Joewee Love!
Track list:
1. Cinta (Love)
2. Mengharapkanmu (Hoping you)
3. Selamanya (Forever)
Canciones / Tracks:
1. Adira
2. Texturas
3. Tribal
4. De La Rue
5. Masai
6. X2
Scratchy analog electronic ruminations from a quiet veteran Ministik, that ebb and flow like natural processes of evolution, growth or/and decay.
Perception and alienation, with (re)use of techniques, sources, and designs are the main features in his work expressing the world as the artist sees it.
Strange shifting rhythms, finely shaped clouds of noise, and distant techno patterns. Ministik is not a normal DJ. This craftsman will invite you to lose yourself in the depths of the abstract sounds and surreal melodies on concrete based drum patterns.
The ‘Non Human‘ robot has been reduced to the minimum expression, a microchip with software. This allows his artificial brain to survive practically intact to the holocaust of the ‘Fin del Tiempo’.
‘Fin del Tiempo’ is the conclusion of a series of works under one concept with the aliases of Gozne and Zacarías Malden.
‘Fin del Tiempo’ initiates the definitive fusion of styles, where the rhythmic essence of Gozne merges with the purely experimental style of Zacarías Malden.
‘Nation will rise against nation; there will be earthquakes in many places, hunger and turmoil, terror and signs in the heavens; it is necessary for this to happen, but it is not yet the end. ‘ (Jesus of Nazareth). This is also the ‘Fin del Tiempo’, believe it or not, it is already happening.
For this described above, it was appropriate to write the review and / or presentation of the work myself (Gozne), to take the opportunity to thank my family, while ending a stage of my musical career and at the same time initiating another that is more abstract and primitive, minimalist and practically binary, both in audio and video.”
Eduardo Gozne
(Quilpué, Chile. Diciembre / December 2017)
Debut EP by Immortal Sun on Digital Diamonds! After releasing on Techgnosis Records, Immortal Sun delivers 4 fresh, exciting and groovy tracks, with that pinch of psychedelic. An innovative fusion between Progressive Minimal & Microhouse, cutting edge Melodic Techno!
The composition and recording of these works developed between July and September, combining the use of synthesizers with the use of unusual resources, such as the recording of sounds and electromagnetic emissions emitted by laboratory instruments and the conversion into sound of fossil images and diagrams concerning Climate Change through special software. We launched it in the framework of the opening of the IX Latin American Congress of Antarctic Science, an event that in early October 2017 brought together more than 300 researchers in the city of Punta Arenas (Chile).
The presentation of these works is accompanied by images provided by the Department of Communications and Education of the Chilean Antarctic Institute, which shows excavations in Cerro Guido (Torres del Paine commune), marine studies in the Magallanes channels, and images of the last two versions of the Antarctic Scientific Expedition (ECA), the latter including recordings made with drones on Chilean scientific bases in the Antarctic Peninsula and South Shetlands.
For us, it is very important to link art with the science that is being realized in the territory that we inhabit, because we believe that being of the Magallanes concerns not only knowing about our regional past, but also in imagining a future based on the search for knowledge. This work is dedicated to the women and men who study both the remote past and the uncertain future, entering the southern bastions. There, between the wind and the ice, they are discovering the keys to our destiny.”
Lluvia Ácida
(Punta Arenas, Magallanes, Chile. Octubre / October 2017)
What we have in this debut release, named “Beats and Stabs and Kick in Four,” is the strong intent to basically dive into the fat obscure electronic moods of dub techno, somehow near to the Berlin scene if you like. The release has an ideal split in the middle of its playlist, switching from dub techno to more dub idm-oriented tracks.
“Proyecto inspirado en la constante transformación de Londres, concretamente en el “East London post-code”, lugar donde vivía, que fue recientemente demolido para construir nuevos edificios hechos de aluminio, vidrio templado y caucho y madera.”
ARTIST: Unlitt
RELEASE TITLE: Free Weapons
CAT Nº:TRANZ066
RELEASE DATE:October01, 2017
FORMAT: Mp3 / 320kbps / 44.100MHZ
GENRE: Electronic
SUB-GENRE:Techno, Tech-house
TOTAL TIME: 22:34
SIZE: 63,8MB
TRACKLIST:
01.Floating (Original Mix) (6:43)
02. Hyperspace (Original Mix) (6:43)
03.Lo-Sci (Original Mix) (9:08)
Catalogue: DigitalDiamonds050L
Format: Compilation
Released: September 2017
Digital Diamonds is proud to present ‘Digital Decade’, an ambitious release that celebrates the label’s 10 years of activity in the underground scene and being run by Alic.
As on the former 4 parts of this series of EPs, the goal was to produce the tracks using vintage hardware exclusively.
This EP features good, old machines like the Roland TR-626, the Roland MC-303, the Roland D-50, the Roland JV-2080 and the EMU ESI-4000 – mixed on an analog mixing console by Allen&Heath.
mastered by pheek
Daniel, The teenager who had been taken captive, came to realize that God was miraculously working with him … but not only to preserve his life. God was revealing through him some major prophecies of future world-ruling empires. As a resident of the world’s premier capital city and AS an honored wise man in King Nebuchadnezzar’s court, Daniel demonstrated God’s superiority over the pagan gods of Babylon and left a legacy of faithful obedience to God in spite of grave trials and tribulations.
Inspired by the Old Testament book, Italian producer Orlando La Montagna adapts the story of Daniel and transforms it into a dub adventure, introducing different variations of the same riddim just like the different chapters of the book. Each track has a deep spiritual ambience; starting with “Induction in Babylon” where Daniel is introduced in the hard Babylonian system through a stepper-techno beat and ending with “Life Giver”, which sends the final message to our permissive society of power-hungry people … to a nation without God. Daniel’s situation in Babylon sounds quite a bit like our own, doesn’t it?
