TERR110: Boreal soundscape collage accompanied by the lull of balmy guitar. Seamless loop recorded over a week-long residency in Inari, Finland.
“I took part in a media workshop group’s travel to Inari, bringing together different artistic visions in order to gather a multimedia report of the Northern seasonal foliage, and ultimately organize a collective art exhibition. The residency was in a cabin beside Nukkumajoki river and my project in the group was to record the journey photographically and acoustically.
I was mesmerized by Inari’s fjelds, lakes and aurora-filled nights, the pristine flora surrounding Nellim near the Russian border and one particularly important place of interest was Siida Museum; a rich crash course on the indigenous Sámi culture, history and the seriously endangered Inari-Sámi language. To this day, Sámi people keep facing systematic discrimination in many aspects.
The loan word “Kaamos” doesn’t have a literal translation in English despite its unmissable significance in our culture. It could be split into two contexts: firstly the near literal translation “polar night” implying the geographical lack of sunrise, and secondly an associated mental state as a consequence: winter depression. The bane of northeners.
Post-trip, I recorded guitar to fit the field recording collage for a seamless audio installation loop as part of our touring mixed media art exhibition of the same name. The opening in December was at our workshop Vimma, with Turku Main Library to follow later in spring.”
Pistol jazz is an instrumental band(violence, beauty, and own vision) who expresses the energy of life with avant-garde music.
Once you hear their wild sound of rapture, you will hear the sound of their burning souls are going to be a legend of Pistol Jazz.
We Versus the Shark are proud to present “Murmurmur,” an ongoing collection of renditions of songs we’ve been inspired by in the past few years. Starting today, January 1st, and finishing up on December 1st 2008, each month we’ll be posting a new MP3 to Quote Unquote Records of other people’s jams. Some of the songs are by artists who have gained accolades in some circles but remain obscure in others; a few will be Athens bands we’re excited to big-up. We here at We Versus the Shark believe that “interpreting” (whatever) other artists is a good way to learn about structure, melody, and other things we’re generally confused by. Enjoy “Murmurmur.”
“South Late Winter Dream / My Stars, My Perfect Silence”
Minus Pilots is percussionist Matt Pittori and bassist Adam Barringer. Together they weave sparse textures, crumbling atmospheres and fractured drones with currents of gentle crackle. Between post-rock and ambient, their music incline towards a form of refined abstraction, but always keeps a strong emotional side. And once again, on their new EP South Late Winter Dream/My Stars, My Perfect Silence, the duo masterfully mixes dreamy melodies with a complex work on sound textures and rhythmic micro-events.
Felipe Rebellato Rosas: bajo, percusiones, coros y voz
Aldo Álvarez: batería y percusiones
Todas las canciones compuestas y arregladas por Empecinado Flores.
Letras: Gonzalo Silva
Grabación y mezcla: Fabrizio Rossi en Estudio Yacaré (entre mayo del 2017 y febrero del 2018), baterías en La casa amarilla de San Luis, Canelones (abril del 2017)
Masterización: Álvaro Reyes en Estudio DosReis (mayo 2018)
Arte: Lucía Stagnaro y Lucas Butler
Queremos agradecer, en primer lugar, a nuestras familias por el apoyo y la paciencia.
También queremos dejar estampado nuestro recuerdo para quienes nos acompañaron y ayudaron durante todo este camino: Marianela León Barreto, Majo Barreto, Fátima Armesto, Valeria López, Martín Rumbo, Ana Laura Duarte, Malena Paz, Fabrizio Rossi, Iván Krisman, Daniel Marius, Sol Infante, Nicolás Caridad, Matías Maciel Schiavo, Joaquín Cabrera, Mauro Miramontes, Nicolás Rodríguez Pérez, Diego Segovia, José Luis Yabar, Carlos Loria, Mauricio Perrone, Diego Fischer y a todas y todos los que nos inspiraron a seguir adelante con este disco, para bien y para mal.
All music and lyrics written by Maeth
Engineered, mixed, and mastered by Adam Tucker at Signaturetone Recorded April 20, 2018
Vocals recorded at St. Mark’s Episcopal Cathedral of Minneapolis
Artwork by Adahn StewartAdditional thanks to our families, friends, colleagues, and all those who have inspired us to create and supported us along the way.
Imagine a world where the sounds of sixties testcard music and the sort of music played between working mens’ clubs acts had been picked up by aliens and then sent back to earth for an intergalactic knees-up around the Hammond organ….
Difficult? It may not have been Montague Armstrong’s intention, but that’s what this delightful, effervescent concoction of tunes makes me think of. Jude Cowan Montague’s effortlessly cheerful tunes and Matt Armstrong’s always immaculately well-placed electric bass make this an unusual, but definitely desirable item from Linear Obsessional and also marks the third release in LinOb’s new Cassette Imprint series.Released as a professionally duplicated cassette with a picture by Katy Binks and design by David Little,and as a free/name-your-price download.
«Со мною вот что» поздравляет болельщиков с праздником футбола в России!
«Тренер Амкара» – тёплый июньский рок на тему российских спортивных реалий.
Где бы ты ни играл, сколько бы ни зарабатывал, не зарекайся. Ведь, может быть, ты чемпион потому, что кому-то не хватило денег с тобой сыграть? Желаем скорейшего возрождения Амкару и всему нашему футболу.
Регионы просят огня!
Danke Sun (previously known as Daily Khaos delivery) is Jordi´s and Javier´s new attempt to make new music returning to their spanish native language but without losing their british and american musical influences.
Now, they come up with a new EP, Movimiento, which includes the songs Movimiento, A contraluz, Al final and Miss interrupción.
All this means a straight move for them, taking into account that, after 20 years, they´re back with their “sung in spanish” melodies, in order to have more connection with their spanish listeners, as this is their first official release ever sung in spanish.
The result is a set of songs where they show us their always distinctive sound, which combines both classical and alternative style,but this time with the addition of the change of language from english into spanish. Consequently, and after their musical evolution during the years, this fresh combination leads them to a new point never experienced before.
This is their second collaboration with russian label Southern City Lab, after their 2015 Magical inerthia album release, signed as Deadlines, their parallel project at that time.
Danke Sun are currently working on their forthcoming album, and it will be composed of completely brand new material.
The two new songs by the Karelian vagabond notforme! make up a postcard from the days past, and every postcard have two sides. The front is a bright, yet frantic picture, inspired by the Steven Hall’s imagery, with his shark feeding on people’s memories and a desperate wish to find a fragile balance in life. The back is a simple, but ironically sharp message to oneself. Without a stamp. To be wrapped in cellophane and hidden in the inner pocket. To remember.
Lyrics, guitar and vocals: Pavel Mokhort Bass guitar and backing vocals: Vladimir Zhmurin Drums: Nikolai Kuskov
Cover design by Vladimir Zhmurin and Pavel Mokhort
Recorded at Kukkovka Hell Studios, Petrozavodsk, Karelia, May, 2018 Mixing & mastering by Anatoly Nikulin, Brno, Czech Republic, May, 2018
Thanks a lot to all of you, who believed in, helped with and waited for the record to happen! See ya’ll in autumn!
TERR104: The drums-and-bass duo Giant Gutter From Outer Space are back here to tell what’s what with a 6-track ball of fire inspired by suppressed traumas of those affected by the authoritarianism and brutalities committed by the Brazilian State – particularly in the 60’s-80’s.
Recorded in late 2017, the duo broaden their pioneering sound with bits from modular synthesizer territory, courtesy of Curitiba black metal artist Nahtaivel. “Charred Memories” is presented on Terranean Recordings with an exclusive battered mix and graphic design by Luke Lund.
This is a co-release between Sinewave, HNM and MuteAnt Sounds. The original mix is available from them.
La voix est le premier instrument avec lequel Töfie a composé. Sa curiosité la pousse sur la voie de l’instrumentation pour y transposer l’expérience vocale. C’est la naissance du projet Töfie, en 2012. Le logiciel Garage Band est le premier témoin de ses expérimentations pop et électroniques qui donnent lieu à la sortie d’un LP sur le label Linge Records.
Töfie prends un virage en épingle. Son electronica mute en une synth-wave sombre, lourde et blessée par des sons industriels, mais empruntant paradoxalement des formats très pop. Tout un éco-système de sons organiques et telluriques qui se confrontent à des sons digitaux, crus et agressifs, qui rappelleront sans doute ceux de Gary Numan ou Fever Ray.
Des textes en anglais, islandais, allemand et en français accompagnent l’exploration des synthétiseurs et d’enregistrements acoustiques transposés sur les rythmes tranchants, doux et totalement versatiles.
Spirare, latin root of the spanish words for breathe, exhale, inhale, sigh, perspire, expire, spirit.
We are all beings that breathe the same air, invisible and intangible, the breath is what keeps us alive at all times. Our moods varies like the wind, but all they are expressions of our inner self, the language of the air. Spirare is our special final compilation to celebrate the music, the meetings and the end of Breathe as netlabel.
Featuring aAirial, DDO, Esoteric Sob, Nick R 61, Nulix feat. SLUG9, AxBx, Triangular, buildings in motion, Ohuican, Capisconne, Ray Garrido, Julia Gregory, Theo Nugraha, Lezet, In Vitro, Night Note, DRFCT, El Wud, unaporte, yosoyunotrotú, Doublereflect, STREPITVSITVS, Música para Khaos, Ivan Black, P è n i n ș o l a r with Marco Lucchi, Vate, mrscientificterms & Bicho Raro, Igan, Twin Peetz.
Without ambiguity “Three” is Torn’s third album. After his largely on guitar and singing reduced second album “Temples”, here he picks up the moods from his first album “Beaches” again, but adds his very own idea of pop to all even more. With his music he draws a flashy bow from almost schlager-like Beat Music, over Broken Dilletante Lofi Rock up to Drone Guitar Noise. Strangely intimate. Unadapted and mainstream.
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