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Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”

update, 28.1.2026

Hello, I have made a few changes to the site. Unfortunately, I am not quite finished yet, but it should continue without interruption. I hope you find the changes useful. Stay tuned. Konrad

This license lets others distribute, remix, tweak, and build upon your work, even commercially, as long as they credit you for the original creation. This is the most accommodating of licenses offered. Recommended for maximum dissemination and use of licensed materials.

https://creativecommons.org/use-remix/cc-licenses/ (CC BY)

slowerpace Èü≥楽 – ŸÖÿ¥ÿßÿ∫ÿ®ŸàŸÜ EP

slowerpace Èü≥楽 – ŸÖÿ¥ÿßÿ∫ÿ®ŸàŸÜ EP

slowerpace 音楽

“مشاغبون EP”

After nightfall, the lost boys take the streets, turning motion into raw roar.

RELEASE #42
愛を込めて作られ

⏐ Follow me on Instagram
⏐ instagram.com/slowerpacemusic
credits
released January 15, 2026

CREDITS TO PRODUCERS >>> SOUNDS LIKE WATER – LASZLO BENCKER – BLUE PILOTS PROJECT – NARCOSE – LUIS JR – JENS BUCHERT

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posted 28 January 2026

Patrick Quinn – microvisioning

Patrick Quinn – microvisioning
[ACP 1462]

Patrick Quinn

“microvisioning”

Philosopher Jane Bennett’s concept of “microvisioning” describes Henry David Thoreau’s devotional practice of keenly observing and focusing on small details of the natural world. She explores this idea in her book, Thoreau’s Nature: Ethics, Politics, and the Wild. She writes that microvisioning transforms nature into something “beautiful, sublime, and Wild.”

Every summer I leave my home in New York City to return to my roots in the Midwest, where I am able to practice my own version of microvisioning. Armed with an array of microphones and different listening devices, summertime in the Midwest has allowed me to sonically engage different environments in a deep, meaningful, and wild way.

All of the recordings contained in this album were recorded across the Midwest during the summer of 2025.

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posted 21 January 2026

Annelieses Zerstörung unter gefrorenen Monden – AZugM I

Annelieses Zerstörung unter gefrorenen Monden – AZugM I
[ACP 1469]

Annelieses Zerstörung unter gefrorenen Monden

“AZugM I”

formed exactly hundred years after the Hinterkaifeck murders in 1922, Annelieses Zerstörung unter gefrorenen Monden (Anneliese’s destruction under freezing moons) turns Bavaria’s dark history, its nature and its politics into audio art with elements of Metal, Noise and Dungeon Synth (and soon Neofolk as well)
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posted 05 January 2026

Psicadence – 繋がりの狭間で

Psicadence – 繋がりの狭間で

Psicadence

“繋がりの狭間で “

NOP-889
Infinite Series #002Previous volume from Infinite Series:
#001 – E U P H O R I A 永遠の – 孤独な少女、愛らしい少女
noproblematapes.bandcamp.com/album/–83

Originally released by Psicadense in June 2025
Now, for the first time, it’s available in physical format
Mitwirkende

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posted 19 December 2025

Unsanitary Napkin – All Billionaires Are Bastards

Unsanitary Napkin – All Billionaires Are Bastards

Unsanitary Napkin

“All Billionaires Are Bastards”

All billionaires are parasitic fucking life-suckers. Whether they’re calling SWAT teams on whistle-blowers, busting unions, keeping their factories open and laying off staff during a global pandemic whilst increasing their wealth by $1 trillion, promoting conspiracy theories and unproven COVID treatments, sending transphobic has-beens to space, or building ​​underground death-trap tunnels for commuters. And the more wealth these vampiric shitlords accrue, the closer they get to fulfilling their oligarchic fantasies.

People in Aotearoa are not safe from the malignant power-fantasies of Silicon Valley. Peter Thiel, the billionaire supervillain whose ultimate goal is to live forever, had his New Zealand citizenship fast-tracked in 2017. His company Palantir Technologies – whose data collection software has been used in attempts to spy on progressive journalists and spread disinformation online, who are contracted by I.C.E. to facilitate the deportation of migrants and asylum-seekers from the U.S., and who assisted Cambridge Analytica in bringing Donald Trump to power – has an office on Featherston Street in Te Whanganui-a-Tara.

It’s also fitting that Elon Musk recently posted a series of transphobic memes on Twitter, as this album also features TERF War and Speak Up For Women, You Don’t Speak For Me, which were released earlier this year to fundraise for Gender Minorities Aotearoa. In Aotearoa, we have been watching in horror as the state of Texas criminalises gender-affirming care and has called on government agencies and members of the public to report doctors for providing it, and to report the parents of transgender kids and teens to state authorities. This is fascism, led by cruel and sadistic state forces whose aim is to privatise and police sex and gender through anti-trans legislation, banning abortions, and defunding reproductive health. This is an attack on all women, and our struggles are all connected.

In Aotearoa, we too have groups, organisations, individuals and politicians who would like to see such violence enacted here. There is simply no other choice for cis people but to stand alongside our queer and transgender communities, and to oppose transphobia every time you see it. Showing up in solidarity with your trans whānau is not a question, but a necessity.

There’s plenty of other ground covered across the album: the unending bloodbath that is the meat industry; police violence; the weaponisation of the rhetoric around “freedom” by the alt-right and how it is used by people in power to silence marginalised groups; anxiety around increasing surveillance and data collection measures… the world feels fucked in so many ways, but hopefully this album can help us find solidarity in resistance as we fight for a better world.

With love, Unsanitary Napkin

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posted 11 December 2025

AATMAA – SOUNDS OF AUTOMATION

AATMAA – SOUNDS OF AUTOMATION
[ACP 1468]

AATMAA

“SOUNDS OF AUTOMATION”

ELECTRONICS: RECORDED IN LONDON ,UNITED KINGDOM 2020
VOCALS: RECORDED IN LONDON ,UNITED KINGDOM/AALBORG ,DENMARK 2020-2025
GUITARS: RECORDED IN AALBORG,DENMARK SUMMER 2025
BUILT/MIXED/DISSECTED: AT ROGHULEN AALBORG,DENMARK – WURZBURG,GERMANY FALL 2025
ALL MUSIC BY ERNESTO BOHORQUEZ
EXCEPT*MASCHINEN NARRATIVE BY JOHANNA RUFER

ROGHULEN NOMAD STUDIOS

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posted 11 December 2025

Gintas K – The Third Policeman

Gintas K – The Third Policeman
[ACP 1467]

Gintas K

“The Third Policeman”

The Third Policeman was recorded live, without any overdubs, using computer, MIDI keyboard, and controller / 2025.

The album is a subtle allusion to Flann O’Brien’s absurdist novel The Third Policeman, reflecting its surreal and enigmatic atmosphere through sound.

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posted 28 November 2025

Nigel Sanders – Inside The Rain

Nigel Sanders – Inside The Rain
[ACP 1465]

Nigel Sanders

“Inside The Rain”

The concept of ‘Inside The Rain’ started life with growth and the fragility of life. That space between life and death. The sound of fragility, growth, disintegration and ultimately failure are key to the sonic text of this album.

In terms of instrumentation I had begun to experiment with percussion again as well electronic rhythmic expression set again dark ambient soundscapes. Another significant character of this album was acousmatic masking of instruments evolving them into new sonic entities. Minimalism was also central to these works and focusing on less helped these sound objects breath.

Though all the sound objects were constructed using Apple Logic I still utilised the concepts depicted by Brian ENO of sound painting. Therefore, these works are presented often as in the moment sound collage happenings fused together with different elements to create the whole.

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posted 29 October 2025

HiNoGar – ReSearch At

HiNoGar – ReSearch At
[ACP 1460]

HiNoGar

“ReSearch At”

Rácz Mihály (HR+, Hideg Roncs – ambient, drone revisions)
Sipos Róbert (ROBotron, NoiseSculptor – techno, noise, drone revisions)
Jäger Ádám (jagarin – artwork, vocals, samples from Search At)

„ReSearch At” is HiNoGar’s second full-length manifestation, created at 2025 spring from the first album, „Search At” tracks and a compilation track with some new sounds. The performers on the re-worked, but absolutely new album are HiNoGar members – but under other aliases.

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posted 17 October 2025

The Spongetaker – Everywhere At The End Of Bikini Bottom

The Spongetaker – Everywhere At The End Of Bikini Bottom

The Spongetaker

“Everywhere At The End Of Bikini Bottom”

NOP-420

Originally self-released in 2021 and later physically released by Liminal Garden and Hushtones, Everywhere At The End Of Bikini Bottom is now will available from No Problema Tapes in a brand new double cassette edition.

“memories shifting and fading away like sand
i’m sorry, friends”

A surreal ambient/vaporwave parody of The Caretaker’s legendary album Everywhere At The End Of Time is a cult favourite by The Spongetaker (aka Vappasko), capturing the slow dissolution of memory in the depths of Bikini Bottom.

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posted 08 October 2025

UBURGRUND – Vexjamen

UBURGRUND – Vexjamen
[ACP 1461]

UBURGRUND

“Vexjamen”

Vejamen is a speech addressed to a person who obtains a university degree. Its first part lists the candidate’s moral, physical, or intellectual defects, and the second part contains an exaggerated praise of his work. Self-invested with the honorary title of noise Feldscher, Uburgrund manufactures this speech (fatrassound) divided into two, following the principle of the Vejamen that becomes by vexation of intent Vexjamen. Recordings in Ubureshti, post-spring 2025.
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posted 03 October 2025

Peter Wullen / Dong Zhou – Hotel Indigo

Peter Wullen / Dong Zhou – Hotel Indigo
[ACP 1460]

Peter Wullen / Dong Zhou

“Hotel Indigo”

Acoustic violin: Dong Zhou
Voice: Vasiliki Stroli reading Joy Sorman, A La Folie in Greek (track 1)
Concept & Time Stretch: Peter W
Original pic by Peter W

:zoviet*france: – Hidden By The Wall (Wind Harp, Walltown Crags) – Peter W/Dong Zhou rework

This track is a reassembly of original field recordings made by :zoviet*france:, and used in their 2021 composition “Hidden by the Wall”. All of the source material was recorded by :zoviet*france:, and then reworked by Peter W for Dong Zhou.

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posted 15 August 2025