).»