Collection of calm electronica. Synthetic sounds are mixed with natural piano, self-made flute and field-recordings to keep harmony and add futuristic flavour. Final track is dedicated to Gennadiy Podvoiskiy.
The latest addition to xenonyms’ catalogue is the debut release from L3T3 a 23 year old producer from the city of Cracow, where he lives and creates. CARE EP is an exciting piece of contemporary music influenced by various genres such as witch house, coldwave and experimental music.
L3T3 carefully selects his sounds on this EP in an attempt to render the processes that take place in his body, mind & soul. His music also offers a personal take on the concepts of post-humanity, the expanding of sensual experiences and a new era of hi-tech.
L3T3 is also a member of the OVER SEERS collective.
vulnerabilis (remixes) is a remix album by closeyoureyes. The album includes remixes from artists from all over the world in different genres from ambient and noisy soundscapes to more classical pieces with violins and pianos. The album keeps the melancholy mood that was declared on “vulnerabilis”, but reveals new potential of original tracks.
Faex Optim is back with another Netlabel Day EP. The master the abandoned places meets inspiring and nostalgic riffs and melodies (akin to Boards of Canada and the like) arrives with a four track EP entitled ‘As the Summer Die’.
Sentimental melodies, off key leads and glorious hip hop beats kick into live epic greats such as ‘Major Calendar’.
Slovak producer MacroNoise presents his seemingly chaotic EP balancing on the edge of downtempo, ambient and IDM that will take you far away from the Earth and back. What you are about to experience is the Continuum.
Wolf Wrams constantly explores human psyche, the emotion that arises from it and influences it making further steps towards heights and after that falling down into the abyss. Birth, life and death, and then another birth are the results of it. That is expected from Entropy, perhaps all Wolf’s songs are entropic.
“Artificial Thoughts” is the first Zzy‘s album. The story of this album is about two different realities: the humanity and the machine revolution. In other words, this work criticizes “the modern society” and their addictions. Do humans control the machine or does the machine control humans?
The technological revolution an its progress seems to us unbreakable and doesn’t show signs of ending.
Will we all be dominated by the machine? Is this our end?
“Artificial Thoughts” is struggling with those questions that have no concrete answer. However, the future looks dangerous and THE HUMANITY has to make decisions to survive in this game, against the endless evolution of the machine.
Noisefever is known for his cheerful, dance verging on 70s disco beats from his previous releases and Love EP is no different.
Classic beats mix with hammering basslines (and a spattering of chip sound effects) and cheerful melodies in this perfect four tracker to compliment the summer. Time to knock back those glasses of Pimms and enjoy the beats in the summer sun!
ARTIST: Awake In The Dew
RELEASE TITLE: Sounds To Ascension
CAT Nº: TRANZ068
RELEASE DATE: June 01, 2018
FORMAT: Mp3 / 320kbps / 44.100 MHZ
SUB-GENRE: IDM, Glitch, Experimental, Downtempo, Balearic, Chillout
TOTAL TIME: 36:32
SIZE: 109 MB
01. FRACTAL (4:52)
02. WAVES OF COSMIC FIRE (4:55)
03. THE LIGHT HOPE (6:15)
04. INFINITE WAYS TO FLY (3:56)
05. BURNING THE VIOLET FLAME (5:42)
06. LIGHT IN THE SHADOWS (5:28)
07. CHILDREN OF THE SUN (5:24)
‘Sounds to Ascension’ é um EP do projeto de música eletrônica e experimental Awake In The Dew que tem por base o álbum ‘Last Sounds to Ascension’, lançado digitalmente em novembro de 2015. O EP reúne os principais títulos do disco e traz as faixas na íntegra sem a sonoplastia contida no álbum.
A sonoridade de ‘Sounds to Ascension’ se volta para os gêneros mais experimentais da música eletrônica, como o dark ambient, drone, glitch e idm, que formam as influências trabalhadas dentro do projeto e contam com referências a artistas atuais como Access To Arasaka, Hecq e The Flashbulb, além de grupos clássicos como Autechre e The Future Sound of London.
Awake In The Dew foi criado em meados da década de 2000 na cidade de Maceió pelo produtor alagoano Diego Henrique. O projeto teve sua primeira fase entre os anos de 2007 e 2011, com uma sonoridade mais noise com bases em gravações lo-fi e conotações post-rock e psicodélicas. A segunda fase se iniciou em 2012 e já conta com quase uma dúzia de discos lançados, mais voltados para música eletrônica experimental.
O produtor Diego tem 31 anos de idade, cresceu ouvindo dance music e outros gêneros da eletrônica, até se interessar por sonoridades experimentais no final da adolescência. Autodidata, começou a se interessar por softwares de produção e edição sonora aos 17 anos de idade, época em que integrou o coletivo de DJs pragatecno em sua cidade, tocando suas próprias produções como DJ.
Atualmente, ele mantém outros projetos além do Awake In The Dew, nos quais ele desenvolve seu estilo particular e característicos em outros segmentos da eletrônica, seja voltado para pistas, seja misturado com elementos do rock, como pode ser conferido nos trabalhos do Airplanemusic, Hightech Factor e Plumarino.
Turning Torso is an experimental producer from Mexico City who introduces a new rhythmic embodiment for the dancefloor of the future in his upcoming EP for xenonyms entitled “Never-ending Prototype”.
The 5-track release explores different hybrid atmospheric poles ruled by a palette of sequenced electrified textures and colliding pads that swarm with panned distortion. While some imaginary soundscapes might resemble freeform jazz with machines, the polyrhythmic structure of this techno-induced hypnotism provoke a corporal response suitable for club explorations.
A consistent feeling of ascension remains in the digital feedback and resonating shocks of subsonic frequencies without losing the oneiric and introspective qualities of Turning Torso’s singular approach to slow change & iterative music.
>From headphones to powerful sound systems, the active listening of this creative output reveal unexpected and transformative sound experiences of hedonism and liberation.
This EP marks a departure from the “usual” bolus sound of cavernous soundscapes and atmospheres to a more rhythmic structure, incorporating elements of the former. This style harks back to the previously released “beacon” EP – electronic percussion and granular synthesis – this direction was in the artist’s mind for a while. Playing with virtual modular synthesis of late (Solorack by Solostuff, VCV rack) and these patches have formed the backbone upon which the tracks of “confirm humanity” were created.
For its 36 release, Da Heard It Records floats into the parallel worlds of Bill Vortex.
This album is indeed all about parallels, as it multiplies references to more than thirty years of synthetic and dancing music. In this Vortex Des Réformés (“vortex of the reformed”) are fit together with precision pieces of various geometric shapes, reminiscent of the cassette’s illustration as imagined by Vomplie.
Unlike many albums, the tracks here are not thought of as part of a uniform whole, but rather as a well-constructed journey across eras and styles. Acid house, original electro, African influences, northern skweee, tortured breakbeats, and ambient interludes alternate back and forth between respite and high BPM.
As surprising as it may seem, these contrasted aural territories never give off the impression to have been put together as a compilation. On the contrary, they form together a work that takes the shape of an homage to the musicians who accompanied the sonorous everyday life of Patrice Curtillat throughout all these years.
The result is a musical portrait of which each line resonates like a thoroughly studied influence, and that condenses all of the know-how of its author onto a single magnetic tape. Curious music lovers will certainly take pleasure in unwinding it to retrace in their own way this precious history…
Oakland based producer Angel Rubio-Hale aka ONHELL returns with his latest effort Linden. Composed over the course of the past two years, these four tracks capture the essence of his experiences living and making music in Oakland.
The unifying theme on the release is about enjoying life and each track is ultimately inspired by making the most of being alive by exploring the different facets of our existence. A prime example is the track “HIV+” created while contemplating his mortality upon receiving a false positive result from an HIV test. Linden successfully conjoins where ONHELL has been musically while also providing a glimpse of where he’s going. It’s this merging of his past with his future right here in the present that makes listening to this EP so exhilarating.
Powels Lumski‘s first EP “See_Shades” has the DNA of the classic ambient to down-tempo vibe. The four tracks slowly rolls the waves loaded with bass frequencies, glitches and artifacts to create some gritty mysterious reliefs to the journey.
Composition, Mixing & Artwork by Powels Lumski
Mastering by Andrew Course
A seven track ambient album from K.Markov showcasing a selection from three of his existing albums – Organic, After the storm and Species, which you can find on his bandcamp page.
Following on from his first release on Kahvi under the name Phrulex (which was a single several years ago), and part one of the excerpts, K.Markov gives more of the detailed, progressive ambient work that appeared in part one.
Gently floating atmospheres, mixed with sweeping arpeggios and melodical interludes to keep you listening closely.
The first release in 2018 came from Denmark. Jonas Reif provided us
three track EP. Svimmel (means dizzy): “I wanted this track to express shifting emotions, I also wanted to blend different signature elements of genres
such as acid, DnB, Breakbeat”. Faser (means phases): A movement through different states of mind. Flerform (means multiple forms): “I was inspired by 80’s aesthetics and
old skool funk, which I wanted to put in the context of acid/IDM”.
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