Another fun, easy listening and delightful album from our Italian maestro ‘Brioskj’. Inspired by a holiday to a warm destination, listen and imagine yourself there during these cold months of winter.
released March 3, 2023
“A life in minor” – no matter, if you feel minor or major – is the latest collection of 27 brand new tracks by Smooth who worked on the last 14 months with lots of love and passion. Dubtechno in many forms and variations, but also influences by other musical genres inbetween.
Expect deep and atmospheric Dubtechno in many facets with intense build-ups and long fading outros to give you a relaxing and calming listening experience. All tracks have been handcrafted with lots of details and put together without interruptions between the tracks, so you can enjoy the music completely in a single flow.
The intention on this release was to give melancholy and the feeling of minor a musical face. There is the background noise of life besides emotions fading like delays and reverbs within the music.
This album needs time to listen to, so please take your time! Overall, you will find over 8 hours of music to explore…
This release can also be downloaded for free. If you feel you would like to support us, you are also welcome!
Ladies & gentlemen, many thanks for listening and have a nice flight!
Dedicated in love to Jaja and Luna!
released March 3, 2023
released February 27, 2023
Everything by Bplrxxiii.
Humans sometimes talk in their sleep – cats chirp. Are they dreaming of an exciting hunt, or a fabulous feast? Only feline minds know for sure.
Featuring clarinet.
This release, entitled Blue Green Earth, is a set of ambient love poems I have created for one of the most beautiful places I have ever seen, a unique combination of desert and mountains unlike anywhere else, with an aura of peacefulness and solace unmatched. I simply adore the place.
Intended listening is from the front porch, watching the sun turn the sea of rabbitbrush to gold. I hope you find this album rewarding!
Why’d you turn off the lights so soon? I wanted to see what was in that room!
Featuring electric bass, drum machine, baritone and alto sax, piano, strings, choir, and effects.
One step, then another. Feedback – good or bad. Adjustment, and then, more steps.
Featuring clarinet.
Mixed, effects, artwork collage: Sábila Orbe.
Vocals: Mist Spectra.
Filmy Ghost is an experimental, haunted house, ghostly experimental music project from Rancagua, Chile. Created by Sábila Orbe.
Links:
– https://humanfobia.jimdo.com/filmy-ghost/
– https://archive.org/details/fav-sabila_orbe02
– https://freemusicarchive.org/music/Filmy_Ghost
– https://open.spotify.com/artist/0POUvA4r7hzETPMnrn59My
Mixed, effects, artwork collage: Sábila Orbe.
sounds, sound designer: Story of the Lie.
Filmy Ghost is an experimental, haunted house, ghostly experimental music project from Rancagua, Chile. Created by Sábila Orbe.
Links:
– https://humanfobia.jimdo.com/filmy-ghost/
– https://archive.org/details/fav-sabila_orbe02
– https://freemusicarchive.org/music/Filmy_Ghost
– https://open.spotify.com/artist/0POUvA4r7hzETPMnrn59My
Story of the Lie is an experimental electronic, IDM, Glitch project from Canada. Links:
– https://storyofthelie.bandcamp.com/
– https://soundcloud.com/storyofthelie
– http://storyofthelie.pbworks.com/w/page/149532465/Homepage
Released by Internet Daemon Netlabel (ex-Cian Orbe):
https://internetdaemon.bandcamp.com/
https://archive.org/details/fav-obscvre_triangle_compilations
https://ello.co/creativecommonsmusic
Compiled, artwork: LR Friberg.
Apiga čiia paa o klepe upe beepeguti. I odočitri pui oda iči tipe. Čitla pai gute pei boi gube? Pičidli baga ke gea čidu kaibre? Aodra depi gebatekrebe igi tido? Egei peiči titlitu broi poa dee. Keagliubra publiepe kegeo kučipi uplo apute! Čie tagu ikli: atoa kečitripea!
Dekebru gi tradoči ape Atharɘal o kride 2022.
Iplogo tui Tobias Keller ape Unsplash (Daobro 2016)
Tatite gi totrebuo agliidri ape Atharɘal.
Epitla priaipi dipu tui pakepoeda kui iitai.
This sibling of INTENT 2023, “Atoa Kečitripea”, is a formidable force, full of sonically diverse material ranging from electronica to industrial noise. The description above is written in Kebo, the dialect of the Prika constructed language. Atharɘal has pulled out all the stops to create an incredible compilation of talent that promises to be an experience like no other!
Associated materials: https://github.com/linfri/INTENT
– {AN} EeL (Canada): https://panpanpanaviandistresscall.bandcamp.com
– Catenation (Germany): https://catenation.recorderpower.com
– Ana María Romano G. (Colombia): https://soundcloud.com/anamariaromano
– Jon Shuemaker (USA): https://jonshuemaker.bandcamp.com
– HEL (Sweden): https://helenlarsson.com
– Story Of The Lie (Canada): https://soundcloud.com/storyofthelie
– Terbeschikkingstelling (Netherlands): https://sturmunddrang.bandcamp.com
– United Entities For Well-Being Of Earth (Ireland): https://alfa00.bandcamp.com
– Helecho Experimentar (Argentina): https://helechoexperimentar.bandcamp.com
– PDMF (Argentina): https://soundcloud.com/pablo-d-m-fontana
– SonoroNoise (Mexico): https://soundcloud.com/jonathan-castillo-mendoza
– Humanfobia (Chile): https://humanfobia-official.bandcamp.com
– Toshiro Koreshina (Poland): https://www.instagram.com/pszren
– Thomas Park (USA): https://archive.org/details/ThomasParkBenchmarkHub
As music reviewers, we’ve been following Chris Weeks for more than 10 years now and can easily count him as one of our most praised artists of the 10s. Among those, he might as well be one of the most underrated, whether under his birth name with numerous albums and EPs of radiating drone and dreamlike scintillating ambient, his Kingbastard moniker exploring territories closer to electronica, IDM and experimental techno, or as Myheadisaballoon, showcasing more pop and psychedelic elements. In short, imagine if Primal Scream, Autechre and Brian Eno were all one and the same person, and you’ll get an idea of the man’s creativity… suffice to say that his lack of recognition still comes as a shock to us at IRM. For this new release, that we are proud to share digitally as an exclusive, the UK producer takes on yet another alias, or so to speak. So, why WEEKS ? Probably because “WXY” didn’t exactly belong to any of his aforementioned identities : too ambient for Kingbastard, too minimalistic for Myheadisaballoon, too raw maybe for simply signing it Chris Weeks or make it fit with the apparently short-lived C\/\/\/\ project and its fragile chamber electronics. With massive layers of hiss, static and instable textures, hazy synths, syncopated drums and glitchy rhythms, this new album sounds very much spontaneous, which has been a dominant trait of Chris Weeks’ music of late. It feels organic and yet abstract, as much delicate as it is hefty, vast and intimate at the same time. Sometimes playful as well, but always filled with anxiety and unstability… so many paradoxes and seeming contradictions that make “WXY” quite captivating, another peak in Chris Weeks’ substantial body of work.
released February 6, 2023
A collection of 6 techno tracks, sometimes dark, other times bright, but always oriented towards delivering a good trip to our inner demons on the dancefloor.
released February 10, 2023
A Netlabel Day 2022 Release
Despite its electronic undertones, Enrico takes more of an explicitly classical direction with this subtly dark orchestral piece. It evokes the impulsive journey from languishing in the shade beneath the voluminous leaves of a sacred fig tree to keeping apace with the torrent of a stream by horseback on a baking hot day, from anxiety to a disquieting abandon.
released July 14, 2022
Artwork by Marilyn Roxie
FAKE jazz FAKE visuals FAKE venue FAKE live FAKE spoken word FAKE sax FAKE AI FAKE timeline FAKE cyberpunk a e s t h e t i c s HYBRID lyrics
Album includes cyberpunk ramblings and 3 visuals, including the descriptions used to teach Midjourney AI to generate them:
(Front) Heavy distortions, jazz club collapsing over the immense weight of its own free jazz orchestra’s talents, players smoking, late night, 1950s downtown music club feel, black and white film, high contrast, overexposed over cosmic radiation, elegant and doomed, instruments in hand they keep doing what they do best, cursing at the night away with out-of-tune saxophones, guitars, drums, bass, all sweaty, curved, ties loose, the audience crushed by rubble.
(Back) The night of the murder, 1950s downtown street at night, crisp photographic black and white film, overly realistic and lurid, almost tabloid-like, people running away from the gunshots, blood drops on the floor, a faceless victim, the murderer spitting on the cadaver just before walking away and a cool and cursed free jazz band playing furiously over the whole scene while smoking narcotics-laced cigarettes, intoxicated and indifferent, as if nothing in the world mattered but their own jam.
(Inlay) The city’s fast asleep, the insides of smoky club, underground, illegal dealings happening as cops turn a blind eye, spoken word being enunciated hastily over an open microphone in front of a half-asleep audience of nighthawks, pimps and tricksters and past-their-prime drugged up whores, indifferent, palpable weight of numerous broken dreams, rumor has it that no one should walk outside, or else… black and white scratched up Kodak film, 1950s feel, dimly lit, cigarette smoke envelops, heavy radiation, both outside and inside equally dangerous, the man keeps talking as no one even tries acknowledging the truth, its harbinger, jazz band lazily playing along, desecrated, defeated, lightyears into the past.
We are all related, in an intrinsic way. Our lives are connected, and our deeds convey. Beyond the obvious – extradimensional – we perceive and express, as a part of it all.
Featuring improvised overdubbed clarinet.
Various artists compilation in commemoration of Heather O’Rourke
death anniversary. (born: 27/12/1975 
01/02/1988)
Compiled, cover collage by Sábila Orbe.
Each track composed by the respective artist. Links to each respective full release on the internet archive:
– Filmy Ghost:
https://archive.org/details/filmy-ghost-tribute-to-poltergeist-ep
– Humanfobia:
https://archive.org/details/humanfobia-into-the-nightmarecore-ep
https://archive.org/details/humanfobia-pandemonio
– ╬ Sh Sh Zombie Mamba ╬: https://archive.org/details/b-s-o-d-ep
– Humworks: https://archive.org/details/SRS15714
– Naoya Sakamata: https://archive.org/details/naoya-sakamata-haunted-game/
– noxpox: https://archive.org/details/noxpox-field-of-time-bubbles/
– Edgeist: https://archive.org/details/enrmp508_edgeist_-_geist/
– Ayankoko: https://archive.org/details/ayankokosaruneii/
– Luciftias: https://archive.org/details/eg0_256
– xkvzxrv: https://archive.org/details/lf193mp3
– V L A D: https://archive.org/details/vlad-mummies
– Unkraut: https://archive.org/details/Wuerfel36-Unkraut-Bluete_Imago
– Krovo: https://archive.org/details/Permanently
– frantumHead: https://archive.org/details/TPZ29/
Phil philosophized – Philistines felt philanderous, filling fissures faithlessly. Phil’s phobia? Figurative phage-fighting phantoms photosynthesizing phonically. Phil fought fiercely, finding fiery physique faulty.
Fickly filtered fictionalization? Phil fidgeted, physically phasing, following fitness, feeling further, fuming, forever filibustering, finally freed.
Featuring fills.
Matthias Boss – violin
Marcello Magliocchi – drums, traps, perc.
Recorded on October 3th – 2022, at Marcello’s house in Monopoli/IT
@All music by Boss-Magliocchi
A stately march for a head of state – though where they are heading is up for debate. Regardless of birth, we are all something great. Royals proceed, and one day abrogate.
Featuring pipe organ, glockenspiel, orchestral strings and brass, gran cassa drum, timpani, snare, oboe, flute, and piano.
