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Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”

update, 28.1.2026

Hello, I have made a few changes to the site. Unfortunately, I am not quite finished yet, but it should continue without interruption. I hope you find the changes useful. Stay tuned. Konrad

“All rights reserved” is a copyright formality indicating that the copyright holder reserves, or holds for its own use, all the rights provided by copyright law.

https://en.wikipedia.org/wiki/All_rights_reserved

Ars Sonor & Meklabor – Reeds Remixed

Ars Sonor & Meklabor – Reeds Remixed
[ER058]

Ars Sonor & Meklabor

“Reeds Remixed”

Effluvia is proud to present another collaborative work with Laetitia Schteinberg of Ars Sonor. Her last release on my little netlabel of sheer, unquestioned brilliance was an epic joint effort between more than a dozen artists, and though only one of those fellow sound manipulators joins with Sonor here, it is no less epic, challenging, and empowering. Another wonderful industrial statement on art at large, Meklabor (dmitry Vlasov) is the one who joins. Originally appearing on Effluvia as Sunburzt, here he brings his colorful sonic abrasive rhythms that glitch, crackle, expand, and shatter the inner menagerie, and never before has the shattering glass of lovecrafted critters of glass so punch-packing. Four tracks where these rhythms echo through haunted dance floors and cemetery raves. A filter of psychonautic junkyard bliss that will surely get your blood pumping with synapse pleasing vibrations, though don’t get the vibe that these tracks aren’t still a challenge to the untrained ear. A Rorschach test of psychedelic catacombs that may tickle something less pleasant than the funny bone. All of this mixed perfectly with Ars Sonor. Broad, dense ambient tundras as far as the ears can hear, a distant blizzard screaming whispers of despair inside your dreaming head, yet with such ecstasy at the same time. This album, as masterfully conjured as anything I’ve heard of either of these musical savants, will sure digest well for your ears. Falling through corridors, fingers bleeding into the reeds, the volcanoes wait for the footsteps to ascend, loudly, with a rhythm your arachnid ears cannot ever hope to hear. Thank you very much for your lovely sounds Meklabor, and to Laetitia Schteinberg, I hope, we hope, that you are doing well!
posted 24 February 2012

between cathedrals – matriarch

between cathedrals – matriarch
[14014]

between cathedrals

“matriarch”

Will be a long time with the release of 141,414 from the net label, album introduces the “Matriarch” of Between Cathedrals. Breakbeat / Electronica Between Cathedrals overflowing due to nostalgia, the music scene in 2012 continue the vagus, making it a wonderful thing to give them basic Tachikaera. Recommended!
posted 12 February 2012

Ars Sonor & Co. – 101A 645

Ars Sonor & Co. – 101A 645
[ER056]

Ars Sonor & Co.

“101A 645”

Moving through the rubble, the carnage, the wreckage, the ruin, the dystopia, the effluvia, dwelling in an environment destroyed, among mutants with eyeballs dripping from sockets, the sun shines red and moves sporadic across the sky, so that no spiritual solace could be found a rhythm that cannot be found. There are those coughing on the harsh profaning smoke, yet proclaiming in noisy prayer that it’s all alright. Habits sending our species to an early grave, and we let it happen. There are many who don’t, who renounce these sporadic ways and invent God, they invent God by composing, by coming together and fighting for a just cause, by fasting in the woods, by loving one another unconditional, by ridding compulsion from their lives, from returning to the power of their dreams and the fruitful gifts of this world, and yet through such a damaged filter this can be incredibly difficult. So artists are met with many plights, which in nature’s continuum, extends in their art, their growth, their genetic mapping of emotion. Ars Sonor is a musician whose innermost thoughts trickle down every solid rock she erodes from the earth in the form of foreboding, empowering, tortured, loving pieces of music. Uncompromising and true, my respect for this artist would be difficult to exaggerate. The artist behind Ars Sonor, Laetitia Schteinberg, indeed has undergone many anxious and unpleasant feelings and experiences, which I will not delve into, but through her insistence of inventing this heavenly celestial body, a miracle has brought a triumphant work of pure poetry. Joined by over sixteen different artists, each collaborating with the galactic dream of Sonor’s genius in different tracks, what you have is a masterpiece of collaboration. Blessed with some of the most masterful soundscapers of the true underground, all tracks evoke something entirely different, so I won’t hop too deeply into praise (as much as I’d love to). What cannot go unsaid though, is that despite the versatility, seemingly endless, there is a special concentrated aura to this work as a whole. Put together, this record feels cohesive and articulate. All of the artists concerned, I thank you deeply. Thank you Production Unit Zero. Thank you Hal McGee. Thank you Zreen Toyz. Thank you B.Lone Engines. Thank you William Spivey. Thank you Ethnomite Pux. Thank you Meklabor. Thank you The Implicit Order. Thank you Takadatek. Thank you Amok III. Thank you Mystified. Thank you Roberto Lazzarino. Thank you 3bc. Thank you Peninsolar & Mark Moody. Thank you Consistency Nature. Thank you for your strengthening rhythms, your frozen and smoldering ambient dreams, your wonderful samples from inner alien planets, your wonderful new species of sound grazing tundras of beautiful neoclassical multidimensional trenches. Thank you for coming together and being the stroma of a divine presence. And thank you Ars Sonor, for giving a heart to this work of pure magic, giving a brain to this God amidst the rubble, the carnage, the wreckage, the ruin, the dystopia, the effluvia, of your life and the life of all those who have bodies to suffer with.
posted 12 February 2012

Willow Talk – Trials/Tribulations

Willow Talk – Trials/Tribulations

Willow Talk

“Trials/Tribulations”

Willow Talk is a brand new collaborative featuring New York City’s Laura Fisher and Philadelphia’s Anders Lindfors. The duo came together with the idea of creating a new and refreshing take on the downtempo trip-hop genre. From drone, seemingly floating beats to heavy rhythmic passages, their first EP showcases great potential, and, with a live show on the way, 2012 figures to be a busy year.
posted 03 February 2012

Ars Sonor – The Unborn

Ars Sonor – The Unborn
[ER052]

Ars Sonor

“The Unborn”

Remember, remember, the smoldering spiders embedded forever in your mind, you livers of life. We all have that spider don’t we? That creepy crawling nibbling at our thoughts, our stunted brain. Nightmares from the past. Awake or asleep, but especially asleep. Recall those dreams when you were young? That you thought were real and were indeed real. Those few nightmares whose images stick like ferocious adhesive. Perhaps they were loud, jarring blarings of pavor nocturnus in your ears in screams and crashes and booms, incessant and sourceless. The dreams that brought about our phobias, our regrets, our self immolation. The sleep paralysis, the waking terrors of the night. Perhaps you are immune to such ordeals, but for some they falter not, these unborn realities. What we have for you today at Effluvia, this smelly compost of miracles, is a masterpiece of dark ambiance. It is precotious in it’s unwavering beauty and profound precision. The execution is so vivid and refined and concentrated on one large idea of the inside breaking through and screaming into our listening ears. The brilliance of Ars Sonor, and I consider it an honor that she releases with us netlabelers, is her bona fide devotion to a truly emotionally thwarting excursion. This was the second full length album from this manifestation of Laetitia Schteinberg’s prolific and harrowing output, recorded in August 2011. It was available via itunes, but now both distributor & label are closed, so she has decided to make it available via (cc), God bless her! “In this album I explore a repeating nightmare, the climax of which is the milking of a terrifying spider in a huge cave-like tree-hollow. Expect a surreal, sometimes disturbing (always dark) soundscape.” Such a concept in itself suggests the inevitability of how truly far into the inner recesses of your mind these sounds burrow to, but your assumption will do it no justice. Through these sounds, you will have vivid snapshots of how these horrifying spectacles transpired, and to evoke such feelings is a gift handed only to prodigies. Claustrophobic, otherwordly, creepy, obsessive, I can go on and on, but you dreamers of dreams, you know these terrains for yourselves. I speak so ardently of this perhaps because it stirs up very personal feeling inside of Dishdawash, who is an avid dreamer and embracer of nightmaresWelcome back to the feeling, the nibbling of the spider upon that mind that has ridden your back like a witch.
posted 25 January 2012

MB

MB

V.A.

“NBKF-MB”

“The World is filled with images and sounds, which are an illusive shell only. All of it is a projection of our mind onto the primordial
Emptiness. No matter what you see, no matter what you hear, no matter what you think – everything is illusion. And nothing more…” – Strepetarch
posted 04 January 2012