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Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”

update, February 1st, 2026

Dear friends and followers of clongclongmoo. It's great to have you here. As you may have noticed, the site has changed a bit. Some people wanted to be able to access the music with fewer clicks. That should work again now. Here's a quick note to everyone who uses relatively new platforms such as Mirlo, Faircamp, or Coop: feel free to use the submit form to draw attention to your new music. I'd especially appreciate hearing from anyone who runs a netlabel with free Creative Commons music. Thank you! Konrad from clongclongmoo

music in category: netaudionews

At this site many net-labels posting their new free releases. Please visit the home pages of the labels to get the free music. The most of the files are published under a creative commons licence.

The old message board (2004-2011) is still on-line for reading but deactivated for new entries. Please report problems and errors at the contact page.

Geiger von Müller – Alien Fig Yogurt Incident

Geiger von Müller

“Alien Fig Yogurt Incident”

It takes all of a second to realise that, in terms of guitar instrumentals, Geiger Von Müller’s ‘Alien Fig Yogurt Incident’ isn’t entirely of this world. It opens with a flurry of insanely high pitched harmonics, creating more of a mood than a melody. This immediately catches the ear, but makes the listener wonder where things are actually headed. A saner guitarist might flesh out such a technique with a couple of broad chords to make things palatable, but not this guy…

Müller then adds extra texture by offering a slide note that’s more akin to a quick interjection from a swanee whistle, then drops into a semi-atonal descending melody that uses the slide to add Hawaiian influences. There’s a melody growing, but again, it’s not from your typical school of guitar based instrumentals.
(realgonerocks.com)

Official music video:
youtu.be/dGK6HoSmxco

posted 04 February 2025

REfugEEs From Beyond – Black Sun

[LCNLP202]

REfugEEs From Beyond

“Black Sun”

The Necrophile Hummingbird netlabel presents Black Sun by REfugEEs From Beyond.

“Apocalyptic Punk Folk For NeoFolk Folks”

Improvisation recorded live* in September 2024 at the Cave Heaven in Foucherans.
Members :
Master of Ceremony : Psyché Pelik
Guitar Hero : McClintic
Disc Jockey : Yoshiwaku Mushotoku

Few months ago I’ve seen that Black Sun painted by Odilon Redon in Amsterdam Van Gogh’s Museum. And Odilon is one of my fav surrealist precursors, so despite I enjoy a lot Coil, the title comes more from this black sun and also from the black sun of Bauhaus on the sleeve of the Sky’s Gone Out. Or also les éditions Soleil Noir.

Except for the Title the artwork is made without computer edit with an argentic photography bleach with javel and other substances…
There is an great exhibition (80 photos) of my photos & Studio112 argentic photographies till the end of february in france more info in french here https://www.horsnorme.org/instanT/

Dedicated to those who are not afraid to cross the darkness to reach the light and go further in the in between.

*What you are listening is a spontaneous improvisation, nothing prepared, no overdub, no mix, no edit except few…

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posted 01 February 2025

Chang diz – UNFAIR]

[[mi329]]

Chang diz

“UNFAIR]”

UNFAIR, is a sonic journey that breaks boundaries, blending elements of electronica, ambient and lo-fi into an immersive experience.

The project captures the essence of modern otaku culture, where digital and physical realities merge. While each track is a sonic landscape that feels both futuristic and nostalgic, they are quite similar, taking the listener on a journey through their most vivid thoughts and memories.

The invitation is extended to explore the fantastic world of Chang Diz.

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posted 28 January 2025

LR Friberg – Green Sun

[ACP 1441]

LR Friberg

“Green Sun”

“Beneath the shimmering dome of Green Sun, a microcosm thrives – a lush, self-contained Eden on an otherwise barren world. Inside, an orchestra of flora stretches skyward, the leaves glowing with bioluminescent hues, breathing in the filtered light of a fading star suspended above. The air is thick with the hum of pollinators, tiny drones weaving between towering ferns and crystalline blossoms, their movements blending with the symphony of rustling vines and cascading water. As the biodome’s automated systems pulse with life, the boundaries between nature and machine dissolve. Roots entangle glowing conduits and algorithms mimic the chaotic patterns of growth, nurturing an impossible diversity of plant life. The dome is not just a sanctuary but a living organism – a dream of renewal in a dystopian future, where the air vibrates with a sound both eternal and unearthly.” (Aria Argento)
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posted 26 January 2025

Electronic Empathy – aMt_A.I.

Electronic Empathy

“aMt_A.I.”

Several albums from Artificial Memory Trace were randomly selected, segmented into 30-second clips and used to fine-tune a MusicGen model. The audio outputs presented here are the result of this fine-tuning process. Technically, the model demonstrates both over-fitting and under-performance, as the generated tracks show little resemblance to the original Artificial Memory Trace material. However, given that the source material primarily consists of field recordings, this experiment provided an opportunity to explore the limits of MusicGen – a model designed for conventional music – when exposed to unconventional input. The key questions raised are qualitative: How does an AI trained on traditional music genres respond to sonic experiments? What does the input represent to the AI? Can it identify or infer any underlying musical structure? Notably, a faint piano-like sound emerged amid the crackles – a curious outcome. Did the AI, in its pattern-seeking process, interpret environmental sounds as traces of conventional melody?
all rights reserved
posted 26 January 2025

Electronic Empathy – A Tribute to the Experimental Underground

[BL108]

Electronic Empathy

“A Tribute to the Experimental Underground”

Every track on this album features NotebookLM-powered discussions about the work of various underground musicians, with their actual music mixed in. It serves as a tribute to these artists and could be a way for newcomers to discover these artists’ work. The selected musicians have collaborated with blockchain-based netlabels Aurora Compilations and Motivational Music, as well as their predecessors like the INTENT compilation series, dating back to before the pandemic.
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posted 26 January 2025

alfa00 & LR Friberg – Aural Vault: Chapter Three

[ACP 1437]

alfa00 & LR Friberg

“Aural Vault: Chapter Three”

The third and final part of the Aural Vault series consists of three expansive, intricate tracks by Slavek Kwi (alfa00, Artificial Memory Trace) and Linn Friberg (LR Friberg, Nimbostrata). The tracks span a period of over a year, with Slavek creating them between 2022 and 2023, and Linn adding her contributions in late 2024. The gap in time was due to personal matters unrelated to the music, but the process remained remarkably consistent. Artistically, the material is highly refined, building on their 2022 collaborative album “Aura Colemount” on Mahorka. The work carries a timeless quality, evolving from the anxiety of 2022 into a more cautiously optimistic mood shaped by the passage of time.
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posted 26 January 2025

Fake Cats Project – Perowo Songs

[ACP 1432]

Fake Cats Project

“Perowo Songs”

Alexei Borisov – Guitar
Igor Levshin – Texts, Guitar, Keys (8), Virtual ANS, Voice
Pavel Bannikov – Bass
Suren Akopyan – Drums
Kostya Suhan – Trumpet
Mastered by Artyom Amatuni
Artwork by Natalya Levshina

Music / Performed / Recorded / Mixed : Fake Cats Project, 2021

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posted 24 January 2025

Yoshiwaku – UFO Stalker

[LCNLP201]

Yoshiwaku

“UFO Stalker”

The Necrophile Hummingbird netlabel presents UFO Stalker by Yoshiwaku.

“Unearthly Music for Aliens Tribes”

Live improvisation recorded in April 2024 at the Cave Heaven in Foucherans.
Be aware that this Unidentified Audio Phenomena includes real cosmic rays inside (I can’t tell what will happens if your soul stays too much longer exposed).
As well as an extanded critics of the penal colonies from the Katorga to the Laogai. It’s quite amazing that there is still no boycott of all china products till the release of the Uighurs. But is it that much surprising in a world where palestinians are killed in mass for the great profit of the weapon sellers. Also when the workers seem free but don’t earn the real price of their work because the corporations suck it, it may not be that much better. Don’t you think so ?

Dedicated to all the exploited prisoners who create the insane wealth of the world’s rulers.

Don’t be mystified, the artwork is not a photography, but a hybridization of Artificial Intelligence generated images with an editing software. I could use the photography of the Tesla Wardcliff tower instead, but I wanted to show the Siberia trees. This kind of cosmic keyhole is the free energy symbol but also a question mark about what happen in Tunguska, under the funny angle of view of the french serie Ovni(s).

No pink flamingos were harmed in the making of track 6.

Video Art Clips here
youtube.com/watch?v=kH6doLiOxps
youtube.com/watch?v=2QkhWxNoi24

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posted 23 January 2025

AutomatA – Bento EP

[DigitalDiamonds107]

AutomatA

“Bento EP”

AutomatA – Bento EP

Catalogue: DigitalDiamonds107
Format: EP
Released: January 2025

Introducing ‘Bento’, the highly anticipated debut EP from AutomatA on Digital Diamonds! Just like a meticulously crafted bento box, this release is a diverse yet perfectly balanced collection of techno flavors, designed to satisfy your sonic appetite.
‘Bento’ serves up five distinct tracks, each offering a unique auditory experience while maintaining AutomatA’s signature precision and depth. From hypnotic grooves and pulsating basslines to intricate sound design and unexpected twists, every track is a carefully placed ingredient that brings variety and harmony to your speakers.
Whether you’re seeking a main course of driving rhythms or a side of atmospheric textures, ‘Bento’ delivers a rich selection of techno delicacies. Dive in and taste the future of underground techno – prepared and served fresh by AutomatA.

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posted 21 January 2025

nsonicaloid – quantum pilot

nsonicaloid

“quantum pilot”

uplifting melodic electronica bass, from Montreal, Québec, Canada
released July 10, 2024

nsonicaloid is the project name of Nicolas Dion, who is also in groups Citofono, Chimurenga Electroacoustic Ensemble, Intercom, Minibloc. Other aliases are Darcin, Dona Silicon.

all rights reserved
posted 21 January 2025

Sebastian Vergara – Vigilia

[pn240]

Sebastian Vergara

“Vigilia”

Let the sounds speak, it seems to suggest; sounds do not speak, it replies, they simply present themselves in their purest state. Forms break, disintegrate, and approach a point where, up close, everything begins to feel distant. “I have nothing to say, and I am saying it, and that is poetry” (Cage), it insists once more. Vigil could also be the dream of a dormant, heavy hand falling into randomness, only to emerge light and fragile amid the stillness of the elements. Who speaks and who answers becomes an unfolding idea in a game: being both fish and bait, imagining an event that never arrives, that roams freely, interpreting the depths and the abyss as it teeters on the edge of falling.

Before the body submerges: inhale, swell, inspire. Music is perhaps a language in which images and sounds drift—a deep well of the mind, of time and sequence, creating only what music itself can construct. On the surface, tiny fish; in the depths, the golden fish (Lynch). To break the restricted circle, to conquer infinite variety (Russolo), to dive deep to recover fragments—small images attempting to reconstruct a night, a possible space where the vast and the intimate transform into symbols, into abstraction rooted in instinct and the promise of translating depth.

The sounds in vigil fall onto the surface, explode over the water, traverse spatial volumes, transgress contours and textures, pierce the eardrum, and reveal an unreal landscape—an uninhabited atmosphere, an impassable, inhospitable night that is at once sensual, erotic, and veiled. The sounds and their vigil tremble on the surface of the water, attempting to sustain the impossible: images that help us understand the world—or perhaps just our own world—in its vastness, inscrutability, strangeness, and mystery.

In the depths of vigil lie the means to construct intimacy and emotion, the methods of understanding that bring balance and coherence to desire and the forms that exceed it. In this imbalance—between the murky, abyssal middle ground—new languages begin to emerge: textures, frequencies, forms, and deformations capable of disrupting the uniformity of water, the liquid metaphor that envisions the unpredictable, the invention of an abstract sound—intangible, impossible to stop or destroy.

In vigil, scattered without order or rule, sounds unfold with free will, coexisting with other equally complex forms that, in their recognition, articulate an elusive difference—neither immediate, visible, nor objectifiable. In the depths of vigil, sounds create their own strategies and lay the foundation for their reinterpretation: they mobilize change, challenge order, and construct intimacy. In the abyssal vigil lie sounds that die into silence, unprecedented in their form, depth, and amplitude, only to resurface later, just as the sun begins to rise—unexpected, unpredictable, and, above all, pristine on the surface of the unknown.

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posted 18 January 2025

You’re Alive But You Are Dead – normal service will be resumed as soon as possible

You’re Alive But You Are Dead

“normal service will be resumed as soon as possible”

Written and Produced by John Freer
Photography and Design by John Freer
released December 17, 2024
all rights reserved
posted 16 January 2025

Joan Lavandeira – Pain recordings

[pn239]

Joan Lavandeira

“Pain recordings”

“Pain recordings” is a complex sound collage that delves into the fragments of memory emerging from personal relationships. Blending electronica, industrial, drone, noise, and bass music, the album offers an abstract and evocative experience, where traces of human connections manifest in structured forms.

This double album plays with the abbreviations M. and J., drawing from Robert Smith’s approach in the track “M” from “Seventeen Seconds”. The song references Albert Camus’ novel “La Mort Heureuse”, where the character Patrice Mersault feels jealous of his girlfriend Marthe’s other lovers, beginning with the phrase Hello image.

The album’s focus is not on raw emotion but rather on the ways memories—fuzzy, distorted, and at times disorienting—filter into consciousness. Each track acts as an autonomous yet interconnected fragment, reconstructing the vestiges of human interactions. Industrial landscapes, deep basslines, and the raw textures of noise create an unsettling atmosphere, where sounds echo past moments, reconstructed and deconstructed in a sonic quest for meaning through drone.

The music of “Pain recordings” embraces a fragmented sonic aesthetic, in which rhythms and melodies emerge and disappear like memories dissolving over time. It’s a work that captures the incomplete and fleeting nature of memory, offering an experience that is as challenging as it is hypnotic. Listeners are invited to navigate these passages of broken sounds and saturated textures, finding their own interpretations in what lingers between the sounds.

Rather than presenting a linear narrative, the album unfolds as a mosaic of sounds that invite reflection on the fragility of memory and how past events are reconstructed in fragmented ways in our minds. “Pain recordings” is, ultimately, an experimental sonic exercise, where relationships and memories become raw material for an exploration that feels as cerebral as it is emotional.

Joan Lavandeira aka randomVOLT
(Barcelona, España / Spain. December 2024)

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posted 12 January 2025

V.A. – Aural Vault: Chapter Two

[ACP 1435]

V.A.

“Aural Vault: Chapter Two”

01. DJ ANY WAY – Know Beyond All Doubt 03:08
02. Wilfried Hanrath – Embracing The Unknown 17:45
03. Brainquake – Haunted Eights 07:37
04. Jon Shuemaker – Blackhole Kaleidoscope 03:15
05. El Zombie Espacial – Mujeres En La Ciudad 06:45
06. Nimbostrata – γυμνή μηχανή 07:56
07. Jon Shuemaker – Planetary Regeneration 03:25
08. Persefone – Glitch A 09:09
09. Nimbostrata – That’s Enough (Stop Worrying) 02:00
10. Pete Swinton – August 2023 08:37
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posted 09 January 2025

REfugEEs From Beyond – Live Peep Show

[LCNLP200]

REfugEEs From Beyond

“Live Peep Show”

The Necrophile Humingbird Netlabel presents Live Peep Show by REfugEEs From Beyond

“Queercore for Postcore Lovers”

Improvisation recorded live the 10th November 2024 at the Cave Heaven in Foucherans.
Members :
Master of Ceremony : Psyché Pelik
Disc Jockey : Yoshiwaku Mushotoku

“The perfect soundtrack for your Genderfuck Party !” G.B. Jones

Despite the Artificial Intelligence did not help for the artwork, It seems obvious that this is the Queercore third part of the core trilogy…
Or is it a kind of stand alone episode like RFA for the VALIS trilogy ?

This album is dedicated to Ahou Daryaei and all the unsubdued people like her, because our bodies belong to us alone — whether we choose to reveal or conceal them is our choice. If someone is foolish enough to eroticize my chest, that’s their issue, not mine. Down with puritanism. Down with any religious fanaticism.

And also don’t forget to visit Radio Free Albemuthorsnorme ^^
https://www.horsnorme.org/Radio_Free_Albemuth/

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posted 08 January 2025

Atsuto Yamamoto – 1 plus 0 is more or less equal to 10

[mi328]

Atsuto Yamamoto

“1 plus 0 is more or less equal to 10”

It’s the first album of 2025 and the debut work of Japanese artist Atsuto Yamamoto, known for exploring the boundaries of noise and harsh noise.

“1 Plus 0 Is More or Less Than 10” is an album built on layers of saturated noise, abrasive frequencies, and unsettling moments of silence. Each track seems to exist on the threshold between everything and nothing, between “1” and “0,” evoking the idea that even extremes can overlap, distort, or lose definition.

Yamamoto employs a combination of analog synthesizers, manipulated recordings, and custom-built equipment to create sonic textures that feel tangible, almost as if the sound could be physically felt on the skin.

Prepare yourself for a unique experience. “1 Plus 0 Is More or Less Than 10” is not an album to be merely heard – it is an album to be confronted.

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posted 07 January 2025