“netBloc Vol. 52: Back to your regularly scheduled program”
Nearly three years after the release of netBloc Vol. 51, the much-beloved series returns and it’s a scorcher! 11 tracks deep and over an hour long… it’s a nice representation of what’s been happening in the Creative Commons music world over the past 3 years. Included on this one are old friends and new… including legendary Anticon co-founder and underground avant-garde rap pioneer, sole! So don’t sleep… download this and add it to the collection.
A huge thank you to all participating artists and labels! Much respect.
Of course, thanks once again to you for downloading & listening. We always strive to deliver the music you’ll love. Please spread the word about blocSonic, if you enjoy what we do. Remember… everything we release is cool to share! Always keep the music moving… share it… blog it… podcast it! If you’re in radio… support independent music and broadcast it!
Crève fumeur, cantado en francés, habla sobre los efectos de fumar. 囡囡 (NanNan), en Chino, explica porque ser lesbiana es un acto político 買狗養狗 (Get a dog pet a dog) describe como los perros están reemplazando a los niños en el Taiwán moderno.
Reelanzado y co-editado por Enough Records y Nación Libre Records.
For its 39th release, Da ! Heard It Records gives birth to a new alchemy.
As an emblematic figure of the French alternative scene of the 70s and 80s, Bernard Filipetti has been heating up his analog synthesizers’ circuits within the band Camizole along with Dominique Grimaud, and with his solo project Art & Technique. Raw, industrial, and without concession, Bernard’s recordings of that time resonate among those of a new generation of mavericks, whom he discovers with enthusiasm at the heart of the Parisian musical network of Rue des Gardes. He then surrounds himself with Mathieu Habig, the energetic drummer of Guili Guili Goulag and Spoliature, to fire up his machines during the Merguez Electroniques festival in June 2017. This memorable concert is the origin of the present cassette, born from the spontaneous invitation of the Da ! Heard It label and the arrival of Ravi Shardja, (GOL Couloir Gang) into this new formula.
For three days, after strategically placing mics and ventilators in an overheated cave in Porte de la Villette, the formation of varying geometry cans nearly 12 hours of material in July 2018. From these largely improvised sessions arise unpublished sonorous structures, marked by the canicular atmosphere of the place.
A true celebration of the alloy of complementary personalities, the saturated cloths gradually ignite the speakers to reveal the sustained play of Mathieu Habig. Synthetic volutes briefly appear and melt into these long compact shores, as if shaped directly in the material. In two of the four tracks on the album, Ravi Shardja’s bass brings in a krautock flow to add to these stretched out compositions, extended and forged compulsively in the heat of this underground studio. Reminiscent of the various sonorous strata machined at the forefront of this percussive assembly, the sleeve that accompanies this production was conceived with precision by Pia Mélissa Laroche. Inside, the magnetic tapes that capture the vivid energy of these sessions give a fair idea of their concerts and invite to a collective frenzy.
Thirty years after its debut, Art & Technique reinvents itself with tribal rhythms, obstinate bass lines wrapped in a dense, psychedelic, and perpetually boiling electronic.
Pistol jazz is an instrumental band(violence, beauty, and own vision) who expresses the energy of life with avant-garde music.
Once you hear their wild sound of rapture, you will hear the sound of their burning souls are going to be a legend of Pistol Jazz.
We Versus the Shark are proud to present “Murmurmur,” an ongoing collection of renditions of songs we’ve been inspired by in the past few years. Starting today, January 1st, and finishing up on December 1st 2008, each month we’ll be posting a new MP3 to Quote Unquote Records of other people’s jams. Some of the songs are by artists who have gained accolades in some circles but remain obscure in others; a few will be Athens bands we’re excited to big-up. We here at We Versus the Shark believe that “interpreting” (whatever) other artists is a good way to learn about structure, melody, and other things we’re generally confused by. Enjoy “Murmurmur.”
Tihomir Zdjelarevic is a Berlin based musician. He works with modular synthesizer, string synthesizer, guitar, Four track and hardware effects to create a large soundscape with a kosmic vibe. Influenced by the 70s psychedelic music, especially Krautrock and Berlin school of electronic music, he sent himself on a journey to resurrect the sounds into an another authentic experience.
Mikrowelt is his first year of living in Berlin summed up in one LP. Most of the album is made of layers after layers of modular synthesizer tracks with some addition of guitar, sax, bass guitar and field recordings.
Felipe Rebellato Rosas: bajo, percusiones, coros y voz
Aldo Álvarez: batería y percusiones
Todas las canciones compuestas y arregladas por Empecinado Flores.
Letras: Gonzalo Silva
Grabación y mezcla: Fabrizio Rossi en Estudio Yacaré (entre mayo del 2017 y febrero del 2018), baterías en La casa amarilla de San Luis, Canelones (abril del 2017)
Masterización: Álvaro Reyes en Estudio DosReis (mayo 2018)
Arte: Lucía Stagnaro y Lucas Butler
Queremos agradecer, en primer lugar, a nuestras familias por el apoyo y la paciencia.
También queremos dejar estampado nuestro recuerdo para quienes nos acompañaron y ayudaron durante todo este camino: Marianela León Barreto, Majo Barreto, Fátima Armesto, Valeria López, Martín Rumbo, Ana Laura Duarte, Malena Paz, Fabrizio Rossi, Iván Krisman, Daniel Marius, Sol Infante, Nicolás Caridad, Matías Maciel Schiavo, Joaquín Cabrera, Mauro Miramontes, Nicolás Rodríguez Pérez, Diego Segovia, José Luis Yabar, Carlos Loria, Mauricio Perrone, Diego Fischer y a todas y todos los que nos inspiraron a seguir adelante con este disco, para bien y para mal.
Ayato & Kecap Tuyul met in 2008 and then started to collaborate regularily, mostly by file exchange. Flowers in the Trashbin was their first common work of this kind, a psychedelic sonic trip haunted by whispers and noises from weirdly tuned/prepared guitars, lo-fi electronics, & ghostly voices. Sometimes melodic, sometimes more abstract, always imaginative, these tracks were recorded and mixed between 2008 and 2009. The resulting album was released in march 2010 by HAK lo-fi record as a limited edition CD-R with a special rectangular cardboard cover that has been out of print since a long time. 8 years after both musicians still like a lot this album and would like it to share it with a broader audience.
All music and lyrics written by Maeth
Engineered, mixed, and mastered by Adam Tucker at Signaturetone Recorded April 20, 2018
Vocals recorded at St. Mark’s Episcopal Cathedral of Minneapolis
Artwork by Adahn StewartAdditional thanks to our families, friends, colleagues, and all those who have inspired us to create and supported us along the way.
«Со мною вот что» поздравляет болельщиков с праздником футбола в России!
«Тренер Амкара» – тёплый июньский рок на тему российских спортивных реалий.
Где бы ты ни играл, сколько бы ни зарабатывал, не зарекайся. Ведь, может быть, ты чемпион потому, что кому-то не хватило денег с тобой сыграть? Желаем скорейшего возрождения Амкару и всему нашему футболу.
Регионы просят огня!
Danke Sun (previously known as Daily Khaos delivery) is Jordi´s and Javier´s new attempt to make new music returning to their spanish native language but without losing their british and american musical influences.
Now, they come up with a new EP, Movimiento, which includes the songs Movimiento, A contraluz, Al final and Miss interrupción.
All this means a straight move for them, taking into account that, after 20 years, they´re back with their “sung in spanish” melodies, in order to have more connection with their spanish listeners, as this is their first official release ever sung in spanish.
The result is a set of songs where they show us their always distinctive sound, which combines both classical and alternative style,but this time with the addition of the change of language from english into spanish. Consequently, and after their musical evolution during the years, this fresh combination leads them to a new point never experienced before.
This is their second collaboration with russian label Southern City Lab, after their 2015 Magical inerthia album release, signed as Deadlines, their parallel project at that time.
Danke Sun are currently working on their forthcoming album, and it will be composed of completely brand new material.
The two new songs by the Karelian vagabond notforme! make up a postcard from the days past, and every postcard have two sides. The front is a bright, yet frantic picture, inspired by the Steven Hall’s imagery, with his shark feeding on people’s memories and a desperate wish to find a fragile balance in life. The back is a simple, but ironically sharp message to oneself. Without a stamp. To be wrapped in cellophane and hidden in the inner pocket. To remember.
Lyrics, guitar and vocals: Pavel Mokhort Bass guitar and backing vocals: Vladimir Zhmurin Drums: Nikolai Kuskov
Cover design by Vladimir Zhmurin and Pavel Mokhort
Recorded at Kukkovka Hell Studios, Petrozavodsk, Karelia, May, 2018 Mixing & mastering by Anatoly Nikulin, Brno, Czech Republic, May, 2018
Thanks a lot to all of you, who believed in, helped with and waited for the record to happen! See ya’ll in autumn!
Zeekat does this, because it’s a fairly cheap hobby that doesn’t require going out often. Project was started when enough musical equipment was collected allowing to engage in an activity that won’t ruin the eyesight. Influences include Ozric Tentacles, Porcupine Tree, Boards of Canada, The Orb and some low key existential dread.
Guitars, bass, synths, sequencing, (electro-magnetic) field recordings, knob twirlings, production – Zeekat (Lukasz Padzik)
Another set of post-everything impressive expressions in rock and roll vein for voice, casio keyboards, electron guitar, fuckton of pedals, choirs, samples. Dubbed by the artist, “psychedelic chaos-pop”
Bass guitars (preferably the Fender VI) and analogue synths, lots of them. Marco was a member of various indie, post rock and electronic bands before he released his first solo album in 2012. File under post- and/or kraut-rock if you wish. This is his second album for Cologne, Germany based Netlabel Der Kleine Grüne Würfel.
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