Aos Crowley is one of the primary projects of composer and sound designer Matt Dean. His other projects are Chromasonic and Slo Virus. Matt has been a musician for over 35 years and has produced work in a variety of formats and styles, including film scores and game sound design for Sony Playstation Home. Currently he collaborates with multiple musicians and artist in various disciplines. He lives in San Francisco, CA, USA.
From first to the last note “Orange and Black Cloud” fascinate the listner. This release is a “sound portal” toward futurist imaginary sceneries. Abstract and Sci-Fi atmospheres are pleasantly contagious. An Aos Crowley precious gift…maybe from the future…
Monsieur Massard presents us with a project called “A EN TIO”, borrowing from the name of an enigmatic place he passes by from time to time.
This intriguing grocery, closed for ages, has been decaying and the outdoor sign is losing its letters. Originally, the sign read “ALIMENTATION”; then, after a few years, the “M” became a “W”, turning upside down, the “I” fell, and so on… Today, all that is left is “A EN TIO”.
The sounds in this work portray the decay process, the rough forces of nature and the passage of time (something we’re all familiarized with, although we tend to ignore).
Tag Cloud (Chris Videll) started in 2009 as a series of obscure experiments with field recordings and has come to include analog electronics, fx, cheap keyboards, metal percussion, shruti box, etc. Best described at this point as “electroacoustic sound sculpture and carpets of drone”. On Named Entities he performs on analog electronics, sk1, monotron, shruti box, gongs, tibetan bowls, bells, pedals, fx, processing, pitch pipe.
Sound artist and radio producer, the sound recording and the sound effects are the essential elements of his work of composition. Born in 1979, Anthony Baron lives in Paris and works where the improvisation and the sound creation is going full swing in the world. It is under the name of Anton Mobin that he produces his radio creations and that he occurs on stage. Anton Mobin’s sound activities evolve in two universes: the improvised music and the radio art. He defines himself his initiative in the continuity of the concrete music: his approach is directed on the listening of the sounds of the everyday life and their use in the radio composition, to develop an “extensive” concrete music.
Collision at Epsilonia (January 12, 2012)
Live performance for the Radio Programme Epsilonia dedicated to experimental music. It is broadcasted each thursday on Radio Libertaire, Paris / France (89.4 FM) from 22PM to midnight (GMT+1)
01. Men should never use creams or waxes to remove hair from the penis or scrotum.
02. Shaving of pubic hair should be done with care for the sensitivity of the skin of the pubic region.”
Peer Group is
Justin Marc Lloyd
– 1 tracks of fried abstract bubbling electronic sludge
– as always…..
os dois registos de “sobre carris” foram gravados no mesmo dia – um de manhã, outro à tarde – com um telemóvel (se x8), em mono.
“eléctrico” conta-nos uma viagem da graça até à estrela, em lisboa, nesse meio de transporte tão pitoresco.
“entre estações” contrasta com o registo anterior ao capturar um momento de uma viagem lisboa – porto, no conforto (quase estéril) de um comboio inter-cidades.
to kick off 2012 we are excited and proud to announce the release of the much anticipated debut album, uranometria, by the eclectic south african (sjanine steyn) / scottish (stephen mullarkey) electronic duo, the shimmer effect.
the extact style of the album is hard to pinpoint, with traces of trip-hop and idm coming through, but what stands out is that is a meticulously crafted album from start to finish, taking you on a sonic journey through valleys of deep moods and mountains teeming with hidden energy.
this is how artist put it: “the shimmer effect takes you on a fantastic journey into the unconsciousness with their first album ‘uranometria’. loaded with atmospheric rhythmes, colourful yet haunting soundscapes, and an assortment of flavors, styles and feels, this genre-bending duo delivers what most say is a unique and successful international musical collaboration.”
“The World is filled with images and sounds, which are an illusive shell only. All of it is a projection of our mind onto the primordial
Emptiness. No matter what you see, no matter what you hear, no matter what you think – everything is illusion. And nothing more…” – Strepetarch
o músico electrónico cazaque, vadim ehrlich (aka ganzha), a viver na alemanha desde 2004, construiu em 1980 o seu primeiro sintetizador analógico (uma tarefa difícil na antiga urss!), moldando a sua ideia de “pintura sonora”.
no início, qual dj pioneiro, ele combinou as suas construções musicais com efeitos luminosos nas suas actuações em discotecas.
por fim, ele inventou o seu próprio estilo de música electrónica “ao vivo” chamado “quazy construções musicais”, também conhecido por “absurdismo”. a ideia principal era – tocar todos os seus instrumentos em tempo real e sem padrões pré-gravados.
todas as suas “caixas de música” (2 vco, vcf, adsr, vca) estão ritmicamente sincronizadas por um gerador de impulsos principal, enquanto o “performer” controla todos os parâmetros manualmente.gravado ao vivo em fita magnética para a rádio vombat.com e convertido para formato digital a 24/96. disponível em wave (24 bit/96 khz), flac, ogg e mp3.
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