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Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”

music tagged with: abstract

KIRCHHEIM vs. N​(​S​)​N vs. POEMBEAT vs. EMERGE – same

KIRCHHEIM vs. N​(​S​)​N vs. POEMBEAT vs. EMERGE – same
[ACEK 1002]

KIRCHHEIM vs. N​(​S​)​N vs. POEMBEAT vs. EMERGE

“same”

KIRCHHEIM vs. N​(​S​)​N vs. POEMBEAT vs. EMERGE – same
photography by Reiner Heidorn
recording, mastering and design by EMERGE
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posted 17 February 2018

Various – Autómatas Sonoros

Various – Autómatas Sonoros

Various

“Autómatas Sonoros”

Various – Autómatas Sonoros
The content of this work is a response to what I consider to be one of the main myths about music, in the context of my (and the rest of the composers in this compilation) current hometown.
This Idea primarily circulates around the people, projects, groups and etc. that best adhere to a popular music paradigm.

The romantic idea I’m referring to is the existence of an actual performer (in the more traditional sense performer – instrument) for the music itself to have value.

To which we respond with this tracks.

Autómatas Sonoros was first and foremost an acousmatic music concert presented at the Adolfo Prieto school in Monterrey Mexico on September 2 2017.
The concert was part of a series of retribution events organized by Raúl Guerra Jimenez as a winner for the 2015 PECDA Jovenes Creadores prize.
credits
released February 12, 2018

All music composition and production is that of their respective composer.

Compiled and directed by: Jesús Antonio Vergara
Tracks Leveling: Charles Leal.
Design: Bryan Garcia
license

posted 12 February 2018

THE HYBRIDS / Brusci – Lieb – MIGRATION metamorphosis – 1st Movement: Migration

THE HYBRIDS / Brusci – Lieb – MIGRATION metamorphosis – 1st Movement: Migration
[ACP 1107-1]

THE HYBRIDS / Brusci – Lieb

“MIGRATION metamorphosis – 1st Movement: Migration”

THE HYBRIDS / Brusci – Lieb – MIGRATION metamorphosis – 1st Movement: Migration
MIGRATION, a METAMORPHOSIS (2015)
[THE HYBRIDS – Brusci Lieb Duo]

.recorded
at Heinz Lieb’ studios (Rorschach, CH),
at Climnoizer’s studio (Berlin, DE),
at Lorenzo Brusci’s Timet-studio (Montevarchi, ITA),
March-June 2015

.re-composed, post-produced and mastered between June and October 2015 in
Montevarchi by Lorenzo Brusci at his Timet-studio
(Montevarchi, ITA).

———————————
Lorenzo Brusci – Electronics, Live Electronics, Compositions
Heinz Lieb – Acoustical Percussions, Cosmic Drums, free improvisations
guest artist:
Luca Canciello (alias Climnoizer),
Guitars on Mov. I / MIGRATION and on Mov. 3 / METAMORPHOSIS;
Monophonic Synthetizer on Mov. II / ADAPTATION

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posted 02 February 2018

Walt Thisney – Vaudou stellaire

Walt Thisney – Vaudou stellaire

Walt Thisney

“Vaudou stellaire”

Walt Thisney – Vaudou stellaire
The Necrophile Hummingbird presents Vaudou Stellaire by Walt Thisney & Chromatic.
A collaboration done like a new year gift to every listeners who keep their ears open as their mind.
Also one more attempt to break all the borders…
.
Tracks are recreations from Galactic Voodoo by Walt Thisney
http://freemusicarchive.org/music/Walt_Thisney/Galactic_Voodoo/
Created in the space between 2017 and 2018.
Chromatic was mostly a plunderphonic project but this time no sample were harmed during the process…
It was such a joy to walk the bridges between our both musical universe,
I hope you will enjoy the vibration.
Thanks a lot to the three Foucherans fairies for their voices on tracks 2/7/11.
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posted 25 January 2018

MODELBAU – augsburg, germany, 02​.​12​.​2017

MODELBAU – augsburg, germany, 02​.​12​.​2017
[ACP 1130]

MODELBAU

“augsburg, germany, 02​.​12​.​2017”

MODELBAU – augsburg, germany, 02​.​12​.​2017
live @ re:flexions – silent series ° Ganze Bäckerei, Augsburg, 02.12.17

This is not a live recording and yet it also is. Part of this concert was ‘semi-acoustic’, not going over the sound system, but using separate smaller speakers and radio speakers. The audience was asked to do a recording on whatever means they had with them, which turned out to be harddisc recorders, camera and mobile phone. All of the ones I received afterwards were used to create the music you are hearing, a collage of various recordings from various points in this space. So its live and not really. I mixed it but did not really edit, as in taking out the ‘bad parts’, it.

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posted 25 January 2018

Noise Ladder – Miszka

Noise Ladder – Miszka
[EEM028]

Noise Ladder

“Miszka”

Noise Ladder – Miszka
Noise Ladder is art project created by Nicolas Lafay in 2015. It explores the field of noise music through performances which confront body with technology and cassette records.

The name was inspired by Jacob’s ladder, the famous moog filter technology as well the chimney sweeps.

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posted 20 January 2018

V.A. – fabrication 4​​.​​​​0

V.A. – fabrication 4​​.​​​​0
[ACPR 1004]

V.A.

“fabrication 4​​.​​​​0”

V.A. – fabrication 4​​.​​​​0
01. BUG – Radio Session at Radio On Berlin > Seismografie des sons et des fréquences
02. MODELBAU – fade
03. KSHATRIY – Time Is The Enemy (live version)
04. STAR TURBINE – new river III
05. ELMA – snake woman
06. DOC WÖR MIRRAN – The Erdogan Insult
07. SMALL THINGS ON SUNDAYS – second language
08. CIRCUITNOISE – SEP 161003
09. FLAUB – Alien code from Urlot Episode one
10. RRR – Xpert
11. KINGA TOTH – salivaspeech

all tracks exclusive to this compilation

photography and design by EMERGE

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posted 16 January 2018

Suspektema – “to be done, to have done.”

Suspektema – “to be done, to have done.”
[SSSDlp14]

Suspektema

“to be done, to have done.”

Suspektema – “to be done, to have done.”
“And if I failed to mention this detail in its proper place, it is because you cannot mention everything in its proper place, you must choose, between the things not worth mentioning and those even less so. For if you set out to mention everything you would never be done, and that’s what counts, to be done, to have done.” SB

“I have nothing to say and I am saying it.” JC

Composed by Suspektema
Produced by rr.gross
November 2016

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posted 11 January 2018

Eigenidyll – Bambi, das Schweinchen, das Kind und sein Vater (und wie es nach Hause ging)

Eigenidyll – Bambi, das Schweinchen, das Kind und sein Vater (und wie es nach Hause ging)
[1013]

Eigenidyll

Bambi, das Schweinchen, das Kind und sein Vater (und wie es nach Hause ging)

Eigenidyll – Bambi, das Schweinchen, das Kind und sein Vater (und wie es nach Hause ging)
Tobias Schmitt: objects, digital-processing
Sascha Stadlmeier : guitar, effects, sampler-processing

attenuation effect ° 1013 ° 2017
live @ xerox exotique – INM, Frankfurt, 26.11.17
thanks to Tilmann Jakob ° dedicated to animal life
recording, mastering, photography and design by EMERGE

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posted 03 January 2018

Thuoom – 10 years in noise

Thuoom – 10 years in noise
[thump321]

Thuoom

“10 years in noise”

Thuoom – 10 years in noise
As Thuoom closes his second grand cycle in order to begin a studio hiatus, there are two compilation albums released simultaneously.

During the last ten years or so, while working on the Thuoom sound, Tuomo has also experimented with several (harsh) noise/avant-garde themes. As these pieces never quite fitted any other place, they are presented here for the first time, together and in a chronological order. Spellonia features Mala playing synth with Thuoom.

Instruments used on this record: algorithms, breathing, broken cord, Casio CTK-601 synth, coin, computer keyboard, cord, diarrhoea, electric guitar, electroacoustic guitar, faucet, glitches, human voice, kettle, midi, note book, sofa, speaker feedback, staple, table

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posted 22 December 2017

xqm – Session #36 || 2017​​​​​​​-​​​​​​​11​​-​​17 || LIVE

xqm – Session #36 || 2017​​​​​​​-​​​​​​​11​​-​​17 || LIVE
[ACP 1126]

xqm

“Session #36 || 2017​​​​​​​-​​​​​​​11​​-​​17 || LIVE”

xqm – Session #36 || 2017​​​​​​​-​​​​​​​11​​-​​17 || LIVE
Manuel Schaub:
Sequencer & FX

Matthias Weigand:
Analog Synth & FX, Recording, Mastering, Foto & Layout

live @ re:flexions ° villa, Augsburg, 17.11.17

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posted 11 December 2017

David Ramos & Arín Dodó – Críptico

David Ramos & Arín Dodó – Críptico
[PT067]

David Ramos & Arín Dodó

“Críptico”

David Ramos & Arín Dodó – Críptico
Track 1, 2 ,3: David Ramos korg Volca Beats, Korg Monotribe, Monotrón Delay, Microkorg, Noise machine; J.G. Entonado (a.k.a. Arín Dodó) voice, piano, trombone, french horn

Track 4: Sam Hall & Tamaya Honda drums; Gori Valarez electric guitar; David Ramos electronics; J.G. Entonado (a.k.a. Arín Dodó) voice

Track 5: Tamaya Honda & Sam Hall drums; Ricardo Rodero sax; David Ramos electronics; J.G. Entonado (a.k.a. Arín Dodó) electric guitar

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posted 10 December 2017

Jørgen Brønlund Quartet – From A Logical Point Of View

Jørgen Brønlund Quartet – From A Logical Point Of View
[SCM-1704]

Jørgen Brønlund Quartet

“From A Logical Point Of View”

Jørgen Brønlund Quartet – From A Logical Point Of View
The sound of melting floe, captured by a hydrophone, crackling under a female enchanting voice that repeats the same words continuously, like a gentle mermaid calling towards fatal cliffs, and whirring sounds rotating like ghost ships passing.
The landscape is white and grey and cold but open to a myriad possibilities of northern lights and very distant fires in the sky.
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posted 01 December 2017

HUH – live in Augsburg

HUH – live in Augsburg
[ACP 1119]

HUH

“live in Augsburg”

HUH – live in Augsburg
HUH (recorded drum ver.):
Kyosuke Terada (guitar/voice)
Takuma Mori (drums from sampler/voice)

live @ re:flexions ° Die Ganze Bäckerei, Augsburg, 27.01.17
photography by Dan Penschuck (feindesign.de)
recording, mastering and design by EMERGE

HUH is formed in July 2007 in Tokyo Japan by Kyosuke Terada (guitar/voice) & Takuma Mori (drums/voice).
They are presenting a new jazz with free improvisation.
They keep looking for the melting point of the groove and the noise, junk jazz, no wave punk by free form improvisation.
They have many various releases, that not limiter to the domestic,and regardless to the form.
And planing many many independence events in Tokyo.
They began independence label “OOOSOUND” with GEVABOW and VAU! in Tokyo since 2012.

Their collaboration guest name…
T.Mikawa (Incapacitants), ASTRO, Tadashi Kumihara (Gunjogacrayon), GOVRENMENT ALPHA, Jin Harada, Atsuhiro Ito, Punkuboi, Hahanosikyu, Cal Lyall, Python vs Cobra, Les Conferences Bunker, Coco, Naoki Nomoto, PUNSUCA, DJ MEMAI, etc…

Released labels…
OOOSOUND(JPN/Self label), attenuation circuit(Germany), WORD iS OUT!(JPN), Productora Mutante(Chilli), Grindocore Karaoke(US), bumtapes(UK), etc…

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posted 30 November 2017