Haase+Santis – M5

[pn098]

Haase+Santis

“M5”

The Haase+Santis duo was initiated through a visit by the violinist Johannes Haase to the Open City of Amereida – the place where sculptor and noise artist Óscar Santis currently resides. There, they began to develop a bond in relation to music as sound structure. The improvisations they realize are based on free sessions, wherein a dialogue is generated at the intersections of these structures. These are the intersections that articulate and give shape to the music.

Concerning the sound structures that bind them together, their relationship is highly complex in the sense that in certain moments we see extremely opposed planes proceeding independently, a radicalism of timbre and brutality of sound that carries an involuntary dissociation to the ear in order to contain the sounds that the duo presents us. At the same time, in other moments we see artists highly polished from a sonic precision and beauty that generates a temporal confusion, leading us to a careful and precise internal listening.

The duo articulates their discourse from a sonic radicalism, making sure that their music does not permit the listener to release his or her attention from listening at any time. The sonic turbulence generated by the noise of Óscar, and the constant evolution generated by the tension of Haase’s violin makes listening to this album a beautiful challenge for attentive listening, which these days have so much forgotten. But above all, the sonic radicalism, and the freedom of form presented by the duo are appreciated.

Sebastián De Larraechea
(Ciudad Abierta de Ritoque, Chile, june 2015)

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ono – forKD

[EPV_175]

ono

“forKD”


■ EPV_175

EPV_174 ”Three Works by Koen Daigaku” re:interpretation & remix

basic track by Koen Daigaku [ from EPV_174 ”Three Works ” ]
https://koendaigaku.bandcamp.com/album/three-works

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Ascetic – The Citizen Made of Glass

[PLANET046]

Ascetic

“The Citizen Made of Glass”

It seems like an age since we released Ascetic’s A Network of Lines That Intersect,
a brooding mixture of dark techno and ambient industrial noise.
Originally cutting his teeth on breakcore under his Machinochrist
moniker, the UK-born, Berlin-based artist has more recently been
refining this brand of intense and atmospheric pseudo-techno.

There is plenty to get your teeth into with The Citizen Made of Glass,
from solid stompers to beatless wonders, all of them carrying a
dexterity and depth that mark Ascetic out as a producer of genuine
talent.

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Substak – Ego

[brhnet36]

Substak

“Ego”

Greek artist Substak looks inside himself and brings to us pure hypnotic and ethereal music behind drone forms.
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Paco Rossique – Collages & Diversions

[LOR063]

Paco Rossique

“Collages & Diversions”

Linear Obsessional launches back into action with this evocative and hallucinatory album of new sound works by the Canary Islands based artist Paco Rossique. Created from treated field recordings and the unique timbres of the prepared piano – “Collages & Dispersions” is a wonderful piece of work that rewards many listens. The download comes with a deluxe PDF booklet of texts and extraordinary images by the artist.
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Pen Parker – I’m Level Four

[PICPACK224]

Pen Parker

“I’m Level Four”

01-She Killed Herself(2:56)
02-Deer Blood(2:57)
03-Morning in Which we Live(3:13)
04-On Raspberry Beetle(2:36)
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Outsider Leisure – Division By Zero

[PICPACK223]

Outsider Leisure

“Division By Zero”

01-8Bit Trip(3:56)
02-Cедьмая Печать(3:14)
03-Kineto(2:38)
04-Nasrat na Lico (Letoff)(5:22)
05-Palilalie(3:08)
06-Panic Attack(2:56)
07-Vertigo(2:36)
08-Свинцовый Танец(2:54)
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Various Artists – Oompa Loopma Riot

Various Artists

“Oompa Loopma Riot”

From 1979 to 1983, the Australian Terse Tapes label made cassette compilations. These are in danger of becoming “classics”, a complete betrayal of the energy that made them. There is no better antidote to cloying nostalgia than the corpse getting up and refusing the funeral.

So instead say that from 1979 to 2015, Terse Tapes made compilations, and here is more of the same. You could put it on a cassette if that matters.

I invited a few people I know, and they invited a few people they know, and music started to arrive in my inbox. I refused to listen to any of it until April Fools day. No one curated anything, although some people were nice enough to chase up their friends.

Having heard this music over the last 24 hours I can divide it into some useful ‘sides’, but keep in mind you are able to arrange it however you like in this non-linear wonderland in which we are trapped.

Side A: people who have doubts about music.
Side B: people who do not fear a pretty tune.
Side C: people that make graphs and grids.
Side D: people who could plausibly perform in a public ale house
Side T: time lords

Although supplied for no payment, there are specific rights attached to the recordings, which remain the property of the artists. Do not sell this music for a profit, do not use this music for any commercial purpose, including but not limited to, placement alongside advertisements or behind paywalls.
credits
released 01 April 2015

Organised by Tom Ellard at Terse Tapes, Sydney, Australia. Contents made in the USA, UK, Canada, Switzerland, Australia and other parts of the universe that man may visit from time to time. May contain nuts.


Pen Parker – Grammar

PICPACK222

Pen Parker

“Grammar”

01-F.780m(00:29)
02-Beginning 9-43 pm(00:31)
03-Remove The Sound(00:32)
04-Morning At 20 Degrees(00:33)
05-0.5 Milliseconds(00:53)
06-88. Q Grammar(2:42)

Martin Rach – 4 BACH/2 MF

01

Martin Rach

“4 BACH/2 MF”

First piece is based on BACH motif, with four blocks of repetitions, interrupted by electronic manipulations of preceding pitches, imagining music of J.S. Bach that is flying in outer space in some Voyager capsule, enlightened and decayed by the astrophysical powers.

Second piece is made of F pitches taken from a harp, M referring to a loose meter they appear in,forming illusion of patterns. Pitches are electronically manipulated to form a level of material that replaces silence. Imagining music of M. Feldman being played/listened buried in the earth.


the ritual of silence consuming – anitya

[MS​-​034]

the ritual of silence consuming

“anitya”

trosc on web : soundcloud.com/trosc2

Gandolfo Ferro – Eirian

SCM-15012

Gandolfo Ferro

“Eirian”

“Eirian” is a Japanese word which means “Alien” and the title of Gandolfo Ferro’s first release with Sucu Music.
In the best science fiction tradition, the theme of this concept album is alien abductions, something which, we are sure, will interest more than some of you out there. The music is what you might call dark ambient, but there are also sprinklings of ‘old-time’ electronica that widen the sound palette and make this release a very enjoyable trip to the recesses of unknown galaxies and back.

(dell​.​tree) + Metek – Lisergic Weird Funk

EdP073

(dell​.​tree) + Metek

“Lisergic Weird Funk”

This collaboration between Brazilian (dell.tree) and Swedish ‎Fredrik Nilsson Metek combines elements of two very different cultures into a sonic mishmash. Tropical sci-fi for the adventurous crowd (if you ask me)!

lost-radio – Southern City‘s Lab podcast №007: lost-radio — ambient mix

007

lost-radio

“Southern City‘s Lab podcast №007: lost-radio — ambient mix”

About:
Электронное расщепление личности под рождение ночных кошмаров.
Волновые колебания звуков тишины и мрачное таинство демонов из подсознания.
Это всё 7 выпуск нашего нечастого подкаста, записанного lost-radio в поддержку своих будущих релизов…

Tracklist:
01 brk – Scape 1
02 Igl00 – Variation 1
03 SandSpace – Untitled
04 Пландеркозерон – Вместо Тишины
05 Mon.ka – One coffee for my girlfriend juki
06 73! – Untitled 2
07 Med Gen – Glacial
08 Cycle Of Self – Tactile Hallucinations
09 Fault Justification – Thank you to you for you
10 Helicalin – Next fall everything will be over (demo)


Outsider Leisure – Сны Митасова

PICPACK221

Outsider Leisure

“Сны Митасова”

01-Epileptic Drums(1:32)
02- I Saw You Dancing(2:08)
03-Десятая Cпица(4:34)
04-Кто-то Вышел(2:08)
05-Ода Солипсизму(2:26)
06-Пирог Доброты(2:10)
07-Сны Полярных Сов(3:10)
08-Сон Митасова I(3:14)
09-Сон Митасова II(3:26)
10-Сон Митасова III(2:42)

Juan Antonio Nieto – Static

PT009

Juan Antonio Nieto

“Static”

Juan Antonio Nieto | Static
“Static” is a short album of abstract concrete music. The main idea was to use “field recordings” from restaurants and coffee shops, mostly the sounds of plates, spoons, knifes etc., as well as sounds recorded while the artist himself was having breakfast. He also uses sets of found sounds, from objects at home. He mixes the different timbres with minimal electronics, trying to give the result a natural feel. For this album he chose 6 tracks out of 12 – the ones that worked better with the concept. The dark drones were composed especially for each theme and then added to the percussive sounds, conveying an abstract, ambient and dreamlike sense.

Simone D’Annunzio – s l o w

0kbps083

Simone D’Annunzio

“s l o w”

Simone D’Annunzio

s l o w [0kbps083]

01 – a f t h a
02 – d y s t a s i
03 – s k i e p p e d
04 – f l u i d u s t
05 – a b i s s o

MAV [0kbps] Records, February 2015


Wings of an Angel – Surreal Reductionism

Self-Release

Wings of an Angel

“Surreal Reductionism”

I had then walked and walked forward on, with abrupt and unhesitating steps, leaving behind and beneath me a landscape of emotional chaos and languishing turmoil… I was alone again; an indisputable shadow piercing through the dense light. The clouds had no sign of giving up, force-feeding me with rain and occasional doses of excessive oxidation. I hardly breathed; at times I almost forgot my own name and place of origin… I moved through the darkening terrain, stepping to and fro unrecognizable crowds of human-like robots dressed in traditional attire, constantly reincarnating monsters and transparent biblical creatures. I passed a lovelorn tomb and an empty forest without a birthmark. I kept on walking even though by then I didn’t know whether i’m dead or alive… I took some photographs but had nowhere to develop them. So I ate them to keep me safe from starvation. I saw a crippled young girl offering poisonous candies to funnily dressed women, and strangely beautiful very old men offering their bygone youth to unborn babies. I could hear the distant noises of war but also the comforting buzz of nature’s cutting edge freedom. I walked forward like a zombie with closed eyes, led not by my eyesight but by my rusty inner compass… Where to? I wish I’d known. Or… Do I, actually? Perhaps it’s better not to know anything…
We know not where our separate paths lead us, none of us know anything, as a matter of fact. We play an occasional role here and there; yet everything we are is a theatrical mirage; each one of us being a minor player in this surreal shadow theater. You may believe in whatever you want or whoever you want; it doesn’t matter to me. You may lead your life according to society’s compass or the fathomed rules of your psyche… You may be and/or choose to be a clown or a god… I will still pass through you as if you were a random ghostly projection of my perpetually dreaming consciousness…

Csum – Mnemotron

COTA007

Csum

“Mnemotron”

New experimental electronic collection produced by talented composer and our friend Csum. Artist from Moscow city shares unusual complex sound manipulations.

Fade Runner – Purple Neko

BR053 - Fade Runner - Fade Runner

elektronik im schaukelstuhl

http://www.bedroomresearch.com/label-catalogue/F/42-fade-runner/52-fade-runner.html


Mers – Click Pussy

EdP072

Mers

“Click Pussy”

Controversial producer of the 21st century. A visionary, known for his sod-cutting construction building in electronic music, aleatory composition and sound space.
Follower of the Darmstadt School, his early student compositions remained out of the public eye until the conjunction music experience resolved in the debut album “unsound noisy glitch”.
Mers describes music written in an uncompromising transethnic style with a mixture of recognizable genres.

Ultratech – EPileptic

rschrm07

Ultratech

“EPileptic”

Emphase is an acid techno track in its purest form: an acidline which wobbles and cuts through the bass while at the same time chilling as it drives you on.

Mseq’s remix of Emphase is the perfect oldskool detroitesque counterpart of the original. It is also built on the acidline but has its own character. The way the harmonies are being played emphasizes his great style.

Burn it down is a raw house track with vocal shreds animating you to burn down things. We encourage you to dance to the groove of this chicago-style tune instead.


TRiALS – Midnight on the Wheel

mfm16

TRiALS

“Midnight on the Wheel”

Wave reaches sensory input. Stimulus transforms to current. Signal travels through neuron network. Electric burst creates perception. Pattern recognition generates psychosomatic response. Gland emits substance. Thought pattern decoheres. Subject enters meditative state. Social-situational information lost. Emotional response bound to auditory system. Effects persist for duration of trial. Memory area reformatted. Experience subsequently perceived as real.

AC/SC – Bugs

AC/SC

“Bugs”

French improv noise duo.

Struktur – Harshmallow


VA – From Ritual to Romance

EdP071

VA

“From Ritual to Romance”

Et Quid Amabo Nisi Quod Aenigma Est?

Die Elektrischen Vorspiele, a blog founded on January 15 2009, and whose sixth anniversary is commemorated with this release, was envisioned as a space for the nurturing of a “savage thought” (that is, of an undisciplined nature). In its essence, and as an individual project, it aims mostly to be a vehicle for its author’s vast-reaching interests, while at the same time harnessing them into some form of discipline. More than just a reflection on the fascination caused by the themes implicit to its lexical field of action, as shown by the coordinates and key concepts that define the boundaries of its territory, i.e. “Occultism” / “Esotericism”, this virtual space mainly maps some of the topologies enclosed in the History of Ideas. A vast and sometimes ignored area of Knowledge, whose apparently paradoxical character drives a magnetic pull towards the need to identify its true nature, as ubiquitously manifested along various historical cycles, in an unending drama staged in the theatre of the Anima Mundi. This is, in fact, the true raison d’être of Die Elektrischen Vorspiele.
As a direct result of its existence, November 2010 saw the publication of the book “Summa Techno(i)logicae”. This work, as implied by its title, is a thoroughly compiled and systematised patchwork reflecting the interests that guide its author’s research. From then on, periodic collaborations with other projects ensued, such as the magazines Finis Mundi, Infernus and Antibothis.
Still under the aegis of Die Elektrischen Vorspiele, and always through the establishment of complicities and connections, a number of events were created and carried out in the past six years. This set of actions (with Music as a constant common denominator) has had as its main goal the evocation of the life and work of various figures that have left behind crucial legacies. The people celebrated include the musician John Balance (Coil); the historian of religions Mircea Eliade; the poet and theatre director Antonin Artaud; the philosopher Georges Bataille; and the Japanese writer Yukio Mishima. It is also worth mentioning the series of events spanning along the year 2013, Occult Esoterica AV Gatherings, curated in collaboration with intermedia artist Ana Carvalho.
The proposal made to EdP – Editora do Porto (in the person of its administrator, João Ricardo) for the release of this compilation emerges as a consequence of shared common cosmologies which have gradually been transmuted into friendship, and also of João Ricardo’s encyclopaedic musical knowledge, while the invitations made to the artists taking part in it are the logical result of a chaining together of elective affinities (a process permanently taking place since the first Homeric dawn).

Júlio Mendes Rodrigo
Porto, December 23, anno 2014, era vulgaris


VA – The Golden Bough

EdP070

VA

“The Golden Bough”

Et Quid Amabo Nisi Quod Aenigma Est?

Die Elektrischen Vorspiele, a blog founded on January 15 2009, and whose sixth anniversary is commemorated with this release, was envisioned as a space for the nurturing of a “savage thought” (that is, of an undisciplined nature). In its essence, and as an individual project, it aims mostly to be a vehicle for its author’s vast-reaching interests, while at the same time harnessing them into some form of discipline. More than just a reflection on the fascination caused by the themes implicit to its lexical field of action, as shown by the coordinates and key concepts that define the boundaries of its territory, i.e. “Occultism” / “Esotericism”, this virtual space mainly maps some of the topologies enclosed in the History of Ideas. A vast and sometimes ignored area of Knowledge, whose apparently paradoxical character drives a magnetic pull towards the need to identify its true nature, as ubiquitously manifested along various historical cycles, in an unending drama staged in the theatre of the Anima Mundi. This is, in fact, the true raison d’être of Die Elektrischen Vorspiele.
As a direct result of its existence, November 2010 saw the publication of the book “Summa Techno(i)logicae”. This work, as implied by its title, is a thoroughly compiled and systematised patchwork reflecting the interests that guide its author’s research. From then on, periodic collaborations with other projects ensued, such as the magazines Finis Mundi, Infernus and Antibothis.
Still under the aegis of Die Elektrischen Vorspiele, and always through the establishment of complicities and connections, a number of events were created and carried out in the past six years. This set of actions (with Music as a constant common denominator) has had as its main goal the evocation of the life and work of various figures that have left behind crucial legacies. The people celebrated include the musician John Balance (Coil); the historian of religions Mircea Eliade; the poet and theatre director Antonin Artaud; the philosopher Georges Bataille; and the Japanese writer Yukio Mishima. It is also worth mentioning the series of events spanning along the year 2013, Occult Esoterica AV Gatherings, curated in collaboration with intermedia artist Ana Carvalho.
The proposal made to EdP – Editora do Porto (in the person of its administrator, João Ricardo) for the release of this compilation emerges as a consequence of shared common cosmologies which have gradually been transmuted into friendship, and also of João Ricardo’s encyclopaedic musical knowledge, while the invitations made to the artists taking part in it are the logical result of a chaining together of elective affinities (a process permanently taking place since the first Homeric dawn).

Júlio Mendes Rodrigo
Porto, December 23, anno 2014, era vulgaris


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