303 – Realtime Experiments (2018)

[JAM005]

303

“Realtime Experiments (2018)”

There are occasions when we are jamming together without presetting any genre or style. In real time we choose the wave synthesizer, samples or connected microphones. On the fly we modify the source sound adding equalization, effects chains and compression keeping in mind the arrangement of a noisy musical flow and interacting with each other. We record the master mix and then cut the best parts out of many hours of raw jams, sort them and cut out odd sounds, re-compose track, equalize, normalize and finally publish an album. Proud to share with you selected experimental electronics of 2k15-18 period by 303 / “Trio Three”.
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NODOLBY – live in Augsburg

[ACP 1164]

NODOLBY

“live in Augsburg”

live @ villa, Augsburg, 29.06.18
recording, mastering, photography and design by EMERGENodolby is the stage name of Michele Scariot (b. 1974), sound enthusiast and noise performer from Italy.
Before Nodolby Scariot was known as the founding member of experimental electronic duo ENT (1999-2008).
Since 2007 Nodolby has made several releases on international labels from USA, Japan, Australia, Europe and Italy.
Nodolby’s live-sets constantly shift between the rhapsodic and the minimal, organized and destabilized sound flow. The sound sources are old, broken and bented devices – the aim of the process being the search for musicality in the most abstract sounds and explore limits and opportunities of control and interplay between the performer and such equipment. Over these years Scariot had the chance to play gigs across Europe and Japan, as well as the opportunity to play live improvisation with Fukte (I), NRYY (JP), Claus Poulsen (DK) and Yoshihide Otomo (JP).
In 2018 nodolby release his first sound design piece for the animation “Aperture” of visual artist Emanuele kabu.
In 2007 he founded the independent label DOKURO, releasing cassettes, CD-Rs, CDs and vinyls of experimental music by Howard Stelzer, K2, Mike Shiflet, Antony Milton, Magneticring, To Live and Shave in L.A., J. Soliday, Pax Titania, Fumio Kosakai, AMK, and many more.
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EXEDO – 290618

[1020]

EXEDO

“290618”

audience: voice
EXEDO: live processingattenuation effect ° 1020 ° 2018
live @ villa, Augsburg, 29.06.18
recording, mastering, photography and design by EMERGE
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daniel barbiero, ken moore, dave vosh – transparent points on four axes

[pyr260]

daniel barbiero, ken moore, dave vosh

“transparent points on four axes”

transparent points on four axes is a layered, electroacoustic studio collaboration. each track began with a ground layer of a composed or improvised performance on double bass or synthesizer, in tandem with a directed, auto generated soundscape produced by an analogue modular synthesizer. the tracks were finished with a further layering of synthesizer, electronics and percussion.

daniel barbiero: double bass (2, 5, 6, 7 & 8); sylosynth app (1 & 3); microbrute synthesizer (4).
ken moore: crackle box (2); minimoog (8); emax sampler (1, 5, 6) ; tam tams (3, 4, 7); steel pan drum (8); glockenspiel (8); bells, bowls and other percussion (all tracks).
dave vosh: analogue modular synthesizer (all tracks).

recorded january & february 2018 in silver spring md, upper marlboro md, and cuyahoga falls, oh.

assembled in cuyahoga falls, oh, february 2018, at anvil creations studio.
cover photography courtesy of hollishots by mark hollis, baltimore, maryland.

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Half Evidence – Épiphytes

[Eg0_188]

Half Evidence

“Épiphytes”

Half Evidence (a french free improvisation duo formed in 2012 by Charles premier & Kecap Tuyul) is currently on hiatus since summer 2016 but their story isn’t finished. Some new material will be published in 2019. Before finalizing these projects, the duo has selected four of their favorite tracks that were given to various compilations (namely Necktar 2017 curated by Ed End on his netlabel Le Colibri Nécrophile and Classwar Karaoke). The resulting album Épiphytes brings four insights on the duo’s works and can be a good way to discover their sound universe and its evolution across the years.
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V.A. – Solo Duo Trio #02

[Eg0_187]

V.A.

“Solo Duo Trio #02 : Laurent Di Biase, Sig Valax, ZARAZ WAM ZAGRAM, Camille Émaille, Nina Garcia & Arnaud Rivière (Live at Les Instants Chavirés, 29 may 2018)”

Second edition of the Solo Duo Trio project co-organized by labels Apocope & eg0cide productions. This serie of live concerts follows a simple format: three parts, one solo, one duo, one trio. Artists are invited to present new projects, and to try to new encounters (for one live set or more). All concerts are later published jointly by Apocope & eg0cide. The 2nd event of the serie took place on may 29 at Les Instants Chavirés (Montreuil), one of the most lasting and notable venues devoted to free improvisation and experimental music around Paris.

This show featured 6 french experimental musicians active in the free improvisation and noise scene (more info on the artists below)

Solo : Laurent Di Biase (electronics)
Duo : Sig Valax (analog syntheziser & DIY electronics) & ZARAZ WAM ZAGRAM (electronics)
Trio : Camille Émaille (percussion), Nina Garcia (guitar) & Arnaud Rivière (DIY electronics)

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LIMITED LIABILITY SOUNDS – live in Augsburg

[ACP 1163]

LIMITED LIABILITY SOUNDS

“live in Augsburg”

live @ villa, Augsburg, 02.02.18
photography by Dan Penschuck
recording, mastering and design by EMERGE
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Nin Martoize – Digittoe Air

Nin Martoize

“Digittoe Air”

sopsax, fm synth, drum synth
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Jazzdefector – Improvisations 2014

[SCM-1802]

Jazzdefector

“Improvisations 2014”

Guitar maestro Sebastian Buccheri, with his Jazzdefector project, presents us a sublime series of short improvisations swinging between ambient and jazz.

Released for the Netlabel Day 2018, Improvisations 2014 is an EP that will leave you starving for more as soon as you reach the end of the playlist. It is a journey to the rich artist’s sound palette made of slow harmonic progressions, arpeggios and cosmic reverbered guitar pads.

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lutra – smallhaus

lutra

“smallhaus”

Following on from his slow burning self-released cassette “Unweather”, “lutra” is the first CD release by smallhaus (AKA South London based guitarist, electronicist, percussionist David Little). It expands his singular sound environment into a full-screen, full-colour and hugely enjoyable collection.
At times this almost feels like a tribute to the classic sounds of 70’s ambient – the choral textures, the infinite guitars, the synthesizers, but it’s done with a knowing wink and a contemporary layer of grit and dust. But mostly it’s an enveloping, immersive wash of precision moulded sound.
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Torbill & Joss̩ Р27/02/2018, Le Zorba, Paris

[Eg0_180]

Torbill & Jossé

“27/02/2018, Le Zorba, Paris”

Yesterday was today.
Tomorrow will be today.
The frontier between oustide & inside just gets a bit more blurred.Recorded live at the Zorba, Paris, France, on february 24, 2018.
Mixed by Jossé.
Artwork by Torbill.
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V/A – Live in Norwich

V/A

“Live in Norwich”

This is the live recording of the second edition of the Naviar Haiku Fest, which took place in Norwich (UK) on Friday 25th May at The Birdcage. www.naviarrecords.com/haiku-fest-norwich

The event was curated by Naviar Records and Neil Stringfellow, supported by the Great Britain Sasakawa Foundation and Resonance Extra.

artists:

Audio Obscura (UK) audioobscura.bandcamp.com

Audio Obscura performs Lap-top based electronics for the ears, haunting the wide spectrum’s of electro-acoustic music with a firm footing in the ambient realm. The sound also strays towards the experimental; musique concrète, idm with post-classical minimal leanings occasionally push through.

Ikjoyce (UK) ikjoyce.bandcamp.com

ikjoyce makes electronic ambient and drone music using modular synthesis to explore themes of nature, space, isolation, man/machine interaction, and the borders of the sleep/wake cycle.

Sevenism (UK) sevenism.bandcamp.com

“I’m a self taught musician and sound mangler blurring the boundaries between analog and digital, acoustic and electronic, generative and human. I work in the present moment letting the music flow wherever it wants. My aim is to make music that is strange and experimental yet resonates on a deeper level.”

Subespai (AUS) subespai.bandcamp.com

Subespai is the solo project of Mauri Edo, a Sydney musician born in Barcelona. Walking the line between ambient, noise and drone music, Subespai paints experimental soundscapes by mixing acoustic and electronic audio sources with effect pedals, field recordings and other gadgets.

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affaire difficile – certain aspects of proliferation


Officina Errante – Recorder! Ricorda​.​.​.

Officina Errante

“Recorder! Ricorda​.​.​.”

“Recorder! Ricorda…” is the first release in Linear Obsessional’s cassette series, professionally produced cassettes in uniform designs by David (smallhaus) Little. The artists have worked to produce music specifically for this format.

Officina Errante’s piece is an audacious journey through a succession of sonic moods, all sounds recorded on a portable Zoom recorder- the results then manipulated, crunched and highlighted later- time compresses and expands infinitely….tinkles from a borrowed piano add melancholic interludes.. It’s almost like a succession of audio postcards or snapshots, each “movement” capturing moments of stasis or energy, urban clamour or rural tranquility the whole work flowing seamlessly with it’s own logic.
Officina Errante reworked his piece especially for the cassette format and Linear Obsessional is delighted to present this piece of 21st century musique concrete/sonic travelogue.
credits
released June 22, 2018

All sounds, fields and instruments in this work have been sampled from recordings taken by me with the Zoom H5. I could take these recordings also thanks to Niina, Luke, Laura, and Michiko-san who let me play her piano all the time I wanted while I stayed at hers.
Photography by Niina Mahosenaho.

Written and produced by Officina Errante in Tokyo, Tonami and London.

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Failure Circle – A mistake within a mistake

[Eg0_179]

Failure Circle

“A mistake within a mistake”

While Failure Circle‘s 1st album 0x0.0 was full of overdubs, the 2nd one “A mistake within a mistake” consist of 3 raw improvisations recorded in Kecap Tuyul’s home studio during winter 2017-2018. It shows another side of this no-input-mixer project: more focused, less frantic, and even minimalist and droney sometimes.
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Salis / Sanna / Pili – Choke

[PT078]

Salis / Sanna / Pili

“Choke”

Giacomo Salis: Percussion, objects
Paolo Sanna: Percussion, objects
Stanislas Pili: Percussion, objectsRecorded at P@SoundWorkshop, Sardara ( Cagliari), july / august 2017
Mixed and mastered Carlo Barbagallo (Noja Recordings) , May 2018 (Torino)

All music improvised by Salis, Sanna, Pili

Giacomo Salis / Paolo Sanna Percussion duo meets Stanislas Pili, a percussionist with a classical-contemporary background. The result is a visionary and deep dialogue, where standard and extended tecniques are used to play different percussion. The non – idiomatic free improvisation and the post free european school are the foundations of the trio’s sound research.

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FezayaFirar – admin

[ACP 1150]

FezayaFirar

“admin”

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YENNU ARIENDRA & J MOONG SANTOSA PRIBADI – Raja Kirik

[YESNO 090]

YENNU ARIENDRA & J MOONG SANTOSA PRIBADI

“Raja Kirik”

Diproduksi oleh Image Of The Giant Project

Direkam di Rumah Mo’ong, Yogyakarta

Mixing & Mastering oleh Yennu Ariendra

Dirilis oleh Yes No Wave Music

Gambar diambil dari buku Serat Damar Wulan

Desain dan olah gambar oleh Wok The Rock

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Longman – Plays The Music Of Cacil Taylor And Steve Lacy

[Picpack 255]

Longman

“Plays The Music Of Cacil Taylor And Steve Lacy”

Free jazz compositions based on free improvisations of two great musicians of avant-garde free jazz pianist Cecil Taylor and saxophonist Steve Lacy, through the eyes of the fusion jazz combo Longman.
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Magliocchi / Boss / Rolfini / Grassi – Four points in the black sun

[PT077]

Magliocchi / Boss / Rolfini / Grassi

“Four points in the black sun”

Marcello Magliocchi_drums, percussion
Matthias Boss_violin
Mauro Rolfini_bass clarinet, alto sax
Alen Grassi_acoustic bassimprovised music / instant compositions by MBRGCover Photo by Lidia Stranges
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Longman – Газы

[Picpack254]

Longman

“Газы”

01.Газы
02.Новый Год
03.Амон Ра
04.Рассказ, Рассказанный Кретином
05.Рисунок Карандашом
06.Гексоген
07.Школьная Улица
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Eli & The Mannings – Magical Cookies

[BSIM0002]

Eli & The Mannings

“Magical Cookies”

Nearly four years after we debuted our improvBloc series, the series that’s focused on improvisational sessions returns with a weird and wonderful installment by Eli & The Mannings (or EATM)!

Magical Cookies takes you on a sonic odyssey. One which can be summed up best by the following selection from the liner-notes… “Transitioning effortlessly across genres between (and sometimes during) songs, EATM explores elements of hip hop, rock, jazz, blues, soul, folk, pop, country, latin, spoken word, comedy, and other forms to create truly original, one-of-a-kind recordings.”

Enjoy the ride… it’s sure to be a fun one!

#OMG #EATM #FTW! Thanks gents… the weirdo improv vibes are just what we needed at blocSonic! Welcome to the blocSonic fam!

Of course, thanks once again to you for downloading & listening. We always strive to deliver the music you’ll love. Please spread the word about blocSonic, if you enjoy what we do. Remember… everything we release is cool to share! Always keep the music moving… share it… blog it… podcast it! If you’re in radio… support independent music and broadcast it!

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SPLITTER – without compromise in the age of whisperers

[ACP 1147]

SPLITTER

“without compromise in the age of whisperers”

attenuation circuit ACP 1147 (attenuationcircuit.de) / brainhall 13 (brainhall.net)

Marc Lardon: bass clarinet and electronics
Andreas Glauser: Manipulated Generators, MOOG and Arp Odysse synthesizer

Mastering: Andreas Glauser
Artwork: Marc Lardon

Tracks 1.-4.
Recorded at FIM Mitte Basel
Recording: Franz Bannwart
Track 5
Recorded at Wandler Zürich
Recording: Enrique Méndez Ramallo
Mastering: Enrique Méndez Ramallo

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M.A.K.T. Sono – If you were a clarinet

[Eg0_178]

M.A.K.T. Sono

“If you were a clarinet”

M.A.K.T. Sono – Magali Albespy and Kecap Tuyul – was created in february 2018 from a common taste for improvisation forms that rely more on indetermination and surprise than on the mastering of instrumental skills. They both use electronic tools whose complex settings can generate unexpected sound events and unstable situations. Their first album “If you were a clarinet” consists of 3 selections of slightly edited improvisations recorded in february and march 2018. These improvisation sessions were an opportunity for them to set up their working methodologies and to experiment playful and meditative dialogs between gesture & sound, activity and inactivity, machines and living creatures.

Magali Albespy is a dancer and performer. She likes to question the borders between formats and artistic disciplines. She explores real-time composition with body, video and sound.
Self-taught improviser Kecap Tuyul uses various (and preferably unstable) tools, looking for ways of playing and interacting (with sounds, with other media, with other people) and questionning the traditional ideas of instrumental mastership and composition.

Credits:
Magali Albespy : moog mother 32, soundbox
Kecap Tuyul: no-input mixer, effects, mix and artwork

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once gravity trio – hidden river

[PT076]

once gravity trio

“hidden river”

stefano toschi – electric guitar
luca borsetti – drums,selected objects
alen grassi – electric bass
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Johanes Handjono x Gilang Damar x Rio Nurkholis – Bulog

[WAC15]

Johanes Handjono x Gilang Damar x Rio Nurkholis

“Bulog”

Johanes Handjono, Gilang Damar Setiadi, Ian Pramana, dan Rio N Syaifuddin – Bulog

“BULOG” – Proyek eksperimentasi lintas DIY-Jateng.

Lumbung tak semata tumpukan gabah, tapi sistem kemandirian kerja dan karya. Lumbung memfasilitasi dialog lintas generasi, genre, bahkan status sosial. Kehadirannya merupakan tanggapan atas ketidakpastian: perang, perubahan cuaca (kekeringan), guncangan politik dan ekonomi, serta serangan hama. Sekat-sekat improvisasi mencair di hadapan lumbung. Hentakan lumpang kayu (stone morta) beradu raungan mesin giling modern. Lumbung menjadi tempat penciptaan bunyi dengan komposisi khas, kuat, dinamis dan berbeda tentunya.
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Kecap Tuyul – La soufflette du squelette

[Eg0_177]

Kecap Tuyul

“La soufflette du squelette”

Almost 3 years after the release of his previous album Trois Clous, Kecap Tuyul unleashes some more stuff dating from the same area (2015), developing an intensive use of voice as main sound source, filtered, deformed by effects and sometimes overwhelmed by feedback. Guitar was still here (on 2 of the 3 tracks of the album), providing unstable melodic/droney backgrounds, but often swallowed by spirals of self-dissolving chaos.
Since then Kecap Tuyul has put guitar and voice aside and now mostly uses no-input mixer, in collaboration with various people, and alone under the Failure Circle moniker, focusing on chaos itself, searching for unstable situations, but welcoming the possible emergence of seemingly self-organized sonic forms.
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