PARENTAL ADVISORY: non-sense EVP data (electronic voice phenomena). 3 days of sleep depravation (possibly way too much neural stimulaton due to sitting for a lot of time in front of computer). doing fine at the moment. feeling sleepy like hell at time of posting this record. recording will be updated in a couple of days.
transparent points on four axes is a layered, electroacoustic studio collaboration. each track began with a ground layer of a composed or improvised performance on double bass or synthesizer, in tandem with a directed, auto generated soundscape produced by an analogue modular synthesizer. the tracks were finished with a further layering of synthesizer, electronics and percussion.
daniel barbiero: double bass (2, 5, 6, 7 & 8); sylosynth app (1 & 3); microbrute synthesizer (4).
ken moore: crackle box (2); minimoog (8); emax sampler (1, 5, 6) ; tam tams (3, 4, 7); steel pan drum (8); glockenspiel (8); bells, bowls and other percussion (all tracks).
dave vosh: analogue modular synthesizer (all tracks).
recorded january & february 2018 in silver spring md, upper marlboro md, and cuyahoga falls, oh.
assembled in cuyahoga falls, oh, february 2018, at anvil creations studio.
cover photography courtesy of hollishots by mark hollis, baltimore, maryland.
Yesterday was today.
Tomorrow will be today.
The frontier between oustide & inside just gets a bit more blurred.Recorded live at the Zorba, Paris, France, on february 24, 2018.
Mixed by Jossé.
Artwork by Torbill.
The two new songs by the Karelian vagabond notforme! make up a postcard from the days past, and every postcard have two sides. The front is a bright, yet frantic picture, inspired by the Steven Hall’s imagery, with his shark feeding on people’s memories and a desperate wish to find a fragile balance in life. The back is a simple, but ironically sharp message to oneself. Without a stamp. To be wrapped in cellophane and hidden in the inner pocket. To remember.
Lyrics, guitar and vocals: Pavel Mokhort Bass guitar and backing vocals: Vladimir Zhmurin Drums: Nikolai Kuskov
Cover design by Vladimir Zhmurin and Pavel Mokhort
Recorded at Kukkovka Hell Studios, Petrozavodsk, Karelia, May, 2018 Mixing & mastering by Anatoly Nikulin, Brno, Czech Republic, May, 2018
Thanks a lot to all of you, who believed in, helped with and waited for the record to happen! See ya’ll in autumn!
Dmitry Smaznov: “In general, positive music – acoustic sound with the addition of electrical sound and some use of Gothic and folk motives. Musical instruments can be different. Only the music and the mood that it creates are important”.
Bass guitars (preferably the Fender VI) and analogue synths, lots of them. Marco was a member of various indie, post rock and electronic bands before he released his first solo album in 2012. File under post- and/or kraut-rock if you wish. This is his second album for Cologne, Germany based Netlabel Der Kleine Grüne Würfel.
We are so happy to release ‘Noise Band in My Garden‘ by Dako Loop Orchestra and Lezet.
Lezet introduces a true music hero, the inimitable Darko Jovanovic, to the Etched Traumas community, by means of a split/collab “why the dance rhythm? l definitely live in the loop, and I do things the way I should.”
The 3-rd edition of The Feel of DEFIL project = 37 tracks and over 2 hours of vintage guitars music and different styles (progrock, alternative rock, metal, blues, chillout, improvisation, you name it).
melophobia comes from Greece. He likes to experiment with long noise and drone sounds intermingled with field recordings and acoustic sounds. melophobia is heavily influenced by contemporary artists such as Merzbow and early ’90s shoegaze scene. He is active with his ultra-limited releases of his 3″/5″ CDr label ‘illicit-tapes’. He cherishes the piles of his priceless jap noise C-xx tapes and obscure vinyls.
BroodingSideOfMadness is interested in phonemes, graph theory, realism and any dystopian ambiance. He seeks for the generative element in his tracks. He is the founder of Etched Traumas netlabel.
Tired of always being doing something. Always always always. Tapping, clicking, meeting, partying, exercising, networking. Working hard, playing hard, living hard.
Keep it up like that and listen Single-O by Walt Thisney.
On this Various Artists compilation you can hear some vintage guitars produced in Eastern Block former countries, for example guitar brands like Jolana, Musima, Migma, Tonika, Ural, Mensfeld and many more!
The second album by the improvisatory duo Johannes Haase (Germany) and Óscar Santis (Chile), in this work we find two strokes, each one with a particular character and energy, music born from an ambient minimalism of high contrast based on the energy and sonority of each of them, together they create these sonorous images of highly oneiric and aquatic depth, that revoke the dunes, the sea, and the factories near Ritoque.
Trazo uno (Stroke one); of an aggressive character, contained and defragmented, the sonorities created by the electric violin of Haase are hidden between textures blurred by processes and loops, these at moments, contrasted by the electronics of Santis, overwhelming, from aleatoric rhythms and great sonic density, almost pixelated, together they create landscapes that are deconstructed and assembled in an organic way, creating textures of high spatiality.
Trazo dos (Stroke two); a deep and spacious texture, of aquatic time that is constructed of subtle gestures that coexist in a state of contemplation, the temporal absence that they generate immerses us in a very deep listening almost like daydreaming, a continuous variation that little by little comes and goes transforming and giving rise to this fragmented minimalism that brings us back to that which is human.
A disc where temporality and form are given through the organic needs of the moment, which takes us into subtle states of listening, where we can manage to enter the fine interwoven fabric and the decisions through which the music was tacken on, at the personal level, a work of brief landscaping with an occultist essence, two strokes that propose contrasting states from the same nature, listening and freedom.
(Valparaíso, Chile. Noviembre / November 2017)
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