“Piano Explosion is an experimental project for future real piano with midi control device. Already Yamaha had developed grand piano with high level outer midi control for concert. Possibility of the future that laptop control grand piano is coming now 2012. This time I used max/msp devices for control synthetic software. Piano is going to express beyond real fingers.” – Sanmi
“Rhythms Of Life” is an experimental/avant-garde jazz album written in notation/electronic sheet music, similar in style to the Synclavier work of Frank Zappa.
As Jared describes it: “The Theme of “Rhythms Of Life” is a perspective of my life over the last year and expresses the dynamics, emotions and experiences of family issues, foreseeing future events, reminiscing of great times, traps and schemes of work/job, asking for a miracle to save a loved ones life, having some one you love deeply pass away, when life is moving in a good rhythm, the patterns of day to day life, and the needing to re-find a cohesive bond in a long term relationship.”
Sometimes time stops off. Then it starts up again and you wish it run faster, but at the same time you would like to block it. Emotions chase it, as they are synthesized in the debut by Sincope with our netlabel. The atmosphere of the brand new release by the Florence-based duo moves the ambient horizons. Everytime you’ll listen to “Close Moving” you’ll leave for an introspective trip surrounded by darkness and melancholy. This release reminds memories, experiences, that you would not have thought they could re-emerge in your mind, as well as shadow zones unraveling during the listening of the other tracks of the records “Closedowns” and “Fiction”. Deep the piano line that comes up in the videoclip “Close Moving” (which seems to go back to Brian Eno in his golden age) and the synthesis of percussions and far voices that make the track a mix of total trasport and intensity. Sostanze Records is proud to present a release that will make you thinking, something that will stay a long time in your playlists. Warm hearts.
Edgar Aguilar, a.k.a. Maxson, is a producer from Jalisco, Mexico. He
gives us a new and cool EP. “Broken Circuit” contain three tracks full of
powerful beats and fresh sounds, we are sure it will make you move….
01. Men should never use creams or waxes to remove hair from the penis or scrotum.
02. Shaving of pubic hair should be done with care for the sensitivity of the skin of the pubic region.”
Peer Group is
Justin Marc Lloyd
– 1 tracks of fried abstract bubbling electronic sludge
– as always…..
A new Klangboot Radio podcast with…
Benjamin Jackson, BGUDNA, praktika, SiNESTESiA, Ascetic, Eve in a Circle, Specta Ciera, The 17 Sons of Abraxas, Operator, Dreza, Visuelle Musik, Distant 294, Subterrestrial, The Shimmer Effect, laura mura & the seven dwarves, Joe Frawley, Rooftop Access.
Alpha Rhytmika is a live project from Hungary, formed by 2 producers, Dj Grega and Scarface. Both of them are well-known techno djs in our country. They know each other for a long time, they played a lot of gigs together. Thye met back in 1999, when Dj Grega was resident in Hungary’s only techno club Supersonic Technikum. Scarface spent a lot of time in the club, and became shortly a member of sonic dj’s, and also Techno Mission party series, they toured in hungary with in 2002-2005. In 2010 Grega started this new project Alpha Rhytmika. Mostly using Korg gear on live shows and producing, thanks to a lot of practicing and live performances they have lots of own productions.
Remember, remember, the smoldering spiders embedded forever in your mind, you livers of life. We all have that spider don’t we? That creepy crawling nibbling at our thoughts, our stunted brain. Nightmares from the past. Awake or asleep, but especially asleep. Recall those dreams when you were young? That you thought were real and were indeed real. Those few nightmares whose images stick like ferocious adhesive. Perhaps they were loud, jarring blarings of pavor nocturnus in your ears in screams and crashes and booms, incessant and sourceless. The dreams that brought about our phobias, our regrets, our self immolation. The sleep paralysis, the waking terrors of the night. Perhaps you are immune to such ordeals, but for some they falter not, these unborn realities. What we have for you today at Effluvia, this smelly compost of miracles, is a masterpiece of dark ambiance. It is precotious in it’s unwavering beauty and profound precision. The execution is so vivid and refined and concentrated on one large idea of the inside breaking through and screaming into our listening ears. The brilliance of Ars Sonor, and I consider it an honor that she releases with us netlabelers, is her bona fide devotion to a truly emotionally thwarting excursion. This was the second full length album from this manifestation of Laetitia Schteinberg’s prolific and harrowing output, recorded in August 2011. It was available via itunes, but now both distributor & label are closed, so she has decided to make it available via (cc), God bless her! “In this album I explore a repeating nightmare, the climax of which is the milking of a terrifying spider in a huge cave-like tree-hollow. Expect a surreal, sometimes disturbing (always dark) soundscape.” Such a concept in itself suggests the inevitability of how truly far into the inner recesses of your mind these sounds burrow to, but your assumption will do it no justice. Through these sounds, you will have vivid snapshots of how these horrifying spectacles transpired, and to evoke such feelings is a gift handed only to prodigies. Claustrophobic, otherwordly, creepy, obsessive, I can go on and on, but you dreamers of dreams, you know these terrains for yourselves. I speak so ardently of this perhaps because it stirs up very personal feeling inside of Dishdawash, who is an avid dreamer and embracer of nightmaresWelcome back to the feeling, the nibbling of the spider upon that mind that has ridden your back like a witch.
“For my own part, I have never had a thought which I could not set down in words with even more distinctness than that with which I conceived it. There is, however, a class of fancies of exquisite delicacy which are not thoughts, and to which as yet I have found it absolutely impossible to adapt to language. These fancies arise in the soul, alas how rarely. Only at epochs of most intense tranquillity, when the bodily and mental health are in perfection. And at those weird points of time, where the confines of the waking world blend with the world of dreams. And so I captured this fancy, where all that we see, or seem, is but a dream within a dream.”
Alan Parson’s Project “Tales of Mystery and Imagination”, a voice-over narration by Orson Welles
italian electronic music composer daniele ciullini just realized his first industrial/downtempo ep (il bacio della sirena = the kiss of the siren), distributed by a contemporary art magazine in italy and others countries and on the world wide web through quantum bit and now edp – editora do porto.
a “walk” through the dark woods of a heart’s mind…
“Nada es para todos” use the same procedures than my prior “orchestral albums” : piling up layers of overdubbed lines that I composed in real time as I play all the instrument with the spontaneus interaction tipically found in free jazz, without any prevous ideas about the melodies, rhythms, harmonies, styles, etc… The only exception is track 3 which is a collage of a melodica track cut in 3 parts and stack up like a fake counterpoint in the Frank Zappa’s xenocronicity style.” Claudio Nunez
the first pyr release of 2012 is from tomas gris a free improviser based in madrid who is working on developing a sound language that combines his love of dada, art brut, and the cobra art movement with his interest in philosophy, semiotics and post-modernism. he performs alone and with ad hoc ensembles primarily playing reeds and amplified objects, but also incorporating various percussion and acoustic instruments into his pieces.
his first album for pan y rosas is a solo improvisation recorded in 2011 in which he plays alto saxophone, harps, cassette, and objects. throughout the piece he employs quietness and stillness; flutters, pops and breaths; cymbals and tones. his playing is deliberate and of the moment, without beginning or end. make sure to get it here.
A cloud moving “unspectacularly beautiful”, surrounding the semicircular, close to the sickle shape, deeply glaring in the moon, pulling layers of purity in a mystical theatre of time traveling, sending the aetherical stream from India across Norway to Istanbul, in the obscure but not dark, but artificial and subtle, “both frightening and beautiful”(GH).
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