“Absolutely uncategorizable combination of rock, casio-electronics, lo-fi, majestic pop, punk, post-punk, krautrock, full of colliding samples, guitars, keyboards, whiny effects, but also beautiful melodies and non-dumb lyrics. For lack of a better term called by me “psychedelic chaos-pop”. A work of constantly sleep-deprived madman, made with love and as carefully as the modest setup allowed, so as to depict, as closely as possible, the inside of his tired head.”
(…) An album, recorded quasi overnight, when check lists, fault-finder and top producer sleep. Thus escaping forward, handbrake released and handluggage only: A bunch of broke, a fistfull of wire brush chords, a cup of dreamy speckles, the bass unleashed during walking, the drums dashed downstairs with rumble, outside in front of the door after all everything spontaneously and happily exaled with a deep sigh. (…)
The theme “World Wide Storms” for Into The Rift Volume Two, was inspired by looking at the world around us, the events and issues that are facing us. Whether those events are political, social, environmental, or something else, everyone has been touched by some looming storm in front of us.
Part of the fun in making a theme like this was that it left the artists open to interpretation. It could be literal, metaphor, allegory, or any of other ideas that the artists had in mind. And there are fifteen very different perspectives on the storms in our world today.
But there is also a consistency to this release. It’s not just a collection of recordings thrown together. Each artist has contributed a work that fits within the theme, making for a recording that is more experience than it’s predecessor.
The seventeen tracks on Into The Rift Volume Two represent a lot of different thoughts on the world, right now. But, I am optimistic about one thing: this is a work that will transcend current events.
О музыке надо не говорить, музыку стоит слышать. Так и с новым творением Pk jazz Collective. Safe From Harm, названный по названию одного из хитов Massive Attack, включает несколько кавер-вариаций на гремевшие лет двадцать назад Happy Mondays, и уже отмеченных Massive Attack. Но его прелесть не в этом, а в лирике. Где нет собственных текстов и используются стихи поэтов середины 20-го века, промышлявших на ниве подростковых размышлений о жизни. Песня “What If?” в которой лирический герой задает себе все возможные «Что если?» вплоть до «А что если я не выросту?» или «Мои родители разведутся» — достойный пример заимствования чужой лирики. Любовь, подростковые проблемы, ностальгия по детству — основные мотивы альбома. Однако, завершается он отнюдь нетревиально психоделической балладой, обрамляющей русскую народную сказку о хитром коте и доверчивых мышах в прочтении фольклориста Бориса Шергина.
И хотя на обложке увядающий цветок как символ недолговечности всего красивого, на этом месте неплохо бы смотрелся усатый мурлыка, именно такие ассоциации вызывает музыка этой пластинки.
Drunkeninstrumentcorporation nasce in quel di Saluzzo nel 1998, nella profonda provincia cuneese, per dare un senso alla noia, primo motore della vita provinciale. E per scappate dalla noia Marco Abba aka Drunkeninstrumentcorporation si inventa svariati mondi, e queste sono solo dieci splendide fotografie che ci regala attraverso tanti generi, dal powerpop, al pop più classico, dal college rock al lo fi, ma è davvero limitativo parlare di generi, perché qui c’è la gioia di fare musica e la freschezza che avete sentito in alcuni dischi e che non avete più ritrovato. Vero capolavoro di provincia.
Drunkeninstrumentcorporation was born in Saluzzo in 1998, in the deep Cuneo province, to make sense of boredom, the first engine of provincial life. And to run away from boredom, Marco Abba aka Drunkeninstrumentcorporation invented several worlds, and these are just ten beautiful photos that give us through so many genres, from powerpop to the more classic pop, from rock college to lo fi, but it’s really limiting to talk about genres, because here is the joy of making music and the freshness you’ve heard in some disks and you have not found it again. A true provincial masterpiece
Cinealarm – is like you’re sitting at work and suddenly the sirens begin to roar everywhere and on the radio, oldfashion soviet-radio style voice is heard: “Attention! Attention! Cinealarm!”. Then people start panic, although they do not know what to do and it’s unclear where the movie approaches to them. It is not an expensive Hollywood movie. It’s not even the cheap horror of the 80’s. It’s more like some unpopular surrealistic films of not very well-known directors or a collection of short films by these directors.
“Bralitz is a one-man-band who plays guitar, drums and percussion, piano, bass, harmonica, ukulele and sings songs he writes himself. He randomly chose the name Bralitz (a small town in North Eastern Germany) for no real reason other than its simplicity and the fact he often goes there to participate in a music festival organized by his friends. Bralitz draws inspiration from classics of various genres, i.e. rock ’n roll, folk, bossa nova, chanson, and manouche, to name a few. Using multi-track recording, he performs all the parts on most of his songs and sings most of the harmonies to his own lead vocals.”
So that’s the official bio. I’ll only add that this little collection of songs packs a melodic punch with thematic ties running throughout. You’ll likely find yourself putting the album on repeat for a while.
A very special thanks to Bralitz for the terrific EP! Welcome to the blocSonic fam!
Of course, thanks once again to you for downloading & listening. We always strive to deliver the music you’ll love. Please spread the word about blocSonic, if you enjoy what we do. Remember… everything we release is cool to share! Always keep the music moving… share it… blog it… podcast it! If you’re in radio… support independent music and broadcast it!
Ethers is a Russian rock band formed in Krasnodar in 2016. Originally was making dream-pop music at home. Then changed genre to indie rock and released their debut studio album No Karma with minimalistic sounding of post-punk in October of 2016. For now band is experimenting with sounds and rhythms and working on a new album which will be released in 2017.
Born in the late-1800s Monkey Warhol began making electronic music of various sorts, tones, and timbers in 1947. Inspired by Bob Dylan’s loud and abrasive “Metal Machine Music”, Monkey turned to music as a source of income after failed stints as both a zookeeper and dental hygienist. EP4 is HIS take on POP music (watch out Max Martin… there’s a new sheriff in town!).
Second edition of The Feel of DEFIL project brings you 24 tracks and almost 80 minutes of varied music – songs and instrumentals. You will hear many rare vintage polish DEFIL instruments, such as 1958-mandolin, Mambo and Lotos basses, Carioca, Tarantella, Melodia 2, Jola 2 up to 1994 Aster Lux STR, RockTon and many more…
For more details visit: http://defil2.bonimedia.pl
Philadelphia native Martin Joseph Fahy (1954-2016) was a prolific singer-songwriter, multi-instrumentalist, and performer, whose career spanned more than four decades. He touched numerous lives, and was loved by many.
The recordings presented here represent a small fraction of the man’s total creative output, which, had it been preserved in it’s entirety, would have filled volumes. This release was assembled to celebrate his life as an artist, and to mark his passing.