“Go Ask Alice – Ten little dreams (and one bonus nightmare)”
Humankind has always looked to the stars as its own destiny. For this reason, indefatigable and willful, it has always climbed the highest peaks to get as close as possible. It knows that this is impossible, but it has the courage to try the same. This is written in the sign: the capricorn.
27 february 2007…12 years ago… My first album in Pueblo Nuevo Netlabel.
“‘Mestizo‘ fusiona electrónica con sonoridades autóctonas y voces ancestrales, con el objeto de encontrar un lenguaje que se posicione en el presente, pero que a su vez, tenga su base en nuestra memoria sonora histórica.
‘Mestizo‘ es un trabajo colaborativo, donde han aportado con sonidos y samples los siguientes músicos e investigadores: José Pérez de Arce (samples del disco “Son-Ido” en tracks 1-3-4-5-6), Matorral (samples de guitarra acústica en track 2, voces en track 5), Lluvia Acida (samples de zampoñas y ocarinas en tracks 2-3-4), Michel Durot (samples del tema “Ying Yang” en track 4), Pablo Cornejo (diversos samples en tracks 2-3-4), Tatevari (sample de ocarina jarra en track 3). Gracias a ustedes esta música fue posible.”
“‘Mestizo‘ is a mixture of electronics and ancient local sounds and voices. The idea is finding a language based in our historical sound memory, but firmly placed in the present day.
‘Mestizo‘ is a collaborative work, where the following musicians and researchers contributed the sounds and samples below: José Pérez de Arce (samples from “Son-Ido” album in tracks 1-3-4-5-6), Matorral (acoustic guitar samples in track 2; voice in track 5), Lluvia Acida (zampoñas and ocarinas samples in tracks 2-3-4), Michel Durot (samples from “Ying Yang” theme in track 4), Pablo Cornejo (assorted samples in tracks 2-3-4), Tatevari (ocarina jarra sample in track 3). Thanks for making this music come true.”
The music of WHΛLT THISИEY is a solitary soundtrack to nowhere, a non-tourist map into the unknown; music and images to create new, fully immersive environments, an intriguing aural pilgrimage with no destination in time and space, nuances and labyrinths.
WHΛLT THISИEY selects and mixes music for the mind and body in the same quantities that emerges from encounters between the past and the present, drawing beauty of the commonplace, wiping, polishing it, giving it life again, so to produce the same effect of the original freshness and spontaneity, a mirror that transforms it absorbs and reflects.
WHΛLT THISИEY mixes impressionist piano atmospheres, spoken wordcore, drone, experimental, library, hypnotic escapism music. WHΛLT THISИEY aka Fernando Cerqueira is the founder member of Thisco record label and publisher of Antibothis anthologies.
Fernando Cerqueira was the founder member of the late 80’s SPH tape / record label.
For its 40th release, Da ! Heard It went and got a creator of feelings who founds her music on the intimacy she builds with the listener.
Tryphème is a painter of enchanting landscapes. From these territories that transport with a singular atmosphere rather than flashy colors, she fashions an environment into which one must blend. No sudden dives or sheer falls; this music’s charm comes from insinuation—an invitation softly whispered into the hollow of the ear. And here we are, with Thanks God for Air Emotions, in the middle of this unknown region, suspended by strings controlled by the Parisian woman’s delicate hands.
We’ve known this power of seducation for two years already. Her first album, Online Dating with CPU Records, established the outline. It was the manifestation of an artist who is well-aware of the possibilities that musical creation has to offer. She navigated among the most subtle genres of this art of time and made herself the master of our emotions. Already.
With Thanks God for Air Emotions, we reach the next level. Succeeding the innocence of the first opus is an album purified of all dispersion, focused on the listening of her feelings. These notorious “air emotions,” overflowing with useless affects, form a continuous murmur that is used as raw material for the production of her healing music. They are the soft energy that drives the turbines of a mutant IDM with evanescent voices and synthetic layers. Too easily would we ogle the English ambient masters of yesteryear, if it weren’t for Tryphème coming to add to it here and there her personal inspirations, where the culture of the perpetually learning artist, from hip-hop to new wave, mixes.
The painting’s composition conforms to the hopes promised by Tryphème’s unique talent: a world beyond, formed by a power whose sensuality and mastery are formidable weapons.Thanks God For Air Emotions, Da ! Heard It Record’s 40th release, is distributed under a Creative Commons BY-NC-ND. The album can be listened to and downloaded freely at the following link: https://www.daheardit-records.net/en/discography/40
A solo project by Shinya Nakashima.
In charge of music, arrangements, programming,bass guitar.
Also involved in working as a support musician doing sound manufacturing / live performances, etc.
Trip pop: creates space via music.
“Being Righteous Automatically Makes You Betrayed”
The Inability To Laugh At Yourself Feeds The Trauma Of Intelligent Life 10:38
The Self Is An Omission Within The Self-Exploratory Nature Of The Possible Provisions Of Every Intoxicated Psyche 38:24
Whenever You Seek A Joy, You Cannot Dream 32:17
Old, but not dead yet.
The ocean of Air is still our vast home.
Take a deep breath, soon.Happy New Yeahh, dear citizen of Earth, stellar inhabitants and lifeforms in alternate dimensions. Our new ambassador of peace, relaxation and serious joy, Sami Konzo, brings you three marvelous tunes directly from Skt. Petersburg to your ears. Please enjoy the tracks as much as we did & do.
The Saddest Part Is When We Quit 36:362.
Bewildering Variations Of The Self-Mutilating Tricks We Play With Obsessively To Fool Ourselves Into Believing That We Are Better Than Everyone Else 01:16:243.
Eternal Fragments Of Interplanetary Glaciers Breaking Into Cosmic Smithereens, Carrying Particles Of Every Manmade Hope Ever Dreamt Of, Like God’s Charcoal Figure With Muscular Hands And Feminine Brows, Interrogating The Fallen Angels About The Bitter Fate Of Humanity Out Of Despair To Fix Creation 57:37
Winter is coming slowly. The sorrow penetrates through the window of a house lit by a faint sun. The bells ring out far. A woman sings her dreams of escape, while a man turns around a square seeking for his desappeared love. The snow fall down insistently. Voices chant litany to celebrate the end of life. noises interfere with the rarefied melodies of a piano that tries to draw landscapes of purity. With the cold, innocence seems to have to die. Yet in a courtyard, the children resist winter by playing under the cold eyes of adults, and here and there, little birds survive in the snow.
“Alea iacta est, luck or chance, may well be the ideas navigated by the musical work of Aiggom Gaudium (pseudonym Sebastian Moggia), in his first publication in Pueblo Nuevo, who does justice to the name of this EP in a way that is mysterious and almost cryptic.
Translated into English, the title of the album means ‘the luck is cast’, probably in reference to the artistic courage of trying to control the uncontrollable through music. The development, a mixture between the past and that which ensues through time, are shown here in an amalgam of references through which the author moves -and has moved before-, comfortably, as much in the mixture of styles with denomination of origin, as in the resulting sonorities and a musicality of neat technical style.
Links with the ambient, tints of arrangements with origins in traditional instrumental music, abundant in thick beds, classical pianos and electronic sequences, real or simulated violins and jazzy drums, these make up this group of four compositions with kind and sometimes melancholic melodies, they provide glimpses of finely intertwined electronic treatments; they are sonic layers that advance in atmospheres and unimagined landscapes, that through multiple listens necessarily evoke a different time, as if Aiggom Gaudium had tempted luck, taking it by the horns and submitting it to his musical will.”
Claudio Pérez P.
Artista visual / Músico (Lars & iO, A+, C+, Usted No!)
(Santiago, Chile. Septiembre / September 2018)
“From Viña arrives to Pueblo Nuevo the interesting project Aiggom Gaudium, the intellectual property of the musician and producer Sebastián Moggia, whose name has been hitherto unknown in the small world of electronic music, and who makes his official debut with this collection of 4 tracks entitled ‘Alea Iacta Est’.
Sebastian, as he himself has defined it, travels in this EP through past lives in different personal projects and styles, as much within electronic music and outside it, including techno, house, psytrance, drum & bass, chill-out, jazz and classical music. In this work he constructs with delicate electronic and acoustic elements musical passages of an instrumental nature that ignite in distinct moments, and with varied textures, the omnipresent and conceptual darkness of the author.
We move here through different scenes and sensibilities in an environment that is dark, but developed with “plot and drama”, with an emphasis on the subtlety of well-produced and mixed synthetic sounds, orchestrated environments, dancing to the sound of good beats and percussion loops. Sebastian here presents stories, with developments and a kind of script with distinct scenes in a single musical tour, as in his beautiful track ‘I’m Late’, which delights with its pianos, synthesizers and voices processed through a path with different nuances and breaks.
‘Canto en Púrpura (Song in Purple)’ is another mysterious story of the composer, with good rhythmic movement from electronic and real drum loops, a bit like Massive Attack on their Mezzanine album, which holds warm touches of synthesized pads. An almost cinematic view of a desolate landscape, but exciting to contemplate.
Completing this work are the pieces ‘Quasi una Fantasía’ and ‘Cycling’, which comprise a more intense rhythmic attunement, coated with processed analog sounds, acoustic pianos and voices from a heartfelt, ceremonial, and distant song, as in a revealing dream. As the composer tells us in his title, ‘The luck is cast’, because on a personal level this adventurous soloist has started on the right foot, and I wish him the best in his creation and new pathways. Enjoy.”
(Santiago, Chile. Septiembre / September 2018)
“Walt Thisney selects and mixes music for the mind and body in the same quantities that emerges from encounters between the past and the present, drawing beauty of the commonplace, wiping, polishing it, giving it life again, so to produce the same effect of the original freshness and spontaneity, a mirror that transforms it absorbs and reflects.”
The music of Walt Thisney is a solitary soundtrack to nowhere, a non-tourist map into the unknown; music and images to create new, fully immersive environments, an intriguing aural pilgrimage with no destination in time and space, nuances and labyrinths.
Stillborn Blues‘ 3rd album (originally released on cd-r in 2010) has the same old typical style : plaintive melancholy, detuned guitars, lo-fi recording, awkward playing muffled by the abuse of reverb and delay – all the ingredients for a low-profile soundtrack for lazy dreamers and restless losers in need of a pretext for spending the day watching the ceiling. Now that the music is on you can close the curtains and go back in your bed.
1. In A Small Apartment, Somewhere Near You, Among Farce And Negligence, A Lonely Artist Dreams Of The Death Of God, As The Turbulent Waves Hit His Eyes, Do Acknowledge That There’s Always An Unknown Genius Who Lives Nearby In Implausible Depth, Indifferent To Your Petty Suffering And Petty Joys 01:24:59
2. From My Abysmal Escape Room, Non-Existent In The Physical Reality, I Dream Of Untangling The Frayed Light Fabrics Of The Universe And Filling The Dense Space With Psychedelic Matter, Diving Into Frenzying Black Holes And From Within This Nameless Oblivion, Becoming The National Poet Of My Own Soul 01:20:12
These tracks were originally released through Naviar label on their Haiku collections. www.naviarrecords.comDiscordian Zen centres on the Rite of Not Knowing as its basic manifestation.
Performing the Rite of Not Knowing we enter into the realms of don’t know mind. Letting go of our time and opinions, doing what appears, we become more flexible, less attached. Discordian Zen represents a new Zen manifestation. While the Rite of Not Knowing represents Discordian Zen’s primary practice (open to anyone), there exist additional practices/manifestations. These include.
Discordian Zen has no temples, no location, no tax exempt status. It only seeks to manifest, transmit and expand the life-giving Chaos that constitutes our original nature, our original enlightenment.
Dominic Razlaff (aka DR) is an ambient musician from Braunschweig, Germany. Interested in making music since 2007 he bought his first synthesizer (Novation Xio) in 2009. Currently he uses classic subtractive synthesis, granular synthesis, field recordings and tape loops to create evolving, melancholy ambient/drone soundscapes.
“After 2 years since the award-winning debut album “Todo no es Todo”, the audio-visual collective C/VVV is once again
sending out signals with this EP called “Miniatura + remixes”, as a preview of a future album in constant evolution.The group recorded this track at the end of 2016 in a session entirely improvised and characterized by friendly musical
dialogue between its founders Mika Martini and Pablo Flores, before the latter moved to Rome, Italy. Later, that recording
was complemented by the sonic input of the person writing this review (Francisco Pinto), with contributions to this new
exploration that follow emotional and playful pathways.
The mission in this project is simple and without much pretense. This adventure combines different sounds and small details
built with almost 100% analog technology, featuring sound miniatures and dancing timbres that together reveal nostalgic
landscapes through a contemporary interpretive perspective. The auditory encounter nourishes the ears with these
micro-sounds, synthetic textures, while, at the same time, permeating the contemplative state of its creators in those
sessions produced previously.
Distinct authors from the national electronic scene construct / deconstruct this new work, with their distinct perspectives
and remix contributions: “Unknown Dancer” with a random re-mixing of the same ingredients that reveals surprising results;
René Roco adding mystery, surrealism and complexity to his version; “co-dec” moving towards the most rhythmic approach,
providing new synthetic sounds but without losing the details; and ending with “android” with a very successful, danceable and
elegant transformation of this miniature. Finally, we cannot fail to mention the contribution of Iñaki Muñoz for the cover of the
EP, who always surprises us with the expressive power of his visuals in the concerts of C/VVV.
We continue to prepare ourselves for a new adventure in a random universe, which inspires us from time to time, bringing us
together and surprising us, even in spite of the distances.
Wish us good luck and good harvest.”
(Santiago, Chile. Mayo / May, 2018)
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