Listening Rose Bed On The Moon is like watching ghosts of Tuxedomoon waving goodbye to Genesis Breyer P-Orridge… in a lofi parralel universe.
Unvolontary full of our influences flavour with our own very improvised recipes,
well, pell out nostalgia skin to reach the delicious acid core.
Ingredients : pink flamingos, white rabbit, blue rosebud, in the mood for love, man on the moon, pink narcissus, trip/reset…
About the rapture of My Wagonnet Eretique Singer this is was not a joke !
But since that time he’s gone. For a better chonologic understanding it’s important to considere that this album is a kind of prequel, it has been done before Cosmic Hobos Cult.
https://archive.org/details/PIRATE_Tapes_Cosmic_Hobos_Cult
More info about PIRATE Tapes http://www.horsnorme.org/PIRATE_Tapes/
Paint by Alain Grille
Video Art Clip here (adults only)
Pink Narcissus Cinemix
https://www.youtube.com/watch?v=CGn8sSjfNXU
Recorded the 9th february 2020 at Cave Haven in Foucherans (france).
Alain Grille Electric Guitar & Prepared Sounds & FX.
https://studio112.bandcamp.com
Krackers Voices
https://soundcloud.com/doktorkrackers
Ed End Kaossilator & Turntable & Clarinet & FX
https://ello.co/ed_end
released November 27, 2020
…………………………
Música y letra: Diego Lorenzini
Arreglos: Diego Lorenzini y Stefano Ortisi
Diego Lorenzini: Voz, guitarra, teclados, batería y percusiones.
Stefano Ortisi: Saxo soprano.
Grabado y mezclado por Diego Lorenzini
Masterizado por Arturo Zegers en Estudio 050
Arte de portada: Diego Lorenzini
…………………………
Music and lyrics: Diego Lorenzini
Musical arrangements: Diego Lorenzini and Stefano Ortisi
Diego Lorenzini: Vocals, guitar, keyboards, drums and percussions.
Stefano Ortisi: Soprano saxophone.
Recorded and mixed by Diego Lorenzini
Mastered by Arturo Zegers in Estudio 050
Cover artwork: Diego Lorenzini
Bedebah atau disingkat BDBH, adalah proyek bebunyian yang dioperasikan oleh Tri Wahyuliyanto. Proyek ini sebenarnya sudah eksis di tahun 2015. Perlu waktu bertahun tahun meyakinkan proyek ini untuk akhirnya berani merilis karyanya.
Konsep awalnya adalah mencoba memadukan teks-teks jawa kuno seperti Jangka Jayabaya, Serat Centhini dengan musik noise. Menurut Tri Wahyulianto, Bedebah terbentuk karena banyaknya anak muda yang apatis dengan literasi Jawa, walaupun sebenarnya adalah otokritik. Padahal, banyak pelajaran yang tersurat maupun tersirat dari literatur-literatur Jawa ini.
Bunyi yang kasar dan cenderung lo fi dikarenakan dalam proses perekaman materi yang dilakukan secara sederhana, yakni dengan menggunakan mini voice recorder, menjadikan proyek ini menarik, karena dalam pengarsipan bunyi bunyian, bisa dilakukan dengan menggunakan peralatan yang terbatas.
Creado durante el periodo revuelta-pandemia, el EP fue producido en un taller de Santiago Centro, lugar en el que se puede percibir el paisaje sonoro compuesto por lo que emerge de las protestas y de la represión, energía que se sostiene dentro de una atmósfera que no logra vivir en silencio. Este EP habla sobre la naturaleza intrincada de los sistemas opresivos, entre el cuerpo, lo sonoro y la subjetividad hiper tecnologizada, sobre los márgenes que se subvierten durante el carnaval-protesta y sobre la estructura precaria y angustiante que soporta esta sociedad, la que se devela en esta época.
TRACKLIST
01 | Manifiesto
02 | Disciplina
03 | Biométrica
04 | Drogadicto, homosexual, traficante (feat. Aji Zú)
05 | Discipline (VGV Remix)
Desde el arte sonoro y la producción lo-fi, Gerardo Cruces aka. Rvsgr ha realizado performance e instalaciones sonoras audioreactivas en galerías de arte y museos, conformando piezas que dialogan con el minimal, drone y ambient, descontextualizando la música electrónica como operación artística. Como Dj, en sus sets se inclina hacia la selección de música electrónica latinoamericana de club, experimental y decolonial, para destacar la importancia de los productores locales como respuesta a la hegemonía europea en ese campo.
Producción y mezcla por Rvsgr
Máster por Imaabs, estudio Modos
Arte de portada por Biophilia Estudio
Diseño de portada por Ian Patrick
Fotografía promocional
Dirección de arte por Gustavo Valdés
Fotografía por Jonathan Lazo
escucha/ descarga/ colabora
Bandcamp | https://archivoveintidos.bandcamp.com/
Instagram | https://www.instagram.com/archivo_veintidos/
The Necrophile Hummingbird presents : a dream.
This album is such a joy because there has been no sampling album release on the netlabel since Size to Seizure 3 years ago. Mostly because the analogic side is growing out of control… and perhaps because turntablism is more fitting to that. Beyond the necessary struggle to an equal access to sample for everyone doing free music releases and not only the artists signed with major record companies, coming first is the right to use anything released in the public sphere as a right to answer with plunderphonics. The sampling art is more related to cut-up techniques and philosophy. It’s a way to re-interprete one’s reality. The same way that dreams are remixes of our waking lives. Perhaps this Snapping Back In is more a kind of art therapy to exorcise a nightmare. Whatever…
Here is Konejo presentation :
Recorded at home between June 11th and August 17th, 2020. About 150 sample sources were used in the making on this album (most of them from beloved movies from the 60s/70s), plus some cheap online apps and a Maschine MK2 for live beats and basslines. I hope you’ll find your own meaning in this deeply personal and haunted copied/pasted storytelling so it’ll have been worth the stealing.
Same as every previous release, this was already kind of a tribute to Ennio Morricone before the Maestro passed away. “Snapping Back In” is dedicated to him, like most music from the 21th century should be. RIP.
Artwork by B-Maltais & Konejo (first EP together coming soon).
Kindly and brilliantly mastered by Anatoly ‘Tokee’ Grinberg
Thanks to La Loupe Satanique for unknowingly helping me get my hand on most of the sampled sources.
17 November 2020
3 way split dari 3 Proyek berbahaya. Coffee Faith, Jeritan dan Kuntari.
Masing masing berkontribusi dengan 1 track.
Diawali dengan konsistensi Coffee Faith dengan melankolia ambient dari track berjudul Ngenteni Pati yang direkam saat melakukan tour di Kuala Lumpur Malaysia. Kemudian setelah track ini berakhir tiba tiba gendang telinga digempur dengan dentuman harsh noise dari Jeritan yang menyemburkan track berjudul Inferiority dengan menggebu gebu. Ditutup oleh Kuntari dengan track beraroma horor nan glitchy, Neglected menjadi penutup yang mistis, dan seperti akhir film film horor, ada ending yang menggantung.
Split yang menarik untuk disimak.
Happy Birthday Rio Nurcholis of Coffee Faith
The necrophile hummingbird present the allowed fruit of a process called rADio eNd.
About the surface of the album :
A rather surprising album that begins with a spoken word cut-up on a fat downtempo beat cut with an ax. Did I say Industrial Triphop ? It’s probably unvoluntary but we can feel influences like Lydia Lunch, Annie Anxiety, Jarboe and The Lemon Kittens amongst many other. But then the music branches off into unknown territory with well-lit french lyrics and music that looks like nothing known. It’s … foreign music. Did I say Outsider music ? You may agree with me that a passport for somewhere outside is pretty welcome when you’re confined.
About the depths of this album :
If you’ve got a fruit in your hand, shall you bite it to taste it ?
The only certainty is that you’d better not forget to sow the seeds.
Did I say Do-It-YoursElf Spirituality ?
Featuring :
Antonella EYE Porcelluzzi on tracks 1 to 8 &13
http://antonellaeyeaynilporcelluzzi.bandcamp.com
Innocent but Guilty on tracks 7/8/9/13
http://apocalypsesounds.bandcamp.com
Studio 112 on tracks 6/7/10/11/12
http://studio112.bandcamp.com
Ed End
http://ello.co/ed_end
More informations about rADio eNd on the official page
http://horsnorme.org/rADio_eNd/rADio_eNd_english.html
The last step of the collaboration between Antonella & Innocent but Guilty is here http://antonellaeyeaynilporcelluzzi.bandcamp.com/album/path-5-love
The previous steps of the collaboration between Ed End & Studio 112 (Alain Grille) are on several other projects you may enjoy digg
TKno BeurK http://archive.org/details/Coronavirus_World_Tour_TKno_BeurK
PIRATE Tapes http://www.horsnorme.org/PIRATE_Tapes/
Multiple Personality 3 http://www.horsnorme.org/Multiple_Personality_3/
electronic atmospheres & beats
A bomb, an animal. Wings in inappropriate places,
lungs like islands. Luminescent iris of the sea.
Magnitudes sonoras de diversa índole trazan líneas de dirección a través de un territorio aural que cruza el tiempo. Me he tomado la libertad de dibujar líneas de fuerza y velocidad en el espacio de este mix, recorriendo a placer diversas estéticas que forman parte del acervo de Pueblo Nuevo. Gracias a l@s artistas por sus trabajos. ¡Felicidades Pueblo Nuevo, que sean muchos años más!
Various sorts of sound magnitudes trace lines of direction through an aural territory that crosses time. I have taken the liberty of drawing lines of force and speed within the space of this mix, going at will through various aesthetics that are part of Pueblo Nuevo collection. Thanks to the artists for their work. Congratulations Pueblo Nuevo, may it be many more years!
Alejandro Albornoz
(Valdivia, Chile. Noviembre / November 2020)
in memory of Toshinori Kondo and Simeon
credits
released November 5, 2020
{AN} EeL – panpanpanaviandistresscall.bandcamp.com
datewithdeath – datewithdeath.tumblr.com
Der Domestizierte Mensch – marvinsaudioprodukte.bandcamp.com
Derek Piotr – derekpiotr.com
Grove of Whispers – groveofwhispers.bandcamp.com
Ibiza Shock Troops
Lärmschutz – larmschutz.bandcamp.com
mhzesent
Odra – soundcloud.com/od-ra
PPFPESSco
rain symbols
Raymond Cummings – raymondcummings.bandcamp.com
Sean Derrick Cooper Marquardt – stadtsprachen.de/en/author/sean-derrick-cooper-marquardt/
Teen Smoking – teensmoking.bandcamp.com
Terbeschikkingstelling – sturmunddrang.bandcamp.com
Toxic Chicken – toxicchicken.bandcamp.com
compiled and mastered by Travis D. Johnson
cover art by Carl Kruger: www.instagram.com/ephemeralwetware/
ESTRIDULACIONES
Grabaciones en colaboración hechas a distancia entre agosto y noviembre del 2020.
Emiliano kaos (Argentina): Doble bass.
emilianokaos.bandcamp.com
José Mal (Peru): Micrófono activo, efectos, grabaciones de campo.
soundcloud.com/fiorella16
Mezcla por José María Málaga.
Arte original de tapa: Asuna Yamauchi (Japon).
Adaptación de diseño de portada por: Carla Vittoria (Chile).
Alpha Centauri es Cristian Leonardo Abaca.
Batería en “Requiem”, “Perpetua Majestad” y “Post Mortem”
Percusión en “Requiem” y “Perpetua Majestad”.
Voz en “Perpetua Majestad” y “Solitude”.
Piano en “Gymnopédie Número 2”.
Flauta traversa en “Solitude”.
Músicos invitados:
Federico Favrot: bajo en “Requiem”.
Ernesto Romeo: sintetizados, teclados y mellotron en “Requiem”.
Martin Piccioni: bajo en “Perpetua Majestad” y “Solitude”.
Gaspar Fernández: guitarra en “Solitude”.
Martín Arias: guitarra y efectos de guitarra en “Perpetua Majestad” y “Post Mortem”.
Manuel Schillagi: bajo en “Post Mortem”.
Letra de “Perpetua Majestad” Cristian Leonardo Abaca.
Eduardo Vignoli: ingeniero de grabación, mezcla y masterizado.
Equalizado por Eduardo Vignoli y Cristian Leonardo Abaca.
Grabado en Estudio Ludico, Estudio laboratorio La sista del fauno y otros estudios de Rosario y de Buenos Aires
Editado por Planeta X Discos (P) 2020
Los covers son “Solitude” de Black Sabbath y “Gymnopédie Número 2” de Erik Satie.
On a Winter Day, first released for streaming and download in digital stores, is gifted by Gaetano Fontanazza to the beloved Sucumusic so that also the Creative Commons community could enjoy this album of ambient music.
On a Winter Day is a state of mind, where everything may seem frozen to the eyes but not to the soul.
It is that right time to slow down and let the nature and the heart speak.
It is a deep journey where every emotion is dilated.
