A melodic, chaotic, deep and melancholic maxi-single, slow at its beginning but becomes faster and cheerful. Lyrics are just basically phrases they came out with while they played the songs. Distraught shrieking is just a background texture.
This album is a result of bad days as human beings, and some kind of catharsis for all. ‘Santa Rosa de Lima’ is a reminder that life goes on while we are sitting here, waiting for something to happen.
released September 29, 2012
Recorded at: SoundRoom Mitras
Composed by: Ángel Amaya, Daniel Castillo, Javier Ibarra and Víctor Arguello
Voice samples on track 2 were taken from “Garden State” (movie).
“netBloc Vol. 52: Back to your regularly scheduled program”
Nearly three years after the release of netBloc Vol. 51, the much-beloved series returns and it’s a scorcher! 11 tracks deep and over an hour long… it’s a nice representation of what’s been happening in the Creative Commons music world over the past 3 years. Included on this one are old friends and new… including legendary Anticon co-founder and underground avant-garde rap pioneer, sole! So don’t sleep… download this and add it to the collection.
A huge thank you to all participating artists and labels! Much respect.
Of course, thanks once again to you for downloading & listening. We always strive to deliver the music you’ll love. Please spread the word about blocSonic, if you enjoy what we do. Remember… everything we release is cool to share! Always keep the music moving… share it… blog it… podcast it! If you’re in radio… support independent music and broadcast it!
A solo project by Shinya Nakashima.
In charge of music, arrangements, programming,bass guitar.
Also involved in working as a support musician doing sound manufacturing / live performances, etc.
Trip pop: creates space via music.
=- I sing a lot in this one.. moreso than in any of my previous releases. Most likely personal reflection reasons. I’m about to turn 39 soon and begin my 40th year of life. Red Zamboni was the second track of this family of songs recorded and I like it so much that I made a music video for it and sent it in to VideoRecords.ch. It’s different than the other four songs in that it didn’t receive any vocals, nevertheless, it’s in the same family as it was created the same way (arranging the chord progressions in chordbot on android then dropping them into renoise on pc where I do the recording, tracking, and rendering) as the other four. So instead of making Red Zamboni its own single and the four remaining songs an ep, I just decided to make it one ep altogether.
Every ice hockey arena needs a zamboni they can count on. And not just count on. One they can spell on too. Life isn’t always about numbers.
Red Zamboni by Origami Repetika is now avl on sub65 archive.org/details/s65010
#sub65media #easylistening #postpunk #melodramatic #lobit
TERR110: Boreal soundscape collage accompanied by the lull of balmy guitar. Seamless loop recorded over a week-long residency in Inari, Finland.
“I took part in a media workshop group’s travel to Inari, bringing together different artistic visions in order to gather a multimedia report of the Northern seasonal foliage, and ultimately organize a collective art exhibition. The residency was in a cabin beside Nukkumajoki river and my project in the group was to record the journey photographically and acoustically.
I was mesmerized by Inari’s fjelds, lakes and aurora-filled nights, the pristine flora surrounding Nellim near the Russian border and one particularly important place of interest was Siida Museum; a rich crash course on the indigenous Sámi culture, history and the seriously endangered Inari-Sámi language. To this day, Sámi people keep facing systematic discrimination in many aspects.
The loan word “Kaamos” doesn’t have a literal translation in English despite its unmissable significance in our culture. It could be split into two contexts: firstly the near literal translation “polar night” implying the geographical lack of sunrise, and secondly an associated mental state as a consequence: winter depression. The bane of northeners.
Post-trip, I recorded guitar to fit the field recording collage for a seamless audio installation loop as part of our touring mixed media art exhibition of the same name. The opening in December was at our workshop Vimma, with Turku Main Library to follow later in spring.”
Pistol jazz is an instrumental band(violence, beauty, and own vision) who expresses the energy of life with avant-garde music.
Once you hear their wild sound of rapture, you will hear the sound of their burning souls are going to be a legend of Pistol Jazz.
We Versus the Shark are proud to present “Murmurmur,” an ongoing collection of renditions of songs we’ve been inspired by in the past few years. Starting today, January 1st, and finishing up on December 1st 2008, each month we’ll be posting a new MP3 to Quote Unquote Records of other people’s jams. Some of the songs are by artists who have gained accolades in some circles but remain obscure in others; a few will be Athens bands we’re excited to big-up. We here at We Versus the Shark believe that “interpreting” (whatever) other artists is a good way to learn about structure, melody, and other things we’re generally confused by. Enjoy “Murmurmur.”
“South Late Winter Dream / My Stars, My Perfect Silence”
Minus Pilots is percussionist Matt Pittori and bassist Adam Barringer. Together they weave sparse textures, crumbling atmospheres and fractured drones with currents of gentle crackle. Between post-rock and ambient, their music incline towards a form of refined abstraction, but always keeps a strong emotional side. And once again, on their new EP South Late Winter Dream/My Stars, My Perfect Silence, the duo masterfully mixes dreamy melodies with a complex work on sound textures and rhythmic micro-events.
Felipe Rebellato Rosas: bajo, percusiones, coros y voz
Aldo Álvarez: batería y percusiones
Todas las canciones compuestas y arregladas por Empecinado Flores.
Letras: Gonzalo Silva
Grabación y mezcla: Fabrizio Rossi en Estudio Yacaré (entre mayo del 2017 y febrero del 2018), baterías en La casa amarilla de San Luis, Canelones (abril del 2017)
Masterización: Álvaro Reyes en Estudio DosReis (mayo 2018)
Arte: Lucía Stagnaro y Lucas Butler
Queremos agradecer, en primer lugar, a nuestras familias por el apoyo y la paciencia.
También queremos dejar estampado nuestro recuerdo para quienes nos acompañaron y ayudaron durante todo este camino: Marianela León Barreto, Majo Barreto, Fátima Armesto, Valeria López, Martín Rumbo, Ana Laura Duarte, Malena Paz, Fabrizio Rossi, Iván Krisman, Daniel Marius, Sol Infante, Nicolás Caridad, Matías Maciel Schiavo, Joaquín Cabrera, Mauro Miramontes, Nicolás Rodríguez Pérez, Diego Segovia, José Luis Yabar, Carlos Loria, Mauricio Perrone, Diego Fischer y a todas y todos los que nos inspiraron a seguir adelante con este disco, para bien y para mal.
All music and lyrics written by Maeth
Engineered, mixed, and mastered by Adam Tucker at Signaturetone Recorded April 20, 2018
Vocals recorded at St. Mark’s Episcopal Cathedral of Minneapolis
Artwork by Adahn StewartAdditional thanks to our families, friends, colleagues, and all those who have inspired us to create and supported us along the way.
Imagine a world where the sounds of sixties testcard music and the sort of music played between working mens’ clubs acts had been picked up by aliens and then sent back to earth for an intergalactic knees-up around the Hammond organ….
Difficult? It may not have been Montague Armstrong’s intention, but that’s what this delightful, effervescent concoction of tunes makes me think of. Jude Cowan Montague’s effortlessly cheerful tunes and Matt Armstrong’s always immaculately well-placed electric bass make this an unusual, but definitely desirable item from Linear Obsessional and also marks the third release in LinOb’s new Cassette Imprint series.Released as a professionally duplicated cassette with a picture by Katy Binks and design by David Little,and as a free/name-your-price download.
«Со мною вот что» поздравляет болельщиков с праздником футбола в России!
«Тренер Амкара» – тёплый июньский рок на тему российских спортивных реалий.
Где бы ты ни играл, сколько бы ни зарабатывал, не зарекайся. Ведь, может быть, ты чемпион потому, что кому-то не хватило денег с тобой сыграть? Желаем скорейшего возрождения Амкару и всему нашему футболу.
Регионы просят огня!
Diese Website verwendet Cookies. Wenn du die Website weiterhin nutzt, stimmst du der Verwendung von Cookies zu.
Weitere Informationen, beispielsweise zur Kontrolle von Cookies, findest du hier: Cookie-Richtlinie