Catalogue: DigitalDiamonds115
Format: EP
Released: June 2026
Three tracks, one city-Retropolis: melodic, progressive techno that maps chrome streets and glowing horizons. Step into the neon grid.
The Necrophile Hummingbird Non-Profit Netlabel presents Live Is Not Enough by reFUGeeS From Beyond
“Alien Egg Punk for Mutant Egg Cups”
This was the first album recorded in the new Champ du Possible studio.
Since then, many others have followed.
https://unclassable.tumblr.com
Recorded on July 8th, 2025 at Le Champ du Possible (“The Field of Possibilities”) in Dole. https://www.soloist.ai/atelierkol
Members :
Master of Ceremony : Psyché Pelik
Disc Jockey : Yoshiwaku Mushotoku
What else?
The Cave Haven is gone, so it was truly moving to discover how this new place sounds.
I think it works — we will be able to continue our explorations here ;)
Dedicated to those who stand up against corrupted politicians,
like in France against the 316 murderers who voted for the Duplomb law. The people will not forget.
Since the recording, new events have unfolded.
It would be laughable if it were not so terrible: the same criminal politicians have introduced yet another law to bring back new pesticides.
If you are French, you can sign the petition against this new law here:
https://petitions.assemblee-nationale.fr/initiatives/i-5103
To understand the level of contempt in France: the Minister of Agriculture referred to victims of pesticide-related cancers as “morbid people.”
In other countries, she would not remain in office. But France is no longer a true democracy. The illegitimate President was elected only to prevent the far right from taking power — yet has done more for those very forces than any previous president.
Trump is a plague, but Macron too.
And beyond individual leaders: while opposing Trump over Greenland, Europe allows the Democratic Republic of Congo to remain under military control for the exploitation of coltan mines.
This is not about one leader, but about all leaders.
We need a different world to face different times.
Perhaps the worst of all are the multinational corporate leaders.
We, the people, must organize ourselves locally.
And if you don’t know — it may sound like fake news, but it is real: a U.S. company has developed an mRNA-based pesticide. There seems to be no limit to greed.
https://www.oecd.org/en/topics/sub-issues/pesticides-and-biocides/rna-interference-based-pesticides.html
There is already one product, Calantha (an RNAi pesticide), authorized in the United States since 2023.
Electronic reggae with vocals, tambourines, and guitars sets the tone for “La voz de la energía”, an album that fits seamlessly into the Pueblo Nuevo catalog thanks to its exploratory drive and sharp aesthetic vision. Here, glitch emerges as a kind of Jamaican spiritual force — deep rhythms and dense atmospheres converge with analog basslines that roar like rocket launches, a playful nod to Kraftwerk, bursts of jazz trumpet, modulated frequencies, and reversed beats.
Each track unfolds as an immersive experience where styles blur and intertwine — dub, breakbeat, glitch, among others — enriched by a vivid tapestry of samples that expand the listening field. The result is a diverse, restless, and consistently surprising sonic journey that keeps the listener attuned to the vibrant creative energy of Neosintetico.
Review by Felipe Baradit (@felipebaradit)
(Concón, Chile. November 2025)
01 Sector 5 Scan
02 Cargo Ship Exchange
03 Solypsis Corps
04 Amokiantronics
Limited edition of 23 double floppy disks
The Necrophile Hummingbird netlabel presents Art of Sabotage by reFUGeeS From Beyond.
“Subversive Music for Activists”
Improvisation recorded the 27th August 2025 at Le Champ Du Possible (The Possibility’s Field) in Dole.
Members :
Master of Ceremony : Psyché Pelik
Disc Jockey (indeed only electronic devices) : Yoshiwaku Mushotoku
Like Dadacore Insane Explosion this is a double album under the same title. I mean, different tracks for two album with the same title, if this sabotage is more clear. This one is the “nocturne” one.
Dedicated to the saboters, especially those fighting against work slavery and antidemocratic gov like in france.
For the english speakers there is an article on openculture with the CIA link to view it. www.openculture.com/2024/11/the-cias-simple-sabotage-field-manual.html
After a while, I felt the need to document this new hobby of mine. Started taking notes, then later would ask people to say something random I could record. Often, I would be making a track already, then would record someone and add it to the track immediately. So in that way, the tracks would influence the recordings, and the recordings would influence the tracks.
I tried to keep this collaborative theme throughout this release, and worked with this Tbilisi (Georgia) dancer to make a video (www.youtube.com/watch?v=B5nSjlUKvN0), and with a Russian label I really like for distribution.
the soundscapes on “the deep space” are exactly that: deep, vast, immersive. while earlier releases like exoplanet and antipode charted stellar phenomena and inner contrasts, this new work seems to drift further outward — into uncharted dimensions between ambient, industrial atmospheres, intricate electronica, and classic techno/electro motifs. the boundaries dissolve, but the structure remains: each track is a unique constellation, orbiting within a carefully mapped sonic system.
in a time where much of electronic music gravitates toward formula, sternenspringer continue to embrace risk, nuance, and depth. this release is not just another chapter, but a reaffirmation of their commitment to sonic integrity and artistic independence.
and yet another fine tonAtom.net netaudio release.
In Mr Schulze’s sense, loop is certainly best described as a squiggle (a not exactly drawn ring-shaped curl). Repetition yes, but please with a bump in the wheel! Whether the grooveboxes that were available to Lindbergh for making music in the early 2000s were capable of such inconsistencies remains to be seen. Either way, the songs on “Loopy” fully live up to the album title.
The album is released approximately 20 years after the creation of the songs on it, which until then had only been released as singles or not at all. The music offers a glimpse into a time when electronic music was reinventing itself by merging with indie. A wonderful new experimental field emerged between synthesisers and computers on the one hand and convoluted bands with guitar, drums, and bass, in which the perfect artificial sounds of the machines often blended with human-generated sounds that expressed lovingly cultivated musical inadequacies. And Lindbergh possessed precisely this charm!
Oh yes, Lindbergh is, of course, pop music too! Songs like Mango, Über Milch, and Im Zug nach B, which speak of a life somewhere between shared accommodation, the unbearable lightness of existence, and all-nighters, have the potential to become indie disco hits. And only Mr. Schulze knows why they failed to achieve great success …
The Necrophile Hummingbird netlabel presents Art is Bleak by PARRHESIA Sound System VS Saint Xoemyr Of Hy Brasil.
Special Thanks to Kathy Acker for her poetry & Art Blakey for his Music.
This album wouldn’t be here without Saint Xoemyr of Hy Brasil who woke up this old project, since became, Ubuntu Sound Antisystem and next Vivid Tribe Of Psychics.
Time itself makes loops…
The fire is to be shared.
Open your door and you will understand freedom.
Boycott Spotify, Amazon, Tesla, Airbnb, Meta, amongst other mobs and your stone will kill 3 birds.
You will save Humanity, Earth and your Soul.
Dedicated to all the Luigi of dark arts.
Video Art Clip Intense Sexual Desire is here https://www.youtube.com/watch?v=j-cRJ7xQjaQ
Seems this is part of a trilogy with Bukowski-A-Go-Go & Curse Of Knowledge
Still two days to take action as musician or fan “Over 600 musicians are speaking out to demand that major labels drop a lawsuit aimed to destroy the Internet Archive—and for their industry to take concrete actions to realign their actions with the interests of working artists. Sign their open letter now to show your support.”
https://www.savethearchive.com/
This is a little tribute to Internet Archive.
Musical Improvisation recorded live in October 2024 at the Cave Heaven in Foucherans.
Special Thanks to Enola for her hair extensions…
And also don’t forget to visit Radio Free Albemuthorsnorme ^^
https://www.horsnorme.org/Radio_Free_Albemuth/
Fifty Years and beyond since… “El Computador Virtuoso” by José Vicente Asuar.
This album, “TECNOASUAR”, was created to commemorate the 50th anniversary of “El Computador Virtuoso”, an educational album produced by the Sound Technology Research Group of the Faculty of Musical and Performing Arts Sciences at the University of Chile. The project was conceptualized and led by José Vicente Asuar, an acoustics professor at the university, with Víctor Rivera, an Electrical Engineering and Sound Technology student, responsible for the design and implementation of the devices and systems, and Cristian Vergara, a Composition student, contributing to the stylistic development of several pieces. Other students from the Sound Technology program also collaborated at various stages of the project. The album was produced using a PDP-8 computer from Digital Equipment Corporation (DEC) between January and March 1973.
José Vicente Asuar is one of South America’s most important electronic musicians. He created the first computer exclusively for music in Chile (the COMDASUAR) and, in 1958, established Latin America’s first Electronic Music Studio at the Pontifical Catholic University of Chile.
This homage, tribute, recognition, and act of memory celebrates Asuar’s contributions, his unique approach to sound, his way of “interpreting” and teaching, and is dedicated to all who took part in that initial project, especially to José Vicente Asuar and his legacy. The sound-based archival work for this project was realized by music producer Johannes Concha (aka S3T3) and Pablo Castex (aka DJ Castex) between January and March 2023, honoring the 50th anniversary of “El Computador Virtuoso”. We believe in the importance of preserving the sonic heritage of our territory, understanding its impact, and appreciating the far-reaching influence of this achievement, as well as highlighting Asuar’s immense contribution—a vast sonic archive full of recordings and frequencies, inviting us to explore and embrace new sounds.
The development of the COMDASUAR and Asuar’s pedagogical work in music and sound are equally groundbreaking. In his teachings, Asuar connected the musical traditions of Bach, folklore, and popular music, explaining in a didactic way the principal ideas of the theory of sound and acoustics, and placing them within reach of all. Still, Asuar’s work neither began nor ended with “El Computador Virtuoso”; he had already established an extensive career as a professor and composer at the University of Chile. Fortunately, he continued producing material and sharing his knowledge until his passing in 2017.
Pablo Castex
(Santiago, Chile. Noviembre / November 2024)
New side project by Insatiable Void.
Album available in lossless format at artist bandcamp:
https://insatiablevoid.bandcamp.com/album/shadows
Released by Dawn of Darkness Netlabel.-
Cinnabar Club has returned with a four-song EP titled “Machine Magick”. The tracks have a menacing industrial atmosphere and strong motorik rhythms—first energising and then hypnotic—with a dose of satire and humour in the vocal performances.
The vocals and music evoke scenes reminiscent of a beleaguered dictator delivering a last frantic address from a barricaded radio station as ominous synthesisers and mechanical clangs signal the impending chaos. Cinnabar Club uses the format of electronic dance music to create a dramaturgy in which the keen listener can get lost.
𝘝𝘌”
It’s called ‘With Love’ because it was made with it. Initially, I had no intention of creating an EP, I was just making songs for myself, something my ears would enjoy, and before I knew it, I already had 5 songs ready. I really enjoyed the process of experimenting with my Game Boy, trying to get a more analog tech sound, and not be so connected to arcade machines, which is what 8-bit music is usually compared to. But I also wanted that aggressive noise and punk sound that the early works of Crystal Castles have, which I believe is a very noticeable inspiration in my music.
~ GOLDEN PILLS
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The Necrophile Hummingbird netlabel presents I Joyfully Await The Exit by Yoshiwaku.
“Suicidal Music for full of Hope People”
Live improvisation recorded in July 2024 at the Cave Haven in Foucherans.
This is a kind of tribute to Frida Kahlo.
en.wikipedia.org/wiki/Frida_Kahlo
Beware If you are fragile avoid to listen this, because it’s quite heavy material. Suicide is a no return operation, think twice before to exit.
If you know what you are looking for turn off the light and listen loud.
Special thanks to the Studio112’s urban explorer for the sleeve photography.
Note that the quote on Bizarre Death Wish is not by Frida Kahlo but Rebecca Martin.
Same thing for Viva La Vida…
Dedicated to those conscious that they are human viruses and prefer persevere to survive because they know that staying in this world will change it at some point. Well, never give up. And you will see the dawn.
This album and all the albums of the netlabel are now on air on the Internet Radio Free Albemut h o r s n o r m e
http://www.horsnorme.org/Radio_Free_Albemuth/
