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Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”

music tagged with: abstract

Noise Ladder – Miszka

Noise Ladder – Miszka
[EEM028]

Noise Ladder

“Miszka”

Noise Ladder is art project created by Nicolas Lafay in 2015. It explores the field of noise music through performances which confront body with technology and cassette records.

The name was inspired by Jacob’s ladder, the famous moog filter technology as well the chimney sweeps.

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posted 20 January 2018

V.A. – fabrication 4​​.​​​​0

V.A. – fabrication 4​​.​​​​0
[ACPR 1004]

V.A.

“fabrication 4​​.​​​​0”

01. BUG – Radio Session at Radio On Berlin > Seismografie des sons et des fréquences
02. MODELBAU – fade
03. KSHATRIY – Time Is The Enemy (live version)
04. STAR TURBINE – new river III
05. ELMA – snake woman
06. DOC WÖR MIRRAN – The Erdogan Insult
07. SMALL THINGS ON SUNDAYS – second language
08. CIRCUITNOISE – SEP 161003
09. FLAUB – Alien code from Urlot Episode one
10. RRR – Xpert
11. KINGA TOTH – salivaspeech

all tracks exclusive to this compilation

photography and design by EMERGE

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posted 16 January 2018

Suspektema – “to be done, to have done.”

Suspektema – “to be done, to have done.”
[SSSDlp14]

Suspektema

“to be done, to have done.”

“And if I failed to mention this detail in its proper place, it is because you cannot mention everything in its proper place, you must choose, between the things not worth mentioning and those even less so. For if you set out to mention everything you would never be done, and that’s what counts, to be done, to have done.” SB

“I have nothing to say and I am saying it.” JC

Composed by Suspektema
Produced by rr.gross
November 2016

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posted 11 January 2018

Eigenidyll – Bambi, das Schweinchen, das Kind und sein Vater (und wie es nach Hause ging)

Eigenidyll – Bambi, das Schweinchen, das Kind und sein Vater (und wie es nach Hause ging)
[1013]

Eigenidyll

Bambi, das Schweinchen, das Kind und sein Vater (und wie es nach Hause ging)

Tobias Schmitt: objects, digital-processing
Sascha Stadlmeier : guitar, effects, sampler-processing

attenuation effect ° 1013 ° 2017
live @ xerox exotique – INM, Frankfurt, 26.11.17
thanks to Tilmann Jakob ° dedicated to animal life
recording, mastering, photography and design by EMERGE

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posted 03 January 2018

Thuoom – 10 years in noise

Thuoom – 10 years in noise
[thump321]

Thuoom

“10 years in noise”

As Thuoom closes his second grand cycle in order to begin a studio hiatus, there are two compilation albums released simultaneously.

During the last ten years or so, while working on the Thuoom sound, Tuomo has also experimented with several (harsh) noise/avant-garde themes. As these pieces never quite fitted any other place, they are presented here for the first time, together and in a chronological order. Spellonia features Mala playing synth with Thuoom.

Instruments used on this record: algorithms, breathing, broken cord, Casio CTK-601 synth, coin, computer keyboard, cord, diarrhoea, electric guitar, electroacoustic guitar, faucet, glitches, human voice, kettle, midi, note book, sofa, speaker feedback, staple, table

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posted 22 December 2017

xqm – Session #36 || 2017​​​​​​​-​​​​​​​11​​-​​17 || LIVE

xqm – Session #36 || 2017​​​​​​​-​​​​​​​11​​-​​17 || LIVE
[ACP 1126]

xqm

“Session #36 || 2017​​​​​​​-​​​​​​​11​​-​​17 || LIVE”

Manuel Schaub:
Sequencer & FX

Matthias Weigand:
Analog Synth & FX, Recording, Mastering, Foto & Layout

live @ re:flexions ° villa, Augsburg, 17.11.17

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posted 11 December 2017

David Ramos & Arín Dodó – Críptico

David Ramos & Arín Dodó – Críptico
[PT067]

David Ramos & Arín Dodó

“Críptico”

Track 1, 2 ,3: David Ramos korg Volca Beats, Korg Monotribe, Monotrón Delay, Microkorg, Noise machine; J.G. Entonado (a.k.a. Arín Dodó) voice, piano, trombone, french horn

Track 4: Sam Hall & Tamaya Honda drums; Gori Valarez electric guitar; David Ramos electronics; J.G. Entonado (a.k.a. Arín Dodó) voice

Track 5: Tamaya Honda & Sam Hall drums; Ricardo Rodero sax; David Ramos electronics; J.G. Entonado (a.k.a. Arín Dodó) electric guitar

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posted 10 December 2017

Jørgen Brønlund Quartet – From A Logical Point Of View

Jørgen Brønlund Quartet – From A Logical Point Of View
[SCM-1704]

Jørgen Brønlund Quartet

“From A Logical Point Of View”

The sound of melting floe, captured by a hydrophone, crackling under a female enchanting voice that repeats the same words continuously, like a gentle mermaid calling towards fatal cliffs, and whirring sounds rotating like ghost ships passing.
The landscape is white and grey and cold but open to a myriad possibilities of northern lights and very distant fires in the sky.
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posted 01 December 2017

HUH – live in Augsburg

HUH – live in Augsburg
[ACP 1119]

HUH

“live in Augsburg”

HUH (recorded drum ver.):
Kyosuke Terada (guitar/voice)
Takuma Mori (drums from sampler/voice)

live @ re:flexions ° Die Ganze Bäckerei, Augsburg, 27.01.17
photography by Dan Penschuck (feindesign.de)
recording, mastering and design by EMERGE

HUH is formed in July 2007 in Tokyo Japan by Kyosuke Terada (guitar/voice) & Takuma Mori (drums/voice).
They are presenting a new jazz with free improvisation.
They keep looking for the melting point of the groove and the noise, junk jazz, no wave punk by free form improvisation.
They have many various releases, that not limiter to the domestic,and regardless to the form.
And planing many many independence events in Tokyo.
They began independence label “OOOSOUND” with GEVABOW and VAU! in Tokyo since 2012.

Their collaboration guest name…
T.Mikawa (Incapacitants), ASTRO, Tadashi Kumihara (Gunjogacrayon), GOVRENMENT ALPHA, Jin Harada, Atsuhiro Ito, Punkuboi, Hahanosikyu, Cal Lyall, Python vs Cobra, Les Conferences Bunker, Coco, Naoki Nomoto, PUNSUCA, DJ MEMAI, etc…

Released labels…
OOOSOUND(JPN/Self label), attenuation circuit(Germany), WORD iS OUT!(JPN), Productora Mutante(Chilli), Grindocore Karaoke(US), bumtapes(UK), etc…

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posted 30 November 2017

Soletik – Directional

Soletik – Directional
[FN_48]

Soletik

“Directional”

Style | Genre: Abstract, Broken Beat, Glitch, IDM
Duration: 01:26:11
Released: 22.11.2017

Tracklist:
01. harrier
02. suppressor
03. glances
04. recover
05. scattered
06. lockout
07. frame
08. here come the blue skies
09. twist
10. only distance
11. row
12. impact as drive
13. p73m2
14. since
15. radios
16. swamp
17. trade
18. sinkships
19. uphills
20. for those again
21. transform anecdotal
22. diver

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posted 22 November 2017

Mauro Sambo & Matilde Sambo – “​.​.​.​sibilava tra i denti​.​.​.​”

Mauro Sambo & Matilde Sambo – “​.​.​.​sibilava tra i denti​.​.​.​”
[PT066]

Mauro Sambo & Matilde Sambo

“”​.​.​.​sibilava tra i denti​.​.​.​””

Matilde Sambo – electric guitar, field recordings, electronics
Mauro Sambo – electronics, double bass, gong, kalimba, percussion

Artwork : Matilde Sambo
“from ice to you” (2017)

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posted 18 November 2017

LORENZO ABATTOIR – line on sacred wall

LORENZO ABATTOIR – line on sacred wall
[ACP 1121]

LORENZO ABATTOIR

“line on sacred wall”

live @ re:flexions ° k15, Augsburg, 23.06.17
photography by Lorenzo Abattoir
recording, mastering and design by EMERGE

Lorenzo Abattoir is an italian based audio engineer, noise artist since 2008. Founder of several projects into noise scene [ Nascitari, Psicopompo ] & sound art [ Mare di Dirac, Tevet Icetone Process ].Unconventional methods of composition to generate textures & installations with use of: electroacoustic instruments, isolation from environment, mental sound’s manipulation.
His work takes shape in a context of underground extreme music to become accesible through various projects related to contemporary art.

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posted 17 November 2017

ref/inter – /inter

ref/inter – /inter
[EEM024]

ref/inter

“/inter”

/inter is an album based on a certain visuality of sound. It has various sounds in it (field recordings, instrument samples, pure frequencies, and glitch/feedback noise), however, the core of this album was an experiment – an analog connection of sound and image. By sending a sound signal to a screen in such a way as if it were visual information the screens started to show imagery and by testing four different approaches towards using sound and testing how they look in this particular connection /inter was formed.
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posted 06 November 2017

PHONOGRAPHIA – live @ lab​.​30

PHONOGRAPHIA – live @ lab​.​30
[ACP 1122]

PHONOGRAPHIA

“live @ lab​.​30”

ONLY AVAILABLE FOR A LIMITED TIME !

performed live @ lab.30 festival
abraxas, Augsburg, 27.10.17

thanks to Martina, Barbara, Julia, Gerald and the whole lab.30 crew !

photography by Tilmann Jakob
recording, mastering and design by EMERGE

performers: szmt, Acid Discharge, EMERGE

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posted 05 November 2017

Onde Poussière – Vague Seconde

Onde Poussière – Vague Seconde
[Eg0_169]

Onde Poussière

“Vague Seconde”

Vague Seconde, the second album of Onde Poussière, documents the group’s evolution since their beginnings and their first album Silent Rain. Doedelzak now plays interconnected analog synthesiszers, and Kecap Tuyul has dropped the guitar and uses a “no-input mixer” with effects. Their improvisations are based on the creation of unstable situations in which some accidental sounds might happen at any time…
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posted 04 November 2017