about

Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”

update, 28.1.2026

Hello, I have made a few changes to the site. Unfortunately, I am not quite finished yet, but it should continue without interruption. I hope you find the changes useful. Stay tuned. Konrad

This license lets others remix, tweak, and build upon your work even for commercial purposes, as long as they credit you and license their new creations under the identical terms. This license is often compared to “copyleft” free and open source software licenses. All new works based on yours will carry the same license, so any derivatives will also allow commercial use. This is the license used by Wikipedia, and is recommended for materials that would benefit from incorporating content from Wikipedia and similarly licensed projects.

https://creativecommons.org/use-remix/cc-licenses/ (CC BY)

The Feminalz – Technoburlesque: Image Snatchers 2

The Feminalz – Technoburlesque: Image Snatchers 2

The Feminalz

“Technoburlesque: Image Snatchers 2”

The technoburlesque show Image Snatchers is a series of constantly changing and evolving episodes, now already in its sixth season. It is a modern take on burlesque, packed with witty feminist-inspired campy and queer humour and often critically commenting on the current socio-political landscapes and events both locally and beyond. The numbers enact actual political figures, like Angela Merkel, Melania Trump, and the local culture minister on one hand, or more general but psychologically detailed roles on the other, such as a chauvinist macho, a slow-walking grandma, or an android with a drinking problem. The music is sometimes used as a ready-made and an important reference to specific past era, scene or its vibe. Lip-syncing makes an appearance too and so do electronic bootleg edits or remix tracks. Popular songs are sung live, sometimes with lyrics changed to various degrees, whereas at other times completely original music is made by the collective. Different languages have so far been used – besides Slovenian and English obviously, we had lyrics sung in Portuguese, French, Chinese, Italian, German, and Serbo-Croatian in one way or another.

Out of the three tracks on the so called mainside part of this EP, two of them are rapped in Slovenian. “Vrtnice” (Roses) is a poetic but outspoken take on dismissive attitudes towards artists in contemporary politics and public life in general. It says that artists (“we are the culture squad”) are needed in a society to make everyone feel the life in colours, with a present mind and heart, for “roses” are needed as much as bread. “Dnevnik” (Daily news) features a bunch of performers-turned-MCs, sarcastically and critically touching upon various aspects of daily life: abortion, immigration, consumerism, capitalism, and mental health among others. In the refrain, it features a French-Portuguese performer in the role of an immigrant trying to sing widely known Slovene nursery rhymes while threatening with stereotypical threats attributed to immigrants: stealing jobs, kidnapping wives, and corrupting children.

Button: by-sa
posted 14 September 2018

Sams n – Cedar St // Acacia Ave

Sams n – Cedar St // Acacia Ave
[Macaque 003]

Sams n

“Cedar St // Acacia Ave”

Macaque Records is proud to announce the release of the third album in its discography, the experimental Cedar St // Acacia Ave by Sams n. Choppy beats, sparse vocals, looming atmosphere and odd tangents augment this unique collection of music. Get lost in the curves and pulses of the record tonight!
Button: by-sa
posted 13 September 2018

Jared Sagar – Fortitude

Jared Sagar – Fortitude
[PE15]

Jared Sagar

“Fortitude”

Field recordings processed using granular synthesis, time scaling and various other methods.

Jared Sagar is a British experimental composer. He generally uses field recordings which are then modified using various methods and techniques. The genres he works in range from Algorithmic Composition, Microsound, Granular Synthesis, Ambient, Noise, Field Recordings, Drone.

Button: by-sa
posted 19 August 2018

Toni Dimitrov & DR – 1802_18

Toni Dimitrov & DR – 1802_18
[PE14]

Toni Dimitrov & DR

“1802_18”

Collaboration between Toni Dimitrov and Dominic Razlaff, aka DR.

Field recordings made by Toni Dimitrov in Macedonia at various locations and then layered and processed using granular synthesis, ukulele and synthesizer by DR. Final arrangements by both artists.

Part of a series of collaborative works by these two prolific soundscape designers.

Released 14 July for Netlabel Day 2018.

Button: by-sa
posted 30 July 2018

Kamizdat – Access Frame: Collectivity

Kamizdat – Access Frame: Collectivity
[KAM031]

Kamizdat

“Access Frame: Collectivity “

A 2018 Netlabel Day release – a compilation of Slovenian artists, with many original works that span a wide spectrum of electronic music genres: from noise and sonic art, via bass, breaks, all the way to acid techno. The concept of the compilation is to bring attention to the conflict between necessity of free culture and enclosure of culture by copyright law. The conflict which is temporarily solved by Creative Commons licences.

An act of publishing music under the conditions of a free culture licence is a political act. In times of continuous global expansion of individualism which is often tightly connected to capitalist exploitation, it communicates a clear message: a desire to build a collectivity. For an artist acting on her own, or a small niche label, it is a significant move towards creation of equitable access to works of art. This act is an actual and concrete contribution to a pool of culture shared by all, an entering of a work and its creator into a collective consciousness. It is not a supression of individual desires and rights – as would false dichotomy of collectivism vs individualism perhaps imply. Instead it is an opening of creative process towards the global community and the public. It is an abandonment of a phantasm of fame and fortune based on maximisation of profits, exploitation of copyright, and intellectual property. Publishing one’s work as free culture is an action of an individual desiring to communicate her art with a collective humanity. It is an intentional gift to any and every potential individual who thusly belongs to a global collective of humanity and is empowered to follow her individual creative paths: listening, learning, composing, reworking, remixing, and sharing.

Access Frame is a series of compilations of adventurous music published by Kamizdat under a Creative Commons licence on 14. July – International Netlabel Day. It tries to establish a practice of thinking critically about access to, and distribution of, art. It poses a question: what is the frame through which we are allowed, and able, to access culture? How is it created, by whom, and can such frame of access be modified and transgressed?

Button: by-sa
posted 15 July 2018

Gilman Mom – Coast of Daylight

Gilman Mom – Coast of Daylight
[Macaque 002]

Gilman Mom

“Coast of Daylight”

On July 9, Gilman Mom released an atmospheric nature music video for “Coast of Daylight”, the opening track on album Revisionist History. The video immerses the viewer in the arboreal world that the song lives in. Monkeys, flowers, and lamination abound, have fun delving into this video.

https://www.youtube.com/watch?v=UsdPAQ_vfYc

Button: by-sa
posted 13 July 2018

Luka Prinčič – Antigone​/​Child

Luka Prinčič – Antigone​/​Child

Luka Prinčič

“Antigone​/​Child”

music by Luka Prinčič

source code:
gitlab.com/lukap/antigone-child

released by Kamizdat
kamizdat.si

made with open source: SuperCollider, Ardour, Kdenlive, FFMpeg, G’MIC, UbuntuStudio

supported by Emanat and Matija Ferlin via production of “Staging a Play: Antigone” emanat.si/en/production/matija-ferlin–staging-a-play–antigone/

financial support:
patrons at Patreon – patreon.com/lukaprincic
City Municipality of Ljubljana

media suport: Radio Študent, Ljubljana

Button: by-sa
posted 01 July 2018

Gilman Mom – Revisionist History

Gilman Mom – Revisionist History
[Macaque 002]

Gilman Mom

“Revisionist History”

In attempt to connect deeply with nature Gilman Mom’s newly-released album, Revisionist History, is immersed in atmospheric field recordings and jazz-inspired drone. The album looks to delve into the embrace of a warm, youthful summer’s day and perhaps explore what mental state endured by such an environment.
Button: by-sa
posted 08 June 2018

DR – Sehnsucht

DR – Sehnsucht
[PE13]

DR

“Sehnsucht”

Dominic Razlaff (aka DR) is an ambient musician from Braunschweig, Germany. Interested in making music since 2007 he bought his first synthesizer (Novation Xio) in 2009. Currently he uses classic subtractive synthesis, granular synthesis, field recordings and tape loops to create evolving, melancholy ambient/drone soundscapes.

1. Sehnsucht (8.53)
2. Aussteiger (7.22)
3. Hoffnungsschimmer (3.35)
4. Bauchgefühl (4.44)
5. Unterwegs (8.05)

Button: by-sa
posted 20 May 2018

Substak – The Unknown Path

Substak – The Unknown Path
[mn010]

Substak

“The Unknown Path”

Catalog Number: mn010
Artist: Substak
Title: The Unknown Path

Tracks:
01/03 : Intro (01:29)
02/03 : The Unknown (05:38)
03/03 : Path (08:13)

Total Time: 15:21

License: CC-BY-SA
https://creativecommons.org/licenses/by/4.0/

Cover: Miquel Parera
Master: Miquel Parera

Release Link: http://www.musicnumbers.es/releases/mn010/
Artist Link: https://www.beatport.com/artist/substak/306524

Button: by-sa
posted 23 April 2018

Captive Portal – What Is?

Captive Portal – What Is?
[mhrk195]

Captive Portal

“What Is?”

The prolific as ever Zach Bridier is back on Mahorka with his main genre-merging and style-hopping electronic music project Captive Portal with another 5 track EP! This time around, it’s guitar based music in a shoegaze-like style. Sit back, relax, and enjoy. Gazing at shoes is not obligatory. And, this time around, the EP comes also as a very limited edition cassette co-release with Zach’s own DBD Tapes.
Button: by-sa
posted 02 March 2018

Slit In Slot – Birthmarks

Slit In Slot – Birthmarks
[mhrk190]

Slit In Slot

“Birthmarks”

“Birthmarks” by Slit In Slot is an emotional, harsh and considered work. A precise, even meticulous amalgam of field recordings, ambient and noise music, the release combines as much as it dissects all of its core components. The resulting music is sometimes drifting, sometimes scorching but always remaining humane. Beneath “Birthmarks” lies a strong and personal concept, a complex understanding of sound and an obsessive desire to transform the sonic ruins of our shared reality into new worlds.

released November 28, 2017
via Amek and Mahorka
digital release + limited edition (50 pcs) cassette

Music by Yavor Grancharov
Artwork photography by Dilyana Dimova

mhrk190 // amek017

Button: by-sa
posted 28 November 2017

scmute – Sumic Semurnb

scmute – Sumic Semurnb
[mn007]

scmute

“Sumic Semurnb”

The structure of nature.

Nature expresses itself through its structure, it has no function or intention to communicate feelings or ideas. If nature speaks to us, she does so through her relationship with us, since we are part of her. The music presented by Marcos Bernabé (aka scmute) in “Sumic Semurnb” is like nature, its structure is algorithms, instructions for its generation that resonate us by its relation with our psychology of attention. The game with attention is the key, as a vehicle to enjoy the sounds, the dynamics and, ultimately, to provide us with a singular perceptual experience.

scmute gives us, in addition, an extra gift in track number two, because it gives space to the silence that we so much appreciate in this netlabel.

Button: by-sa
posted 03 November 2017

Palm Era – Gimo

Palm Era – Gimo
[M025]

Palm Era

“Gimo”

Palm Era – Gimo

Palm_Era (Claudio Cisterna) is a chilean producer from Santiago. A long-standing electronic music producer, he had been publishing under the netlabel Impar and the record label U-Cover from Belgium under the alias Flipper, a project that is closer to IDM. Later under the alias ‘Chiodata’, he immerses himself more into the experimental side of music and releases some of his works under the Irish record label Fort Evil Fruits and Cocodriller. He has also developed other projects such as ‘Jon Claudio’, a fusion between electronic music and Krautrock. Palm_Era released his album called ‘Coincidental’ under the record label Illuminated Paths from Florida, USA in 2015. He has also collaborated in compilations that have been released by the netlabel Modismo and netlabel Epasonidos. These days, he is presenting ‘Gimo’, his first publication under Modismo which travels between diverse rhythms built with complex and yet innovative structures. ‘Gimo’ essentially takes us into a profound and flavorful trip where basslines and synths that are analogically worked combine. In this work, Palm_Era reveals his good taste and skills. The way to approach percussion in this record excels due to its production duty and Latino sense. Samples lead to a trance that is hard to get rid of and melodies gleams at the right time, as well as the details in experimentation. All this results in a very refreshing and futuristic album that will stand out in time without a doubt.

Button: by-sa
posted 27 October 2017

Ivan Black – We are such stuff as dreams are made on

Ivan Black – We are such stuff as dreams are made on
[brhnet51]

Ivan Black

“We are such stuff as dreams are made on”

“We are such stuff as dreams are made on”
A Quote from Shakespeare’s The Tempest inspired me to see how relevant the story is against todays lives and politics? Little has changed, people are still seeking revenge or power, but hopefully like in the story love for each other will eventually win the day. A dream perhaps but a nice one to think that eventually we will put our differences behind us and start to trust and teach other.
Button: by-sa
posted 27 October 2017

Warahraan – Living in a Far Dream

Warahraan – Living in a Far Dream
[su017]

Warahraan

“Living in a Far Dream”

Warahraan is an Ambient/Electronic/Experimental music project from Persia founded in the early 2008, inspired by the immensity and grandeur of the nature and cosmos. The music is trying to illustrate the creation through a different view. Warahraan is a journey through magical sovereignties and enigmatic kingdoms, a deep mystical discovery through terrestrial and extraterrestrial zones.

Warahraan means victory and conquest in the ancient Persian language. The other older forms of this word are Verethraghan and Verethragna. Warahraan is the Persian god of Fire, the most sacred of all fires that is a combination of 16 fires as it mentioned in the Avesta (Sacred Book of Zoroastrians) and other ancient Persian sacred texts. The word referring to the Mars (fourth planet from the sun) in astrology. The twentieth day of month is dedicated to him according to the Zoroastrian calendar.

Button: by-sa
posted 06 October 2017

My Own Cubic Stone – Glass Birds

My Own Cubic Stone – Glass Birds
[mn006]

My Own Cubic Stone

“Glass Birds”

“My Own Cubic Stone” defines its music as “Dark Ambient”. To many that means that his music could appear in a horror film, but for this artist the meaning of “dark” goes much further: it is a state of mind. A level of consciousness suitable for both introspection and to explore emotions and feelings that we normally avoid. Like traveling somewhere under glass clouds.

Catalog Number: mn006
Artist: My Own Cubic Stone.
Title: Glass Birds

Tracks:
01/02 : Glass Birds (00:53:00.48)
02/02 : Crystal Clouds (01:29:22.81)

Total Time: 02:22:23.28

License: CC-BY-SA
https://creativecommons.org/licenses/by/4.0/

Release Link:
http://www.musicnumbers.es/mn006/

Artist Links:
https://archive.org/search.php?query=creator%3A%22My+Own+Cubic+Stone%22

Cover: My Own Cubic Stone.

Button: by-sa
posted 11 September 2017