Nuovo capitolo EPHEDROSO per il Laboratorio, per questi OTTOANNI passati sotto i ponti partecipano personaggi già visti e non…. che continuano a tracciare tracce per il LABORATORIO.
Affezionati che confermano la loro vista utopistica ed il loro pensiero sognante di un nonluogo, dove tutti producono, dove tutti ascoltano e soprattutto dove tutti condividono beandosi dei numeri e del piacersi sbrodolandosi addosso ad ogni costo.
Spero la storia vada avanti per millenni, anzi per MINUTI e secondi…..in pratica quelli che darete al vostro cervello per spingere PLAY e buttarvi in queste 12 TRACCE.
Nel VOLUME UNO ascolterete molto TRIPHOPaBstraCTbeATSFUTUREsoundIntimiSTa!!
The Two Thousand Eighties is a collection of song created between 2016 and 2018 by Demonic Sweaters. They range from ambient, chiptunes, experimental, rock, pop, and features live drums on several tracks, and plenty of synths.
Melinda & Maciek is a project started in February 2018 thanks to an accidental Instagram connection between 2 musicians. Melinda Ligeti is a composer/singer/multiinstrumentalist/arranger/producer from Serbia, living in Italy, while Maciek Cieslak is a drummer from Poland, living in France. It all started with Melinda’s old wish to write music based on a bare drum track. Maciek happened to have some ready, recorded drumparts that he sent to her, and she used them to build music upon it, using piano, synth and bass. It was an experimental approach to composition Melinda always wanted to try, and it finally happened. The result is 4 songs, mixing jazz, prog, fusion, chillout, contemporary… imagined as a mini album, giving the taste of what this project might become if developed further. 3 of them are instrumental, and one is also involving Maciek’s vocals that got caught on microphones while recording the drumpart, a selfironic song that makes fun of the hardship of singing and playing at the same time, in his native Polish language. Jazz Frit is a symbolic title for this album, for the fact that musicians involved are living in (Fr)ance and (It)aly, but also, and so much more, for the meaning of frit word, which by Oxford dictionary definition is the mixture of silica and fluxes which is fused at high temperature to make glass, plus – according to urban dictionary means intoxicating/exciting, as well as ligthly fried.
Santi’s original “Music, the Only Way” tells a playfully dystopian story: “In a not so far away retro-future, a group of self-aware, compassionate robots have taken upon themselves the task of resolving humanity’s oldest paradox: its tendency for endless destruction and chaos despite its longing for boundless creativity and joy.
After a thorough examination of humanity’s greatest attempts and defeats, they have come to a consensus. All other previous paradigms and executions have failed. Music is the only way to save the humans”.
In this special compilation which marks the 50th release of Tropical Twista Records, five stunningly diverse producers come on board and recreate their unique renditions of Santi’s dark yet light-hearted space odyssey.
Acknowledgments: Santi extends his special thanks to Ivan Palmegiani for his tasteful curation of this compilation.
MalLabel Music is elated to be welcoming back one of our favourite high end, intelligent producers Aversive with another beautiful expedition of trip hop glory.
Long creating magic in her studio in the misty mountains of British Columbia, a lack of distraction clearly plays to her benefit as she has churned out 12 releases over 3 years, with The Neptune Project being one of the most refined and cerebral productions yet. The decision to pair with another Canadian gem Bvitae has elevated Aversive’s sound to a new range of symphonic mastery.
‘The Neptune Project’ is in essence, a breath of absolute fresh air. Orchestral horns, chilled out snares and soothing, feminine vocals weave through a sultry and mature lounge of modern kaleidoscopic jazz. The EP is decidedly smooth and extremely well produced, a meeting of time and place. How can a sound establish itself at once at the absolute forefront of the west coast’s future scene and in smokey east coast venues of 1990’s Massive Attack mayhem? Aversive and Bvitae have managed to break through to quantum experimental levels that feel familiar and yet so incredibly new.
Goodbye bro-step, later big-room bass; there’s a new movement of gentle, refined electronica arriving and Aversive and Bvitae are sensuously leading the revolution.
A dense darkness lifts your soul to sink into a velvety oblivion. Perhaps a little exaggerated, but in a way it could approach the definition that Steel Drama would give to their own productions. With this first EP entitled as themselves, Steel Drama are presented with four tracks of dark, epic and cinematic electronic music. Relax, turn off the light, turn up the volume and let yourself go.
A la mémoire de Ana Prr Prr Perdoba
released October 3, 2018Jean Rembarde : Vocals, Lyrics, FL Studio,Composition and Programming,
Claude Biscuit : Vocals, Lyrics, Philosophy, Artwork and respect
Ingénieur du Son : Jean Capdevieille
Mixage : Jean Rembarde, except “Justificatif” (no mixage)
Enregistré à New York, USA
DX11 sur Systems Of Love – Jean Rembarde
Enfermé Dans Le Gard – 2013
Systems Of Love – 2012
Des Devoirs Et Des Droits – 2015
On Est Chez Nous – 2011/2018
Jupiter vs DX7 – 2018
RMI Sans Famille – 2018
La Pena – 2010
Tete Dans Le Cul – 2012/2018
Cherchez La Couleur – 1998/2015
“Cherchez La Couleur” contains un sample of “Cherchez La Lumière” by Solar Quest. Le morceau est une réadaptation à la nouvelle sauce Rocky d’un vieux morceau de Rocky Controlo à l’époque de ses premiers essais (1998). Le Morceau s’appellait “Tiger’s Eye”. Réalisé avec Lucy Pons. Il y avait des dessins de pochettes provisoire à ce sujet, il reste encore à les retrouver.
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