Wings of an Angel – Graveyard Flowers (Genuinely Melancholic Original Classical Compositions For Piano And Cello)

Wings of an Angel – Graveyard Flowers (Genuinely Melancholic Original Classical Compositions For Piano And Cello)
[Self Release]

Wings of an Angel

“Graveyard Flowers (Genuinely Melancholic Original Classical Compositions For Piano And Cello)”

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George L Smyth – A Dream Itself Is But A Shadow

George L Smyth – A Dream Itself Is But A Shadow

George L Smyth

“A Dream Itself Is But A Shadow”

A Dream Itself Is But A Shadow was written in response to Disquiet Junto Project 0379: Open Studios

Step 1: The purpose of this week’s project is to provide participants opportunities to get feedback on works-in-progress. Consider work you’re doing you’d appreciate responses to from fellow Junto participants.
Step 2: Either upload an existing recording (sketches and mid-process takes may prove optimal), or record something new and post it online for feedback. If there are some things in particular you’d like feedback on, mention what they are.

A Dream Itself Is But A Shadow is, of course, a quote from Shakespeare’s Hamlet. I started writing it in response to the haiku by Portuguese author Corine Timmer:

the falling tide
tugs at my dream –
winter solstice

I was not able to complete the piece in time for inclusion with naviarhaiku272. I have returned to it off and on and am at a place comfortable where I believe that it can be shared.

A Dream Itself Is But A Shadow was written for Flute, Clarinet, Bassoon, Horn, Trombone, Vibraphone, Violin, Viola, Cello and String Bass.

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ユメノマ(yumenoma) – vespatine e.p.

[LBN045]

ユメノマ(yumenoma)

“vespatine e.p.”

A solo project by Shinya Nakashima.
In charge of music, arrangements, programming,bass guitar.
Also involved in working as a support musician doing sound manufacturing / live performances, etc.
Trip pop: creates space via music.
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Melinda & Maciek – Jazz Frit

[LBN043]

Melinda & Maciek

“Jazz Frit”

Melinda & Maciek is a project started in February 2018 thanks to an accidental Instagram connection between 2 musicians. Melinda Ligeti is a composer/singer/multiinstrumentalist/arranger/producer from Serbia, living in Italy, while Maciek Cieslak is a drummer from Poland, living in France. It all started with Melinda’s old wish to write music based on a bare drum track. Maciek happened to have some ready, recorded drumparts that he sent to her, and she used them to build music upon it, using piano, synth and bass. It was an experimental approach to composition Melinda always wanted to try, and it finally happened. The result is 4 songs, mixing jazz, prog, fusion, chillout, contemporary… imagined as a mini album, giving the taste of what this project might become if developed further. 3 of them are instrumental, and one is also involving Maciek’s vocals that got caught on microphones while recording the drumpart, a selfironic song that makes fun of the hardship of singing and playing at the same time, in his native Polish language. Jazz Frit is a symbolic title for this album, for the fact that musicians involved are living in (Fr)ance and (It)aly, but also, and so much more, for the meaning of frit word, which by Oxford dictionary definition is the mixture of silica and fluxes which is fused at high temperature to make glass, plus – according to urban dictionary means intoxicating/exciting, as well as ligthly fried.
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Wings of an Angel – Submerging Into Delusional Silence

[Self Release]

Wings of an Angel

“Submerging Into Delusional Silence”

1.
The Saddest Part Is When We Quit 36:362.
Bewildering Variations Of The Self-Mutilating Tricks We Play With Obsessively To Fool Ourselves Into Believing That We Are Better Than Everyone Else 01:16:243.
Eternal Fragments Of Interplanetary Glaciers Breaking Into Cosmic Smithereens, Carrying Particles Of Every Manmade Hope Ever Dreamt Of, Like God’s Charcoal Figure With Muscular Hands And Feminine Brows, Interrogating The Fallen Angels About The Bitter Fate Of Humanity Out Of Despair To Fix Creation 57:37
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Chris Silver T + Mauro Sambo – …che il sapore dell’aria possa appoggiarsi alle labbra

[pn138]

Chris Silver T + Mauro Sambo

“…che il sapore dell’aria possa appoggiarsi alle labbra”

“In un arco temporale molto breve” (a Chris & Mauro).

Quando Il corpo si separa dalla mente e nuovi spazi si formano

Tu respira…

lascia passare l’aria e inoltrarsi l’ombra…

…aria

la mente si domanda cos’è questa massa di carne, ossa e tendini che deve far muovere, spostare…
Una massa in perenne fermento, sempre tesa.

Perché?

Il corpo dal canto suo si sente privato di senso, quasi un intruso, un peso per quel mondo
metafisico verso cui la mente tende.

E’ di troppo?

Piccole scosse muovono le dita, che lasciate a loro stesse si erano addormentate,
forse un tentativo della mente di abbandonarle…

l’aria si appoggia alle labbra e il naso freme per quel sentore, forse più un ricordo,
di incenso, tenue ma insistente.

Un lungo respiro sposta i polmoni e ossigena…

Tu respira…

ora si che…

“…cos’era quel suono? Hanno bussato?…No, non dovrebbe essere già qui…”

La gola stretta in una morsa, una sensazione di brivido che corre lungo lo stomaco e lo sterno.

L’esterno che risveglia l’interno.

Non è possibile lasciarlo indietro quel corpo… dietro la porta qualcuno lo aspetta…

ritorna a terra, con i piedi saldi, i sensi allerta, il cuore fremente.

Matilde Sambo
https://www.matildesambo.com
(Milán, Italia. Milano, Italy. Diciembre / December, 2018)

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Medo’s Little Trap – Birds on the snow

[LBN044]

Medo’s Little Trap

“Birds on the snow”

Winter is coming slowly. The sorrow penetrates through the window of a house lit by a faint sun. The bells ring out far. A woman sings her dreams of escape, while a man turns around a square seeking for his desappeared love. The snow fall down insistently. Voices chant litany to celebrate the end of life. noises interfere with the rarefied melodies of a piano that tries to draw landscapes of purity. With the cold, innocence seems to have to die. Yet in a courtyard, the children resist winter by playing under the cold eyes of adults, and here and there, little birds survive in the snow.
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Tiago Morais Morgado – Lost Souveniers

Tiago Morais Morgado

“Lost Souveniers”

a record comprising my technique in viola with pizzicare with Dereck Bailey emulation attempts on guitar, and finally post rock sounds, in cavaquinho
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WHΛLT THISИEY – Thisness


WHΛLT THISИEY – This dromocracy


lauren redhead – hearmleoþ—gieddunga

[pyr262]

lauren redhead

“hearmleoþ—gieddunga”

these pieces were created from 2016-2018 as part of a collaborative project in three stages. lauren redhead created scores, texts, samples, and concepts for performance. alistair zaldua then took part in the realisation of the works for live performance through the development of performance practices and live electronic interfaces. in the final stage of the project, lauren and alistair were joined in the studio by josh cannon who contributed creative studio practices and mixed and mastered the final tracks. this music is therefore a result of live performances, studio composition and of collaborative exchanges.
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Tiago Morais Morgado – Pataphysic Electromagnetic Piano Solos

Tiago Morais Morgado

“Pataphysic Electromagnetic Piano Solos”

PARENTAL ADVISORY: non-sense EVP data (electronic voice phenomena). 3 days of sleep depravation (possibly way too much neural stimulaton due to sitting for a lot of time in front of computer). doing fine at the moment. feeling sleepy like hell at time of posting this record. recording will be updated in a couple of days.
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daniel barbiero, ken moore, dave vosh – transparent points on four axes

[pyr260]

daniel barbiero, ken moore, dave vosh

“transparent points on four axes”

transparent points on four axes is a layered, electroacoustic studio collaboration. each track began with a ground layer of a composed or improvised performance on double bass or synthesizer, in tandem with a directed, auto generated soundscape produced by an analogue modular synthesizer. the tracks were finished with a further layering of synthesizer, electronics and percussion.

daniel barbiero: double bass (2, 5, 6, 7 & 8); sylosynth app (1 & 3); microbrute synthesizer (4).
ken moore: crackle box (2); minimoog (8); emax sampler (1, 5, 6) ; tam tams (3, 4, 7); steel pan drum (8); glockenspiel (8); bells, bowls and other percussion (all tracks).
dave vosh: analogue modular synthesizer (all tracks).

recorded january & february 2018 in silver spring md, upper marlboro md, and cuyahoga falls, oh.

assembled in cuyahoga falls, oh, february 2018, at anvil creations studio.
cover photography courtesy of hollishots by mark hollis, baltimore, maryland.

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The Paint – Change / Flashlight [2018]

[VULP-0122]

The Paint

“Change / Flashlight [2018]”

The Paint follows up last year’s Vulpiano single Lay Down with a surreal and melancholy single, “Change”. The b-side “Flashlight” lifts the mood into an echoey dreamscape.

The Paint’s single rounds off this year’s very special Netlabel Day. Big thanks to everyone for participating and all of the listeners out there.

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Torbill & Joss̩ Р27/02/2018, Le Zorba, Paris

[Eg0_180]

Torbill & Jossé

“27/02/2018, Le Zorba, Paris”

Yesterday was today.
Tomorrow will be today.
The frontier between oustide & inside just gets a bit more blurred.Recorded live at the Zorba, Paris, France, on february 24, 2018.
Mixed by Jossé.
Artwork by Torbill.
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Trixie Delight – Submarine

Trixie Delight

“Submarine “

Trixie Delight’s second release on TCFSR is once again constructed from her own field recordings over which she plays her zither and sings.

This release includes interpretations by Lone Cosmonaut, Doctor Mario, Dental Drill and 3dtorus.

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notforme! – Ludovican /​/​/ Forlorn Shores

[SCL-SNG008]

notforme!

“Ludovican /​/​/ Forlorn Shores”

The two new songs by the Karelian vagabond notforme! make up a postcard from the days past, and every postcard have two sides. The front is a bright, yet frantic picture, inspired by the Steven Hall’s imagery, with his shark feeding on people’s memories and a desperate wish to find a fragile balance in life. The back is a simple, but ironically sharp message to oneself. Without a stamp. To be wrapped in cellophane and hidden in the inner pocket. To remember.

Lyrics, guitar and vocals: Pavel Mokhort Bass guitar and backing vocals: Vladimir Zhmurin Drums: Nikolai Kuskov

Cover design by Vladimir Zhmurin and Pavel Mokhort

Recorded at Kukkovka Hell Studios, Petrozavodsk, Karelia, May, 2018 Mixing & mastering by Anatoly Nikulin, Brno, Czech Republic, May, 2018

Thanks a lot to all of you, who believed in, helped with and waited for the record to happen! See ya’ll in autumn!

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Macchiato Funky – Bugella 20-50

[LBN042]

Macchiato Funky

“Bugella 20-50”

“Past is our watermark, spotted with light and shade.
Present engages us in constant change.
Future lets our imagination flow.”
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Dmitry Smaznov – Waterproof (EP)

[BM06R18]

Dmitry Smaznov

“Waterproof (EP)”

Dmitry Smaznov: “In general, positive music – acoustic sound with the addition of electrical sound and some use of Gothic and folk motives. Musical instruments can be different. Only the music and the mood that it creates are important”.
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Marco Trovatello – Not At All

[Wuerfel23]

Marco Trovatello

“Not At All”

Bass guitars (preferably the Fender VI) and analogue synths, lots of them. Marco was a member of various indie, post rock and electronic bands before he released his first solo album in 2012. File under post- and/or kraut-rock if you wish. This is his second album for Cologne, Germany based Netlabel Der Kleine Grüne Würfel.
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Dako Loop Orchestra & Lezet – Noise Band in My Garden

[ET122]

Dako Loop Orchestra & Lezet

“Noise Band in My Garden”

We are so happy to release ‘Noise Band in My Garden‘ by Dako Loop Orchestra and Lezet.
Lezet introduces a true music hero, the inimitable Darko Jovanovic, to the Etched Traumas community, by means of a split/collab “why the dance rhythm? l definitely live in the loop, and I do things the way I should.”
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Various Artists – The Feel of DEFIL 3

[BM04R18]

Various Artists

“The Feel of DEFIL 3”

The 3-rd edition of The Feel of DEFIL project = 37 tracks and over 2 hours of vintage guitars music and different styles (progrock, alternative rock, metal, blues, chillout, improvisation, you name it).
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Wings of an Angel – Tell Your New Date Something Truly Romantic And Original, Tell Her How Her Eyes Are Like The Fathomless Sea After A Storm Of The Black Plague

[Self Release ]

Wings of an Angel

“Tell Your New Date Something Truly Romantic And Original, Tell Her How Her Eyes Are Like The Fathomless Sea After A Storm Of The Black Plague”

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Wings of an Angel – The Pathetic Greatness Of The Masqueraded Face Book

[Self Release ]

Wings of an Angel

“The Pathetic Greatness Of The Masqueraded Face Book”

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Martin Hoogeboom & Juan A. Mi̱ana РOLK / GLIMM

[ET121]

Martin Hoogeboom & Juan A. Miñana

“OLK / GLIMM”

We are more than happy to release the new collaborative work of Hoogeboom and Miñana.

Martin Hoogeboom: objects, guitar, electronics / Juan Miñana: electronics

All tracks written and produced by Martin Hoogeboom and Juan Miñana.

Theo Calis: electronics (OLK 3), mastering / Paulo Chagas: oboe (GLIMM 1, 2 & 3)

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10Konekt – 100Chaises

[none]

10Konekt

“100Chaises”

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Wings of an Angel – What Is So Counterintuitive About Forcing An Average Guy To Be A Philosopher?

[Self Release ]

Wings of an Angel

“What Is So Counterintuitive About Forcing An Average Guy To Be A Philosopher?”

Tracklist:

1. Changing Someone’s Allegedly Deterministic Patterns And Education Begins With Creating Empathetic Trust And A Safe Buffer Zone 29:48

2. Rondo Alla Turka (To Go Along The Path Toward Self-Knowledge Is To Become One With It) 04:27

3. In The Country Of The Disabled, Someone About To Drive Off A Cliff Is Considered A Revolutionary 03:41

4. Only When You’ve Experienced Your Own Wisdom, Will You Actually Discover What Sadness Truly Entails 36:30

5. Personal Interpretation Of The Israeli National Anthem (Nationalism Is Criminally Underrated, Whereas Globalism Is Highly Overrated) 01:58

6. How Do You Say Nostalgia In Greek? (Stalia, Stalia) 02:23


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