Noisefever is known for his cheerful, dance verging on 70s disco beats from his previous releases and Love EP is no different.
Classic beats mix with hammering basslines (and a spattering of chip sound effects) and cheerful melodies in this perfect four tracker to compliment the summer. Time to knock back those glasses of Pimms and enjoy the beats in the summer sun!
«Со мною вот что» поздравляет болельщиков с праздником футбола в России!
«Тренер Амкара» – тёплый июньский рок на тему российских спортивных реалий.
Где бы ты ни играл, сколько бы ни зарабатывал, не зарекайся. Ведь, может быть, ты чемпион потому, что кому-то не хватило денег с тобой сыграть? Желаем скорейшего возрождения Амкару и всему нашему футболу.
Регионы просят огня!
“Recorder! Ricorda…” is the first release in Linear Obsessional’s cassette series, professionally produced cassettes in uniform designs by David (smallhaus) Little. The artists have worked to produce music specifically for this format.
Officina Errante’s piece is an audacious journey through a succession of sonic moods, all sounds recorded on a portable Zoom recorder- the results then manipulated, crunched and highlighted later- time compresses and expands infinitely….tinkles from a borrowed piano add melancholic interludes.. It’s almost like a succession of audio postcards or snapshots, each “movement” capturing moments of stasis or energy, urban clamour or rural tranquility the whole work flowing seamlessly with it’s own logic.
Officina Errante reworked his piece especially for the cassette format and Linear Obsessional is delighted to present this piece of 21st century musique concrete/sonic travelogue.
released June 22, 2018
All sounds, fields and instruments in this work have been sampled from recordings taken by me with the Zoom H5. I could take these recordings also thanks to Niina, Luke, Laura, and Michiko-san who let me play her piano all the time I wanted while I stayed at hers.
Photography by Niina Mahosenaho.
Written and produced by Officina Errante in Tokyo, Tonami and London.
While Failure Circle‘s 1st album 0x0.0 was full of overdubs, the 2nd one “A mistake within a mistake” consist of 3 raw improvisations recorded in Kecap Tuyul’s home studio during winter 2017-2018. It shows another side of this no-input-mixer project: more focused, less frantic, and even minimalist and droney sometimes.
Giacomo Salis: Percussion, objects
Paolo Sanna: Percussion, objects
Stanislas Pili: Percussion, objectsRecorded at P@SoundWorkshop, Sardara ( Cagliari), july / august 2017
Mixed and mastered Carlo Barbagallo (Noja Recordings) , May 2018 (Torino)
All music improvised by Salis, Sanna, Pili
Giacomo Salis / Paolo Sanna Percussion duo meets Stanislas Pili, a percussionist with a classical-contemporary background. The result is a visionary and deep dialogue, where standard and extended tecniques are used to play different percussion. The non – idiomatic free improvisation and the post free european school are the foundations of the trio’s sound research.
In 2014 Moki Mcfly brought us the downtempo goodness of Osirus III: Autochron Thitarodes. Today he’s back and surprising us all with this sweet collection of beats exploring the sound of Thailand. Head-noddingly good!
Mega props goes out to Moki Mcfly! It’s been four years since you last had something for us, so you totally caught me by surprise with this tasty gem! Funky Funky FUNKY!
Of course, thanks once again to you for downloading & listening. We always strive to deliver the music you’ll love. Please spread the word about blocSonic, if you enjoy what we do. Remember… everything we release is cool to share! Always keep the music moving… share it… blog it… podcast it! If you’re in radio… support independent music and broadcast it!
For its 37th release, Da ! Heard It Records sends your ears into orbit.
Why, who could these mysterious characters, the Fragilos, out to discover apparently unknown territories be? Take the time to follow their adventures through this UFO-reminiscent album that encapsulates a few instants of their stealthy existence in 13 pieces …
In the style of the illustrative discs of the seventies and eighties from which Philippe Brown draws inspiration, the titles of this cassette’s compositions are clues themselves designed to stimulate the listeners’ imaginations. Thus, by holding the sleeve drawn up by Man Oroa while listening, each will be able to make up his or her own little story and discover the naïve-sounding, yet far from obvious, melodies.
One will thus go from one moon to the next without ever fully landing, floating softly above the ground among the bossa, zouk, or oriental rhythms and cinematographic atmospheres imprinted as much with second degree as with light melancholy.
Attracted to a musical era he didn’t experience but of which he uses the codes with style, Philippe has the characters evolve well beyond the musical frontiers we sometimes burden ourselves with. With this fictional original sound track at the crossroads of genres and eras, he visibly goes very far away, so far that everything leads us to believe that this dreamer of a musician most certainly has his head in the moon!
This handful of sounds in musical format is anything but arid, since thousand of images do flourish and take place against to our psyche, as we go through the generous timing of the tracks.
Microscopic geometries perpendicularly pass through the space inhabited by omnipresent and opaque bass drums in black notes (as it has to be) which are several times fractured by resounding breaks that keep inviting us to a total immersion. There is no truce or carelessness. Everything is in its place.
The web is solidified and amalgamated by elegant melodies of overseas (Árido III). Other times there are distant voices (Árido II) which characterize the galloping plot that equally spill magic and celebration in an endless coven. Árido I puts us a muzzle and a leash to take us to a ride with an eternal arpeggio of cosmic horseback ride that is little by little being contaminated by weaves of liquid gas and noisy flashes.
The delivery is a resounding trip of oneiric minimalism with remarkable aquatic calling and architecture riddled with compressed concrete. Since minute 1 it warns that from here one does not come back with the same face as the one at the beginning of the trip.
A serious, meticulous, elegant and hypnotic work that invites to be listened with closed eyes, light off and a closed door.
The excellent remixes that complete this robust new delivery of Modismo provide spice to the total, but of course the dish can only be more filling at that level of genre.
“O detector de terramotos (earthquake detector) não é uma ideia minha. Alguém disse a frase e eu, por via de apropriação, dei-lhe novos significados. A audiência talvez encontre algo escutado, dito, visto anteriormente. Por fim, acrescentarei, que utilizei, no processo, uma técnica de colagem de livre combinação (de textos, filmes, música, conversas com pessoas conhecidas e desconhecidas, na rua, no café, pelo Skype e email, bem como conferências sobre ufologia, tecnologia e consciência e ainda numa visita ao veterinário).”
– Ana Carvalho
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