dSCi / Parpar Split – dUASsEMIcOLCHEIASiNVERTIDAS / Parpar

dSCi / Parpar Split – dUASsEMIcOLCHEIASiNVERTIDAS / Parpar
[enrmp420]

dSCi / Parpar Split

“dUASsEMIcOLCHEIASiNVERTIDAS / Parpar”

Split vinyl album between long time Enough Records collaborators dSCi and the duo Parpar, two Portuguese projects sharing tours and a sensibility for the punk-rock free jazz type of sounds. This album was recorded, mixed and mastered by Milo Gomberoff at Hukot studio in Barcelona. Cover artwork by Katafu. A co-release effort by ATR, A Besta, Lepers, Epicericords, Et Mon Cul C’est Du Tofu?, Experimentáculo Records, Gaffer Records, Panda Records and Enough Records.
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Anastasia Vronski – Estrangements (volume1)

[Eg0_192]

Anastasia Vronski

“Estrangements (volume1)”

Anastatsia Vronski is a versatile experimental musician from Perm, Russia. Since years she has been creating an impressive and quite diverse body of work. Many of her tracks can be classified as “drone “or “noise”, but they always have a specific, often intriguing qualities. Above all, she’s not an artist who will do the same twice, and maybe that’s why some of her pieces are sometimes self-published isolately. Since we thought many of them deserved more exposure, we decided to make a selection of such works in a compilation album : Estrangements, that will be published in two volumes. The first volume gathers tracks composed in 2013 & 2014 (selected with the artist’s approval) that seem to share some kind of minimalist mood, although they are very diverse. For each of them, Vronski has written a few words about the specific methodologies and ideas (see below) involved in the composition. But this doesn’t make her music less mysterious. Each track seems inhabited by a mysterious and poetic spirit whose intrinsic qualities will appear to attentive listeners even without reading anything. The 2nd volume will be published in 2019
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the dissonant – forgotten songs from a decadent era, part 3

the dissonant – forgotten songs from a decadent era, part 3
[diss027]

the dissonant

“forgotten songs from a decadent era, part 3”

Post-Industrial from Oslo
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A DISEASE CALLED MAN – Getting Darker

A DISEASE CALLED MAN – Getting Darker
[ACP 1158]

A DISEASE CALLED MAN

“Getting Darker”

A Disease Called Man is Djordje Miladinović
Recorded And Produced At Raven’s Nest, March Of 2018.
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Bernard Grancher РPleurs Magn̩tiques

Bernard Grancher РPleurs Magn̩tiques
[D!HR-38]

Bernard Grancher

“Pleurs Magnétiques”

For its 38th release, Da ! Heard It Records changes your grey matter into black matter.
Just like the too-strong coffee that brings us to work each morning, this cassette album has the dark and bitter taste of a hopeless routine.
With this collection of vague loops whose high unstable notes bring back to the surface daily uncertainties, the Pleurs Magnétiques (“magnetic cries”) of this beverage has the listener drift far away from restorative sleep.
Dented, used, rickety, these rehashed snippets of existence crash into sunless beaches of sound.
In the background, the continuous breath that animates them sometimes gives a glimpse of its author’s, Bernard Grancher.
After pulling out of the forgotten pile the magnetic tapes of a hundred old pieces from the nineties with his stooge, Emmanuel Lautreamont, the Rouen-born tried his hand here at an original exercise in style.
Using the 4 track as an actual instrument, he plays with various effects to denature this initial material.
Between sonorous poetry and industrial music, the result shows an unpublished side of his work, all the while staying close to his habitual obsessions. The accompanying illustration, signed Nicolas Nadé, seems to be just as loyal to this pessimistic vision of our era.
Whether you are familiar with his surrealist pop synth released on Ego Twister and Gonzaï or simply intrigued by obscure atmospheres, you are sure to give in to this little black coffee…Pleurs Magnétiques, the 38th release of Da ! Heard It Records is distributes under a Creative Commons License Y-NC-ND. The album is available for free listening and downloading at the following address: http://www.daheardit-records.net/en/discography/dhr-38
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Lorenzo Brusci – Marco Madia – Inkluesives

Lorenzo Brusci – Marco Madia – Inkluesives
[ACP 1156]

Lorenzo Brusci – Marco Madia

“Inkluesives”

Written and produced by
Lorenzo Brusci – Marco Madia
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NODOLBY – live in Augsburg

NODOLBY – live in Augsburg
[ACP 1164]

NODOLBY

“live in Augsburg”

live @ villa, Augsburg, 29.06.18
recording, mastering, photography and design by EMERGENodolby is the stage name of Michele Scariot (b. 1974), sound enthusiast and noise performer from Italy.
Before Nodolby Scariot was known as the founding member of experimental electronic duo ENT (1999-2008).
Since 2007 Nodolby has made several releases on international labels from USA, Japan, Australia, Europe and Italy.
Nodolby’s live-sets constantly shift between the rhapsodic and the minimal, organized and destabilized sound flow. The sound sources are old, broken and bented devices – the aim of the process being the search for musicality in the most abstract sounds and explore limits and opportunities of control and interplay between the performer and such equipment. Over these years Scariot had the chance to play gigs across Europe and Japan, as well as the opportunity to play live improvisation with Fukte (I), NRYY (JP), Claus Poulsen (DK) and Yoshihide Otomo (JP).
In 2018 nodolby release his first sound design piece for the animation “Aperture” of visual artist Emanuele kabu.
In 2007 he founded the independent label DOKURO, releasing cassettes, CD-Rs, CDs and vinyls of experimental music by Howard Stelzer, K2, Mike Shiflet, Antony Milton, Magneticring, To Live and Shave in L.A., J. Soliday, Pax Titania, Fumio Kosakai, AMK, and many more.
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Coven – Midnight

Coven – Midnight
[SLC40]

Coven

“Midnight”

New release!!!
Esta vez nos llegan las canciones desde Paraguay.
Coven, nuevo colaborador, busca el impacto del ruido y la oscuridad en el oyente. Ritmos acelerados, capas de ruido, voces desfiguradas… terror siniestro sin concesiones ni esperanza. Gracias por darnos caña!
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EXEDO – 290618

EXEDO – 290618
[1020]

EXEDO

“290618”

audience: voice
EXEDO: live processingattenuation effect ° 1020 ° 2018
live @ villa, Augsburg, 29.06.18
recording, mastering, photography and design by EMERGE
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Projekt Luty – Grzybnia

Projekt Luty – Grzybnia
[UPL 078]

Projekt Luty

“Grzybnia”

On the 14th anniversary of formation, Projekt Luty met in the Nad Garażen Studio for a 140-minute recording session, which after endless remixing and appendixing became the 14th album by the band.

For those of you who love genredropping: semi-improvised tranceful parakraut-grunge’otronic-post-punk-noiserock. Joyfully jittery in autumn spirit.

Issued on Underpolen, home of extatic lo-fi:

www.underpolen.bandcamp.com

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Half Evidence – Épiphytes

Half Evidence – Épiphytes
[Eg0_188]

Half Evidence

“Épiphytes”

Half Evidence (a french free improvisation duo formed in 2012 by Charles premier & Kecap Tuyul) is currently on hiatus since summer 2016 but their story isn’t finished. Some new material will be published in 2019. Before finalizing these projects, the duo has selected four of their favorite tracks that were given to various compilations (namely Necktar 2017 curated by Ed End on his netlabel Le Colibri Nécrophile and Classwar Karaoke). The resulting album Épiphytes brings four insights on the duo’s works and can be a good way to discover their sound universe and its evolution across the years.
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KiB – Fixatif.v.

KiB – Fixatif.v.
[EEM038]

KiB

“Fixatif.v.”

The sky lets the darkening and rising time to be. Space is conquered by the higher element. Silence… She’s sitting here a couple of hours already. She observes her surroundings with a paraminic look, she waits until she sees again, until she feels again what she saw yesterday. That time northeast wind loudly running by asked her to look at trees standing naturally regularly. They looked calm and stiff, but when the wind passed their leaves whitely, the leaves breathed freely and started whispering silently, moving synchronously with stars.
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V.A. – Solo Duo Trio #02

V.A. – Solo Duo Trio #02 : Laurent Di Biase, Sig Valax, ZARAZ WAM ZAGRAM, Camille Émaille, Nina Garcia & Arnaud Rivière (Live at Les Instants Chavirés, 29 may 2018)
[Eg0_187]

V.A.

“Solo Duo Trio #02 : Laurent Di Biase, Sig Valax, ZARAZ WAM ZAGRAM, Camille Émaille, Nina Garcia & Arnaud Rivière (Live at Les Instants Chavirés, 29 may 2018)”

Second edition of the Solo Duo Trio project co-organized by labels Apocope & eg0cide productions. This serie of live concerts follows a simple format: three parts, one solo, one duo, one trio. Artists are invited to present new projects, and to try to new encounters (for one live set or more). All concerts are later published jointly by Apocope & eg0cide. The 2nd event of the serie took place on may 29 at Les Instants Chavirés (Montreuil), one of the most lasting and notable venues devoted to free improvisation and experimental music around Paris.

This show featured 6 french experimental musicians active in the free improvisation and noise scene (more info on the artists below)

Solo : Laurent Di Biase (electronics)
Duo : Sig Valax (analog syntheziser & DIY electronics) & ZARAZ WAM ZAGRAM (electronics)
Trio : Camille Émaille (percussion), Nina Garcia (guitar) & Arnaud Rivière (DIY electronics)

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