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Since 2010, many netlabels and artists publish their new free music releases on the clongclongmoo website. Free means that you don't have to pay anything or register to download music. However, you can usually pay something to support the artists. Please note the licenses under which the music is published. This is important to know what you are allowed to do with the music. Please visit the labels' homepages to get the free music. Most files are published under a creative commons licence. At netlabellist you will find an extensive list of websites that also offer (or have offered) free music. If you run a netlabel yourself or offer your music for free and want to draw attention to it, you are welcome to use the submission form. And remember that clongclongmoo is not there to do business, because “Business Is Not My Music.”

music tagged with: abstract

Elite Border – Jornada Laboral N°1

Elite Border – Jornada Laboral N°1
[pn182]

Elite Border

“Jornada Laboral N°1”

Elite Border decided not making it easy for the ones approaching this behemoth opus. A hypothetical eight-hour-working shift turned into a Julio Cortázar like sonic coven. Almost 500 minutes, to be approached in any order, from a series of listening instructions. The album (?) refers to intermingled references. There are glimpses of 1980s indie cassette underground, industrial experiences, but also from concrète and electroacoustic, “serious” music (so to speak); monologues, certain melodic atmospheres diluted to sheer abstraction: noise as raw material and aesthetic discipline (once again).

More than experimenting, there is a leaning towards discipline in our environments’ habitable chaos. A continuum marked by timelessness and an all-encompassing sonic feeling anywhere. Everywhere. Sections filled with rock vigor or oozing city folklore, replacing rural charm with factory rattling and urban atmosphere. Sheer electricity outbursts mingled with brittle notes, while strings introducing glossy melancholy shades. Since this is a proposal based on a dual concept, provided by Pedro Pablo Pedroso (Baltazár) and Pablo Enelotromundo García, it is extended by several guests, weaving an almost unrecognizable skein of instrumental voices. A passage towards ubiquity, the nerve of a present time in crisis.

Where Throbbing Gristle, Stockhausen, Ron Geesin, Merzbow, Kagel, Alain Neffe, Ground Zero current heirs, and any barrier-free sound sniper from last century onwards meet, Elite Border has found a realm between listening inevitability and the dense architecture of dreams. It takes time to face their “Jornada Laboral N°1”, but the imagery comes out startlingly alive from the experience.

Humberto Manduley López
Escritor y crítico musical cubano / Cuban writer and music critic.
(México. Febrero / February 2021)

Button: by-nc-sa
posted 01 March 2021

room101 – mgnetic

room101 – mgnetic
[zen225]

room101

“mgnetic”

abstract experimental music, kind of incomprehensibility and elusiveness of the moment captured in repetition which is in fact a difference. dramatic moment of catching a reasonable point within infinitely flowing chaotic existence.

www.zenapolae.com/releases/zen225/zen225__room101__mgnetic__02_continus.mp3

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posted 22 February 2021

Runi Graph – For I know that the view of a tree is not subjective

Runi Graph – For I know that the view of a tree is not subjective
[mhrk266]

Runi Graph

“For I know that the view of a tree is not subjective”

“I address this to you, to the one who thinks on fake grounds.
I become calmer…
for I know that the view of a tree is not subjective,
Because a tree is a tree.
It cleanses my lungs from the corporate air that you emit.
I sit here, watching the stream of your hunger.
No basis, no center.
You said ‘subjective’,
I said ‘you turn a blind eye’,
You thought ‘he doesn’t get it’
I thought ‘What a painful life when you live it as an alibi’
No progress,
No basis, No Center
No progress,
Just peevishness and hunger.
The level of your assumptions is out of control
You still carry on thinking that I cannot see behind your wall.
You still carry on thinking, You still carry on thinking
The level of your assumptions is out of control.
It’s sky high, It’s sky high,
You’re brilliant.”

Released February 21, 2021

Runi Graph [a.k.a. Mike Blackbeat] is a percussionist and drummer from Greece, working with tribal beats and experimental sounds.

He has collaborated on sessions with the projects Psyche Glyphs, Kostadis, Sodadosa and Bridal Veil.

He is also 1/2 and founding member of HAU, a duo band established by two friends with common concerns in 2012, producing an amalgam of industrial, noise improvisation, techno, analog sound and various other genres that has released the “Brilliant Gospel Alibi” album on DVNTT.

This debut EP was recorded in July 2020
All songs written and performed by Runi Graph
Recorded by Wee, Mixed by Wee and Runi Graph
Tracks 1, 2 mastered by Wee, tracks 3, 4 mastered by John Pratikakis @ Groove Studio

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posted 22 February 2021

Laurent Fairon – Suite Rustique

Laurent Fairon – Suite Rustique

Laurent Fairon

“Suite Rustique”

Suite Rustique is a collection of musique concrète tracks recorded during winter 1990–91 in Angoulême, France. The album features experimental and collage music inspired by nature sounds – animals, gardening, hunting, bird watching. Sounds were created using traditional music instruments, self-build instruments, manipulated cassette tapes, mini Casio sampler, sound effects, voice, poetry. The album also features 2 poems by the composer. All originally recorded and mixed on a Tascam Porta 05 analog 4-track cassette recorder.

First published as a special, handmade packaging cassette limited to 5 copies given to friends. Reissued by French cassette label Nos Yeux Aveugles as side B of “2 Pistes (A & B)”, 1991 – see Discogs.

Recorded in 1990–91.
Digitized and remastered in February 2021.
Total time: 41mn.
Artwork+design: L.F. 2021.

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posted 10 February 2021

organon contemporaneous – ramshackle

organon contemporaneous – ramshackle
[ACP 1298]

organon contemporaneous

“ramshackle”

cover art by Claus Poulsen
design by EMERGE

ramshackle is an album composed of 6 files, which rises within the avant-garde music, without time or balance. Only the cinematic sound that transports us to the unstable and decrepit world of sounds processed from synthesis by micro-assembly and convolution techniques. In a world in which the technique is tuned by the intermittency and instability in which chaos prevails. Alternated by deep, fruitful and parameterized sounds through the junction and caustic frequencies.

Button: by
posted 09 February 2021

Mathieu St-Pierre – Online Messages in Cardboard Boxes

Mathieu St-Pierre – Online Messages in Cardboard Boxes
[mhrk263]

Mathieu St-Pierre

“Online Messages in Cardboard Boxes”

Following the steps of his debut album “These Elephants”, Mathieu St-Pierre re-engages with the concept of cyberspace as a means to explore his ambient and drone compositional approaches via the pool of data that is the internet.

As a result, his second album and Mahorka debut “Online Messages in Cardboard Boxes” was constructed solely by scavenging the net for sound textures and later altering and arranging them to create unique soundscapes. So as much as there was lots of time spent designing the compositions, an at least equal amount of time was involved in the research phase. “Online Messages in Cardboard Boxes” is a voyage beyond the keyboard, the monitor and the WWW, it takes us on a trip from the busy streets of a virtual metropolis to the melted ruins of a broken e-map. Each track was conceived as a gateway to the cloud of our mind.

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posted 30 January 2021

js – t00n’z.l00p’d

js – t00n'z.l00p'd

t00n’z​.​l00p’d

“\js”

[eo sube]

what is a l00p
————–
* may be played on repeat
* short (~ 64 seconds)
* musically incomplete (additions possible)
* sounds from machines (samples ok)

the l00p’z in the collection do not always follow these guidelines
(may (also) be t00n’z).

tracks
——
* l00p.z3r0 (pin planes)
* l00p.0n3 ((not) only talk)
* l00p.tw0 (sundy sun ra)
* l00p.thr33 (selfness (recursed))

notes
—–
* #looptober
* sounds from orba (voices from youtube)
* (contemplation… more
credits
released October 31, 2020

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posted 22 January 2021

Molez – Álomkór

Molez – Álomkór

Molez

“Álomkór”

IGLOO MAGAZINE :: Best of 2020

igloomag.com/features/best-of-2020?fbclid=IwAR22ZJXUYy4F6gbpEacGTiYJhjPuzF1Cc003vbZ6Ya-lO4l-5VuHWqJNjAA

IGLOO MAGAZINE _ Molez :: Álomkór EP _ REVIEW

“Whether controlled or uncontrolled, each piece provides an intricate perspective of lo-fi modular electronics that straddles the lines between minimal glitch to downtempo acidic sounds.”

Read the full article here:
igloomag.com/reviews/molez-alomkor

Button: no
posted 16 January 2021

entropija – genealogija B: 2016-2018

entropija – genealogija B: 2016-2018
[EEM060]

entropija

“genealogija B: 2016-2018”

Continuing on from “genealogija A”, this is the second instalment of a retrospective collection. Including sounds from even before the start of entropija project, the album timeline spans almost 2 years, between August 2016 and June 2018. In contrast to previous album‘s colorful dynamics, this is a document of a more abstract side of entropija‘s performative spectrum. Clusters and bits of sound engage in complex interactions, trying to morph into a cohesive body, but the form seems to escape each time just before solidifying. Hints of order or harmony are quickly overwhelmed, and by the end, completely buried under layers of intersecting accidents. If there was a genre label suitable for this record, “liquid noise” would probably be it.
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posted 20 December 2020

Pedro Maras – Tipping Point

Pedro Maras – Tipping Point
[mhrk261]

Pedro Maras

“Tipping Point”

“The IPCC AR5 defines a tipping point as an irreversible change in the climate system. It states that the precise levels of climate change sufficient to trigger a tipping point remain uncertain, but that the risk associated with crossing multiple tipping points increases with rising temperature.

In the context of climate change, an “adaptation tipping point” has been defined as “the threshold value or specific boundary condition where ecological, technical, economic, spatial or socially acceptable limits are exceeded.

Tipping point behaviour in the climate can also be described in mathematical terms. Tipping points are then seen as any type of bifurcation with hysteresis. Hysteresis is the dependence of the state of a system on its history. For instance, depending on how warm and cold it was in the past, there can be differing amounts of ice present on the poles at the same concentration of greenhouse gases or temperature

In a study inspired by “mathematical and statistical approaches to climate modelling and prediction”, the authors identify three types of tipping points in open systems such as the climate system – bifurcation, noise-induced and rate-dependent. The idea of tipping points in climate science, as indicated by palaeoclimate data and global climate models, suggest that the “climate system may abruptly ‘tip’ from one regime to another in a comparatively short time.

Bifurcation-induced tipping refers to changes in dynamical systems that occur when a small smooth change made to bifurcation parameters of the system causes an abrupt or sudden topological change in the behavior of the system. In the Atlantic Meridional Overturning Circulation (AMOC), slow passage to the bifurcation parameters – the salinity, temperature and density of water – could cause the AMOC to abruptly collapse when it reaches a critical tipping point. Currents of warm, seawater in the upper layers of the Atlantic flow north, while currents of colder, deep waters from the North Atlantic flow south, like a conveyor belt known as thermohaline circulation. Downwelling occurs when the warmer, higher-density seawater accumulates and sinks beneath the colder, lower density less saline water from glacier melt. An AMOC collapse would occur if downwelling was inhibited . [critical slowing down] (CSD) “occurs because a restoring feedback is weakening as a bifurcation-type tipping point is approached.

Noise-induced tipping refers to transitions due to random fluctuations or internal variability of the system, as in the Dansgaard-Oeschger events during the last glacial period, with 25 occurrences of rapid climate fluctuations.

Rate-induced tipping occurs in an “excitable system” – such as peatlands – when one of the systems parameters is “ramped” through a “steady, slow and monotonic change” eliciting a “large excitable response”. In the case of peatlands, the rate-induced tipping point results in an “explosive release of soil carbon from peatlands into the atmosphere” – “compost bomb instability”.”

Released December 19, 2020 as free (cc) download and limited edition cassette.

“Thanks to the Mahorka team and Esther De Laet”.

Cover artwork by Pedro Maras and Ivo Petrov.

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posted 19 December 2020

Point – Human Music II

Point – Human Music II
[DigitalDiamonds081L]

Point

“Human Music II”

We are honoured to present Point’s latest full-length album, the sequel, Human Music II. Point (GER) continues to present his signature style at an incredibly high calibre. Call it a blend of 80’s-futuristic-space-electronica containing hints of progressive techno and house, if you will. His precision sound pallet consists of 808’s, retro-analog synths, fidgety percussion and lush, gravitating reverbs. He weaves these tone colours in a daring and delicate manner while leading you on an eluding quest to the centre of a multi-dimensional digital mirage. Plugin and feed yourself to this slow-burning soundtrack.
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posted 19 December 2020