Complexity is the seed of all beauty. Sweet, sacred complexity.
Structure upon structure; forming, spreading, disassembling.
Complexity is the mother of all life. Loving, nourishing complexity.
Networks of networks; winding, braiding, intertwining.
Complexity is the key to simplicity. Eternal, primordial complexity.
Numbers encode numbers; transforming, convolving, multiplexing.
Complexity is the essence in experience. Stretchy, squelchy complexity.
Sounds inside sounds; melting, crumbling, coalescing.
Inhale Ashes is a young producer who loves folley sounds and effects. His sound has been influenced by glitchy triphop, electroswing and the like. In his tunes, carefully engineered and complex microstructures are used to assemble pulsating and groovy rhythms. The result is surprisingly direct and intense.
The pre-classical Greeks believed in the ability of men to become bears. One of the most commonly told stories is that of Callisto, who bore a child of Zeus – Arcas. Hera became jealous and transformed Callisto into a bear as punishment. Arcas, out hunting, came upon his mother and shot at her. Zeus, taking pity on the mother and son, changed them into Ursa Major and Ursa Minor, the two great bear constellations. From this one myth comes a whole score of others. For instance, the name Arcas comes from the Greek word for bear – Arctos. By extension, the “Arkades” of Arcadia are supposedly descended from Arcas. Their name means bear-people.
released 04 October 2014
whether working solo or with other collaborators, weldroid shows his mastery of sound design and composition, skillfully blending glassy, swirling pads and scattershot effects. noiseblips and distorted squarewaves recall the golden age of 8-bit gaming, mixed with signature bitcrushed percussion. often enough, these jagged sounds are layered with smooth, gentle atmospheric chords and hauntingly beautiful piano passages. somehow weldroid makes it all work: the fusion of darker, edgy leads, cut-up beats, and steady, slow arpeggios, blurred into crystalline infinity.
the newest weldroid record is a studied contrast between frenetic, aggressive textures and restrained, mellow interludes. the feverish energy from earlier releases is still present, but is now redirected into tightly focused bursts of glitch transmissions with a measured, melodic, thoughtful cadence.
Sheep floating in the Dead Sea.
Roborods around ashore.
Life hovering unseen.
Eyal Greengrass’ fulminant debut of amazing melodic electronics sends lovely harmonics and playful seriousness from Israels shores to the interested world. Crispy elements meet beautiful leads. Slower paced tracks go hand in hand with some upbeat tracks.
Formato: Lp digital
País / Ciudad: España / Barcelona
Fecha Publicación: Abril 2014
Estilo: Techno, Dark Techno
1. Cosmic Dreams
3. M88 Entrance
4. The Alien Party
5. Apollo 808
6. Intergalactic holiday
7. Solar Storm
8. Scrap Robot
9. The After
10. M88 Entrance (MegaHast3r Remix)
11. The Alien Party (Ángel García Remix)
12. Solar Storm (Periodo Particular Remix)
13. Scarp Robot (No Human Remix)
Aquí tenemos nuestro primer LP, Langax se ha volcado con el netlabel y cede todo su material más reciente. Al escuchar la calidad de los canciones, no ha habido otro remedio que empaquetarlo conjuntamente. Nueve canciones dignas de los más ilustres exploradores de los confines del universo. Pura tensión Langax, oscuridad con toques dub y techno.
Soisloscerdos añade cuatro remixes de nuestros amigos MegaHast3r, Ángel García, No Human y Periodo Particular.
Gracias a todos!!!!!
Insula in albis
circumdederunt per glaciem maris,
infesta, in fine mundi.
Terra Australis, Terra Incognita.
Ventus magis placent.
Orate mare ut revertar in patriam.
(Island of while
surrounded by sea ice.
Hostile, at the end of the world.
Southern earth, unknown land.
Wind in favor.
We pray to the sea to return us home).
With these words pronounced in Latin(1) by our friend and colleague Frank Benkho “Insula in Remix” begins, a collection of remixes and versions of the pieces that gave form to our disc “Insula in albis” (Pueblo Nuevo/Eolo, 2013). In a way, it is the final link of a work that started nearly two years ago, when we traveled with the support of the Chilean Antarctic Institute (INACH) to a secluded place located on the borders of civilization: King George Island (South Shetlands, Antarctica). There we collected images and sounds, both natural and human in origin, in an environment in which the majestic landscapes contrast with the technology used to resist the onslaught of the elements. We met people of different nations and cultures, sharing together in this environment of water, stone, ice, and rusted metal.
We presented “Insula in albis” in the Teatro Municipal “José Bohr” in Punta Arenas in the Celebration of 50 years of the Chilean Antarctic Institute. At the beginning of 2014 we managed to return to King George Island and we presented the work before the personnel of the “Eduardo Frei” base, in what was our second recital in Antarctica. After having shown it in Buenos Aires and Santiago, we decided to invite other musicians to reinterpret our discoveries, to make them their own and give them new forms in their own style. We appreciate the time and effort each one invested in realizing their contributions. We hope that we manage to transmit once again to all those who follow our trajectory the excitement we feel when we put our feet on this island, where people live together in a way that the rest of the world should imitate. “Insula in Remix” is available here, to help you set forth on a sonic flight towards the Continent of Light.
(1) All Latin provided to us by online translation applications.
(Punta Arenas, Magallanes, Chile, September 2014)
Stirring up the water glass of frozen habits,
enigmatic butterflies in billowing loops,
pressing the buttons of surprise.
Very colorful and with fast pace tunes Drehton is back with his close to latest and some reworked tracks in hi tempo electronica synth beat adventure, in the format of a full length melodic n flowing album. Plus for you.
Alexei Mikryukov aka King Imagine was born in 1972. His first song was sung and recorded at the age of 4. He began his career in music as a gutarist in the punk collective Zooy E Orchestar in 1989. In the same period some of the first bootleg recordings were made, all of them now lost. In the summer of 1993 he meets Eugene Alexandrov, with whom organizes The Schizotronics..and records solo. In 1996 together with the Kiev poet Danylo Kubai,he founds the noise industrial group Ilam, Inc. (or, rather a noise orchestra with 13 musicians, which gave an incredibly insane concert in the Kiev Actors House of Culture) and also the project Rooteniya Pe Since 1998 cooperates as sound engineer with the first Ukrainian reggae/dub group Rootmans Band, Karina Kuznetsova (with whom he works to this day) and the bass guitarist Kirill Machinski aka Roots Controlla, with whom he founds the digital roots dub project Dub Compressors.
In 1999 together with the composer Alexander Kohanovski aka Pankifared he starts the studio project Superapes, recording 2 albums, making experiments with electronic and ambient music, as well as composing music for escalators, elevators and corridors. Since 2004 actively cooperates with Foa Hoka as sound producer, remixer and contributor of music. Since 2005 releases his output on the d.i.y. CD-R label SKP Records (Kiev). Since 2006 actively cooperates w/International movement Ukr.tele.kom — as remixer, co-author and remastering engineer.
Art Electronix are back with their stripped-down, back-to-basics form of electronic music, and they show again their mastery at creating post-fallout atmospheres using the minimum instrumentation, without getting lost in uslesess padding out and embellishments of any sorts. Raw (nuclear) energy and creativity at (radioactive) work here, in the eight tracks which make up this twenty-nine minutes’ trip to Mental Damage.
Number three of the finals sees the release debut of ‘Manchester’s Top Geeza’ HODSON, of ex-Skin Walker fame, flexing his musical muscles under the weight of this titanic mixture of spoken word, dnb, glitch and trip hop.
Dispelling specific genre focus in favour of atmospheric and tonal meanderings, HODSON’s five track effort covers aeons of ground, self-regarded in genre terms by HODSON himself as one only named ‘Particular’. Using chiptune as just one of several instruments, only adding further colour to the rich patchwork of influences on show, HODSON also adds sampled vocals and his own spoken word to weigh down tracks with an emotional vibrancy not seen often within the scene. From the delicate duality of guitar tones and big beat-esque drums in ‘Pink & Blue’, to the thick, suffocated dnb in ‘Somewhere Down In The West’ or the throbbing almost acidic bass in ‘Out To Pasture’, Colours That Glow In The Dark is as surprising as it is diverse, and another welcome addition to the TWG roster that we are estatic to be bringing to you.
«Снопы параной» – совместная работа «три на три». Три человека из трёх городов. Каждый принес с собой своё мироощущение, переживания, взгляды на жизнь и окружающую действительность. Астрахань, Москва и Чита. В обычной жизни, «по эту сторону реки, там, где боятся прыгнуть в прорубь или колодец», вряд ли что-то может так плотно связать эти города. Но в мире творческих экспериментов расстояния и различия в этногеографическом факторе сыграли на руку создателям альбома. Плотно нашпигованная музыкой, песнями и стихами, эта работа стала итогом годичного обдумывания, примерки и избавления от мундиров, снятия и обрастания чешуей.
We found glitch ambient Norwegian project Seazo by hearing his work on a demo by Cocoon. Loved the track, got in touch, and he was happy to send us this amazing new album titled “A Tribute To Cosmos” for release through Enough Records. Cover artwork is courtesy of Andreas S.
After the huge success of their first release “Dub ina Midlands” (awarded 4 stars by CCTRAX and included in dub.com’s Dubcast series) and their guest appearence on the EP of Red Star Martys “Time for Tea”, Koncrete Roots is back with more vibes.
Celebrating the first birthday of our netlabel, we are giving to everybody the free EP “Rudie Dubplates” with 5 tracks of wall-shaking basslines, irie sax and warrior style beats. This is our way to say “thank you for your massive support during this 1st year of our existence”. Ruff and tuff!
The EP includes five unreleased Koncrete Roots dubplates, which will definitely bring you to higher heights and have your room walls pounding with sub-bass and vibes. Nuff respect to the Rootsman for the irie sax on “Sax di fisherman”. Giving thanks each and every time!
Gate One is the first musical offering by Francesco Palermo, aka TNKS, and everybody here at Sucu Music is very proud of and happy for releasing such a beautiful work as this.
The nightly, highly metropolitan, electronic nature of this music meets the manipulations and visions by Purple Mountain Peal’s Gaetano Fontanazza and Tony Colina, whose intervention gives the music further colours and depth.
This is the debut release of Möbius’s and Darsho’s collaboration project “M & D” featuring tracks, which where recorded betwen 2010 and 2013. This album is called “Night Sessions”, because all tracks were created during night time.
Released at the french netlabel Sirona records on 14-07-07.
01 – Good Friday
02 – Assault On Sequencer 13
03 – Dark Maelstrom
04 – It’s The Drug Talking
05 – Space Flash
06 – Neural Handshake
07 – A Chimney In Chemnitz
08 – Behind The Mirror
Sküge realized an old dream: to propose to his fellow musicians and artists he appreciates the work to remix a song from his album “Prospect Gambler” released late 2012 on the Belgian label Errance Records.
He therefore proposed a dozen people to tweak his tracks and 6 artists answer “present”: Baby Kruger, PierrotheMoon, Mesak, Awesomer, Digi G’Alessio & Ucture.
Consciousness creates patterns from chaos. She orders the reality to live. My algorithms extract information from the noise of the radio and transform, create patterns, melodies, colorful figures… I model these structures by altering the code (livecoding), improvising a physical journey to consciousness.
Its been a while since the last release, and this release is something a bit special. Opaeq featured as a guess artist in the previous release on Kahvi Collective, but now here he is again with an entire EP of new work.
A few of you may recognise Opaeq’s alter ego – none other than Abyssal Plains. The same style and quality is there, but slightly less epic and more minimalistic.
Nice vibes and sentimental resonances abound in the six tracks of audio pleasure in ‘Fey’. Track of choice would be Sun Dial for this fan.
If Kai Engel’s third album showed his abilities as a composer of cinematic soundtracks for historical films, then his new work gets us back to the neoclassical tone of sound, only with far greater versatility and skill. Once again you’ll hear lyrical melodies born in joys and sadnessess of love, inspired by a melancholy in the night, a light sorrow and urban romantics.
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